A ROMANCE OF THE ISLES

"_Mithich domh triall gu tigh Pharais._"

(It is time for me to go up unto the House of Paradise.)

Muireadhach Albannach.

"_How many beautiful things have come to us from Pharais._"

"Bileag-na-Toscùil."

_To_

_E.W.R._

_Dear friend,--While you gratify me by your pleasure in this

inscription, you modestly deprecate the dedication to you of this story

of alien life--of that unfamiliar island-life so alien in all ways from

the life of cities, and, let me add, from that of the great mass of the

nation to which, in the communal sense, we both belong. But in the

Domhan-Tòir of friendship there are resting-places where all barriers of

race, training, and circumstance fall away in dust. At one of these

places of peace we met, a long while ago, and found that we loved the

same things, and in the same way. You have been in the charmed West

yourself; have seen the gloom and shine of the mountains that throw

their shadow on the sea: have heard the wave whisper along that haunted

shore which none loves save with passion, and none, loving, can bear to

be long parted from. You, unlike so many who delight only in the magic

of sunshine and cloud, love this dear land when the mists drive across

the hillsides, and the brown torrents are in spate, and the rain and the

black wind make a gloom upon every loch, and fill with the dusk of storm

every strath, and glen, and corrie. Not otherwise can one love it

aright_: "Tir nam Beann s'nan gleann' s'nan ghaisgach," _as one of our

ancient poets calls it--"The land of hills, and glens, and heroes." You,

too, like Deirdre of old, have looked back on "Alba," and, finding it

passing fair and dear, have, with the Celtic Helen, said in your

heart_--

Inmain tir in tir ud thoir,

Alba cona lingantaibh! . . .

_'Belovéd is that eastern land,

Alba of the lochs._'

_In the mythology of the Gael are three forgotten deities, children of

Delbaith-Dana. These are Seithoir, Teithoir, and Keithoir. One dwells

throughout the sea, and beneath the soles of the feet of another are the

highest clouds; and these two may be held sacred for the beauty they

weave for the joy of eye and ear. But now that, as surely none may

gainsay, Keithoir is blind and weary, let us worship at his fane rather

than give all our homage to the others. For Keithoir is the _god of

the earth; dark-eyed, shadowy brother of Pan; and his fane is among the

lonely glens and mountains and lonelier isles of_ "Alba cona

lingantaibh." _It is because you and I are of the children of Keithoir

that I wished to grace my book with your name._

_The most nature-wrought of the English poets hoped he was not too late

in transmuting into his own verse something of the beautiful mythology

of Greece. But while Keats spun from the inexhaustible loom of genius,

and I am but an obscure chronicler of obscure things, is it too

presumptuous of me to hope that here, and mayhap elsewhere, I, the

latest comer among older and worthier celebrants and co-enthusiasts,

likewise may do something, howsoever little, to win a further measure of

heed for, and more intimate sympathy with, that old charm and stellar

beauty of Celtic thought and imagination, now, alas, like so many other

lovely things, growing more and more remote, discoverable seldom in

books, and elusive amid the sayings and oral legends and fragmentary

songs of a passing race?_

* * * * *

_A passing race: and yet, mayhap not so. Change is inevitable; and even

if we could hear the wind blowing along Magh Mell--the Plain of

Honey--we might list to a new note, bitter-sweet: and, doubtless, the

waves falling over the green roof of Tir-na-Thonn' murmur drowsily of a

shifting of the veils of circumstance, which Keithoir weaves blindly in

his dark place. But what was, surely is; and what is, surely may yet be.

The form changes; the essential abides. As the saying goes among the

isle-folk: The shadow fleets beneath the cloud driven by the wind, and

the cloud falls in rain or is sucked of the sun, but the wind sways this

way and that for ever. It may well be that the Celtic Dream is not

doomed to become a memory merely. Were it so, there would be less joy in

all Springs to come, less hope in all brown Autumns; and the cold of a

deathlier chill in all Winters still dreaming by the Pole. For the

Celtic joy in the life of Nature--the Celtic vision--is a thing apart:

it is a passion; a visionary rapture. There is none like it among the

peoples of our race._

_Meanwhile, there are a few remote spots, as yet inviolate. Here, Anima

Celtica still lives and breathes and hath her being. She dreams: but if

she awake, it may not necessarily be to a deepening twilight, or to a

forlorn passage to Tir Tairngire--that Land of Promise whose borders

shine with the loveliness of all forfeited, or lost, or banished dreams

and realities of Beauty. It may be that she will arise to a wider

sway, over a disfrontiered realm. Blue are the hills that are far from

us. Dear saying of the Gael, whose soul as well as whose heart speaks

therein. Far hills recede, recede! Dim veils of blue, woven from within

and without, haunt us, allure us, always, always!_

* * * * *

_But now, before I send you my last word of greeting, let me add (rather

for other readers than for you, who already know of them) a word

concerning the Gaelic runes interpolated in_ Pharais.[1]

[1] _A slightly anglicised lection of the Gaelic word_ Pàras =

Paradise, _Heaven_. "Pharais," _properly, is the genitive and

dative case of Pàras, as in the line from Muireadhach Albannach,

quoted after the title page_. "Mithich domh triall gu tigh

Pharais"--"_It is time for me to go up unto the House of

Paradise_."

_The_ "Urnuigh Smalaidh an Teine" (_p. 42_) _and_ "Au t Altachadh Leapa"

(_p. 43_)--_respectively a prayer to be said at covering up the

peat-fire at bed-time and a Rest-blessing--are relics of ancient Celtic

folklore which were sent to the Rev. Dr. Alexander Stewart, of "Nether

Lochaber" fame, by Mr. A. A. Carmichael, of South Uist, who took them

down from the recitation of a man living at Iocar of Uist. From the same

Hebridean source came the "Rann Buacbailleac," or rune to be said over

cattle when led to pasture at morn, introduced at p. 49. The English

versions, by Dr. Stewart, appeared first in_ "The Inverness Courier,"

_over twenty years ago. There are several versions current of the

authentic incident of the innocent old woman held to be a witch, and of

her prayer. I weave into my story the episode as I heard it many years

ago, though with the rune rescued from oblivion by Dr. Stewart, rather

than with the longer and commonly corrupted version still to be heard by

the croft-fire in many localities, all "the far cry" from the Ord of

Sutherland to the Rhinns of Islay. The_ "Laoidh Mhnathan"--_the Chant of

Women, at p. 100--is not ancient in the actual form here given, which is

from an unpublished volume of_ "Oràin' Spioradail."

_The sweetest-voiced of the younger Irish singers of to-day has spoken

of the Celtic Twilight. A twilight it is; but, if night follow gloaming,

so also does dawn succeed night. Meanwhile, twilight voices are sweet,

if faint and far, and linger lovingly in the ear._

_There is another Pàras than that seen of Alastair of Innisròn--the

Tir-Nan-Oigh of friendship. Therein we both have seen beautiful visions

and dreamed dreams. Take, then, out of my heart, this book of vision and

dream._

_FIONA MACLEOD._

"_O bileag-geal,

O bileag-na-Toscùil, bileag Pharais,

O tha e boidheach!

Tha e boidheach!_"

Pharais; and, The Mountain Lovers · 第 8 / 34 题