Aunt Celia says we shall have no worthy architecture until every

building is made an exquisitely sincere representation of its deepest

purpose--a symbol, as it were, of its indwelling meaning. I should think

it would be very difficult to design a lunatic asylum on that basis, but

I didn't dare say so, as the idea seemed to present no incongruities to

Mr. Copley. Their conversation is absolutely sublimated when they get to

talking of architecture. I have just copied two quotations from Emerson,

and am studying them every night for fifteen minutes before I go to

sleep. I'm going to quote them some time offhand, just after matins,

when we are wandering about the cathedral grounds. The first is this:

'The Gothic cathedral is a blossoming in stone, subdued by the

insatiable demand of harmony in man. The mountain of granite blooms into

an eternal flower, with the lightness and delicate finish as well as the

aerial proportion and perspective of vegetable beauty.' Then when he has

recovered from the shock of this, here is my second: 'Nor can any lover

of nature enter the old piles of English cathedrals without feeling that

the forest overpowered the mind of the builder, and that his chisel,

his saw and plane still reproduced its ferns, its spikes of flowers, its

locust, elm, pine, and spruce.'

Memoranda: _Lincoln choir is an example of Early English or First

Pointed, which can generally be told from something else by bold

projecting buttresses and dog-tooth moulding round the abacusses._ (The

plural is my own, and it does not look right.) _Lincoln Castle was the

scene of many prolonged sieges, and was once taken by Oliver Cromwell._

* * * * *

_He_

York, _June 26_,

The Black Swan.

Kitty Schuyler is the concentrated essence of feminine witchery.

Intuition strong, logic weak, and the two qualities so balanced as to

produce an indefinable charm; will-power large, but docility equal, if

a man is clever enough to know how to manage her; knowledge of facts

absolutely _nil_, but she is exquisitely intelligent in spite of it. She

has a way of evading, escaping, eluding, and then gives you an

intoxicating hint of sudden and complete surrender. She is divinely

innocent, but roguishness saves her from insipidity. Her looks? She

looks as you would imagine a person might look who possessed these

graces; and she is worth looking at, though every time I do it I have a

rush of love to the head. When you find a girl who combines all the

qualities you have imagined in the ideal, and who has added a dozen or

two on her own account, merely to distract you past all hope, why stand

up and try to resist her charm? Down on your knees like a man, say I!

* * * * *

I'm getting to adore Aunt Celia. I didn't care for her at first, but she

is so deliciously blind. Anything more exquisitely unserviceable as a

chaperon I can't imagine. Absorbed in antiquity, she ignores the babble

of contemporaneous lovers. That any man could look at Kitty when he

could look at a cathedral passes her comprehension. I do not presume too

greatly on her absent-mindedness, however, lest she should turn

unexpectedly and rend me. I always remember that inscription on the

backs of the little mechanical French toys: 'Quoiqu'elle soit tres

solidement montee, il faut ne pas brutaliser la machine.'

And so my courtship progresses under Aunt Celia's very nose. I say

'progresses'; but it is impossible to speak with any certainty of

courting, for the essence of that gentle craft is hope, rooted in labour

and trained by love.

[Illustration: She ignores the babble of contemporaneous lovers]

I set out to propose to her during service this afternoon by writing my

feelings on the flyleaf of the hymn-book, or something like that; but I

knew that Aunt Celia would never forgive such blasphemy, and I thought

that Kitty herself might consider it wicked. Besides, if she should

chance to accept me, there was nothing I could do in a cathedral to

relieve my feelings. No; if she ever accepts me, I wish it to be in a

large, vacant spot of the universe, peopled by two only, and those two

so indistinguishably blended, as it were, that they would appear as one

to the casual observer. So I practised repression, though the wall of my

reserve is worn to the thinness of thread-paper, and I tried to keep my

mind on the droning minor canon, and not to look at her, 'for that way

madness lies.'

* * * * *

_She_

York, _June 28_,

High Petergate Street.

