he let his faunlike spirits have full play, and his keen, brown face and
green-gold eyes flashed apparently simultaneously from every corner
of the room. Gunther did not dance; Farraday's method was correct but
quiet, and none of the men could rival Stefan in light-footed grace.
Both he and Mary were ignorant of any of the new dances, but Constance
had given Mary a lesson earlier in the day, and Stefan grasped the
general scheme with his usual lightning rapidity. Then he began to
embroider, inventing steps of his own which, in turn, Mary was quick
to catch. No couple on the floor compared with them in distinction
and grace, and they danced, to the chagrin of the other men and girls,
almost entirely together.
Whatever disappointment this caused, however, was not shared by their
hostess and McEwan. After enduring several rounds of Mac's punishing
dancing, Constance was thankful to sit out with him and watch the
others. She was glad to be silent after her strenuous efforts as a
hostess, and McEwan was apparently too filled with satisfaction to have
room left for speech. His red face beamed, his big teeth glistened,
pleasure radiated from him.
“Aye, aye,” he chuckled, nodding his ponderous head, and again “Aye,
aye,” in tones of fat content, as the two Byrds swung lightly by.
“Aye, aye, Mr. McEwan,” smiled Constance, tapping his knee with her fan.
“All this was your idea, and you are a good fellow. From this moment, I
intend to call you by your first name.”
“Aye, aye,” beamed McEwan, more broadly than before, extending a huge
hand; “that'll be grand.”
The dance was the climax of the week. The next day was their last,
leave-takings were in the air, and toward afternoon a bustle of packing.
Stefan was in a mood of slight reaction from his excitement of the night
before. While Mary packed for them both he prowled uncertainly about the
house, and, finding the men in the library, whiled away the time in an
utterly impossible attempt to quarrel with McEwan on some theory of art.
They all left for the train with lamentations, and arrived in New York
the next morning in a cheerless storm of wet snow.
But by this time Mary's regret at the ending of their holiday was lost
in joy at the prospect of seeing her baby. She urged the stiff and tired
Stefan to speed, and, by cutting short their farewells and jumping for a
street car, managed to make the next train out for Crab's Bay. She could
hardly sit still in the decrepit cab, and it had barely stopped at their
gate before she was out and tearing up the stairs.
Stefan paid the cab, carried in their suitcase, and wandered, cold
and lonely, to the sitting room. For him their home-coming offered no
alleviating thrill. Already, he felt, Mary's bright wings were folding
again above her nest.
VIII
Refreshed, in spite of his natural reaction of spirits, by the week's
holiday, Stefan turned to his work with greater content in it than he
had felt for some time. His content was, to his own surprise, rather
increased than lessened by the discovery that Felicity Berber had left
New York for the South. Arriving at his studio the day after their
return from Vermont, he found one of her characteristic notes, in
crimson ink this time, upon snowy paper.
“Stefan,” it read, “the winter has found his strength at last in storms.
But our friendship dallies with the various moods of spring. It leaves
me restless. The snow chills without calming me. My designing is beauty
wasted on the blindness of the city's overfed. A need of warmth and
stillness is upon me--the south claims me. The time of my return is
unrevealed as yet. Felicity.”
Stefan read this epistle twice, the first time with irritation, the
second with relief. “Affected creature,” he said to himself, “it's a
good job she's gone. I've frittered away too much time with her as it
is.”
At home that evening he told Mary. His devotion during their holiday
had already obscured her memory of the autumn's unhappiness, and his
carefree manner of imparting his tidings laid any ghost of doubt that
still remained with her. Secure once more in his love, she was as
uncloudedly happy as she had ever been.
In his newly acquired mood of sanity, Stefan faced the fact that he had
less work to show for the last nine months than in any similar period of
his career, and that he was still living on his last winter's success.
What had these months brought him? An expensive and inconclusive
flirtation at the cost of his wife's happiness, a few disturbing
memories, and two unfinished pictures. Out of patience with himself,
he plunged into his work. In two weeks of concentrated effort he had
finished the Nixie, and had arranged with Constantine to exhibit it
and the Demeter immediately. This last the dealer appeared to admire,
pronouncing it a fine canvas, though inferior to the Danaë. About the
Nixie he seemed in two minds.
“We shall have a newspaper story with that one, Mr. Byrd, the lady being
so well known, and the subject so dramatic, but if you ask me will it
sell--” he shrugged his fat shoulders--“that's another thing.”
Stefan stared at him. “I could sell that picture in France five times
over.”
Constantine waved his pudgy fingers.
“Ah, France! V'là c' qui est autre chose, 's pas? But if we fail in New
York for this one I think we try Chicago.”
The reception of the pictures proved Constantine a shrewd prophet.
The academic Demeter was applauded by the average critic as a piece of
decorative work in the grand manner, and a fit rebuke to all Cubists,
Futurists, and other anarchists. It was bought by a committee from a
western agricultural college, which had come east with a check from the
state's leading politician to purchase suitable mural enrichments for
the college's new building. Constantine persuaded these worthies that
one suitable painting by a distinguished artist would enrich their
institution more than the half dozen canvases “to fit the auditorium”
which they had been inclined to order. Moreover, he mulcted them of two
thousand dollars for Demeter, which, in his private estimation, was more
than she was worth. He achieved the sale more readily because of the
newspaper controversy aroused by the Nixie. Was this picture a satire
on life, or on the celebrated Miss Berber? Was it great art, or merely
melodrama? Were Byrd's effects of river-light obtained in the old
impressionist manner, or by a subtler method of his own? Was he a master
or a poseur?
These and other questions brought his name into fresh prominence,
but failed to sell their object. Just, however, as Constantine was
considering a journey for the Nixie to Chicago, a purchaser appeared
in the shape of a certain Mr. Einsbacher. Stefan happened to be in the
gallery when this gentleman, piloted by Constantine himself, came in,
and recognized him as the elderly satyr of the pouched eyes who had been
so attentive to Felicity on the night of Constance's reception. When,
later, the dealer informed him that this individual had bought the Nixie
for three thousand, Stefan made no attempt to conceal his disgust.
“Thousand devils, Constantine, I don't paint for swine of that type,”
said he, scowling.
The dealer's hands wagged. “His check is good,” he replied, “and who
knows, he may die soon and leave the picture to the Metropolitan.”
But Stefan was not to be mollified, and went home that afternoon in a
state of high rebellion against all commercialism. Mary tried to console
him by pointing out that even with the dealer's commission deducted,
he had made more than a year's income from the two sales, and could now
work again free from all anxiety.
“What's the good,” he exclaimed, “of producing beauty for sheep to bleat
and monkeys to leer at! What's the good of producing it in America at
all? Who wants, or understands it!”
“Oh, Stefan, heaps of people. Doesn't Mr. Farraday understand art, for
instance?”
“Farraday,” he snorted, “yes!--landscapes and women with children. What
does he know of the radiance of beauty, its mystery, the hot soul of
it? Oh, Mary,” he flung himself down beside her, and clutched her hand
eagerly, “don't be wise; don't be sensible, darling. It's March, spring
is beginning in Europe. It's a year and a half since I became an exile.
Let's go, beloved. You say yourself we have plenty of money; let's take
ship for the land where beauty is understood, where it is put first,
above all things. Let's go back to France, Mary!”
His face was fired with eagerness; he almost trembled with the passion
to be gone. Mary flushed, and then grew pale with apprehension. “Do you
mean break up our home, Stefan, for good?”
“Yes, darling. You know I've counted the days of bondage. We couldn't
travel last spring, and since then we've been too poor. What have these
last months brought us? Only disharmony. We are free now, there is
nothing to hold us back. We can leave Elliston in Paris, and follow the
spring south to the vineyards. A progress a-foot through France, each
day finding colors richer, the sun nearer--think of it, Beautiful!” He
kissed her joyously.
Her hands were quite cold now, “But, Stefan,” she temporized, “our
little house, our friends, my work, the--the _place_ we've been making?”
“Dearest, all these we can find far better there.”
She shook her head. “I can't. I don't speak French properly, I don't
understand French people. I couldn't sell my stories there or--or
anything,” she finished weakly.
He jumped up, his eyes blank, hands thrust in his pockets.
“I don't get you, Mary. You don't mean--you surely can't mean, that you
don't want to go to France _at all_? That you want to _live_ here?”
