O. S.

* * * * *

A Matinée in aid of the Great Ormond Street Hospital for Sick Children

will be given at the Garrick Theatre on Wednesday, November 17th,

at 2.30, when a comedy by Mr. LOUIS N. PARKER will be presented,

entitled, _Pomander Walk_ (period 1805).

It is hoped that at the Alhambra Matinée on November 16th one thousand

pounds will be raised to complete the special pension fund for actors,

which is to be a tribute of affection to the memory of Mr. SYDNEY

VALENTINE, who, in the words of Mr. MCKINNEL, "did more for the rank

and file of the theatrical profession than any actor, living or dead."

* * * * *

="The Dog it was who Died."=

"At Dovey Board of Conservators at Barmouth it was decided

to ask Major Dd. Davies to hunt the district with his otter

hounds, and failing this the water bailiffs themselves should

attempt to stamp them out."--_Welsh Paper._

Major DD. DAVIES' answer is not known to us, but we assume that he

said, "Well, I'm Dd."

* * * * *

"Royal Surrey Theatre. Grand Opera. To-night, 8, Cav. and

Pag."--_Daily Paper._

More evidence of the paper-shortage.

* * * * *

[Illustration: _Affluent Sportsman (after a long blank draw)._ "NOW I

BET YOU WE'LL FIND AS SOON AS I LIGHT ONE OF MY HALF-DOLLAR CIGARS."

_Friend._ "DON'T YOU THINK WE MIGHT MAKE A CERTAINTY OF IT IF I LIT

ONE TOO?"]

* * * * *

=OUR BOOKING-OFFICE.=

(_By Mr. Punch's Staff of Learned Clerks._)

I do not think that even the most phlegmatic of Englishmen could

read _Francis and Riversdale Grenfell: a Memoir_ (NELSON) without a

quickening of the pulses. This is not to suggest that Mr. JOHN BUCHAN

has sought to make an emotional appeal--indeed he has told the tale

of these devoted brothers with a simplicity beyond praise--but it is

a tale so fine that it must fill the heart, even of those who were

strangers to them, with joy and pride. I beg you to read the memoir

for yourselves, and see how and why it was that these twin brothers,

from Eton onwards, radiated cheerfulness and a happy keenness wherever

they went. "Neither," Mr. BUCHAN writes, "could be angry for long, and

neither was capable of harshness or rancour. Their endearing grace of

manner made a pleasant warmth in any society which they entered; and

since this gentleness was joined to a perpetual glow of enthusiasm

the effect was triumphant. One's recollection was of something lithe,

alert, eager, like a finely-bred greyhound." Those of us who were not

personally acquainted with FRANCIS and RIVERSDALE GRENFELL will, after

reading this Memoir and the Preface by their uncle, Field-Marshal Lord

GRENFELL, seem to know them intimately. FRANCIS won the first V.C.

gained in the War, but when he read the announcement of it in _The

Gazette_ his brother was already killed and his joy of life was

quenched. "I feel," he wrote to his uncle, "that I know so many who

have done and are doing so much more than I have been able to do

for England. I also feel very strongly that any honour belongs to my

regiment and not to me." In that spirit he met his death a few months

later. In work and sport, in war or peace, the twins were ardent,

generous and brave, and their deaths were as glorious as their lives

were gracious and radiant. The profits of Mr. BUCHAN'S book are to

be devoted to the funds of the Invalid Children's Aid Association, in

which the brothers were deeply interested.

* * * * *

There are certain tasks which, like virtue, carry their reward with

them. No doubt Miss ELEANOUR SINCLAIR ROHDE would be gratified if

her book, _A Garden of Herbs_ (LEE WARNER), were to pass into several

editions--as I trust it will--and receive commendation on every

hand--as it surely must--but such results would be irrelevancies. She

has already, I am convinced, tasted so much delight in the making

of this, the most fragrant book that I ever read, in her delving and

selecting, that nothing else matters. Not only is the book fragrant

from cover to cover, but it is practical too. It tells us how

our ancestors of not so many generations ago--in Stuart times

chiefly--went to the herb garden as we go to the chemist's and the

perfumer's and the spice-box, and gave that part of the demesne much

of the honour which we reserve for the rock-garden, the herbaceous

borders and the pergola. And no wonder, when from the herbs that grow

there you can make so many of the lenitives of life--from elecampane

a sovran tonic, and from purslane an assured appetiser, and from

marjoram a pungent tea, and from wood-sorrel a wholesome water-gruel,

and from gillyflowers "a comfortable cordial to cheer the heart," and

from thyme an eye-lotion that will "enable one to see the fairies."

Miss ROHDE tells us all, intermingling her information with mottoes

from old writers and new. Sometimes she even tells too much, for,

though she says nothing as to how lovage got its pretty name, we are

told that "lovage should be sown in March in any good garden soil."

Did we need to be told that? Is it not a rule of life? "In the Spring

a young man's fancy...."