My taste is so bad! I just begin to realize it, and I am feeling my

'growing pains,' like Gwendolen in 'Daniel Deronda.' I admired the

stained glass in the Lincoln Cathedral the other day, especially the

Nuremberg window. I thought Mr. Copley looked pained, but he said

nothing. When I went to my room, I consulted a book and found that all

the glass in that cathedral is very modern and very bad, and the

Nuremberg window is the worst of all. Aunt Celia says she hopes that it

will be a warning to me to read before I speak; but Mr. Copley says no,

that the world would lose more in one way than it would gain in the

other. I tried my quotations this morning, and stuck fast in the middle

of the first.

Mr. Copley thinks I have been feeing the vergers too liberally, so I

wrote a song about it called 'The Ballad of the Vergers and the Foolish

Virgin,' which I sang to my guitar. Mr. Copley thinks it is cleverer

than anything he ever did with his pencil. Of course, he says that only

to be agreeable; but really, whenever he talks to me in that way, I can

almost hear myself purring with pleasure.

We go to two services a day in the minster, and sometimes I sit quite

alone in the nave drinking in the music as it floats out from behind the

choir-screen. The Litany and the Commandments are so beautiful heard in

this way, and I never listen to the fresh, young voices chanting 'Write

all these Thy laws in our hearts, we beseech Thee,' without wanting

passionately to be good. I love, too, the joyful burst of music in the

_Te Deum_: 'Thou didst open the kingdom of heaven to all believers.' I

like that word 'all'; it takes in foolish me, as well as wise Aunt

Celia.

And yet, with all its pomp and magnificence, the service does not help

me quite so much nor stir up the deep places, in me so quickly as dear

old Dr. Kyle's simpler prayers and talks in the village meeting-house

where I went as a child. Mr. Copley has seen it often, and made a little

picture of it for me, with its white steeple and the elm-tree branches

hanging over it. If I ever have a husband I should wish him to have

memories like my own. It would be very romantic to marry an Italian

marquis or a Hungarian count, but must it not be a comfort to two people

to look back on the same past?

* * * * *

We all went to an evening service last night. It was an 'occasion,' and

a famous organist played the Minster organ.

I wonder why choir-boys are so often playful and fidgety and

uncanonical in behaviour? Does the choirmaster advertise 'Naughty boys

preferred,' or do musical voices commonly exist in unregenerate bodies?

With all the opportunities they must have outside of the cathedral to

exchange those objects of beauty and utility usually found in boys'

pockets, there is seldom a service where they do not barter penknives,

old coins, or tops, generally during the Old Testament reading. A dozen

little black-surpliced 'probationers' sit together in a seat just

beneath the choir-boys, and one of them spent his time this evening in

trying to pull a loose tooth from its socket. The task not only engaged

all his own powers, but made him the centre of attraction for the whole

probationary row.

Coming home, Aunt Celia walked ahead with Mrs. Benedict, who keeps

turning up at the most unexpected moments. She's going to build a

Gothicky memorial chapel somewhere, and is making studies for it. I

don't like her in the least, but four is certainly a more comfortable

number than three. I scarcely ever have a moment alone with Mr. Copley,

for, go where I will and do what I please, as Aunt Celia has the most

perfect confidence in my indiscretion, she is always _en evidence_.

Just as we were turning into the quiet little street where we are

lodging, I said:

'Oh dear, I wish that I really knew something about architecture!'

'If you don't know anything about it, you are certainly responsible for

a good deal of it,' said Mr. Copley.

'I? How do you mean?' I asked quite innocently, because I couldn't see

how he could twist such a remark as that into anything like sentiment.

'I have never built so many castles in my life as since I've known you,

Miss Schuyler,' he said.

'Oh,' I answered as lightly as I could, 'air-castles don't count.'

