CHAPTER VIII.

WILLIAM CLOWES: INTRODUCER OF BOOK-PRINTING BY STEAM.

"The Images of men's wits and knowledges remain in Books, exempted from

the wrong of time, and capable of perpetual renovation. Neither are

they fitly to be called Images, because they generate still, and cast

their seeds in the minds of others, provoking and causing infinite

actions and opinions in succeeding ages; so that, if the invention of

the Ship was thought so noble, which carrieth riches and commodities

from place to place, and consociateth the most remote Regions in

participation of their Fruits, how much more are letters to be

magnified, which, as Ships, pass through the vast Seas of time, and

make ages so distant to participate of the wisdom, illuminations, and

inventions, the one of the other?"--Bacon, On the Proficience and

Advancement of Learning.

Steam has proved as useful and potent in the printing of books as in

the printing of newspapers. Down to the end of last century, "the

divine art," as printing was called, had made comparatively little

progress. That is to say, although books could be beautifully printed

by hand labour, they could not be turned out in any large numbers.

The early printing press was rude. It consisted of a table, along

which the forme of type, furnished with a tympan and frisket, was

pushed by hand. The platen worked vertically between standards, and

was brought down for the impression, and raised after it, by a common

screw, worked by a bar handle. The inking was performed by balls

covered with skin pelts; they were blacked with ink, and beaten down on

the type by the pressman. The inking was consequently irregular.

In 1798, Earl Stanhope perfected the press that bears his name. He did

not patent it, but made his invention over to the public. In 1818, Mr.

Cowper greatly improved the inking of formes used in the Stanhope and

other presses, by the use of a hand roller covered with a composition

of glue and treacle, in combination with a distributing table. The ink

was thus applied in a more even manner, and with a considerable

decrease of labour. With the Stanhope Press, printing was as far

advanced as it could possibly be by means of hand labour. About 250

impressions could be taken off, on one side, in an hour.

But this, after all, was a very small result. When books could be

produced so slowly, there could be no popular literature. Books were

still articles for the few, instead of for the many. Steam power,

however, completely altered the state of affairs. When Koenig invented

his steam press, he showed by the printing of Clarkson's 'Life of

Penn'--the first sheets ever printed with a cylindrical press--that

books might be printed neatly, as well as cheaply, by the new machine.

Mr. Bensley continued the process, after Koenig left England; and in

1824, according to Johnson in his 'Typographia,' his son was "driving

an extensive business."

In the following year, 1825, Archibald Constable, of Edinburgh,

propounded his plan for revolutionising the art of bookselling. Instead

of books being articles of luxury, he proposed to bring them into

general consumption. He would sell them, not by thousands, but by

hundreds of thousands, "ay, by millions;" and he would accomplish this

by the new methods of multiplication--by machine printing and by steam

power. Mr. Constable accordingly issued a library of excellent books;

and, although he was ruined--not by this enterprise, but the other

speculations into which he entered--he set the example which other

enterprising minds were ready to follow. Amongst these was Charles

Knight, who set the steam presses of William Clowes to work, for the

purposes of the Society for the Diffusion of Useful Knowledge.

William Clowes was the founder of the vast printing establishment from

which these sheets are issued; and his career furnishes another

striking illustration of the force of industry and character. He was

born on the 1st of January, 1779. His father was educated at Oxford,

and kept a large school at Chichester; but dying when William was but

an infant, he left his widow, with straitened means, to bring up her

family. At a proper age William was bound apprentice to a printer at

Chichester; and, after serving him for seven years, he came up to

London, at the beginning of 1802, to seek employment as a journeyman.

He succeeded in finding work at a small office on Tower Hill, at a

small wage. The first lodgings he took cost him 5s. a week; but

finding this beyond his means he hired a room in a garret at 2s. 6d.,

which was as much as he could afford out of his scanty earnings.

The first job he was put to, was the setting-up of a large

poster-bill--a kind of work which he had been accustomed to execute in

the country; and he knocked it together so expertly that his master,

Mr. Teape, on seeing what he could do, said to him, "Ah! I find you are

just the fellow for me." The young man, however, felt so strange in

London, where he was without a friend or acquaintance, that at the end

of the first month he thought of leaving it; and yearned to go back to

his native city. But he had not funds enough to enable him to follow

his inclinations, and he accordingly remained in the great City, to

work, to persevere, and finally to prosper. He continued at Teape's

for about two years, living frugally, and even contriving to save a

little money.