She floundered. “I don't know, Stefan. Of course you've always talked
about France, and I should love to go there and see it, and so on, but
somehow I've come to think of the Byrdsnest as home--we've been so happy
here--”
“Happy?” he interrupted her. “You say we've been happy?” His tone was
utterly confounded.
“Yes, dear, except--except when you were so--so busy last autumn--”
He dropped down by the table, squaring himself as if to get to the
bottom of a riddle.
“What is your idea of happiness, Mary, of _life_ in fact?” he asked,
in an unusually quiet voice. She felt glad that he seemed so willing to
talk things over, and to concede her a point of view of her own.
“Well,” she began, feeling for her words, “my idea of life is to have a
person and work that you love, and then to build--both of you--a place,
a position; to have friends--be part of the community--so that your
children--the immortal part of you--may grow up in a more and more
enriching atmosphere.” She paused, while he watched her, motionless. “I
can't imagine,” she went on, “greater happiness for two people than to
see their children growing up strong and useful--tall sons and daughters
to be proud of, such as all the generations before us have had.
Something to hand our life on to--as it was in the beginning--you know,
Stefan--” She flushed with the effort to express.
“Then,”--his voice was quieter still; she did not see that his hands
were clenched under the flap of the table--“in this scheme of life of
yours, how many children--how many servants, rooms, all that sort of
thing--should you consider necessary?”
She smiled. “As for houses, servants and things, that just depends on
one's income. I hate ostentation, but I do like a beautifully run house,
and I adore horses and dogs and things. But the children--” she flushed
again--“why, dearest, I think any couple ought to be simply too thankful
for all the children they can have. Unless, perhaps,” she added naïvely,
“they're frightfully poor.”
“Where should people live to be happy in this way?” he asked, still in
those carefully quiet tones.
She was looking out of the window, trying to formulate her thoughts.
“I don't think it matters very much _where_ one lives,” she said in her
soft, clear tones, “as long as one has friends, and is not too much in
the city. But to own one's house, and the ground under one, to be able
to leave it to one's son, to think of _his_ son being born in it--that
I think would add enormously to one's happiness. To belong to the place
one lives in, whether it's an old country, or one of the colonies, or
anywhere.”
“I see,” said Stefan slowly, in a voice low and almost harsh. Startled,
she looked at him. His face was knotted in a white mask; it was like the
face of some creature upon which an iron door has been shut. “Stefan,”
she exclaimed, “what--?”
“Wait a minute,” he said, still slowly. “I suppose it's time we talked
this thing out. I've been a fool, and judged, like a fool, by myself.
It's time we knew each other, Mary. All that you have said is horrible
to me--it's like a trap.” She gave an exclamation. “Wait, let me do
something I've never done, let me _think_ about it.” He was silent, his
face still a hard, knotted mask. Mary waited, her heart trembling.
“You, Mary, told me something about families in England who live as you
describe--you said your mother belonged to one of them. I remember that
now.” He nodded shortly, as if conceding her a point. “My father was a
New Englander. He was narrow and self-righteous, and I hated him, but
he came of people who had faced a hundred forms of death to live
primitively, in a strange land.”
“I'm willing to live in a strange country, Stefan,” she almost cried to
him.
“Don't, Mary--I'm still trying to understand. I'm not my father's son,
I'm my mother's. I don't know what she was, but she was beautiful and
passionate--she came of a mixed race, she may have had gipsy blood--I
don't know--but I do know she had genius. She loved only color and
movement. Mary--” he looked straight at her for the first time, his eyes
were tortured--“I loved you because you were beautiful and free. When
your child bound you, and you began to collect so many things and people
about you, I loved you less. I met some one else who had the beauty of
color and movement, and I almost loved her. She told me the name Berber
wasn't her own, that she had taken it because it belonged to a tribe
of wanderers--Arabs. I almost loved her for that alone. But, Mary, you
still held me. I was faithful to you because of your beauty and the
love that had been between us. Then you rose from your petty little
surroundings”--he cast a look of contempt at the pretty furnishings of
the room--“I saw you like a storm-spirit, I saw you moving among other
women like a goddess, adored of men. I felt your beautiful body yield to
me in the joy of wild movement, in the rhythm of the dance. You were my
bride, alive, gloriously free--once more, you were the Desired. I loved
you, Mary.” He rose and put his hands on her shoulders. Her face was as
white as his now. His hands dropped, he almost leapt away from her, the
muscles of his face writhed. “My God, Mary, I've never wanted to _think_
about you, only to feel and see you! Now I must think. This--this
existence that you have described! Is that all you ask of life? Are you
sure?”
“What more could one ask!” she uttered, dazed.
“What _more?_” he cried out, throwing up his arms. “What _more,_ Mary!
Why, it isn't life at all, this deadly, petty intricate day by day,
surrounded by things, and more things. The hopeless, unalterable
tameness of it!” He began to pace the room.
“But, my dear, I don't understand you. We have love, and work, and if
some part of our life is petty, why, every one's always has been, hasn't
it?”
She was deeply moved by his distress, afraid again for their happiness,
longing to comfort him. Yet, under and apart from all these emotions,
some cool little faculty of criticism wondered if he was not making
rather a theatrical scene. “Daily life must be a little monotonous,
mustn't it?” she urged again, trying to help him.
“No!” he almost shouted, with a gesture of fierce repudiation. “Was
Angelo's life petty? Was da Vinci's? Did Columbus live monotonously,
did Scott or Peary? Does any explorer or traveler? Did Thoreau surround
himself with _things_--to hamper--did George Borrow, or Whitman, or
Stevenson? Do you suppose Rodin, or de Musset, or Rousseau, or Millet,
or any one else who has ever _lived_, cared whether they had a position,
a house, horses, old furniture? All the world's wanderers, from Ulysses
down to the last tramp who knocked at this door, have known more of life
than all your generations of staid conventional county families!
Oh, Mary”--he leant across the table toward her, and his voice
pleaded--“think of what life _should_ be. Think of the peasants in
France treading out the wine. Think of ships, and rivers, and all the
beauty of the forests. Think of dancing, of music, of that old viking
who first found America. Think of those tribes who wander with their
tents over the desert and pitch them under stars as big as lamps--all
the things we've never seen, Mary, the songs we've never heard. The
colors, the scents, and the cruel tang of life! All these I want to
see and feel, and translate into pictures. I want you with me,
Mary--beautiful and free--I want us to drink life eagerly together, as
if it were heady wine.” He took her hand across the table. “You'll come,
Beloved, you'll give all the little things up, and come?”
She rose, her face pitifully white. They stood with hands clasped, the
table between them.
“The boy, Stefan?”
He laughed, thinking he had won her. “Bring him, too, as the Arab women
carry theirs, in a shawl. We'll leave him here and there, and have him
with us whenever we stay long in one place.”
She pulled her hand away, her eyes filled with tears. “I love you,
Stefan, but I can't bring my child up like a gipsy. I'll live in France,
or anywhere you say, but I must have a home--I can't be a wanderer.”
“You shall have a home, sweetheart, to keep coming back to.” His face
was brightening to eagerness.
“Oh, you don't understand. I can't leave my child; I can't be with him
only sometimes. I want him always. And it isn't only him. Oh, Stefan,
dear”--her voice in its turn was pleading--“I don't believe I can
come to France just now. I think, I'm almost sure, we're going to have
another baby.”
He straightened, they faced each other in silence. After a moment
she spoke again, looking down, her hands tremblingly picking at her
handkerchief.
“I was so happy about it. It was the sign of your renewed love. I
thought we could build a little wing on the cottage, and have a nurse.”
Her voice fell to a whisper. “I thought it might be a little girl, and
that you would love her better than the boy. I'll come later, dear, if
you say so, but I can't come now.” She sank into her chair, her head
drooping. He, too, sat down, too dazed by this new development to find
his way for a minute through its implications.
“I'm sorry, Mary,” he said at last, dully. “I don't want a little girl.
If she could be put away somewhere till she were grown, I should not
mind. But to live like this all through one's youth, with a house, and
servants, and people calling, and the place cluttered up with babies--I
don't think I can do that, possibly.”
She was frankly crying now. “But, dear one, can't we compromise? After
this baby is born, I'll give up the house. We'll live in France--I'll
travel with you a little. That will help, won't it?”
He sighed. “I suppose so. We shall have to think out some scheme. But
the ghastly part is that we shall both have to be content with half
measures. You want one thing of life, Mary, I another. No amount of
self-sacrifice on either side alters that fact. We married, strangers,
and it's taken us a year and a half to find it out. My fault, of course.
