CHAPTER II

WHAT PENELOPE COULD NOT TELL THE DOCTOR

(_Fragments from Her Diary_)

_Atlantic City, Tuesday._

I cannot tell what is on my mind, I cannot tell _anyone_, even a doctor;

but I will keep my promise and look into my past life. I will open those

precious, tragic, indiscreet little volumes bound in red leather in

which I have for years put down my thoughts and intimate experiences. I

have always found comfort in my diary.

I am thirty-three years old and for ten years, beginning before I was

married, I have kept this record. I wrote of my unhappiness with my

husband; I wrote of my lonely widowhood and of my many temptations; I

wrote of my illness, my morbid cravings and hallucinations.

There are several of these volumes and I have more than once been on the

point of burning them, but somehow I could not. However imperfectly I

have expressed myself and however mistaken I may be in my interpretation

of life, I have at least not been afraid to speak the truth about myself

and about other women I have known, and truth, even the smallest

fragment of it, is an infinitely precious thing.

What a story of a woman's struggles and emotions is contained in these

pages! I wonder what Dr. Owen would think if he could read them.

Heavens! How freely dare I draw upon these intimate chapters of my life?

How much must the doctor know in order to help me--to save me?

Shall I reveal myself to him as I really was during those agitated years

before my marriage when I faced the struggle of life, the temptations of

life--an attractive young woman alone in New York City, earning her own

living?

And how shall I tell the truth about my unhappy married life--the

torture and degradation of it? The truth about my widowhood--those two

gay years before the great disaster came, when, with money enough, I let

myself go in selfish pursuit of pleasure--playing with fire?

As I turn over these agitated pages I feel I have tried to be honest. I

rebel against hypocrisy, I hate false pretense, often I make myself out

worse than I really am.

In one place I find this:

"There is no originality in women. They do what they see others do, they

think what they are told to think--like a flock of sheep. Their hair is

a joke--absurd frizzles and ear puffs that are always imitated. Their

shoes are a tragedy. Their corsets are a crime. But they would die

rather than change these ordered abominations. So would I. I flock with

the crowd. I hobble my skirts, wear summer furs, powder my nose, wave my

hair (permanently or not) according to the commands of fashion, but I

hate myself for doing it. _I am a woman!_"

I am a woman and most women are liars--so are most men--but there is

more excuse for women because centuries of oppression have made us

afraid to tell the truth. I try to be original by speaking the

truth--part of it, at least--in this diary.

On one page I find this:

"The truth is that women love pursuit and are easily reconciled to

capture. Why else do they deck themselves out in finery, perfume

themselves, bejewel themselves, flaunt their charms (including decolleté

charms and alluring bathing suit charms) in every possible way? I do

this myself--why? I have a supple figure and I dance without corsets, or

rather with only a band to hold up my stockings. I wear low cut evening

gowns, the most captivating I can afford. I love to flirt. I could not

live without admiration, and other women are the same. They all have

something that they are vain about--eyes, nose, mouth, voice, teeth,

hair, complexion, hands, feet, figure--_something that they are vain

about._ And what is vanity but a consciousness of power to attract men

and make other women envious? _There are only two efforts that the human

race take seriously (after they have fed themselves): the effort of

women to attract men, the effort of men to capture women._"

* * * * *

_Wednesday._

In searching back through the years for the cause of this disaster that

has brought me to the point where a woman's reason is overthrown, I see

that I was always selfish, absorbed in my own problems and vanities, my

own disappointments, grievances, emotions. It was what I could get out

of life, not what I could give, that concerned me. I was vain of my good

looks. I craved admiration.

Once I wrote in my diary:

"I often stand before my mirror at night before I go to bed and admire

my own sombre beauty. I let my hair fall in a black cloud over my

shoulders, then I braid it slowly with bare arms lifted in graceful

poses. I sway my hips like Carmen, I thrust red flowers into my bosom. I

move my head languidly, letting my white teeth gleam between red lips. I

study my profile with a hand glass, getting the double reflection. I

smile and beckon with my eyes. Yes, I am a beautiful woman--primeval,

elemental--I was made for love."