He then thought of beginning business on his own account. The small

scale on which printing was carried on in those days enabled him to

make a start with comparatively little capital. By means of his own

savings and the help of his friends, he was enabled to take a little

printing-office in Villiers Street, Strand, about the end of 1803; and

there he began with one printing press, and one assistant. His stock

of type was so small, that he was under the necessity of working it

from day to day like a banker's gold. When his first job came in, he

continued to work for the greater part of three nights, setting the

type during the day, and working it off at night, in order that the

type might be distributed for resetting on the following morning. He

succeeded, however, in executing his first job to the entire

satisfaction of his first customer.

His business gradually increased, and then, with his constantly saved

means, he was enabled to increase his stock of type, and to undertake

larger jobs. Industry always tells, and in the long-run leads to

prosperity. He married early, but he married well. He was only

twenty-four when he found his best fortune in a good, affectionate

wife. Through this lady's cousin, Mr. Winchester, the young printer

was shortly introduced to important official business. His punctual

execution of orders, the accuracy of his work, and the despatch with

which he turned it out soon brought him friends, and his obliging and

kindly disposition firmly secured them. Thus, in a few years, the

humble beginner with one press became a printer on a large scale.

The small concern expanded into a considerable printing-office in

Northumberland Court, which was furnished with many presses and a large

stock of type. The office was, unfortunately, burnt down; but a larger

office rose in its place.

What Mr. Clowes principally aimed at, in carrying on his business, was

accuracy, speed, and quantity. He did not seek to produce editions de

luxe in limited numbers, but large impressions of works in popular

demand--travels, biographies, histories, blue-books, and official

reports, in any quantity. For this purpose, he found the process of

hand-printing too tedious, as well as too costly; and hence he early

turned his attention to book printing by machine presses, driven by

steam power,--in this matter following the example of Mr. Walter of the

Times, who had for some years employed the same method for newspaper

printing.

Applegath & Cowper's machines had greatly advanced the art of printing.

They secured perfect inking and register; and the sheets were printed

off more neatly, regularly, and expeditiously; and larger sheets could

be printed on both sides, than by any other method. In 1823,

accordingly, Mr. Clowes erected his first steam presses, and he soon

found abundance of work for them. But to produce steam requires

boilers and engines, the working of which occasions smoke and noise.

Now, as the printing-office, with its steam presses, was situated in

Northumberland Court, close to the palace of the Duke of

Northumberland, at Charing Cross, Mr. Clowes was required to abate the

nuisance, and to stop the noise and dirt occasioned by the use of his

engines. This he failed to do, and the Duke commenced an action

against him.

The case was tried in June, 1824, in the Court of Common Pleas. It was

ludicrous to hear the extravagant terms in which the counsel for the

plaintiff and his witnesses described the nuisance--the noise made by

the engine in the underground cellar, some times like thunder, at other

times like a thrashing-machine, and then again like the rumbling of

carts and waggons. The printer had retained the Attorney-general, Mr.

Copley, afterwards Lord Lyndhurst, who conducted his case with

surpassing ability. The cross-examination of a foreign artist, employed

by the Duke to repaint some portraits of the Cornaro family by Titian,

is said to have been one of the finest things on record. The sly and

pungent humour, and the banter with which the counsel derided and

laughed down this witness, were inimitable. The printer won his case;

but he eventually consented to remove his steam presses from the

neighbourhood, on the Duke paying him a certain sum to be determined by

the award of arbitrators.

It happened, about this period, that a sort of murrain fell upon the

London publishers. After the failure of Constable at Edinburgh, they

came down one after another, like a pack of cards. Authors are not the

only people who lose labour and money by publishers; there are also

cases where publishers are ruined by authors. Printers also now lost

heavily. In one week, Mr. Clowes sustained losses through the failure

of London publishers to the extent of about 25,000L. Happily, the

large sum which the arbitrators awarded him for the removal of his

printing presses enabled him to tide over the difficulty; he stood his

ground unshaken, and his character in the trade stood higher than ever.