'The building of air-castles is an innocent amusement enough, I

suppose,' he said; 'but I'm committing the folly of living in mine. I--'

Then I was frightened. When, all at once, you find you have something

precious that you only dimly suspected was to be yours, you almost wish

it hadn't come so soon. But just at that moment Mrs. Benedict called to

us, and came tramping back from the gate, and hooked her supercilious,

patronizing arm in Mr. Copley's, and asked him into the sitting-room to

talk over the 'lady-chapel' in her new memorial church. Then Aunt Celia

told me they would excuse me, as I had had a wearisome day; and there

was nothing for me to do but to go to bed, like a snubbed child, and

wonder if I should ever know the end of that sentence. And I listened

at the head of the stairs, shivering, but all that I could hear was that

Mrs. Benedict asked Mr. Copley to be her own architect. Her architect,

indeed! That woman ought not to be at large--so rich and good-looking

and unconscientious!

* * * * *

_He_

York, _July 5_.

I had just established myself comfortably near to Miss Van Tyck's hotel,

and found a landlady after my own heart in Mrs. Pickles, No. 6,

Micklegate, when Miss Van Tyck, aided and abetted, I fear, by the

romantic Miss Schuyler, elected to change her quarters, and I, of

course, had to change too. Mine is at present a laborious (but not

unpleasant) life. The causes of Miss Schuyler's removal, as I have been

given to understand by the lady herself, were some particularly pleasing

window-boxes in a lodging in High Petergate Street; boxes overflowing

with pink geraniums and white field-daisies. No one (she explains) could

have looked at this house without desiring to live in it; and when she

discovered, during a somewhat exhaustive study of the premises, that the

maid's name was Susan Strangeways, and that she was promised in marriage

to a brewer's apprentice called Sowerbutt, she went back to her

conventional hotel and persuaded her aunt to remove without delay. If

Miss Schuyler were offered a room at the Punchbowl Inn in the

Gillygate and a suite at the Grand Royal Hotel in Broad Street, she

would choose the former unhesitatingly; just as she refused refreshment

at the best caterer's this afternoon and dragged Mrs. Benedict and me

into 'The Little Snug,' where an alluring sign over the door announced

'A Homely Cup of Tea for Twopence.' But she would outgrow all that; or,

if she didn't, I have common-sense enough for two; or if I hadn't, I

shouldn't care a hang.

Is it not a curious dispensation of Providence that, just when Aunt

Celia is confined to her room with a cold, Mrs. Benedict should join our

party and spend her days in our company? She drove to the Merchants'

Hall and the Cavalry Barracks with us, she walked on the city walls with

us, she even dared the 'homely' tea at 'The Little Snug'; and at that

moment I determined I wouldn't build her memorial church for her, even

at a most princely profit.

On crossing Lendal Bridge we saw the river Ouse running placidly through

the town, and a lot of little green boats moored at a landing-stage.

'How delightful it would be to row for an hour!' exclaimed Miss

Schuyler.

'Oh, do you think so, in those tippy boats on a strange river?'

remonstrated Mrs. Benedict.

The moment I suspected she was afraid of the water, I lured her to the

landing-stage and engaged a boat.

'It's a pity that that large flat one has a leak, otherwise it would

have held three nicely; but I dare say we can be comfortable in one of

the little ones,' I said doubtfully.

'Shan't we be too heavy for it?' Mrs. Benedict inquired timidly.

'Oh, I don't think so. We'll get in and try it. If we find it sinks

under our weight we won't risk it,' I replied, spurred on by such

twinkles in Miss Schuyler's eyes as blinded me to everything else.

'I really don't think your aunt would like you to venture, Miss

Schuyler,' said the marplot.

'Oh, as to that, she knows I am accustomed to boating,' replied Miss

Schuyler.

'And Miss Schuyler is such an excellent swimmer,' I added.

Whereupon the marplot and killjoy remarked that if it were a question

of swimming she should prefer to remain at home, as she had large

responsibilities devolving upon her, and her life was in a sense not her

own to fling away as she might like.

