CHAPTER IV.

Mr. CHILLINGLY MIVERS never gave a dinner at his own rooms. When he

did give a dinner it was at Greenwich or Richmond. But he gave

breakfast-parties pretty often, and they were considered pleasant. He

had handsome bachelor apartments in Grosvenor Street, daintily

furnished, with a prevalent air of exquisite neatness, a good library

stored with books of reference, and adorned with presentation copies

from authors of the day, very beautifully bound. Though the room

served for the study of the professed man of letters, it had none of

the untidy litter which generally characterizes the study of one whose

vocation it is to deal with books and papers. Even the implements for

writing were not apparent, except when required. They lay concealed

in a vast cylinder bureau, French made, and French polished. Within

that bureau were numerous pigeon-holes and secret drawers, and a

profound well with a separate patent lock. In the well were deposited

the articles intended for publication in "The Londoner," proof-sheets,

etc.; pigeon-holes were devoted to ordinary correspondence; secret

drawers to confidential notes, and outlines of biographies of eminent

men now living, but intended to be completed for publication the day

after their death.

No man wrote such funeral compositions with a livelier pen than that

of Chillingly Mivers; and the large and miscellaneous circle of his

visiting acquaintances allowed him to ascertain, whether by

authoritative report or by personal observation, the signs of mortal

disease in the illustrious friends whose dinners he accepted, and

whose failing pulses he instinctively felt in returning the pressure

of their hands; so that he was often able to put the finishing-stroke

to their obituary memorials days, weeks, even months, before their

fate took the public by surprise. That cylinder bureau was in harmony

with the secrecy in which this remarkable man shrouded the productions

of his brain. In his literary life Mivers had no "I," there he was

ever the inscrutable, mysterious "We." He was only "I" when you met

him in the world, and called him Mivers.

Adjoining the library on one side was a small dining or rather

breakfast room, hung with valuable pictures,--presents from living

painters. Many of these painters had been severely handled by Mr.

Mivers in his existence as "We,"--not always in "The Londoner." His

most pungent criticisms were often contributed to other intellectual

journals conducted by members of the same intellectual clique.

Painters knew not how contemptuously "We" had treated them when they

met Mr. Mivers. His "I" was so complimentary that they sent him a

tribute of their gratitude.

On the other side was his drawing-room, also enriched by many gifts,

chiefly from fair hands,--embroidered cushions and table-covers, bits

of Sevres or old Chelsea, elegant knick-knacks of all kinds.

Fashionable authoresses paid great court to Mr. Mivers; and in the

course of his life as a single man, he had other female adorers

besides fashionable authoresses.

Mr. Mivers had already returned from his early constitutional walk in

the Park, and was now seated by the cylinder /secretaire/ with a

mild-looking man, who was one of the most merciless contributors to

"The Londoner" and no unimportant councillor in the oligarchy of the

clique that went by the name of the "Intellectuals."

"Well," said Mivers, languidly, "I can't even get through the book; it

is as dull as the country in November. But, as you justly say, the

writer is an 'Intellectual,' and a clique would be anything but

intellectual if it did not support its members. Review the book

yourself; mind and make the dulness of it the signal proof of its

merit. Say: 'To the ordinary class of readers this exquisite work may

appear less brilliant than the flippant smartness of'--any other

author you like to name; 'but to the well educated and intelligent

every line is pregnant with,' etc. By the way, when we come by and by

to review the exhibition at Burlington House, there is one painter

whom we must try our best to crush. I have not seen his pictures

myself, but he is a new man; and our friend, who has seen him, is

terribly jealous of him, and says that if the good judges do not put

him down at once, the villanous taste of the public will set him up as

a prodigy. A low-lived fellow too, I hear. There is the name of the

man and the subject of the pictures. See to it when the time comes.

Meanwhile, prepare the way for onslaught on the pictures by occasional

sneers at the painter." Here Mr. Mivers took out of his cylinder a

confidential note from the jealous rival and handed it to his

mild-looking /confrere/; then rising, he said, "I fear we must suspend

our business till to-morrow; I expect two young cousins to breakfast."

As soon as the mild-looking man was gone, Mr. Mivers sauntered to his

drawing-room window, amiably offering a lump of sugar to a canary-bird

sent to him as a present the day before, and who, in the gilded cage

which made part of the present, scanned him suspiciously and refused

the sugar.

Time had remained very gentle in its dealings with Chillingly Mivers.

He scarcely looked a day older than when he was first presented to the

reader on the birth of his kinsman Kenelm. He was reaping the fruit

of his own sage maxims. Free from whiskers and safe in wig, there was

no sign of gray, no suspicion of dye. Superiority to passion,

abnegation of sorrow, indulgence of amusement, avoidance of excess,

had kept away the crow's-feet, preserved the elasticity of his frame

and the unflushed clearness of his gentlemanlike complexion. The door

opened, and a well-dressed valet, who had lived long enough with

Mivers to grow very much like him, announced Mr. Chillingly Gordon.