In the following year Mr. Clowes removed to Duke Street, Blackfriars,

to premises until then occupied by Mr. Applegath, as a printer; and

much more extensive buildings and offices were now erected. There his

business transactions assumed a form of unprecedented magnitude, and

kept pace with the great demand for popular information which set in

with such force about fifty years ago. In the course of ten years--as

we find from the 'Encyclopaedia Metropolitana'--there were twenty of

Applegath & Cowper's machines, worked by two five-horse engines. From

these presses were issued the numerous admirable volumes and

publications of the Society for the Diffusion of Useful Knowledge; the

treatises on 'Physiology,' by Roget, and 'Animal Mechanics,' by Charles

Bell; the 'Elements of Physics,' by Neill Arnott; 'The Pursuit of

Knowledge under Difficulties,' by G. L. Craik, a most fascinating book;

the Library of Useful Knowledge; the 'Penny Magazine,' the first

illustrated publication; and the 'Penny Cyclopaedia,' that admirable

compendium of knowledge and science.

These publications were of great value. Some of them were printed in

unusual numbers. The 'Penny Magazine,' of which Charles Knight was

editor, was perhaps too good, because it was too scientific.

Nevertheless, it reached a circulation of 200,000 copies. The 'Penny

Cyclopaedia' was still better. It was original, and yet cheap. The

articles were written by the best men that could be found in their

special departments of knowledge. The sale was originally 75,000

weekly; but, as the plan enlarged, the price was increased from 1d. to

2d., and then to 4d. At the end of the second year, the circulation

had fallen to 44,000; and at the end of the third year, to 20,000.

It was unfortunate for Mr. Knight to be so much under the influence of

his Society. Had the Cyclopaedia been under his own superintendence,

it would have founded his fortune. As it was, he lost over 30,000L. by

the venture. The 'Penny Magazine' also went down in circulation, until

it became a non-paying publication, and then it was discontinued. It

is curious to contrast the fortunes of William Chambers of Edinburgh

with those of Charles Knight of London. 'Chambers's Edinburgh Journal'

was begun in February, 1832, and the 'Penny Magazine' in March, 1832.

Chambers was perhaps shrewder than Knight. His journal was as good,

though without illustrations; but he contrived to mix up amusement with

useful knowledge. It may be a weakness, but the public like to be

entertained, even while they are feeding upon better food. Hence

Chambers succeeded, while Knight failed. The 'Penny Magazine' was

discontinued in 1845, whereas 'Chambers's Edinburgh Journal' has

maintained its popularity to the present day. Chambers, also, like

Knight, published an 'Encyclopaedia,' which secured a large

circulation. But he was not trammelled by a Society, and the

'Encyclopaedia' has become a valuable property.

The publication of these various works would not have been possible

without the aid of the steam printing press. When Mr. Edward Cowper

was examined before a Committee of the House of Commons, he said, "The

ease with which the principles and illustrations of Art might be

diffused is, I think, so obvious that it is hardly necessary to say a

word about it. Here you may see it exemplified in the 'Penny

Magazine.' Such works as this could not have existed without the

printing machine." He was asked, "In fact, the mechanic and the

peasant, in the most remote parts of the country, have now an

opportunity of seeing tolerably correct outlines of form which they

never could behold before?" To which he answered, "Exactly; and

literally at the price they used to give for a song." "Is there not,

therefore, a greater chance of calling genius into activity?" "Yes,"

he said, "not merely by books creating an artist here and there, but by

the general elevation of the taste of the public."

Mr. Clowes was always willing to promote deserving persons in his

office. One of these rose from step to step, and eventually became one

of the most prosperous publishers in London. He entered the service as

an errand-boy, and got his meals in the kitchen. Being fond of

reading, he petitioned Mrs. Clowes to let him sit somewhere, apart from

the other servants, where he might read his book in quiet. Mrs. Clowes

at length entreated her husband to take him into the office, for

"Johnnie Parker was such a good boy." He consented, and the boy took

his place at a clerk's desk. He was well-behaved, diligent, and

attentive. As he advanced in years, his steady and steadfast conduct

showed that he could be trusted. Young fellows like this always make

their way in life; for character invariably tells, not only in securing

respect, but in commanding confidence. Parker was promoted from one

post to another, until he was at length appointed overseer over the

entire establishment.

