XVII

After supper, which had been, grannie thought, a brilliant occasion,

MacLeod took his hat and said to Peter, with an air of proposing the

simplest possible thing,--

"I am going over to pay my respects to your neighbor."

Peter stared frankly.

"She was so kind as to invite me to luncheon, you know," MacLeod

explained from the doorway. "I want to call at once."

"I'll go with you," said Peter.

"No, no! It's a first occasion. She'll want to catechise me, and you've

heard all the answers. I rather depend on her putting straight

questions."

It was not the custom to wonder at MacLeod. Whatever he did bore the

stamp of privilege. He was "the chief." So he walked away through the

summer dusk, and Peter and Rose, on the veranda, talked Paris while

grannie listened, in a pleasant daze, not always sure, through age's

necromancy, whether all the movement and action of their tone and

subject belonged to the reality they knew, or to her own dream of a land

she never saw.

Electra, the lights turned low, was sitting at the piano, nursing her

discontent. She could hear the murmur of Madam Fulton's voice from the

next room, broken by pauses when the old lady waited for Billy Stark to

laugh. It all made Electra feel very much alone. Perhaps she had gone to

the piano in a tacit emulation of the mastery Rose had shown, to see if,

by a happy miracle, she also could bring to birth some of those magical

things she never knew she felt until she heard others expressing them.

But when she struck a chord, it was no richer and no more responsive

than she remembered it in her old practicing days. Then she tried

singing a little:--

"'Drink to me only with thine eyes.'"

And all the time she was recalling the liquid flow of another voice, its

restrained fervor and dying falls. A thing so beautiful as this song, so

simple, had its root, she began dimly to feel, not in happy love but in

despair, and as it often happened with her, she seemed to be timidly

reaching out chilled fingers toward emotions she feared because they

were so unrestrained, and yet which had to be reckoned with because the

famous people made them of such account; they were like the earth where

all creative power has life.

Electra had given carefully apportioned time to music. She knew

something of harmony, in a painstaking way; but at this moment she felt

more than ever outside the house of song. She was always having these

experiences, always finding herself face to face with artists of various

sorts, men and women who, without effort, as it seemed, could coax trees

out of the ground and make them blossom before your eyes. And sometimes

she had this breathless feeling that the incredible might happen and

she, too, might do some of these amazing things. Often, it seemed to

her, she was very near it. The turning of a key in the lock, a wind

driving through vapor, and she might be on the stage of the world, no

longer wondering but making others wonder. These were real hungers. She

wanted great acknowledged supremacies, and her own neat ways of action

had to end ingloriously.

And at the moment MacLeod came up the steps, without hesitation she went

to meet him. Any one that night might have been a messenger from the

richer world she coveted. She saw him there smiling at her in the dim

hall light, and the old feeling came back that she had known him before

and waited for him a long time. They had touched hands and he had gone

with her to the sitting-room before she realized that such silent

meetings were not the ordinary ones.

"Did Peter come with you?" she asked unnecessarily.

"No. He wanted to."

"I am glad to see you!"

MacLeod spared no time.

"You have been very kind," he said, "to my little girl."

Rose, as any sort of little girl, implied an incredible diminishing; but

the phrase served in the interest of conversational ease. Electra's eyes

were on him, absorbed and earnest. There was nothing she believed in so

much, at that moment, as the clarity of MacLeod's mind and heart. It

seemed belittling him even to withdraw into the coverts of ordinary

talk, and, if she wanted his testimony, to surprise it out of him by

stale devices. She was worshiping the truth very hard, and there was no

effort in putting her question crudely:--

"Mr. MacLeod, was your daughter married to my brother?"

He met her gaze with the assurance she had expected. It seemed noble to

her. At last, Electra reflected with a throb of pride, she was on the

heights in worthy company.

"Yes," he said, not hesitating, "she was his wife."

Electra drew a long breath.

"Then," she answered, "I shall know what to do."

He bent toward her an embracing look. It promised her a great deal:

comprehension, sympathy, almost a kind of love.

"What shall you do?" he asked.

Electra choked a little. Her throat hurt her, not at the loss of what

she was going to relinquish, but at the greatness of sacrifice with

somebody by to take cognizance of the act. He would not, like Madam

Fulton, call her a fool. He might even see where the action placed her,

on ground he also had a right to, from other deeds as noble.

"I supposed I had inherited my brother's property," she said, in a low

and penetrating voice. "I shall make it over to her."

MacLeod put out his hand, and she laid hers within it. When he spoke, it

was with a moved restraint.

"That is a good deal to do."

"It is incumbent on me--ethically." At that instant she had a throb of

high triumph in remembering that he, at least, would not gird at her

choice of terms.

"It is what you would do," he said warmly. "It is exactly what you would

do."

"I cannot do otherwise."

They seemed to be engaged in antiphonal praises of abstract right. It

gave Electra a solemn satisfaction. She could hardly leave the subject.

"I wish to do everything in my power," she announced. "I cannot ask her

to live here, because I may not be here long myself."

"You will marry Peter and go away!"

Electra felt her face growing warm in the dusk, and an unreasonable

vexation possessed her against any one who should have mapped out her

purposes and given him the chart. He might know her. He was evidently

destined to, she intemperately thought, better than any one else, but

she could herself induct him into the paths of intimacy. There was no

pleasure in feeling that he was bound to prejudge her through cognizance

of this other tie she had for the moment forgotten.

"Did Peter tell you that?" she asked.

"I'm afraid I guessed it."

His frankness put her back on their pleasant ground of intimacy; it even

brought them nearer.

"Why did you guess it?"

Here was foolish talk, she following upon the heels of his venture, as

if there were something in the very dust of his progress too precious to

be lost. But MacLeod, who cared nothing about inanities once their

purpose was served, whirled her away from further challenge and reply.

"You must come to Paris," he said; "with or without Peter, you must

come."

Rose MacLeod · 第 47 / 79 题