Again I wrote, showing that I half understood the perils that beset me:

"Women are moths, they love to play with fire. They are irresistibly

driven--like poor little birds that dash themselves against a

lighthouse--towards the burning excitements connected with the

allurement of men. They live for admiration. The besetting sin of all

women is vanity; _vanity is a woman's consciousness of her power over

men._"

And again:

"It is almost impossible for a fascinating woman not to flirt a

little--sometimes. For example, she passes a man on the street, a

distinguished looking man. She does not know him, but their eyes have

met in a certain way and she feels that he is attracted by her. She has

on a pretty dress with a bunch of violets. She wonders whether this man

has turned back to look at her--she is sure he has--she longs to look

back. No matter how much culture and breeding she has, _she longs to

look back_!"

No wonder that, with such thoughts and inclinations, I was always more

or less under temptation with men, who were drawn to me, I suppose, just

as I was drawn to them. And I tried to excuse myself in the old way, as

here:

"It is certain that some women have strong emotional desires, whereas

other women have none at all or scarcely any. This fact has an evident

bearing upon the question of women's morality. Some women must be judged

more leniently than others. I have wondered if there are similar

differences in men. I doubt it!"

Of course I had agitating experiences with men because I half invited

them. It seemed as if I could not help it. As I said to myself, I was a

moth, I wanted to play with fire.

On the next page I find this:

"Seraphine disapproves of my attitude towards men. She gave me a great

talking to last night and said things I would not take from anyone else.

Dear old Seraphine, she is so fine and kind! She says there is nothing

in my physical makeup that compels me to be a flirt. I can act more

discreetly if I wish to. It is my mental attitude toward romantic things

that is wrong. Thousands of women just as pretty as I am never place

themselves in situations with men that are almost certain to lead them

into temptation. They will not start an emotional episode that may

easily, as they know quite well, have a dangerous ending. But I am

always ready to start, confident that my self-control will save me from

any immediate disaster. And so far it always has."

How earnestly Seraphine sounded her warning. I wrote down her words and

promised to heed them: "_Remember, dear, that emotional desire

deliberately aroused in 'harmless flirtations' and then deliberately

repressed is an offense against womanhood, a menace to the health, and a

degradation to the soul._"

* * * * *

_Thursday night._

I am horribly sad tonight--lonely--discouraged. The doctor wants to know

about my married life, about my husband. Why was I unhappy? Why is any

woman unhappy? Because her love is trampled on, degraded--the spiritual

part of it unsatisfied. Women are made for love and without love life

means nothing to them. Women are naturally finer than men, they aspire

more strongly to what is beautiful and spiritual, but their souls can be

coarsened, their love can be killed. They can be driven--they have been

driven for centuries (through fear of men) into lies and deceits and

sensuality or pretence of sensuality.

The great tragedy of the world is sensuality, and it may exist between

man and wife just as much as between a man and a paid woman. I don't

know whether the Bible condemns sensuality between man and wife, but it

ought to. I remember a story by Tolstoy in which the great moralist

strips off our mask of hypocrisy and shows the hideous evil that results

when a man and a woman degrade the holy sacrament of marriage. That is

not love, but a perversion of love. How can God bless a union in which

the wife is expected to conduct herself like a wanton or lose her

husband? And she loses him anyway, for sensuality in a man inevitably

leads him to promiscuousness. I know this to my sorrow!

Perhaps I am morbid. Perhaps I see life too clearly, know it too well. I

do not want to be cynical or bitter. Oh, if only those old days of faith

and trust could come back to me! When I think of what I was before I

married Julian I see that I was almost like a child in my ignorance of

the animal side of man's nature....

* * * * *

_Friday._

Dr. Owen thinks my trouble is shell shock, but he is mistaken. I have

taken care of too many shell shock cases not to recognize the symptoms.

