Music of the world!--

A little door inside me opens to those Voices.

My little door opens at the first shriek of the first child out of

doors, and I hear not only the hundreds of vivid piercing Voices but

more--their far-off echoes.

They are the Voices of children, children light-held in crude cold

innocence. The eyes of the children are clear--their impulses and

instincts rule their little lives. They are yet untouched by the

tiredness and terror and shame and sorrow of being human beings.

So the Sound of their Voices sweeps out resistless and regardless

as the sea or the sun which makes nothing of its own strength or

weakness. And through my little spirit-door I hear them, the poignant

common little sweet Voices, echoing, flying away, farther and

farther: along the roads: over plains and hills: through valleys long

worldly distances from here: through streets: through stone buildings

and dingy courts: through big rich houses: through homes of comfort

and homes of misery and homes of desolate smugness: into lifeless

social foyers: into learned places: into law-courts and cabinet-rooms

of nations: into graveyards and churches and down into dead-vaults:

into theatres: into clinics: into shops: into factories: into dives

and stews and brothels and at lustful doorsteps: into hotels and

on sport-courses: into market-places and across battle-fields,

round monuments and in towers and in forts and in prisons and in

dungeons:--there along fly their Voices.

It is a brave, brave Sound, and an insistent: nothing stops it.

It is triumph.

The noise of the noisiest battle dies away in time. The pounding of

ocean-surf on the rocks and of electric thunder in the clouds are

lasting only with this earth. But brave wild Voices of children fly

on and on, outlasting a million earths, silencing aeons of thunder,

floating strongly back of the stars. The voices of men--wizards,

monks, artisans, thieves--echo no farther than their talking

conceits: even of poets except as they catch up into their sonance

something to interpret a cool gay clamor of child-Voices. The voices

of women--singing women, lovely women, angelic honest women--die with

their bodies: even of mothers of the children except as they follow

with their own echo, by dream and shadow, the thronging child-Voices

as they go.

For the Sound of the child-Voices is more potent than wizards’--it is

not cramped into thought-forms: more devotional than monks’ because

super-conscious; more menacing than thieves’ because absolute. And

it echoes, echoes, echoes in the market-place full-tongued, ringing,

rising like the northern gale when all the other voices are long

dead-silenced: and after.

Music of the world.

This moment I hear it for it is half-after two of a bright gold

day. The air is emotional, nectareal, and mellow and yellow and

hot-sparkling. The Voices pierce it like a storm of fine steel

arrows. I at once set open my spirit-door and through it come the

sweet shrill chorus and the marvel echo beginning and swelling and

starting away. It wakes vision so that I see--quick, evil, terribly

human, in the dazzlingest daytime colors--all those Places where the

Voices go.

I go to a window and watch the children running about beneath the

high tide of their Voices. And they and the school-building and the

streets and stone walls show in duller colors than the Places where

their Echo goes.

--small girls with clipped hair and bloused cotton frocks, taller

girls throwing a basket-ball, thin-legged little girls playing

hop-scotch, groups of varied sizes with rainbow ribbons in their

hair, confused masses of knitted sweaters and fat white-stockinged

legs and shiny leather belts and ankle-strapped shoes, and

little young shoulders and knees and waistlines--restless and

kaleidoscopic--

--and confused boy-groups--little fellows in suits misnamed

Oliver-Twist, larger boys of serge-Norfolk persuasion, types of

the generic knickerbocker at once motley and monotonous--all with

the strong sturdy calves of their legs clad in a time-honored kind

of black ribbed stockings, all with the same breed of ties and

collars and short-cropped hair, all with the tacit air of confessing

themselves the most serenely cruel of all animals--

A careless conscienceless happy mob.

It is the Sound of their Voices that invests them with the terrifying

Power, the long world-sweeping Force as of spirit and matter merged,

the human radioactivity not evil and not good, stronger than all evil

and all good.

Those children I look at must cease to be children, and must lose

their Voices and grow into monks and thieves and singing women--must

turn into persons--‘Romans, countrymen and lovers.’

But will come after those another chorus: the same chorus: the same

Voices.

The brief yellow mellow minutes have passed and the last shout has

been silenced and the hundreds of children, Rainbow Hair-Ribbons and

Black Ribbed Legs, are again gathered into the McKinley School.

And my little door is shut again: that door opens but for those

Voices.

The Voices: their echo flying everywhere flies here into my

still room: and it stirs me, rouses me, speaks to me with the old

joyous woe.

Music of the world.

_My damns_

I, Mary MacLane: A Diary of Human Days · 第 68 / 181 题