I wanted love and beauty, and I got it--I didn't think of the cost,
and I didn't think of _you_. I was just a damned egotistical male, I
suppose.” He laughed bitterly. “My father wanted a wife, and he got the
burning heart of a rose. I--I never wanted a wife, I see that now, I
wanted to snare the very spirit of life and make it my own--you looked
a vessel fit to carry it. But you were just a woman like the rest. We've
failed each other, that's all.”
“Oh, Stefan,” she cried through her tears, “I've tried so hard. But
I was always the same--just a woman. Only--” her tears broke out
afresh--“when you married me, I thought you loved me as I was.”
He looked at her, transfixed. “My God,” he whispered, “that's what I
heard my mother say more than twenty years ago. What a mockery--each
generation a scorn and plaything for the high Gods! Well, we'll do the
best we can, Mary. I'm utterly a pagan, so I'm not quite the inhuman
granite my Christian father was. Don't cry, dear.” He stooped and kissed
her, and she heard his light, wild steps pass through the room and out
into the night. She sat silent, amid the ruins of her nest.
IX
For a month Stefan brooded. He hung about the house, dabbled at a little
work, and returned, all without signs of life or interest. He was kind
to Mary, more considerate than he used to be, but she would have given
all his inanimate, painstaking politeness for an hour of his old, gay
thoughtlessness. They had reached the stage of marriage in which, all
being explained and understood, there seems nothing to hope for. Alone
together they were silent, for there was nothing to say. Each condoned
but could not comfort the other. Stefan felt that his marriage had been
a mistake, that he, a living thing, had tied about his neck a dead mass
of institutions, customs and obligations which would slowly crush his
life out. “I am twenty-seven,” he said to himself, “and my life is
over.” He did not blame Mary, but himself.
She, on the other hand, felt she had married a man outside the pale of
ordinary humanity, and that though she still loved him, she could no
longer expect happiness through him. “I am twenty-five,” she thought,
“and my personal life is over. I can be happy now only in my children.”
As those were assured her, she never thought of regretting her marriage,
but only deplored the loss of her dream. Nor did she judge Stefan. She
understood the wild risk she had run in marrying a man of whom she knew
nothing. “He is as he is,” she thought; “neither of us is to blame.”
Lonely and grieved, she turned for companionship to her writing, and
began a series of fairy tales which she had long planned for very
young children. The first instalment of her serial was out, charmingly
illustrated; she had felt rather proud on seeing her name, for the first
time, on the cover of a magazine. She engaged a young girl from the
village to take Elliston for his daily outings, and settled down to a
routine of work, small social relaxations, and morning and evening care
of the baby. The daily facts of life were pleasant to Mary; if some hurt
or disappointed, her balanced nature swung readily to assuage itself
with others. She honestly believed she felt more deeply than her
husband, and perhaps she did, but she was not of the kind whom life
can break. Stefan might dash himself to exhaustion against a rock round
which Mary would find a smooth channel.
While her work progressed, Stefan's remained at a standstill.
Disillusioned with his marriage and with his whole way of life he
fretted himself from his old sure confidence to a mood of despair. Their
friends bored him, his studio like his house became a cage. New York
appeared in her old guise of mammoth materialist, but now he had no
heart to satirize her dishonor. He wanted only to be gone, but told
himself that in common decency he must remain with Mary till her child
was born. He longed for even the superficial thrill of Felicity's
presence, but she still lingered in the South. So fretting, he tossed
himself against the bars through the long snows of an unusually severe
March, until April broke the frost, and the road to the Byrdsnest became
a morass of running mud.
In the last two weeks Stefan had begun a portrait of Constance, but
without enthusiasm. She was a fidgety sitter, and was moreover so busy
with her suffrage work that she could never be relied on for more than
an hour at a time. After a few of these fragmentary sittings his ragged
nerves gave out completely.
“It's utterly useless, Constance!” he exclaimed, throwing down his
pallette and brushes, as the telephone interrupted them for the third
time in less than an hour. “I can't paint in a suffrage office. This is
a studio, not the Club's headquarters. If you can't shut these people
off and sit rationally, please don't trouble to come again.”
“I know, my dear boy, it's abominable, but what can I do? Our bill has
passed the Legislature; until it is submitted next year I can't be my
own or Theodore's, much less yours. As for you, you look a rag. This
winter has about made me hate my country. I don't wonder you long for
France.”
Her eyes narrowed at him, she dangled her beads reflectively, and
perched on the throne again without attempting to resume her pose. “My
dear boy,” she said suddenly, “why stay here and be eaten by devils--why
not fly from them?”
“I wish to God I could,” he groaned.
“You can. Mary was in to see our shop yesterday; she looked dragged. You
are both nervous. Do what I have always done--take a holiday from each
other. There's nothing like it as a tonic for love.”
“Do you really think she wouldn't mind?” he exclaimed eagerly. “You know
she--she isn't very well.”
“Chtt,” shrugged Constance, “_that's_ only being more than usually well.
You don't think Mary needs coddling, do you? She's worried because
you are bored. If you aren't there, she won't worry. I shall take
your advice--I shan't come here again--” and she settled her hat
briskly--“and you take mine. Go away--” Constance threw on her coat--“go
anywhere you like, my dear Stefan--” she was at the door--“except
south,” she added with a mischievous twinkle, closing it.
Stefan, grinning appreciatively at this parting shot, unscrewed his
sketch of Constance from the easel, set it face to the wall in a corner,
cleaned his brushes, with the meticulous care he always gave to his
tools, and ran for the elevated, just in time to catch the next train
for Crab's Bay. At the station he jumped into a hack, and, splashing
home as quickly as the liquid road bed would allow, burst into the house
to find Mary still lingering over her lunch.
“What has happened, Stefan?” she exclaimed, startled at his excited
face.
“Nothing. I've got an idea, that's all. Let me have something to eat and
I'll tell you about it.”
She rang for Lily, and he made a hasty meal, asking her unwonted
questions meantime about her work, her amusements, whether many of the
neighbors were down yet, and if she felt lonely.
“No, I'm not lonely, dear. There are only a few people here, but they
are awfully decent to me, and I'm very busy at home.”
“You are sure you are not lonely?” he asked anxiously, drinking his
coffee, and lighting a cigarette.
“Yes, quite sure. I'm not exactly gay--” and she smiled a little
sadly--“but I'm really never lonely.”
“Then,” he asked nervously, “what would you say if I suggested going off
by myself for two or three months, to Paris.” He watched her intently,
fearful of the effect of his words. To his unbounded relief, she
appeared neither surprised nor hurt, but, after twisting her coffee cup
thoughtfully for a minute, looked up with a frank smile.
“I think it would be an awfully good thing, Stefan dear. I've been
thinking so for a month, but I didn't like to say anything in case you
might feel--after our talk--” her voice faltered for a moment--“that
I was trying to--that I didn't care for you so much. It isn't that,
dear--” she looked honestly at him--“but I know you're not happy, and it
doesn't help me to feel I am holding you back from something you want. I
think we shall be happier afterwards if you go now.”
“I do, too,” said he, “but I was so afraid it would seem cruel in me to
suggest it. I don't want to grow callous like my father.” He shuddered.
“I want to do the decent thing, Mary.” His eyes were pleading.
“I know, dearest, you've been very kind. But for both our sakes, it will
be far better if you go for a time.” She rose, and, coming round
the table, kissed his rough hair. He caught her hand, and pressed it
gratefully. “You are good to me, Mary.”
The matter settled, Stefan's spirit soared. He rang up the French Line
and secured one of the few remaining berths for their next sailing,
which was in three days. He telephoned an ecstatic cable to Adolph.
Then, hurrying to the attic, he brought down his friend's old Gladstone,
and his own suitcase, and began to sort out his clothes. Mary, anxious
to quell her heartache by action, came up to help him, and vetoed his
idea of taking only the barest necessities.
“I know,” she said, “you want to get back to your old Bohemia. But
remember you are a well-known artist now--the celebrated Stefan Byrd,”
and she courtesied to him. “Suppose you were to meet some charming
people whom you wanted to see something of? Do take a dinner-jacket at
least.”
He grinned at her. “I shall live in a blouse and sleep in my old attic
with Adolph. That's the only thing I could possibly want to do. But I
won't be fractious, Mary. If it will please you to have me take dress
clothes I'll do it--only you must pack them yourself!”