I assured her solemnly that she was quite, quite right, and pushed off

before she could change her mind.

After a long interval of silence, Miss Schuyler observed in the voice,

accompanied by the smile and the glance of the eye, that 'did' for me

the moment I was first exposed to them:

'You oughtn't to have said that about my swimming, because I can't a

bit, you know.'

'I was justified,' I answered gloomily. 'I have borne too much to-day,

and if she had come with us and had fallen overboard, I might have been

tempted to hold her down with the oar.'

Whereupon Miss Schuyler gave way to such whole-hearted mirth that she

nearly upset the boat. I almost wish she had! I want to swim, sink, die,

or do any other mortal thing for her.

We had a heavenly hour. It was only an hour, but it was the first time I

have had any real chance to direct hot shot at the walls of the maiden

castle. I regret to state that they stood remarkably firm. Of course, I

don't wish to batter them down; I want them to melt under the warmth of

my attack.

_She_

York, _July 5_.

We had a lovely sail on the river Ouse this afternoon. Mrs. Benedict was

timid about boating, and did not come with us. As a usual thing, I hate

a cowardly woman, but her lack of courage is the nicest trait in her

whole character; I might almost say the only nice trait.

Mr. Copley tried in every way, short of asking me a direct question, to

find out whether I had received the marked copy of 'Persuasion' in Bath,

but I evaded the point.

Just as we were at the door of my lodging, and he was saying good-bye, I

couldn't resist the temptation of asking:

'Why, before you knew us at all, did you put "Miss Van Tyck: Reserved,"

on the window of the railway carriage at Bath?'

He was embarrassed for a moment, and then he said:

'Well, she _is_, you know, if you come to that; and, besides, I didn't

dare tell the guard the placard I really wanted to put on.'

'I shouldn't think a lack of daring your most obvious fault,' I said

cuttingly.

'Perhaps not; but there are limits to most things, and I hadn't the

pluck to paste on a pink paper with "Miss Schuyler: Engaged," on it.'

He disappeared suddenly just then, as if he wasn't equal to facing my

displeasure, and I am glad he did, for I was too embarrassed for words.

Memoranda: _In the height of roofs, nave, and choir, York is first of

English cathedrals._

_She_

Durham, _July something or other_,

At Farmer Hendry's.

We left York this morning, and arrived in Durham about eleven o'clock.

It seems there is some sort of an election going on in the town, and

there was not a single fly at the station. Mr. Copley looked about in

every direction, but neither horse nor vehicle was to be had for love or

money. At last we started to walk to the village, Mr. Copley so laden

with our hand-luggage that he resembled a pack mule.

We called first at the Three Tuns, where they still keep up the old

custom of giving a wee glass of cherry-brandy to each guest on his

arrival; but, alas! they were crowded, and we were turned from the

hospitable door. We then made a tour of the inns, but not a single room

was to be had, not for that night, nor for two days ahead, on account of

that same election.

'Hadn't we better go on to Edinburgh, Aunt Celia?' I asked, as we were

resting in the door of the Jolly Sailor.

'Edinburgh? Never!' she replied. 'Do you suppose that I would

voluntarily spend a Sunday in those bare Presbyterian churches until the

memory of these past ideal weeks has faded a little from my memory?

What! leave out Durham and spoil the set?' (In her agitation and

disappointment she spoke of the cathedrals as if they were souvenir

spoons.) 'I intended to stay here for a week or more, and write up a

record of our entire trip from Winchester while the impressions were

fresh in my mind.'

'And I had intended doing the same thing,' said Mr. Copley. 'That is, I

hoped to finish off my previous sketches, which are in a frightful state

of incompletion, and spend a good deal of time on the interior of this

cathedral, which is unusually beautiful.'