Can I ever forget that darling soldier boy from Maryland who mistook me

for his mother? "They're coming! They're coming!" he screamed one night;

you could hear him all over the hospital. Then he jumped out of bed like

a wild man--it took two orderlies and an engineer to get him back under

the covers. I can see his poor wasted face when the little doctor came

to give him a hypodermic. There he lay panting, groaning: "Oh those

guns! Oh those guns! They break my ears!" Then he sprang up again, his

eyes starting out of his head: "Look out, there! On the ammunition

cart! Look out, Bill! Oh my God, they've got Bill--my pal! Blown him to

hell! Oh, oh, oh!" and he put his head down and sobbed like a woman.

That is shell shock. I have nothing like that. I know what I am doing.

* * * * *

There was a storm today with great crashing waves, then everything grew

calm under a golden sunset. I take this as a good omen. I feel happier

already. The infinite peace of Nature is quieting my soul. I love the

sea. I can almost say my prayers to the sea.

* * * * *

_Saturday._

The swimming master pays me extravagant compliments every morning when I

splash about in the pool. I know my body is beautiful. Thank God, I have

never imprisoned it in corsets.

I love the exercises I do in my room every morning. They bring back the

play spirit of my childhood. When I get out of bed I slip into a loose

garment, then I lie on the floor and stretch my spine along the

carpet--it's wonderful how this exhilarates one. After that I take deep

breaths at the open window, raising and lowering my arms--up as I draw

my breath in, down as I throw it out. Then I lie down again and lift my

legs straight up, the right, the left, then both together. I do this

twenty times, resting between changes and taking deep breaths.

I sit cross-legged on the floor with my feet on a red and gold cushion

and rotate my waist like an oriental dancer. I stand on my head and

hands and curve my body to right and left in graceful flexings. I do

this no matter how cold it is. I do not feel the cold, for I am all

aglow with health and strength. Then, before my bath, I do dumb-bell

exercises in front of the mirror.

I remember dining with my husband one night in a pink lace peignoir--we

had been married about three years--and during the dessert, I excused

myself and went into my bedroom and, posing before a cheval glass, I let

the peignoir slip off my shoulders, and stood there like a piece of

polished marble, rejoicing in my youth and loveliness!

How I hated my husband that night! He had taught me to drink. He had

made me sensual. He had not yet assumed the coarse, red-faced brutish

aspect that he wore later, but he had a coarse, red-faced brutish soul.

Alas! his body was still fine enough to tempt me. And his mind was

devilishly clever enough to captivate my fancy. He took away my faith,

_even my faith in motherhood_. That was why I chiefly hated him.

For three years my husband disgusted me with his unfaithfulness. No

woman was too high or too low, too refined or too ignorant, for his

passing fancy, if only she had physical attractiveness--just a little

physical attractiveness. Anything for variety, shop girl or duchess,

kitchen maid or society leader, they were all the same to Julian. He

confessed to me that he once made love to a little auburn-haired

_divorcée_ while they were in a mourning carriage going to her sister's

funeral. _Et elle s'est laissée faire!_

He was like a hunter following his prey, like an angler fishing, he

cared only for the chase, for the capture. That was the man I had

married!

What a liar he was! He poisoned my mind with his lies, assuring me that

all men were like himself, hypocrites, incapable of being true to one

woman. And I believed him. The ghastly part of it is I still believe

him. I can't help it. I have suffered too much. I can never have faith

in another man, not even in Captain Herrick. That is why I shall never

marry again--that is one reason.

* * * * *

_Sunday._

A wonderful day! I strolled along the board walk in my new furs, and met

a young mother pushing a baby carriage with two splendid baby boys--one

of them sucking at his bottle. Such babies! She let me hold the little

fellow and I cuddled him close in my arms and felt his soft cheeks and

his warm little chubby hands on my face. How I long for a baby of my

own! I have thought--hoped--dreamed--

I went to the movies this evening with some friends and laughed so hard

that I thought I would break something in my internal machinery.

When I returned to the hotel I found a letter from Captain Herrick--so

manly and affectionate. He loves me! And I love him, more than anything

in the world. I feel so well today, so glad to be alive that if Chris

were here, I think I would promise him whatever he asked. I long to give

myself entirely--_my beauty, my passion, everything_--to this man that I

love.

And yet--alas!

Am I bold and vain to call myself beautiful?