She nodded smilingly. “All right, I shall love to.” She had failed to
make her husband happy in their home, she thought; at least she would
succeed in her manner of speeding him from it. It was her tragedy that
he should want to go. That once faced, she would not make a second
tragedy of his going.
She spent the next morning, while he went to town to buy his ticket, in
a thorough overhauling of his clothes. She found linen bags to hold
his shoes and a linen folder for his shirts. She pressed his ties and
brushed his coats, packed lavender bags in his underwear, and slipped
a framed snapshot of herself and Elliston into the bottom of the
Gladstone. With it, in a box, she put the ring she had given him, with
the winged head, which he had ceased to wear of late. She found some new
poems and a novel he had not read, and packed those. She gave him her
own soapbox and toothbrush case. She cleaned his two bags with shoe
polish. Everything she could think of was done to show that she sent him
away willingly, and she worked so hard that she forgot to notice how her
heart ached. In the afternoon she met him in town and they had dinner
together. He suggested their old hotel, but she shook her head. “No
dear, not there,” she said, smiling a little tremulously. They went to a
theatre, and got home so late that she was too tired to be wakeful.
“By the by,” she said next morning at breakfast, “don't worry about
my being alone after you've gone. I thought it might be triste for the
first few days, so I've rung up the Sparrow, and she's coming to occupy
your room for a couple of weeks. She's off for her yearly trip abroad at
the end of the month. Says she can't abide the Dutch, but means to see
what there is to their old Rhine, and come back by way of Tuscany and
France.” Mary gurgled. “Can't you see her in Paris, poor dear, 'doing'
the Louvre, with her nose in a guidebook. Why! Perhaps you may!”
“The gods forbid,” said Stefan devoutly.
He had brought his paints and brushes home the night before, and after
breakfast Mary helped him stow them away in the Gladstone, showing
him smilingly how well she had done his packing. While he admired, she
remembered to ask him if he had obtained a letter of credit. He burst
out laughing.
“Mary, you wonder! I have about fifty dollars in my pocket, and should
have entirely forgotten to take more if you hadn't spoken of it. What a
bore! Can't I get it to-morrow?”
“You might not have time before sailing. I think you'd better go up
to-day, and then you could call on Constance to say good-bye.”
“I don't like to leave you on our last day,” he said uneasily,
“Oh, that will be all right, dear,” she smiled, patting his hand. “I
have oceans to do, and I think you ought to see Constance. Get your
letter of credit for a thousand dollars, then you'll be sure to have
enough.”
“A thousand! Great Scott, Adolph would think I'd robbed a bank if I had
all that.”
“You don't need to spend it, silly, but you ought to have it behind you.
You never know what might happen.”
“Would there be plenty left for you?”
“Bless me, yes,” she laughed; “we're quite rich.”
While he was gone Mary arranged an impromptu farewell party for him, so
that instead of spending a rather depressing evening alone with her,
as he had expected, he found himself surrounded by cheerful
friends--McEwan, the Farradays, their next neighbors, the Havens, and
one or two others. McEwan was the last to leave, at nearly midnight, and
pleading fatigue, Mary kissed Stefan good night at the door of her room.
She dared not linger with him lest the stifled pain at her heart should
clamor for expression too urgently to be denied. But by this time
he himself began to feel the impending separation. Ready for bed, he
slipped into her room and found her lying wide-eyed in a swathe of
moonlight. Without a word he lay down beside her and drew her close.
Like children lost in the dark, they slept all night in each other's
arms.
Next day Mary saw him off. New York ended at the gangway. Across it,
they were in France. French decorations, French faces, French gaiety,
the beloved French tongue, were everywhere.
“Listen to it, Mary,” he cried exultingly, and she smiled a cheerful
response.
When the warning bell sounded he suddenly became grave.
“Say good-bye again to Elliston for me, dear,” he said, holding her hand
close. “I hope he grows up like you.”
Her eyes were swimming now, in spite of herself. “Mary,” he went on,
“this separation makes or mars us. I hope, dear, I believe, it will make
us. God bless you.” He kissed her, pressed her to him. Suddenly they
were both trembling.
“Why are we parting?” he cried, in a revulsion of feeling.
She smiled at him, wiping away her tears. “It's better, dearest,” she
whispered; “let me go now.” They kissed again; she turned hurriedly
away. He watched her cross the gangway--she waved to him from the
dock--then the crowd swallowed her.
For a moment he felt bitterly bereaved. “How ironic life is,” he
thought. Then a snatch of French chatter and a gay laugh reached him.
The gangway lifted, water widened between the bulwarks and the dock.
As the ship swung out he caught the sea breeze--a flight of gulls swept
by--he was outbound!
With a deep breath Stefan turned a brilliant smile upon the deck ...
Freedom!
Mary, hurrying home with aching heart and throat, let the slow tears
run unheeded down her cheeks. From the train she watched the city's
outskirts stream by, formless and ugly. She was very desolate. But when,
tired out, she entered her house, peace enfolded her. Here were her
child, the things she loved, her birds, her pleasant, smiling servant.
Here were white walls and gracious calm. Her mate had flown, but the
nest remained. Her heart ached still, but it was no longer torn.
X
The day after Stefan sailed Felicity Berber returned from Louisiana. The
South had bored her, without curing her weariness of New York. She drove
from the Pennsylvania Station to her studio, looked through the books,
overhauled the stock, and realized with indifference that her business
had suffered heavily through her absence. She listened lazily while her
lieutenants, emphasizing this fact, implored her to take up the work
again.
“What does it matter,” she murmured through her smoke. “The place still
pays. Your salaries are all secure, and I have plenty of money. I may
come back, I may not. In any event, I am bored.” She rippled out to
her landaulette, and drove home. At her apartment, her Chinese maid was
already unpacking her trunks.
“Don't unpack any more, Yo San. I may decide to go away again--abroad
perhaps. I am still very bored--give me a white kirtle and telephone Mr.
Marchmont to call in an hour.”
With her maid's help she undressed, pinned her hair high, and slipped
on a knee-high tunic of heavy chiffon. Barefooted, she entered a large
room, walled in white and dull silver--the end opposite the windows
filled by a single mirror. Between the windows stood a great tank of
gold and silver fish swimming among water lilies.
Two enormous vases of dull glass, stacked with lilies against her
homecoming, stood on marble pedestals. The floor was covered with a
carpeting of dead black. A divan draped in yellow silk, a single ebony
chair inlaid with mother-of-pearl, and a low table in teakwood were the
sole furniture. Here, quite alone, Felicity danced away the stiffness
of her journey, danced away the drumming of the train from her ears, and
its dust from her lungs. Then she bathed, and Yo San dressed her in
a loose robe of silver mesh, and fastened her hair with an ivory comb
carved and tinted to the model of a water lily. These rites complete,
Felicity slowly partook of fruit, coffee and toast. Only then did
she re-enter the dance room, where, on his ebony chair, the dangling
Marchmont had been uncomfortably waiting for half an hour.
She gave him her hand dreamily, and sank full length on the divan.
“You are more marvelous than ever, Felicity,” said he, with an adoring
sigh.
She waved her hand. “For all that I am not in the mood. Tell me the
news, my dear Marchmont--plays, pictures, scandals, which of my clients
are richer, which are bankrupt, who has gone abroad, and all about my
friends.”
Marchmont leant forward, and prepared to light a cigarette, his thin
mouth twisted to an eager smile, his loose hair wagging.
“Wait,” she breathed, “I weary of smoke. Give me a lily, Marchmont.” He
fetched one of the great Easter lilies from its vase. Placing this on
her bosom, she folded her supple hands over it, closed her eyes, and lay
still, looking like a Bakst version of the Maid of Astolat. Felicity's
hints were usually sufficient for her slaves. Marchmont put away his
cigarette, and proceeded with relish to recount the gossip with which,
to his long finger-tips, he was charged.
“Well,” said he, after an hour's general survey of New York as they both
knew it, “I think that about covers the ground. There is, as I said,
no question that Einsbacher is still devoted. My own opinion is he will
present you with the Nixie. I suppose you received the clippings I sent
about the picture? Constance Elliot has only ordered two gowns from the
studio since you left--but you will have seen that by the books. She
says she is saving her money for the Cause.” He snickered. “The fact is,
she grows dowdy as she grows older. Gunther has gone to Frisco with
his group. Polly Thayer tells me his adoration of the beautiful Byrd
is pathetic. So much in love he nearly broke her neck showing off his
driving for her benefit.” Marchmont snickered again. “As for your friend
Mr. Byrd--” he smiled with a touch of sly pleasure--“you won't see him,
he sailed for France yesterday, alone. His name is in this morning's
list of departures.” And he drew a folded and marked newspaper from his
pocket.