A circumstance shortly after occurred which enabled Mr. Clowes to

advance him, though greatly to his own inconvenience, to another

important post. The Syndics of Cambridge were desirous that Mr. Clowes

should go down there to set their printing-office in order; they

offered him 400L. a year if he would only appear occasionally, and see

that the organisation was kept complete. He declined, because the

magnitude of his own operations had now become so great that they

required his unremitting attention. He, however strongly recommended

Parker to the office, though he could ill spare him. But he would not

stand in the young man's way, and he was appointed accordingly. He did

his work most effectually at Cambridge, and put the University Press

into thorough working order.

As the 'Penny Magazine' and other publications of the Society of Useful

Knowledge were now making their appearance, the clergy became desirous

of bringing out a religious publication of a popular character, and

they were in search for a publisher. Parker, who was well known at

Cambridge, was mentioned to the Bishop of London as the most likely

person. An introduction took place, and after an hour's conversation

with Parker, the Bishop went to his friends and said, "This is the very

man we want." An offer was accordingly made to him to undertake the

publication of the 'Saturday Magazine' and the other publications of

the Christian Knowledge Society, which he accepted. It is unnecessary

to follow his fortunes. His progress was steady; he eventually became

the publisher of 'Fraser's Magazine' and of the works of John Stuart

Mill and other well-known writers. Mill never forgot his appreciation

and generosity; for when his 'System of Logic' had been refused by the

leading London publishers, Parker prized the book at its rightful value

and introduced it to the public.

To return to Mr. Clowes. In the course of a few years, the original

humble establishment of the Sussex compositor, beginning with one press

and one assistant, grew up to be one of the largest printing-offices in

the world. It had twenty-five steam presses, twenty-eight

hand-presses, six hydraulic presses, and gave direct employment to over

five hundred persons, and indirect employment to probably more than ten

times that number. Besides the works connected with his

printing-office, Mr. Clowes found it necessary to cast his own types,

to enable him to command on emergency any quantity; and to this he

afterwards added stereotyping on an immense scale. He possessed the

power of supplying his compositors with a stream of new type at the

rate of about 50,000 pieces a day. In this way, the weight of type in

ordinary use became very great; it amounted to not less than 500 tons,

and the stereotyped plates to about 2500 tons the value of the latter

being not less than half a million sterling.

Mr. Clowes would not hesitate, in the height of his career, to have

tons of type locked up for months in some ponderous blue-book. To

print a report of a hundred folio pages in the course of a day or

during a night, or of a thousand pages in a week, was no uncommon

occurrence. From his gigantic establishment were turned out not fewer

than 725,000 printed sheets, or equal to 30,000 volumes a week. Nearly

45,000 pounds of paper were printed weekly. The quantity printed on

both sides per week, if laid down in a path of 22 1/4 inches broad,

would extend 263 miles in length.

About the year 1840, a Polish inventor brought out a composing machine,

and submitted it to Mr. Clowes for approval. But Mr. Clowes was

getting too old to take up and push any new invention.

He was also averse to doing anything to injure the compositors, having

once been a member of the craft. At the same time he said to his son

George, "If you find this to be a likely machine, let me know. Of

course we must go with the age. If I had not started the steam press

when I did, where should I have been now?" On the whole, the composing

machine, though ingenious, was incomplete, and did not come into use at

that time, nor indeed for a long time after. Still, the idea had been

born, and, like other inventions, became eventually developed into a

useful working machine. Composing machines are now in use in many

printing-offices, and the present Clowes' firm possesses several of

them. Those in The Times newspaper office are perhaps the most perfect

of all.

Mr. Clowes was necessarily a man of great ability, industry, and

energy. Whatever could be done in printing, that he would do. He would

never admit the force of any difficulty that might be suggested to his

plans. When he found a person ready to offer objections, he would say,

"Ah! I see you are a difficulty-maker: you will never do for me."

Mr. Clowes died in 1847, at the age of sixty-eight. There still remain

a few who can recall to mind the giant figure, the kindly countenance,

and the gentle bearing of this "Prince of Printers," as he was styled

by the members of his craft. His life was full of hard and useful

work; and it will probably be admitted that, as the greatest multiplier

of books in his day, and as one of the most effective practical

labourers for the diffusion of useful knowledge, his name is entitled

to be permanently associated, not only with the industrial, but also

with the intellectual development of our time.

Men of Invention and Industry · 第 8 / 12 章