* * * * *

I find myself in my diary siding strongly with women against men in

anything that has to do with emotional affairs, although I like men

better than women. My tendency is always to blame the man. This is

partly because of the hideous wrong that was done me by my husband and

partly because I like to believe that, however blame-worthy women are in

the sex struggle and, whatever _faiblesses_ they may be guilty of, the

fundamental cause of it all must be found in centuries of men's

wickedness and oppression.

I have written about this with much feeling. In one place I say:

"Sometimes I feel as if there were a conspiracy of men--all kinds of

men, including the most serious and respectable--against the virtue of

attractive women. What a downfall of masculine reputations there would

be if women should tell a little of what they know about men! Only a

little! But women are silent in the main--through loyalty or through

fear."

And again:

"What happens to an attractive woman who is forced to earn her own

living? In the business world? In the artistic world? Anywhere? I do

not say that men are a pack of wolves, but--I had such a heartbreaking

experience, especially in my brief musical career. I might have had a

small part in grand opera at the Metropolitan Opera House, New York

City, so one particular musical wolf assured me, if I would show a

little sympathy with his desire to assist me in some of the

rôles--occasional private rehearsals, and so on. Oh, the beast!... He

gave the part to another girl (her voice did not compare with mine) who

was less particular, and she made her début the next season. I went to

work at Wanamaker's store!"

And still men pursued me.

I find this entry:

"Roberta took me to dinner yesterday at the Lafayette with her friend

Mr. G----, a man of sixty, red-faced, fat and prosperous, the breezy

Westerner type. He is giving a grand party at Sherry's and wants me to

come. I said I was afraid I couldn't, my real reason being that I have

no dress that is nice enough. He said nothing at the time, but kept his

eyes on me, and this evening, when I got home, there was a perfectly

stunning dinner gown--it must have cost $250.--with a note from Mr.

G---- begging me to accept it as I would a flower, since it meant

absolutely nothing to him.

"How I longed to keep that gown! I think I should have kept it if

Seraphine had not happened in.

"'Isn't this lovely?' I said, holding it up. 'Do you think I can accept

it?' Then I told her what Mr. G---- had said.

"She looked at me out of her kind, wise eyes.

"'Do you like him?'

"'Well--rather.'

"'Is he married or unmarried?'

"'I think he's married.'

"'Is he the man who gave Roberta her sables?'

"'Y-yes,' I admitted.

"She looked at me again.

"'I can't decide for you, Pen; you must settle it with your own

conscience; but I am sure of one thing, that, if you accept this dress,

you will pay for it, and probably pay much more than it is worth.'

"It ended in my sending the gown back and missing the dinner party,

which made Mr. G---- furious, he blamed Roberta for my resistance, and a

little later he threw her over. Like most men of that type who promise

women wonderful things, he was hard, selfish and exacting--a

cold-blooded sensualist. And poor Roberta, indolent and luxurious, was

obliged to go back to work--up at seven and on her feet all day for

twenty dollars a week. She had been spending twenty dollars a day!

"What is a woman to conclude from all this?" I wrote despairingly. "I

know there are decent men in the world; there are employers who would

never think of becoming unduly interested in their good-looking women

assistants, who would never intimate that they had any claim upon the

evenings of pretty stenographers or secretaries; there are lawyers who

would never force odious attentions upon an attractive woman whose

divorce case they might be handling--'_Dear lady, how about a little

dinner and a cabaret show tonight?_'--There are old friends of the

family, serious middle-aged men who would never take advantage of a

young woman's weakness or distress; but, oh dear God! there are so many

others who have no decency, no heart! A woman is desperate and must

confide in someone. She has lost her position and is struggling to find

another. She craves innocent pleasure--music, the theatre, the dance.

_She is so horribly lonely._ Help me, counsel me, she pleads to some man

whom she trusts--any man, the average man. Does he help her? Yes, on one

condition, that she use her power as a woman. Not otherwise. This is a

great mystery to women--how men, who are naturally kind, can be so

cruel, so persistent, so infernally clever in forcing women to use their

power for their own undoing."