A shade of displeasure had crept over the immobile features of Miss
Berber. She opened her eyes and regarded the lank Marchmont with
distaste. Her finger pressed a button on the divan. Slowly she raised
herself to her elbow, while he watched, his pale eyes fixed on her with
the expression of a ratting dog waiting its master's thanks after a
catch.
“All that you have told me,” said Felicity at last, a slight edge to her
zephyr-like voice, “is interesting, but I wish you would remember that
while you are free to ridicule my clients, you are not free as regards
my friends. Your comment on Connie was in poor taste. I am not in
the mood for more conversation this morning. I am fatigued. Good-day,
Marchmont.” She sank to her pillows again--her eyes closed.
“Oh, I say, Felicity, is that all the thanks I get?” whined her visitor.
“Good-day, Marchmont,” she breathed again. The door opened, disclosing
Yo San. Marchmont's aesthetic veneer cracked.
“Oh, shucks,” he said, “how mean of you!” and trailed out, his cutaway
seeming to hang limp like the dejected tail of a dog.
The door closed, Felicity bounded up and, running across the room,
invoked her own loveliness in the mirror.
“Alone,” she whispered to herself, “alone.” She danced a few steps,
swayingly. “You've never lived, lovely creature, you've never lived
yet,” she apostrophized the dancing vision in the glass.
Still swaying and posturing to some inward melody, she fluttered down
the passage to her bedroom. “Yo San,” she called, her voice almost full,
“we shall go to Europe.” The stolid little maid nodded acquiescence.
For the next three days Felicity Berber, creator of raiment, shut in
her pastoral fitting room and surrounded by her chief acolytes, sat at
a table opposite Stefan's dancing faun, and designed spring gowns.
Felicity the idle, the somnolent, the alluring, gave place to Felicity
the inventor, and again to Felicity the woman of business. Scissors
clipped, typewriters clicked, colored chalks covered dozens of sheets
with drawings.
The staff became first relieved, then enthusiastic. What a spring
display they were to have! On the third day hundreds of primrose-yellow
envelopes, inscribed in green ink to the studio's clients, poured into
the letter-chute. Within them an announcement printed in flowing green
script read, under Felicity's letterhead, “I offer twenty-one original
designs for spring raiment, created by me under the inspiration of a
sojourn in the South. Each will be modified to the wearer's personality,
and none will be duplicated. I am about to travel in Europe, there
to gain atmosphere for my fall creations.” After her signature, was
stamped, by way of seal, a tiny woodcut of Stefan's faun.
The last design was complete by Friday, and on Saturday Felicity sailed
on the Mauretania, her suite of three rooms a wilderness of flowers.
Marchmont, calling at the apartment to escort her to the boat, found the
dance-room swathed in sheeting, its heavy carpet rolled into a corner.
Evidently, this was to be no brief “sojourn.” The heavy Einsbacher was
at the dock to see her off, together with a small pack of nondescript
young men. Constance was not there, and Marchmont guessed that she had
not been told of her friend's departure.
Einsbacher had the last word with Felicity. “I hope you will like the
vlowers,” he whispered gutturally. “Let me know if I may make you a
present of the Nixie,” and he gave a thick smile.
“You know my rule,” she murmured, her lids heavy, a bored droop at the
corners of her mouth. “Nothing worth more than five dollars, except
flowers. Why should I break it--” her voice hovered--“for you?”--it
sank. She turned away, melting into the crowd. Marchmont, with malicious
pleasure, watched Einsbacher's discomfited retreat.
In her cabin Felicity collected all the donors' cards from her flowers
and, stepping outside, with a faint smile dropped them into the sea.
XI
It was the end of April, and Paris rustled gaily in her spring dress.
Stefan and Adolph, clad in disreputable baggy trousers topped in one
case by a painter's blouse and in the other by an infinitely aged alpaca
jacket, strolled homeward in the early evening from their favorite café.
Adolph was in the highest spirits, as he had been ever since Stefan's
arrival three weeks before, but the other's face wore a rather moody
frown. He had begun to weary a little of his good friend's ecstatic
pleasure in their reunion.
He was in Paris again, in his old attic; it was spring, and his beloved
city as beautiful as ever. He had expected a return of his old-time
gaiety, but somehow the charm lacked potency. He wanted to paint, but
his ideas were turgid and fragmentary. He wanted excitement, but the
city only seemed to offer memories. The lapse of a short eighteen months
had scattered his friends surprisingly. Adolph remained, but Nanette was
married. Louise had left Paris, and Giddens, the English painter, had
gone back to London. Perhaps it was the spring, perhaps it was merely
the law which decrees that the past can never be recaptured--whatever
the cause, Stefan's flight had not wholly assuaged his restlessness.
Of adventures in the hackneyed sense he had not thought. He was too
fastidious for the vulgar sort, and had hitherto met no women who
stirred his imagination. Moreover, he harbored the delusion that the
failure of his great romance had killed his capacity for love. “I am
done with women,” he said to himself.
Mary seemed very distant. He thought of her with gratitude for her
generosity, with regret, but without longing.
“Never marry,” he said to Adolph for the twentieth time, as they turned
into the rue des Trois Ermites; “the wings of an artist must remain
unbound.”
“Ah, Stefan,” Adolph replied, sighing over his friend's disillusionment,
“I am not like you. I should be grateful for a home, and children. I am
only a cricket scraping out my little music, not an eagle.”
Stefan snorted. “You are a great violinist, but you won't realize it.
Look here, Adolph, chuck your job, and go on a walking tour with me.
Let's travel through France and along the Riviera to Italy. I'm sick
of cities. There's lots of money for us both, and if we run short, why,
bring your fiddle along and play it--why not?”
At their door the concierge handed Adolph some letters.
“My friend,” said he, holding up a couple of bills, “one cannot slip
away from life so easily. How should I pay my way when we returned?”
“Hang it,” said Stefan impatiently, “don't you begin to talk
obligations. I came to France to get away from all that. Have a little
imagination, Adolph. It would be the best thing that could happen to you
to get shaken out of that groove at the Opera--be the making of you.”
They had reached the attic, and Adolph lit a lamp.
“We'll talk of it to-morrow, my infant, now I must dress--see, here is a
letter for you.”
He handed Stefan a tinted envelope, and began leisurely to don his
conventional black. Holding the note under the lamp, Stefan saw with a
start that it was from Felicity, and had been left by hand. Excited,
he tore it open. It was written in ordinary ink, upon pale pink paper,
agreeably scented.
“My dear friend,” he read in French, “I am in Paris, and
chancing to remember your old address--(“I swear I never told
her the number,” he thought)--send this in search of you.
How pleasant it would be to see you, and to have a little converse
in the sweet French tongue. You did not know that it
was my own, did you? But yes, I have French-Creole blood.
One is happy here among one's own kind. This evening I shall
be alone. Felicity.”
So, she was a Creole--of the race of Josephine! His pulses beat.
Cramming the note into his pocket he whirled excitedly upon his friend.
“Adolph,” he cried, “I'm going out--where are my clothes?” and began
hastily to rummage for his Gladstone amidst a pile of their joint
belongings. Throwing it open, he dragged out his dress suit--folded
still as Mary had packed it--and strewed a table with collars, ties,
shirts, and other accessories.
“Hot water, Adolph! Throw some sticks into the stove--I must shave,”
he called, and Adolph, amazed at this sudden transformation, hastily
obeyed.
“Where do you go?” he asked, as he filled the kettle.
“I'm going to see a very attractive young woman,” Stefan grinned.
“Wow, what a mercy I brought some decent clothes, eh?” He was already
stripped, and shaking out a handful of silk socks. Something clicked to
the floor, but he did not notice it. The dressing proceeded in a whirl,
Adolph much impressed by the splendors of his friend's toilet. A fine
shirt of tucked linen, immaculate pumps, links of dull gold--his comrade
in Bohemia had completely vanished.
“O là, là!” cried he, beaming, “now I see it is true about all your
riches!”
“I'm going to take a taxi,” Stefan announced as he slipped into his
coat; “can I drop you?”
He stood ready, having overtaken Adolph's sketchy but leisured dressing.
