IN A STRANGE LAND

SUNDAY, midday. A landowner, called Kamyshev, is sitting in his

dining-room, deliberately eating his lunch at a luxuriously furnished

table. Monsieur Champoun, a clean, neat, smoothly-shaven, old

Frenchman, is sharing the meal with him. This Champoun had once

been a tutor in Kamyshev's household, had taught his children good

manners, the correct pronunciation of French, and dancing: afterwards

when Kamyshev's children had grown up and become lieutenants,

Champoun had become something like a _bonne_ of the male sex. The

duties of the former tutor were not complicated. He had to be

properly dressed, to smell of scent, to listen to Kamyshev's idle

babble, to eat and drink and sleep--and apparently that was all.

For this he received a room, his board, and an indefinite salary.

Kamyshev eats and as usual babbles at random.

"Damnation!" he says, wiping away the tears that have come into his

eyes after a mouthful of ham thickly smeared with mustard. "Ough!

It has shot into my head and all my joints. Your French mustard

would not do that, you know, if you ate the whole potful."

"Some like the French, some prefer the Russian. . ." Champoun assents

mildly.

"No one likes French mustard except Frenchmen. And a Frenchman will

eat anything, whatever you give him--frogs and rats and black

beetles. . . brrr! You don't like that ham, for instance, because

it is Russian, but if one were to give you a bit of baked glass and

tell you it was French, you would eat it and smack your lips. . . .

To your thinking everything Russian is nasty."

"I don't say that."

"Everything Russian is nasty, but if it's French--o say tray

zholee! To your thinking there is no country better than France,

but to my mind. . . Why, what is France, to tell the truth about

it? A little bit of land. Our police captain was sent out there,

but in a month he asked to be transferred: there was nowhere to

turn round! One can drive round the whole of your France in one

day, while here when you drive out of the gate--you can see no

end to the land, you can ride on and on. . ."

"Yes, monsieur, Russia is an immense country."

"To be sure it is! To your thinking there are no better people than

the French. Well-educated, clever people! Civilization! I agree,

the French are all well-educated with elegant manners. . . that is

true. . . . A Frenchman never allows himself to be rude: he hands

a lady a chair at the right minute, he doesn't eat crayfish with

his fork, he doesn't spit on the floor, but . . . there's not the

same spirit in him! not the spirit in him! I don't know how to

explain it to you but, however one is to express it, there's nothing

in a Frenchman of . . . something . . . (the speaker flourishes his

fingers) . . . of something . . . fanatical. I remember I have read

somewhere that all of you have intelligence acquired from books,

while we Russians have innate intelligence. If a Russian studies

the sciences properly, none of your French professors is a match

for him."

"Perhaps," says Champoun, as it were reluctantly.

"No, not perhaps, but certainly! It's no use your frowning, it's

the truth I am speaking. The Russian intelligence is an inventive

intelligence. Only of course he is not given a free outlet for it,

and he is no hand at boasting. He will invent something--and break

it or give it to the children to play with, while your Frenchman

will invent some nonsensical thing and make an uproar for all the

world to hear it. The other day Iona the coachman carved a little

man out of wood, if you pull the little man by a thread he plays

unseemly antics. But Iona does not brag of it. . . . I don't like

Frenchmen as a rule. I am not referring to you, but speaking

generally. . . . They are an immoral people! Outwardly they look

like men, but they live like dogs. Take marriage for instance. With

us, once you are married, you stick to your wife, and there is no

talk about it, but goodness knows how it is with you. The husband

is sitting all day long in a café, while his wife fills the house

with Frenchmen, and sets to dancing the can-can with them."

"That's not true!" Champoun protests, flaring up and unable to

restrain himself. "The principle of the family is highly esteemed

in France."

"We know all about that principle! You ought to be ashamed to defend

it: one ought to be impartial: a pig is always a pig. . . . We must

thank the Germans for having beaten them. . . . Yes indeed, God

bless them for it."

"In that case, monsieur, I don't understand. . ." says the Frenchman

leaping up with flashing eyes, "if you hate the French why do you

keep me?"

"What am I to do with you?"

"Let me go, and I will go back to France."

"Wha-at? But do you suppose they would let you into France now?

Why, you are a traitor to your country! At one time Napoleon's your

great man, at another Gambetta. . . . Who the devil can make you

out?"

"Monsieur," says Champoun in French, spluttering and crushing up

his table napkin in his hands, "my worst enemy could not have thought

of a greater insult than the outrage you have just done to my

feelings! All is over!"

And with a tragic wave of his arm the Frenchman flings his dinner

napkin on the table majestically, and walks out of the room with

dignity.

Three hours later the table is laid again, and the servants bring

in the dinner. Kamyshev sits alone at the table. After the preliminary

glass he feels a craving to babble. He wants to chatter, but he has

no listener.

"What is Alphonse Ludovikovitch doing?" he asks the footman.

"He is packing his trunk, sir."

"What a noodle! Lord forgive us!" says Kamyshev, and goes in to the

Frenchman.

Champoun is sitting on the floor in his room, and with trembling

hands is packing in his trunk his linen, scent bottles, prayer-books,

braces, ties. . . . All his correct figure, his trunk, his bedstead

and the table--all have an air of elegance and effeminacy. Great

tears are dropping from his big blue eyes into the trunk.

"Where are you off to?" asks Kamyshev, after standing still for a

little.

The Frenchman says nothing.

"Do you want to go away?" Kamyshev goes on. "Well, you know, but

. . . I won't venture to detain you. But what is queer is, how are

you going to travel without a passport? I wonder! You know I have

lost your passport. I thrust it in somewhere between some papers,

and it is lost. . . . And they are strict about passports among us.

Before you have gone three or four miles they pounce upon you."

Champoun raises his head and looks mistrustfully at Kamyshev.

"Yes. . . . You will see! They will see from your face you haven't

a passport, and ask at once: Who is that? Alphonse Champoun. We

know that Alphonse Champoun. Wouldn't you like to go under police

escort somewhere nearer home!"

"Are you joking?"

"What motive have I for joking? Why should I? Only mind now; it's

a compact, don't you begin whining then and writing letters. I won't

stir a finger when they lead you by in fetters!"

Champoun jumps up and, pale and wide-eyed, begins pacing up and

down the room.

"What are you doing to me?" he says in despair, clutching at his

head. "My God! accursed be that hour when the fatal thought of

leaving my country entered my head! . . ."

"Come, come, come . . . I was joking!" says Kamyshev in a lower

tone. "Queer fish he is; he doesn't understand a joke. One can't

say a word!"

"My dear friend!" shrieks Champoun, reassured by Kamyshev's tone.

"I swear I am devoted to Russia, to you and your children. . . .

To leave you is as bitter to me as death itself! But every word you

utter stabs me to the heart!"

"Ah, you queer fish! If I do abuse the French, what reason have you

to take offence? You are a queer fish really! You should follow the

example of Lazar Isaakitch, my tenant. I call him one thing and

another, a Jew, and a scurvy rascal, and I make a pig's ear out of

my coat tail, and catch him by his Jewish curls. He doesn't take

offence."

"But he is a slave! For a kopeck he is ready to put up with any

insult!"

"Come, come, come . . . that's enough! Peace and concord!"

Champoun powders his tear-stained face and goes with Kamyshev to

the dining-room. The first course is eaten in silence, after the

second the same performance begins over again, and so Champoun's

sufferings have no end.

The Schoolmaster and Other Stories · 第 45 / 45 题