III

The same landscape as watched by the three under the hedge, but

viewed from the other side. In the foreground, half hidden among the

patches of gorse on a gentle slope, is a long irregular line of

perhaps twenty guns. It is difficult even at this short distance to

count their number, for they are dotted about here and there amongst

the clumps of cover. Though of a grayer hue, they have a strong

family resemblance to those others resting in the little lane on the

hillside. By each is a water-bucket, the purpose of which is shown

by the damp earth round the gun, and the absence of dust. Alongside

also are little shelter-pits dug for the gun detachments, the bright

yellow of the freshly turned earth artfully concealed with pieces of

bush. The guns, the limbers, and the very horses themselves--over

there in the rear--are embowered in greenery. The incongruous

Jack-in-the-Green appearance thus given to these engines of

destruction seems at first ill-timed foolery. It strikes a jarring

note, as does laughter in the presence of death. Overhead, to one

side of the line of guns, a huge yellow balloon sways in the rising

wind and strains at the cable which slants away down to a small

collection of wagons in a convenient hollow.

To the general din of battle all round is periodically added the roar

of some of the guns in the line as a target worthy of a "_rafale_" of

shell is found. The paroxysms of noise indulged in at intervals by

these quick-firers are the only sign they give of their action, for

they neither belch out flame nor kick up dust. Each fresh outburst

seems to call up an echo from the direction of some absurdly

ill-concealed earthworks about half a mile to the rear. The enemy

are shooting badly. Few shells fall near the guns, though many pass

over with a shriek to burst in the neighbourhood of those conspicuous

earthworks, whose parapet must be a very shell trap, so continuous

are the explosions on it. An occasional heavy shell rumbles up from

the South, and, passing over with the noise of an electric tram,

detonates in a fountain of yellow earth near the same target.

Near the focus of these explosions are a number of men sitting at the

bottom of deep holes, and from their occupation it appears that not

all the explosions so close to them are caused by hostile shell.

They are busily employed in setting off flash bombs just outside

their yellow parapet whenever their own artillery fires. And as two

more shrapnel from different directions whistle high above the

much-decorated guns, and burst over the pits, it is clear that the

latter are the targets aimed at.

This is the method in the madness of these troglodytes in their pits

and of the other stage effects.

Some little way from his guns is a dried-up saturnine sort of man,

dirty and anything but smart--the commander of the artillery. He is

talking to a staff-officer, with occasional pauses as he stoops to

gaze through a telescope mounted on a tripod, not to the southeast,

in which direction his guns are firing, but toward the hills to the

east. Close by sits another officer at a field telephone in a hole

in the ground; such work is at the present moment too important for

an orderly. From the instrument a cable, sagging from one bush to

another in loops, leads toward the wagons near the balloon anchorage:

this cable is the nerve leading from the eye up aloft to the nerve

centre below. A few soldiers are sitting about. Not only do these

men wear a different uniform from those other gunners now perspiring

on that hillside, but they are unmistakably of a different race.

The Commander again takes a long look toward the hills where

something seems to excite his apprehension, for he converses

earnestly with the staff-officer, and the two look more than once

toward a poplar tree the top half of which is visible above that hill

on the East. The wind increases.

The distant balloons are already gradually descending, and a message

shortly comes down from the observer above that it is too windy to

remain up. The word is given, and slowly the great mass is hauled

down to the depression near the wagons, where it is practically

hidden, its approach to the ground being the occasion of special

attentions from the enemy. Here, like Gulliver among the

Lilliputians, it is seized by many hands and bound. Hardly has it

nestled, with much heaving of billowy sides, into its hollow, when

the eye is attracted by something dancing up and down among the

brushwood close to it. It is an oblong framework, partially covered

with dirty gray canvas, which has commenced to make sundry abortive

little swoops up into the air, ending in abrupt dives down again to

earth. Finally this weird kite--for kite it is--makes up its mind

and sails steadily upward to the tune of its whining cable-drum. Up,

up it goes, holding well in the strong breeze till it becomes a mere

speck in the sky. Another kite follows, then another, and again one

more, threaded on the same cable, till with the combined pull it is

stretched as taut as a piano wire, and hums in the breeze like the

weather mainstay of a racing yacht.

The Commander walks over to the starting-point of the kites, where,

sitting near an exaggerated clothes-basket, is a young officer. He

is unshaven, his face is pale and drawn, and he appears worn out as

he sips slowly from the cup of his flask, but as his senior

approaches, he rises, salutes, and listens attentively to his

somewhat lengthy instructions. He is an exceptionally slight man,

and his general air of fatigue is explained by the fact that he has

been observing from the balloon for the past three hours; the dark

rings under his eyes show where the constant strain has most told.

In spite of this he is again to go up in the kite, not because there

is none other capable, but because the advantage of having up aloft a

pair of eyes that already know the lie of the country is at the

present juncture of greater importance than the fatigue of any man.

As the Commander concludes his harangue, a shell bursts on the ground

close to him, covering him with sand. He does not pause to shake the

sand off, but finishes his sentence: "Of course it is a chance, but

they may not notice you go up against this cloudy background, and may

be tempted to take up that position by seeing the balloon go down.

If they do, well--" and he looks toward his guns and smiles

thoughtfully.

The younger man nods, takes one more pull at his flask, feels if both

pairs of field-glasses are hanging round his neck--he carries

two--straps a telephone receiver and mouthpiece round his head, and

climbs into the clothes-basket which is held by the men. The basket

is attached to the rigid kite cable by runners. After the gear is

tried, another large kite, which is harnessed to his prosaic-looking

chariot, is thrown into the air. Making one or two ineffectual

dives, it catches the wind and begins to pull. Slowly at first the

observer rises, then faster as the great wings above him catch more

of the breeze. Now they feel it, and up he sails like a pantomime

stormfiend, to the accompanying moan of the wire vibrating in the

wind. In a few moments he is a stationary spot far up on the

slanting wire.

How insignificant in contrast to the great bulk of the balloon does

the whole collection of kites appear--yet--the eye is there.

Masterpieces of Adventure—Stories of the Sea and Sky · 第 14 / 32 题