“What speed, my child! One moment!” Adolph shook on his coat, found his
glasses, and was crossing to put out the lamp when his foot struck a
small object.
“What is this, something of yours?” He stooped and picked up a framed
snapshot of a girl playing with a baby. “How beautiful!” he exclaimed,
holding it under the lamp.
“Oh, yes,” said Stefan with a slight frown, “that's Mary. I didn't know
I had it with me. Come on, Adolph,” and he tossed the picture back into
the open Gladstone.
While Adolph found a taxi, Stefan paused a moment to question the
concierge. Yes, monsieur's note had been left that afternoon, Madame
remembered, by une petite Chinoise, bien chic, who had asked if Monsieur
lived here. Madame's aged eyes snapped with Gallic appreciation of a
possible intrigue.
Stefan was glad when he had dropped Adolph. He stretched at ease along
the cushions of his open taxi, breathing in the warm, audacious air of
spring, and watched the faces of the crowds as they emerged under the
lights to be lost again mysteriously in the dusk.
Paris, her day's work done, was turning lightly, with her entrancing
smile, to the pursuit of friendship, adventure, and love. All through
the scented streets eyes sought eyes, voices rose in happy laughter or
drooped to soft allurement. Stefan thrilled to the magic in the air. He,
too, was seeking his adventure.
The taxi drew up in the courtyard of an apartment house. Giving his
name, Stefan entered a lift and was carried up one floor. A white door
opened, and the small Yo San, with a salutation, took his hat, and
lifted a curtain. He was in a long, low room, yellow with candlelight.
Facing him, open French windows giving upon a balcony showed the
purpling dusk above the river and the black shapes of trees. Lights
trickled their reflection in the water, the first stars shone, the scent
of flowers was heavy in the air.
All this he saw; then a curtain moved, and a slim form appeared from the
balcony as silently as a moth fluttering to the light.
“Ah, Stefan, welcome,” a voice murmured.
The setting was perfect. As Felicity moved toward him--her gown
fluttering and swaying in folds of golden pink as delicately tinted as
the petals of a rose--Stefan realized he had never seen her so alluring.
Her strange eyes shone, her lips curved soft and inviting, her cheeks
and throat were like warm, white velvet.
He took her outstretched hand--of the texture of a camelia--and it
pulsed as if a heart beat in it.
“Felicity,” he half whispered, holding her hand, “how wonderful you
are!”
“Am I?” she breathed, sighingly. “I have been asleep so long, Stefan.
perhaps I am awake a little now.”
Her eyes, wide and gleaming as he had never seen them, held him. A
mysterious perfume, subtle and poignant, hung about her. Her gauzy dress
fluttered as she breathed; she seemed barely poised on her slim feet.
He put out his arm as if to stay her from mothlike flight, and it fell
about her waist. He pressed her to him. Her lips met his--they were
incredibly soft and warm--they seemed to blossom under his kisses.
* * * * *
Adolph, returning from the opera at midnight, donned his old jacket and
a pair of slippers and, lighting his pipe, settled himself with a paper
to await Stefan's coming. Presently first the paper, then the burnt-out
pipe, fell from his hands--he dozed, started awake, and dozed again.
At last he roused himself and stretched stiffly. The lamp was burning
low--he looked at his watch--it was four o'clock. Stefan's Gladstone bag
still yawned on a chair beside the table. In it, the dull glow of the
lamp was reflected from a small silver object lying among a litter of
ties and socks. Adolph picked it up, and looked for some moments at the
face of Mary, smiling above her little son. He shook his head.
“Tch, tch! Quel dommage-what a pity!” he sighed, and putting down the
picture undressed slowly, blew out the lamp, and went to bed.
XII
On a Saturday morning at the end of June, Mary stood by the gate of the
Byrdsnest, looking down the lane. McEwan, who was taking a whole holiday
from the office, had offered to fetch her mail from the village. Any
moment he might be back. It was quite likely, she told herself, that
there would be a letter from France this morning--a steamer had
docked on Thursday, another yesterday. Surely this time there would be
something for her. Mary's eyes, as they strained down the lane, had lost
some of their radiant youth. A stranger might have guessed her older
than the twenty-six years she had just completed--she seemed grave and
matronly--her face had a bleak look. Mary's last letter from France had
come more than a month ago, and a face can change much in a month of
waiting. She knew that last letter--a mere scrap--by heart.
“Thank you for your sweet letters, dear,” it read. “I am
well, and having a wonderful time. Not much painting yet;
that is to come. Adolph admires your picture prodigiously.
I have found some old friends in Paris, very agreeably. I may
move about a bit, so don't expect many letters. Take care of
yourself. Stefan.”
No word of love, nothing about Elliston, or the child to come; just a
hasty word or two dashed off in answer to the long letters which she
had tried so hard to make amusing. Even this note had come after a two
weeks' silence. “Don't expect many letters--” she had not, but a month
was a long time.
There came Wallace! He had turned the corner--he had waved to her--but
it was a quiet wave. Somehow, if there had been a letter from France,
Mary thought he would have waved his hat round his head. She had never
spoken of her month-long wait, but Wallace always knew things without
being told. No, she was sure there was no letter. “It's too hot here in
the sun,” she thought, and walked slowly into the house.
“Here we are,” called McEwan cheerily as he entered the sitting room.
“It's a light mail to-day. Nothing but 'Kindly remit' for me, and one
letter for you--looks like the fist of a Yankee schoolma'am.”
He handed her the letter, holding it with a big thumb over the
right-hand corner, so that she recognized Miss Mason's hand before she
saw the French stamp.
“Mind if I hang round on the stoop and smoke a pipe?” queried McEwan,
pulling a newspaper from his pocket.
“Do,” said Mary, opening her letter. It was a long, newsy sheet written
from Paris and filled with the Sparrow's opinions on continental hotels,
manners, and morals. She read it listlessly, but at the fourth page
suddenly sat upright.
“I thought as long as I was here I'd better see what there is
to see,” Miss Mason's pen chatted; “so I've been doing a play
or the opera every night, and I can say that not understanding
the language don't make the plays seem any less immoral.
However, that's what people go abroad to get, so I guess we
can't complain. The night before last who was sitting in the
orchestra but your husband with that queer Miss Berber? I
saw them as plain as daylight, but they couldn't see me away up
in the circle. When I was looking for a bus at the end I
saw them getting into an elegant electric. I must say she
looked cute, all in old rose color with a pearl comb in her hair.
I think your husband looked real well too--I suppose they
were going to some party together. It's about time that young
man was home again with you, it seems to me, and so I should
have told him if I could have got anywhere near him in the
crowd. All I can say is, _I've_ had enough of Europe. I'm thinking
of going through to London for a week, and then sailing.”
At the end of the letter Mary turned the last page back, and slowly
read this paragraph again. There was a dull drumming in her ears--a hand
seemed to be remorselessly pressing the blood from her heart. She sat
staring straight before her, afraid to think lest she should think too
much. At last she went to the window.
“Wallace,” she called. He jumped in, paper in hand, and saw her standing
dead white by her chair.
“Ye've no had ill news, Mary?” he asked with a burr.
She shook her head. “No, Wallace; no, of course not. But I feel rather
rotten this morning. Talk to me a little, will you?”
Obediently he sat down, and shook out the paper. “Hae ye been watching
the European news much lately, Mary?” he began.
“I always try to, but it's difficult to find much in the American
papers.”
“It's there, if ye know where to look. What would ye think o' this
assassination o' the Grand Duke now?” He cocked his head on one side, as
if eagerly waiting for her opinion. She began to rally.
“Why, it's awful, of course, but somehow I can't feel much sympathy for
the Austrians since they took Bosnia and Herzegovina.”
“What would ye think might come of it?”
“I don't know, Wallace--what would you!”
“Weel,” he said gravely, “I think something's brewing down
yonder--there'll be trouble yet.”
“Those poor Balkans, always fighting,” she sighed.
“I'm feered it'll be more than the Balkans this time. Watch the papers,
Mary--I dinna' like the looks o' it mesel'.”
They talked on, he expounding his views on the menace of Austria's
near-east aspirations as opposed to Russia's friendship for the Slavic
races. Mary tried to listen intelligently--the effort brought a little
color to her face.
“Wallace,” she said presently, “do you happen to know where Miss Berber
is this summer?”
“I do not,” he said, his blue eyes steadily watching her. “But Mrs.
Elliot would ken maybe--ye might ask her.”