* * * * *

_Tuesday._

Here is an interesting thing that Kendall Brown once said on this

subject--I recorded it in my diary along with other sayings of this

erratic Greenwich Village poet and philosopher:

"The sex power of women is the most formidable power ever loosed upon

earth," he declared one evening. "Thrones totter before it. Captains of

industry forget their millions in its presence. _Cherchez la femme!_

This terrible power is possessed by every dark-eyed siren in a Second

Avenue boarding house, by every languishing, red-lipped blonde earning

eighteen dollars a week in a department store. And she knows it! Others

have vast earthly possessions, stores of science, palaces of art,

knowledge without end--she has a _tresor_ that makes baubles of

these--she is the custodian of life, _she has the eternal life power_."

How true that is!

Again I wrote:

"It may be argued that women are willing victims of this man conspiracy,

I say _no_! Every woman in her heart longs to love _one_ man, to give

herself to _one_ man, to be true to _one_ man. Even the unfortunate in

the streets, if she receives just a little kindness, if she has only

half a chance and is encouraged to right living by some decent fellow,

will go through fire and water to show her gratitude and devotion. But

men give women no chance. They pluck the roses in the garden and trample

them under foot. Here is the great tragedy of modern life--_men wish to

change from one woman to another, whereas women do not wish to change. A

characteristic sex difference between men and women is that men are

naturally promiscuous, but women abhor the thought of promiscuousness._"

* * * * *

_Sunday._

A wave of repulsion runs over me as I quickly turn the pages of my life

with Julian. And then a faint whisper comes to me: "The _truth_, you

have promised to tell it--at least to your own soul."

_The truth!_

Slowly I turn back to what I wrote in those unhappy days:

"Why do I live with him? I no longer love him. At times I despise him

and his slightest touch makes me shiver with disgust, yet I continue to

endure this life--why?

"It is because of the great pity I have for him. He is weak and

helpless, almost child-like in his dependence on me. I am the prop which

holds up the last shreds of his self-respect. If I left him, he would

drift lower and lower, I know it. Sometimes I pass some awful creature

staggering along the sidewalks. He is dirty and uncared for. Long matted

hair falls across his bleared and sunken eyes. I say to myself: 'But for

you, Penelope Wells, that might be Julian.' And this gives me courage to

take up my burden once more."

* * * * *

And again I find:

"I am beginning to fear. I have been looking in my mirror and it seems

to me that my face is taking on the lines of animalism that I see daily

becoming deeper in Julian's face. Must I continue this degradation? If I

were helping him to raise himself--but I am not, not really. It's too

heavy a weight for me to bear. I am sinking ... sinking to his level. I

cannot stand it. It is killing me...."

* * * * *

And again:

"I am too heartsick to write....

"I began this a week ago in agony of soul when I tried to set down my

feelings about a horrible night with Julian, but I could not. He has

been drinking--drinking for weeks--neglecting his business, breaking all

his promises to me. What can I do? How can I help him, strengthen him,

keep him from doing some irrevocable thing that will utterly destroy our

home and make me lose him? In spite of his weakness, his neglect, his

faithlessness, I cannot bear the thought of losing him. My pride is

involved and--and _something else_!

"He had not come home for dinner that night and it was ten o'clock when

I heard the door slam. Julian came into the living room and as soon as I

saw him my heart sank. He dropped into a chair without speaking.

"'Tired, dear?' I said, trying to smile a welcome.

"'Dead beat,' he sighed and stared moodily into the fire.

"I went to him and rested my hand lightly on his head and smoothed back

his hair as he liked me to do. He jerked away.

"'Wish you'd let me alone,' he muttered fretfully.

"I drew back, knowing what this irritability meant, and we sat in

silence gazing into the glowing ashes. His fingers beat a nervous tattoo

against the chair and presently, with some mumbled words, he rose and

moved towards the door. Now I knew the fight was on, the fight with the

Demon, drink, that was drawing him away from me. I followed him into the

hall.

"'Don't go,' I pleaded, but he pushed my hand from the door-knob.

"'I'll be back soon,' he said, reaching for his hat.

"'Wait!' I whispered. Deep within I breathed a prayer: 'Brave heart,

have courage; nimble wit, be alert; warm, white body hold him fast.'