At this juncture Aunt Celia disappeared for a moment to ask the barmaid

if, in her opinion, the constant consumption of malt liquors prevents a

more dangerous indulgence in brandy and whisky. She is gathering

statistics, but as the barmaids can never collect their thoughts while

they are drawing ale, Aunt Celia proceeds slowly.

'For my part,' said I, with mock humility, 'I am a docile person, who

never has any intentions of her own, but who yields herself sweetly to

the intentions of other people in her immediate vicinity.'

'Are you?' asked Mr. Copley, taking out his pencil.

'Yes, I said so. What are you doing?'

'Merely taking note of your statement, that's all. Now, Miss Van Tyck'

(of course Aunt Celia appeared at this delightful moment), 'I have a

plan to propose. I was here last summer with a couple of Harvard men,

and we lodged at a farmhouse about a mile distant from the cathedral. If

you will step into the coffee-room for an hour, I'll walk up to Farmer

Hendry's and see if they will take us in. I think we might be fairly

comfortable.'

'Can Aunt Celia have Apollinaris and black coffee after her morning

bath?' I asked.

'I hope, Katharine,' said Aunt Celia majestically--'I hope that I can

accommodate myself to circumstances. If Mr. Copley can secure

apartments for us, I shall be more than grateful.'

So here we are, all lodging together in an ideal English farmhouse.

There is a thatched roof on one of the old buildings, and the

dairy-house is covered with ivy, and Farmer Hendry's wife makes a real

English curtsey, and there are herds of beautiful sleek Durham cattle,

and the butter and cream and eggs and mutton are delicious, and I never,

never want to go home any more. I want to live here for ever and wave

the American flag on Washington's birthday.

I am so happy that I feel as if something were going to spoil it all.

Twenty years old to-day! I wish mamma were alive to wish me many happy

returns.

The cathedral is very beautiful in itself, and its situation is beyond

all words of mine to describe. I greatly admired the pulpit, which is

supported by five pillars sunk into the backs of squashed lions; but

Mr. Copley, when I asked him the period, said, 'Pure Brummagem!'

There is a nice old cell for refractory monks, that we agreed will be a

lovely place for Mrs. Benedict if we can lose her in it. She arrives as

soon as they can find room for her at the Three Tuns.

Memoranda:--Casual remark for breakfast-table or perhaps for

luncheon--it is a trifle heavy for breakfast: _'Since the sixteenth

century, and despite the work of Inigo Jones and the great Wren_ (not

Jenny Wren: Christopher), _architecture has had, in England especially,

no legitimate development.' This is the only cathedral with a Bishop's

Throne or a Sanctuary Knocker._

* * * * *

_He_

Durham, _July 19_.

O child of fortune, thy name is J. Q. Copley! How did it happen to be

election time? Why did the inns chance to be full? How did Aunt Celia

relax sufficiently to allow me to find her a lodging? Why did she fall

in love with the lodging when found? I do not know. I only know Fate

smiles; that Kitty and I eat our morning bacon and eggs together; that I

carve Kitty's cold beef and pour Kitty's sparkling ale at luncheon; that

I go to matins with Kitty, and dine with Kitty, and walk in the gloaming

with Kitty--and Aunt Celia. And after a day of heaven like this, like

Lorna Doone's lover--ay, and like every other lover, I suppose--I go to

sleep, and the roof above me swarms with angels, having Kitty under it.

She was so beautiful on Sunday. She has been wearing her favourite

browns and primroses through the week, but on Sunday she blossomed into

blue and white, topped by a wonderful hat, whose brim was laden with

hyacinths. She sat on the end of a seat in the nave, and there was a

capped and gowned crowd of university students in the transept. I

watched them and they watched her. She has the fullest, whitest eyelids,

and the loveliest lashes. When she looks down I wish she might never

look up, and when she looks up I am never ready for her to look down. If

it had been a secular occasion, and she had dropped her handkerchief,

seven-eighths of the students would have started to pick it up--but I

should have got there first! Well, all this is but a useless prelude,

for there are facts to be considered--delightful, warm, breathing facts!