* * * * *

To my mind, amongst the least forgettable books of the present year

will be that to which Mr. SETON GORDON, F.Z.S., has given the title

of _The Land of the Hills and the Glens_ (CASSELL). Mr. GORDON has

already a considerable reputation as a chronicler of the birds

and beasts (especially the less approachable birds) of his native

Highlands. The present volume is chiefly the result of spare-moment

activities during his service as coast-watcher among the Hebrides.

Despite its unpropitious title, I must describe it without hyperbole

as a production of wonder and delight. Of its forty-eight photographic

illustrations not one is short of amazing. We are become used to fine

achievement in this kind, but I am inclined to think Mr. GORDON goes

one better, both in the "atmosphere" of his mountain pictures and in

his studies of birds at home upon their nests. To judge, indeed,

by the unruffled domesticity of these latter, one would suppose Mr.

GORDON to have been regarded less as the prying ornithologist than as

the trusted family photographer. I except the golden eagle, last of

European autocrats, whose greeting appears always as a super-imperial

scowl. Chiefly these happy results seem to have been due to a triumph

of patient camouflage, concerning which the author suggests the

interesting theory that birds do not count beyond unity, _i.e._,

if two stalkers enter an ambush and one subsequently emerges, the

vigilance of the feathered watchers is immediately relaxed. Should

this be true, I can only hope that Mr. GORDON will get in another book

before the spread of higher education increases his difficulties.

* * * * *

I should be inclined to call Mr. NORMAN DOUGLAS our only example of

the romantic satirist, though, unless you have some previous knowledge

of his work, I almost despair of condensing the significance of this

into a paragraph. For one thing the mere exuberance of his imagination

is a rare refreshment in this restricted age. His latest book,

with the stimulating title of _They Went_ (CHAPMAN AND HALL), is an

admirable example of this. Certainly no one else could have created

this exotic city with its painted palaces and copper-encrusted towers,

a vision of sea-mists and rainbows; or peopled it with so iridescent a

company--the strange princess; the queen, her mother; the senile king

who should have been (but wasn't) her father; _Theophilus_, the Greek

artist; the philosophic old Druidess, and the dwarfs who "chanted

squeaky hymns amid sacrifices of mushrooms and gold-dust." Perhaps

this random quotation may hint at the fantastic nature of the tale;

it can give no idea of the intelligence that directs it, mocking,

iconoclastic, almost violently individual. Plot, I fancy, seldom

troubles Mr. DOUGLAS greatly; it happens, or it does not. Meanwhile

he is far more concerned in fitting a double meaning (at least) to the

most simple-sounding phrase. To sum up, _They Went_ is perhaps not

for idle, certainly not for unintelligent, reading; for those who

can appreciate quality in a strange guise it will provide a feast of

unfamiliar flavours that may well create an appetite for more.

* * * * *

That clever writer, Mr. A. P. HERBERT, would lightly describe his

story, _The House by the River_ (METHUEN), as a "shocker." But

there are ways and ways of shocking. He might wish to show us the

embarrassments of a fairly respectable member of the intellectual

classes, living in a highly respectable environment, when he finds

that he has committed homicide; and he might make the details as

gruesome as he liked. But there was no need to shock the sensitive

when he made his choice of the circumstances in which the poet,

_Stephen Byrne_, inadvertently throttles his housemaid. It is a

fault, too, that his scheme only interests him so far as it concerns

_Stephen_ and his society, and that the horror of the tragedy from

what one may loosely call the victim's point of view does not seem to

affect him at all. Otherwise, even for the sake of brevity, he could

not so flippantly refer to the body, sewn in a sack and thrown into

the river, as just "Eliza." He may argue that he never thought of the

corpse as a real one and that the whole thing was merely an experiment

in imaginative art; but his details are too well realised for that,

and so is his admirable picture of the society of Hammerton Chase,

W., a thin disguise for a riverside neighbourhood easy to recognise.

I could never get myself quite to believe that _Stephen's_ friend,

_Egerton_, accessory after the fact, would so long and so tamely have

borne the suspicion of it; but for the rest Mr. HERBERT'S study of his

milieu shows a very intimate observation. If his _Stephen_, in

whom the highest poetic talents are found tainted with a touch

of coarseness, may not always be credible, the passion for

self-expression which leads him on to versify his own experience in

the form of a mediæval idyll, and so give himself away, is true to

life. But my final impression of Mr. HERBERT'S book--he will perhaps

think I am taking him too seriously--is that his many gifts and

notably his humour, whose gaiety I prefer to its grimness, are here

exercised on a rather unworthy theme.

* * * * *

[Illustration: MARTYRS OF SCIENCE:--THE INVENTOR OF TOFFEE.]

* * * * *

=Fashions for Proxy-Fathers.=

"The bride entered the church on the arm of Mr. T. ----, of

Happy Valley (who acted in loco parentis and was charmingly

attired in crepe-de-chine)."--_South African Paper._

* * * * *

"Is there anyone amongst the thousands of men who will benefit

who will be some an (please let the word remain, Mr.

Editor) as not to show his appreciation in the same

way?"--_Educational Paper._

Personally we think the Editor was a little too complaisant.

* * * * *

[Transcriber's Note:

Punch, or the London Charivari, Volume 159, November 10, 1920 · 第 29 / 31 题