"'Come back ... before the fire ... I want to talk to you,' I leaned

against him caressingly, but I could feel no response as I nestled

closer.

"'Don't you care for me any more?' I questioned tenderly.

"He was still unyielding, his brain was busy with the thought of the

brown liquor that his whole system craved. Purposely I drew back my

flowing sleeve and placed my warm flesh against his face. He turned to

his old seat before the fire.

"'All right, I'll stay for ten minutes ... if what you say is

important.'

"When he was once more comfortable, I brought a cushion to his chair and

snuggled down at his feet, with my head resting against him. I drew his

half reluctant hand around my throat, then I exerted every part of my

brain force ... to hold him. Ceaselessly I talked of our old days

together--camping trips to the Northern woods of Canada, wonderful weeks

of idling down the river in our launch, days of ideal happiness, spent

together. I appealed to his love for me, his old love, and the memory of

our early married life. He was unresponsive, and I could feel the

restlessness of his fingers in my hair.

"Presently he pushed me aside, not ungently this time but,

nevertheless, firmly. Once more the struggle began, and now I must rely

on the old physical lure to hold him.... Well, I won. I kept him with me

but was it worth such a sacrifice? As I think ... I burn with shame."

There are many entries in my diary like this, for my life with Julian

was full of scenes when I tried so hard ... so hard ... all in vain!

* * * * *

Here is another picture:

"Last night Julian came home in a hilarious mood. His habitual sullen

look had gone and he almost seemed the man who had won me--before I knew

him as he really is.

"'Come along, Penny,' he laughed as he caught me in his arms. 'We're

going to celebrate. Dress up in that lacy black thing--you are seduction

itself in it.'

"His praise made me happy and, responding to his mood, I changed my

clothes quickly, and we set forth joyfully in anticipation of a pleasant

evening.

"Everything went well through the dinner, although I hesitated when

Julian ordered wine; but I was afraid to oppose him or to speak a single

jarring word.

"'Drink up, Penny, and have some more. My God, but you are glorious

tonight!' he whispered as he leaned across the table.

"I smiled and emptied my glass, and soon I became as reckless and jovial

as he. We went from one cabaret to another, laughing at everything. All

the world was gay. There was no sorrow anywhere--only one grand

celebration. Julian was never so fascinating. I was proud of his good

looks, of his wit, of his strength as he lifted me from the taxicab and

almost carried me into the house.

"'My darling!' I breathed as my lips brushed his cheek, 'I love you!'

"'You see, Penny, how wonderful everything is when you are reasonable.

If you will only drink with me once in a while, I'll never, never leave

you.'

"He placed me gently in a chair. Soon the room began to whirl around ...

and I knew no more....

"This morning my head ached and a thousand needles were piercing my

eyes. I rang for the maid and asked for my husband.

"'He brought you home last night, but he went out again later and he

hasn't come back,' she said and her eyes did not meet mine.

"'Was I--was I?' I stammered, shame possessing me.

"'Yes, Mrs. Wells, you were....'

"God! What have I gained? I have degraded myself without doing Julian

any good. I have sunk to his level and have not even been able to keep

him at my side. I hate him! I hate myself even more!"

* * * * *

I find a pitiful entry that I made only a few months before Julian was

killed. In a fit of anger he had left me, accusing me of being a drag on

his life, saying that I was to blame for all his follies. He was going

to be rid of me now. So he took all the money in the house and went

off--I should never see him again. At last I had what I had longed for,

my freedom, he had given it to me, flung it in my face. And then--

This is what I wrote six weeks later:

"Well, I'm a failure all right. Never again may I think well of myself

or feel that I am entitled to the joys of life. For I'm just a plain

moral coward. I couldn't even keep what was forced on me--my liberty.

"Last Wednesday he came back, such a miserable wreck of a man, so

utterly broken in every way that it would have moved a heart of stone.

Inside of me is a sorrow too deep for expression, but somehow a peace

also. Now I am sure that my bondage will never cease. But I couldn't

refuse to take Julian back when I saw what a state he was in. His

spiritual abasement was such an awful thing that I could not shame him

by even letting him know that I understood it."