We were coming home from evensong, Kitty and I. (I am anticipating, for

she was still 'Miss Schuyler' then, but never mind.) We were walking

through the fields, while Mrs. Benedict and Aunt Celia were driving. As

we came across a corner of the bit of meadow land that joins the stable

and the garden, we heard a muffled roar, and as we looked around we saw

a creature with tossing horns and waving tail making for us, head down,

eyes flashing. Kitty gave a shriek. We chanced to be near a pair of low

bars. I hadn't been a college athlete for nothing. I swung Kitty over

the bars, and jumped after her. But she, not knowing in her fright where

she was nor what she was doing, supposing also that the mad creature,

like the villain in the play, would 'still pursue her,' flung herself

bodily into my arms, crying, 'Jack! Jack! save me!'

It was the first time she had called me 'Jack,' and I needed no second

invitation. I proceeded to save her, in the usual way, by holding her

to my heart and kissing her lovely hair reassuringly as I murmured:

'You are safe, my darling; not a hair of your precious head shall be

hurt. Don't be frightened.'

She shivered like a leaf.

'I am frightened,' she said; 'I can't help being frightened. He will

chase us, I know. Where is he? What is he doing now?'

Looking up to determine if I need abbreviate this blissful moment, I saw

the enraged animal disappearing in the side-door of the barn; and it was

a nice, comfortable Durham cow, that somewhat rare but possible thing--a

sportive cow.

'Is he gone?' breathed Kitty from my waistcoat.

'Yes, he is gone--she is gone, darling. But don't move; it may come

again.'

My first too hasty assurance had calmed Kitty's fears, and she raised

her charming flushed face from its retreat and prepared to withdraw. I

did not facilitate the preparations, and a moment of awkward silence

ensued.

'Might I inquire,' I asked, 'if the dear little person at present

reposing in my arms will stay there (with intervals for rest and

refreshment) for the rest of her natural life?'

She withdrew entirely now, all but her hand, and her eyes sought the

ground.

'I suppose I shall have to--that is, if you think--at least, I suppose

you do think--at any rate, you look as if you were thinking--that this

has been giving you encouragement.'

'I do indeed--decisive, undoubted, bare-faced encouragement.'

'I don't think I ought to be judged as if I were in my sober senses,'

she replied. 'I was frightened within an inch of my life. I told you

this morning that I was dreadfully afraid of bulls, especially mad ones,

and I told you that my nurse frightened me, when I was a child, with

awful stories about them, and that I never outgrew my childish terror. I

looked everywhere about. The barn was too far, the fence too high; I saw

him coming, and there was nothing but you and the open country. Of

course, I took you. It was very natural, I'm sure; any girl would have

done it.'

'To be sure,' I replied soothingly, 'any girl would have run after me,

as you say.'

'I didn't say any girl would have run after you--you needn't flatter

yourself; and besides, I think I was really trying to protect you as

well as to gain protection, else why should I have cast myself on you

like a catamount, or a catacomb, or whatever the thing is?'

'Yes, darling, I thank you for saving my life, and I am willing to

devote the remainder of it to your service as a pledge of my gratitude;

but if you should take up life-saving as a profession, dear, don't throw

yourself on a fellow with--'

'Jack! Jack!' she cried, putting her hand over my lips, and getting it

well kissed in consequence. 'If you will only forget that, and never,

never taunt me with it afterwards, I'll--I'll--well, I'll do anything in

reason--yes, even marry you!'

* * * * *

_He_

Canterbury, _July 31_,

The Royal Fountain.

I was never sure enough of Kitty, at first, to dare risk telling her

about that little mistake of hers. She is such an elusive person that I

spend all my time in wooing her, and can never lay the flattering

unction to my soul that she is really won.

But after Aunt Celia had looked up my family record and given a

provisional consent, and Papa Schuyler had cabled a reluctant blessing,

I did not feel capable of any further self-restraint.

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