"Good morning," said Mivers; "I was much pleased to see you talking so

long and so familiarly with Danvers: others, of course, observed it,

and it added a step to your career. It does you great good to be seen

in a drawing-room talking apart with a Somebody. But may I ask if the

talk itself was satisfactory?"

"Not at all: Danvers throws cold water on the notion of Saxboro', and

does not even hint that his party will help me to any other opening.

Party has few openings at its disposal nowadays for any young man.

The schoolmaster being abroad has swept away the school for statesmen

as he has swept away the school for actors,--an evil, and an evil of a

far greater consequence to the destinies of the nation than any good

likely to be got from the system that succeeded it."

"But it is of no use railing against things that can't be helped. If

I were you, I would postpone all ambition of Parliament and read for

the bar."

"The advice is sound, but too unpalatable to be taken. I am resolved

to find a seat in the House, and where there is a will there is a

way."

"I am not so sure of that."

"But I am."

"Judging by what your contemporaries at the University tell me of your

speeches at the Debating Society, you were not then an ultra-Radical.

But it is only an ultra-Radical who has a chance of success at

Saxboro'."

"I am no fanatic in politics. There is much to be said on all sides:

/coeteris paribus/, I prefer the winning side to the losing; nothing

succeeds like success."

"Ay, but in politics there is always reaction. The winning side one

day may be the losing side another. The losing side represents a

minority, and a minority is sure to comprise more intellect than a

majority: in the long run intellect will force its way, get a majority

and then lose it, because with a majority it will become stupid."

"Cousin Mivers, does not the history of the world show you that a

single individual can upset all theories as to the comparative wisdom

of the few or the many? Take the wisest few you can find, and one man

of genius not a tithe so wise crushes them into powder. But then that

man of genius, though he despises the many, must make use of them.

That done, he rules them. Don't you see how in free countries

political destinations resolve themselves into individual

impersonations? At a general election it is one name around which

electors rally. The candidate may enlarge as much as he pleases on

political principles, but all his talk will not win him votes enough

for success, unless he says, 'I go with Mr. A.,' the minister, or with

Mr. Z., the chief of the opposition. It was not the Tories who beat

the Whigs when Mr. Pitt dissolved Parliament. It was Mr. Pitt who

beat Mr. Fox, with whom in general political principle--slave-trade,

Roman Catholic emancipation, Parliamentary reform--he certainly agreed

much more than he did with any man in his own cabinet."

"Take care, my young cousin," cried Mivers, in accents of alarm;

"don't set up for a man of genius. Genius is the worst quality a

public man can have nowadays: nobody heeds it, and everybody is

jealous of it."

"Pardon me, you mistake; my remark was purely objective, and intended

as a reply to your argument. I prefer at present to go with the many

because it is the winning side. If we then want a man of genius to

keep it the winning side, by subjugating its partisans to his will, he

will be sure to come. The few will drive him to us, for the few are

always the enemies of the one man of genius. It is they who

distrust,--it is they who are jealous,--not the many. You have

allowed your judgment, usually so clear, to be somewhat dimmed by your

experience as a critic. The critics are the few. They have

infinitely more culture than the many. But when a man of real genius

appears and asserts himself, the critics are seldom such fair judges

of him as the many are. If he be not one of their oligarchical

clique, they either abuse, or disparage, or affect to ignore him;

though a time at last comes when, having gained the many, the critics

acknowledge him. But the difference between the man of action and the

author is this, that the author rarely finds this acknowledgment till

he is dead, and it is necessary to the man of action to enforce it

while he is alive. But enough of this speculation: you ask me to meet

Kenelm; is he not coming?"

"Yes, but I did not ask him till ten o'clock. I asked you at

half-past nine, because I wished to hear about Danvers and Saxboro',

and also to prepare you somewhat for your introduction to your cousin.

I must be brief as to the last, for it is only five minutes to the

hour, and he is a man likely to be punctual. Kenelm is in all ways

your opposite. I don't know whether he is cleverer or less clever;

there is no scale of measurement between you: but he is wholly void of

ambition, and might possibly assist yours. He can do what he likes

with Sir Peter; and considering how your poor father--a worthy man,

but cantankerous--harassed and persecuted Sir Peter, because Kenelm

came between the estate and you, it is probable that Sir Peter bears

you a grudge, though Kenelm declares him incapable of it; and it would

be well if you could annul that grudge in the father by conciliating

the goodwill of the son."

"I should be glad so to annul it; but what is Kenelm's weak side?--the

turf? the hunting-field? women? poetry? One can only conciliate a man

by getting on his weak side."

"Hist! I see him from the windows. Kenelm's weak side was, when I

knew him some years ago, and I rather fancy it still is--"

"Well, make haste! I hear his ring at your door-bell."

"A passionate longing to find ideal truth in real life."

"Ah!" said Gordon, "as I thought,--a mere dreamer"

Kenelm Chillingly — Volume 04 · 第 4 / 10 章