“Oh, it doesn't matter,” said Mary. “I just wondered.”
When McEwan had gone Mary read Miss Mason's letter for the third time,
and again the cold touch of fear assailed her. She took a camp stool and
sat by the edge of the bluff for a long time, watching the water. Then
she went indoors again to her desk.
“Dear Stefan,” she wrote, “I have only had one note from
you in six weeks, and am naturally anxious to know how you
are getting on. I am very well, and expect our baby about
the tenth of October. Elliston is beautiful; imagine, he is a
year old now! I think he will have your eyes. I am sorry
you are not getting on well with your work, but perhaps that
has changed by now. Dear, I had a letter from Miss Mason
this morning, and she writes of having seen you and Miss
Berber together at the opera. You didn't tell me she was in
Paris, and I can't help feeling it strange that you should not
have done so, and should leave me without news for so long.
I trust you, dear Stefan, and believe in our love in spite of the
difficulties we have had. And I think you did rightly to take
a holiday abroad. But you have been gone three months, and
I have heard so little. Am I wrong still to believe in our love?
Only six months ago we were so happy together. Do you wish
our marriage to come to an end? Please write me, dear, and
tell me what you really think, for, Stefan, I don't know how
I shall bear the suspense much longer. I'm trying to be brave,
dear--and I _do_ believe still.
“Your
“Mary.”
Her hand was trembling as she finished writing. She longed to cry out,
“For God's sake, come back to me, Stefan”--she longed to write of the
wild ache at her heart--but she could not. She could not plead with him.
If he did not feel the pain in her halting sentences it would be true
that he no longer loved her. She sealed and stamped the letter. “I must
still believe,” she kept repeating to herself. There was nothing to do
but wait.
In the weeks that followed it seemed to Mary that her friends were more
than ever kind to her. Not only did James Farraday continually send his
car to take her driving, and Mrs. Farraday appear in the pony carriage,
but not a day passed without McEwan, Jamie, the Havens, or other
neighbors dropping in for a chat, or planning a walk, a luncheon, or a
sail. Constance, too, immersed in work though she was, ran out several
times in her car and spent the night. Mary was grateful--it made her
waiting so much less hard--while her friends were with her the constant
ache at her heart was drugged asleep. Knowing Wallace, she suspected his
hand in this widespread activity, nor was she mistaken.
The day after the arrival of Miss Mason's letter McEwan had dropped in
upon Constance in the evening, when he knew she would be resting after
her strenuous day's work at headquarters. By way of a compliment on her
gown he led the conversation round to Felicity Berber, and elicited the
information that she was abroad.
“In Paris, perhaps?” he suggested.
“Now you mention it, I think they did say Paris when I was last in the
shop.”
“Byrd is in Paris, you know,” said McEwan, meeting her eyes.
“Ah!” said Constance, and she stared at him, her lids narrowing. “I
hadn't thought of that possibility.” She fingered her jade beads.
“I wonder if you ever write her?” he asked.
“I never write any one, my dear man, and, besides, what could I say?”
“Well,” said he, “I had a hunch you might need a new rig for the summer
Votes campaign, or something. I thought maybe you'd want the very latest
Berber styles, and would ask her to send a tip over. Then I thought
you'd string her the local gossip, how Mrs. Byrd's baby will be born in
October, and you don't think her looking as fit as she might. You want a
cute rattle for it from Paris, or something. Get the idea?”
“You think she doesn't know?”
“I think the kid's about as harmless as a short-circuited wire, but I
think she's a sport at bottom. My dope is, _if_ there's anything to this
proposition, then she doesn't know.” He rose to go.
“Wallace, you are certainly a bright boy,” said Constance, holding out
her hand. “The missive shall be despatched.”
“Moreover,” said Mac, turning at the door, “Mary's worried--a little
cheering up won't hurt her any.”
“I'll come out,” said Constance'. “What a shame it is--I'm so fond of
them both.”
“Yes, it's a mean world--but we have to keep right on smiling. Good
night,” said he.
“Good night,” called Constance. “You dear, good soul,” she added to
herself.
XIII
Adolph was practising some new Futurist music of Ravel's. Its
dissonances fatigued and irritated him, but he was lured by its horrible
fascination, and grated away with an enraged persistence. Paris was hot,
the attic hotter, for it was July. Adolph wondered as he played how long
it would be before he could get away to the sea. He was out of love
with the city, and thought longingly of a possible trip to Sweden.
His reflections were interrupted by Stefan, who pushed the door open
listlessly, and instantly implored him to stop making a din.
“What awful stuff--it's like the Cubist horrors,” said he, petulantly.
“Yes, my friend, yet I play the one, and you go to see the other,” said
Adolph, laying down his fiddle and mopping his head and hands.
“Not I,” contradicted Stefan, wandering over to his easel. On it was an
unfinished sketch of Felicity dancing--several other impressions of her
stood about the room.
“Rotten work,” he said, surveying them moodily. “All I have to show
for over three months here. Adolph,” he flung himself into a chair, and
rumpled his hair angrily, “I'm sick of my way of life. My marriage was a
mistake, but it was better than this. I did better work with Mary than I
do with Felicity, and I didn't hate myself.”
“Well, my infant,” said Adolph, with a relieved sigh, “I'm glad to hear
you say it. You've told me nothing, but I am sure your marriage was a
better thing than you think. As for this little lady--” he shrugged his
shoulders--“I make nothing of this affair.”
Stefan's frown was moodier still.
“Felicity is the most alluring woman I have ever known, and I believe
she is fond of me. But she is affected, capricious, and a perfect mass
of egotism.”
“For egotism you are not the man to blame her,” smiled his friend.
“I know that,” shrugged Stefan. “I've always believed in egotism, but I
confess Felicity is a little extreme.”
“Where is she?”
“Oh, she's gone to Biarritz for a week with a party of Americans. I
wouldn't go. I loathe mobs of dressed-up spendthrifts. We had planned to
go to Brittany, but she said she needed a change of companionship--that
her soul must change the color of its raiment, or some such piffle.” He
laughed shortly. “Here I am hanging about in the heat, most of my money
gone, and not able to do a stroke of work. It's hell, Adolph.”
“My boy,” said his friend, “why don't you go home?”
“I haven't the face, and that's a fact. Besides, hang it, I still want
Felicity. Oh, what a mess!” he growled, sinking lower into his chair.
Suddenly Adolph jumped up.
“I had forgotten; there is a letter for you,” and he tossed one into his
lap. “It's from America.”
Stefan flushed, and Adolph watched him as he opened the letter. The
flush increased--he gave an exclamation, and, jumping up, began walking
feverishly about the room.
“My God, Adolph, she's heard about Felicity!” Adolph exclaimed in his
turn. “She asks me about it--what am I to do?”
“What does she say; can you tell me?” enquired the Swede, distressed.
“Tiens, I'll read it to you,” and Stefan opened the letter and hastily
translated it aloud. “She's so generous, poor dear,” he groaned as he
finished. Adolph's face had assumed a deeply shocked expression. He was
red to the roots of his blonde hair.
“Is your wife then enceinte, Stefan!”
“Yes, of course she is--she cares for nothing but having children.”
“_But_, Stefan!” Adolph's hands waved helplessly--he stammered. “It
cannot be--it is impossible, _impossible_ that you desert a beautiful
and good wife who expects your child. I cannot believe it.”
“I _haven't_ deserted her,” Stefan retorted angrily. “I only came away
for a holiday, and the rest just happened. I should have been home by
now if I hadn't met Felicity. Oh, you don't understand,” he groaned,
watching his friend's grieved, embarrassed face. “I'm fond of
Mary--devoted to her--but you don't know what the monotony of marriage
does to a man of my sort.”
“No, I don't understand,” echoed his friend. “But now, Stefan,” and he
brought his fist down on the table, “now you will go home, will you not,
and try to make her happy?”
“I don't think she will forgive this,” muttered Stefan.
“This!” Adolph almost shouted. “This you will explain away, deny, so
that it troubles her no more!”
“Oh, rot, Adolph, I can't lie to Mary,” and Stefan began to pace the
room once more.
“For her sake, it seems to me you must,” his friend urged.
“Stop talking, Adolph; I want to think!” Stefan exclaimed. He walked in
silence for a minute.