* * * * *

_Monday._

I walked for hours beside the ocean, watching the waves, the sky, the

soaring gulls,--trying to tire myself out, searching into my heart for

the truth about my life--about my illness. I cannot find the truth. I

have done what Dr. Owen told me to do as well as I can and--I do not see

that any good has come of it. I have stirred up ghosts of the

past--leering ghosts, and I hate them. I am sick of ignoble memories. I

want to close forever the door on those unhappy years. I want to be

well, to live a sane life, to have a little pleasure; but....

* * * * *

_Thursday._

I am tired of Atlantic City. I am going back to New York tomorrow. No

doubt I have benefited by these days of rest and change. My bad dreams

are gone and I have only heard the Voices once. Dr. Owen will say that

his prescription has been efficacious, but that is not true. I know

_They_ are waiting for me in the city, waiting to torture me. Then why

do I go back? Because it is my fate. I am driven on by some power beyond

my control--driven on!

_Penelope will cross the ocean. Her husband will die very soon. There

will be war soon. She will go to the war and honors will be conferred

upon her on the battlefields. Then she will go down to horror--to

terror!_

How that prophecy of Seraphine haunts me! All of it has come true except

the very last. Horror! Terror! These two are ever before me. These two

already encompass me. These two will presently overwhelm me

unless--unless--I don't know what.

Seraphine is in New York, I have meant to go to see her, but--I am

afraid, I am afraid of what she will tell me!

_New York, Saturday._

I must set down here--to ease my tortured brain--some of the things that

have happened to me since I last wrote in this book, my confessional.

When I got back to town I found an invitation to go to a Bohemian ball,

and I decided to accept. _Vive la joie!_ So I put on a white dress and

went with Roberta Vallis and that ridiculous poet Kendall Brown. It was

the first time I had danced since my husband died and I enjoyed it.

Such a ball! They called it a Pagan Revel and it was! Egyptian costumes

and a Russian orchestra. Some of the Egyptian slave maidens were dressed

mostly in brown paint. Kendall says he helped dress them at the Liberal

Club. Good heavens! Kendall's pose of lily white virtue amuses me. He

went as a cave man with a leopard skin over his shoulders, and I danced

with him two or three times. His talk reminds me of Julian. How well I

know the methods of these sentimental pirates! What infinite patience

and adroitness they use in leading the talk towards dangerous ground!

How seriously they begin! With what sincerity and ingenuous frankness

they proceed, and all the time they know exactly what they are doing,

exactly what effects they are producing in a woman.

Kendall spoke of the modern dance in a detached, intellectual way. He

dwelt on one particular development in the fox trot--had I noticed

it?--there! that naval officer and the languishing blonde were doing it

now--which seemed to him unæsthetic. It might be harmful in some cases,

say to a Class A woman. Being curious, I asked what he meant by a "Class

A" woman and this gave Kendall his opportunity to discourse on

fundamental differences that exist among women, so he declares. I wish I

knew if what he says is true. He assures me he has it on the authority

of a Chicago specialist, but I never put much dependence on anything

that Kendall Brown says. If this is true the whole romantic history of

the world will have to be rewritten and the verdicts of numberless

juries in murder trials _passionels_ ought to be set aside.

The statement is that physical desire is universal among men, but not

among women. One-third of all women, Kendall puts them in Class C, have

no such desire; therefore, they deserve no particular credit for

remaining virtuous. Another third of all women are in Class B, the

normal class, where this desire is or is not present, according to

circumstances. The last third of all women make up Class A, and these

women, being as strongly tempted as men (or more so), are condemned to

the same struggles that men experience, and, if they happen to be

beautiful, and without deep spirituality, they are fated to have

emotional experiences that may make them great heroines or artists,

great adventuresses or outcasts.

I am sure I do not belong in Class C, I _hope_ I belong in Class B, but I

am afraid--

* * * * *

I knew _They_ were waiting for me. Last night I heard Them again--after

the ball. It was a horrible night! I shall write to Dr. Owen that I must

see him at once.

Possessed · 第 2 / 21 章