“No,” he said at last, “if my marriage is to go on, it must be on a
basis of truth. I can't go back to Mary and act and live a lie. If she
will have me back, she must know I've made some sacrifice to come,
I'll go, if she says so, because I care for her, but I _can't_ go as a
faithful, loving husband--it would be too grotesque.”
“Consider her health, my friend,” implored Adolph, still with his
bewildered, shocked air; “it might kill her!”
“Can't! She's as strong as a horse--she can face the truth like a man.”
“Then think of the other woman; you must protect her.”
“Pshaw! she doesn't need protection! You don't know Felicity; she'd be
just as likely as not to tell Mary herself.”
“I always thought you so honorable, so generous,” Adolph murmured,
dejectedly.
“Oh, cut it, Adolph. I'm being as honorable and generous as I know how.
I'll write to Mary now, and offer to come back if she says the word, and
never see Felicity again. I can't do more.”
He flung himself down at the desk, and snatched a pen.
“My dearest girl:” he wrote rapidly, “your brave letter has
come to me, and I can answer it only with the truth. All that
you feared when you heard of F.'s being with me is true. I
found her here two months ago, and we have been together
most of the time since. It was not planned, Mary; it came to
me wholly unexpectedly, when I thought myself cured of love.
I care for you, my dear, I believe you the noblest and most
beautiful of women, but from F. I have had something which
a woman of your kind could never give, and in spite of the
pain I feel for your grief, I cannot say with truth that I regret
it. There are things--in life and love of which you, my
beautiful and clear-eyed Goddess, can know nothing--there is
a wild grape, the juice of which you will never drink, but which
once tasted, must ever be desired. Because this draught is so
different from your own milk and honey, because it leaves my
tenderness for you all untouched, because drinking it has assuaged
a thirst of which you can have no knowledge, I ask you
not to judge it with high Olympian judgment. I ask you
to forgive me, Mary, for I love you still--better now than when
I left you--and I hold you above all women. The cup is still
at my lips, but if you will grant me forgiveness I will drink
no more. I agonize over your grief--if you will let me I will
return and try to assuage it. Write me, Mary, and if the word
is forgive, for your sake I will bid my friend farewell now and
forever. I am still your husband if you will have me--there
is no woman I would serve but you.
“Stefan.”
He signed his name in a dashing scrawl, blotted and folded the letter
without rereading it, addressed and stamped it, and sprang hatless down
the stairs to post it.
An enormous weight seemed lifted from him. He had shifted his dilemma to
the shoulders of his wife, and had no conception that in so doing he was
guilty of an act of moral cowardice. Returning to the studio, he pulled
out a clean canvas and began a vigorous drawing of two fauns chasing
each other round a tree. Presently, as he drew, he began to hum.
XIV
It was the fourth of August.
Stefan and Felicity sat at premier déjeuner on the balcony of her
apartment. About them flowers grew in boxes, a green awning hung over
them, their meal of purple fruit, coffee, and hot brioches was served
from fantastic green china over which blue dragons sprawled. Felicity's
negligée was of the clear green of a wave's concavity--a butterfly of
blue enamel pinned her hair. A breeze, cool from the river, fluttered
under the awning.
It was an attractive scene, but Felicity's face drooped listlessly, and
Stefan, hands deep in the pockets of his white trousers, lay back in his
wicker chair with an expression of nervous irritability. It was early,
for the night had been too hot for late sleeping, and Yo San had not
yet brought in the newspapers and letters. Paris was tense. Germany and
Russia had declared war. France was mobilizing. Perhaps already the axe
had fallen.
Held by the universal anxiety, Stefan and Felicity had lingered on in
Paris after her return from Biarritz, instead of traveling to Brittany
as they had planned.
Stefan had another reason for remaining, which he had not imparted to
Felicity. He was waiting for Mary's letter. It was already overdue, and
now that any hour might bring it he was wretchedly nervous as to the
result. He did not yet wish to break with Felicity, but still less did
he wish to lose Mary. Without having analyzed it to himself, he would
have liked to keep the Byrdsnest and all that it contained as a warm and
safe haven to return to after his stormy flights. He neither wished to
be anchored nor free; he desired both advantages, and the knowledge
that he would be called upon to forego one frayed his nerves. Life was
various--why sacrifice its fluid beauty to frozen forms?
“Stefan,” murmured Felicity, from behind her drooping mask, “we have had
three golden months, but I think they are now over.”
“What do you mean?” he asked crossly.
“Disharmony”--she waved a white hand--“is in the air. Beauty--the
arts--are to give place to barbarity. In a world of war, how can we
taste life delicately? We cannot. Already, my friend, the blight has
fallen upon you. Your nerves are harsh and jangled. I think”--she
folded her hands and sank back on her green cushions--“I shall make a
pilgrimage to China.”
“All of which,” said Stefan with a short laugh, “is an elaborate way of
saying you are tired of me.”
Her eyebrows raised themselves a fraction.
“You are wonderfully attractive, Stefan; you fascinate me as a panther
fascinates by its lithe grace, and your mind has the light and shade of
running brooks.”
Stefan looked pleased.
“But,” she went on, her lids still drooping, “I must have harmony. In an
atmosphere of discords I cannot live. Of your present discordant mood,
my friend, I _am_ tired, and I could not permit myself to continue to
feel bored. When I am bored, I change my milieu.”
“You are no more bored than I am, I assure you,” he snapped rudely.
“It is such remarks as those,” breathed Felicity, “which make love
impossible.” Her eyes closed.
He pushed back his chair. “Oh, my dear girl, do have some sense of
humor,” he said, fumbling for a cigarette.
Yo San entered with a folded newspaper, and a plate of letters for
Felicity. She handed one to Stefan. “Monsieur Adolph leave this,” she
said.
Disregarding the paper, Felicity glanced through her mail, and
abstracted a thick envelope addressed in Constance's sprightly hand.
Stefan's letter was from Mary; he moved to the end of the balcony and
tore it open. A banker's draft fell from it.
“Good-bye, Stefan,” he read, “I can't forgive you. What you
have done shames me to the earth. You have broken our marriage.
It was a sacred thing to me--now it is profaned. I ask
nothing from you, and enclose you the balance of your own
money. I can make my living and care for the children, whom
you never wanted.”
The last three words scrawled slantingly down the page; they were
in large and heavier writing--they looked like a cry. The letter was
unsigned, and smudged. It might have been written by a dying person.
The sight of it struck him with unbearable pain. He stood, staring at it
stupidly.
Felicity called him three times before he noticed her--the last time she
had to raise her voice quite loudly. He turned then, and saw her sitting
with unwonted straightness at the table. Her eyes were wide open, and
fixed.
“I have a letter from Connie.” She spoke almost crisply. “Why did you
not tell me that your wife was enceinte?”
“Why should I tell you?” he asked, staring at her with indifference.
“Had I known it I should not have lived with you. I thought she had let
you come here alone through phlegmatic British coldness. If she lost
you, it was her affair. This is different. You have not played fair with
us.”
“Mary was never cold,” said Stefan dully, ignoring her accusation.
“That makes it worse.” She sat like a ramrod; her face might have been
ivory; her hands lay folded across the open letter.
“What do you know--or care--about Mary?” he said heavily; “you never
even liked her.”
“Your wife bored me, but I admired her. Women nearly always bore me, but
I believe in them far more than men, and wish to uphold them.”
“You chose a funny way of doing so this time,” he said, dropping into
his chair with a hopeless sigh.
She looked at him with distaste. “True, I mistook the situation.
Conventions are nothing to me. But I have a spiritual code to which I
adhere. This affair no longer harmonizes with it. I trust--” Felicity
relaxed into her cushions--“you will return to your wife immediately.”
“Thanks,” he said ironically. “But you're too late. Mary knows, and has
thrown me over.”
There was silence for several minutes. Then Stefan rose, picked up the
draft from the floor, looked at it idly, refolded it into Mary's letter,
and put both carefully away in his inside pocket. His face was very
pale.
“Adieu, Felicity,” he said quietly. “You are quite right about it.” And
he held out his hand.
“Adieu, Stefan,” she answered, waving her hand toward his, but not
touching it. “I am sorry about your wife.”
Turning, he went in through the French window.
Felicity waited until she heard the thud of the apartment door, then
struck her hands together. Yo San appeared.
“A kirtle, Yo San. I must dance away a wound. Afterwards I will think.
Be prepared for packing. We may leave Paris. It is time again for work.”
Stefan, walking listlessly toward his studio, found the streets filled
with crowds. Newsboys shrieked; men stood in groups gesticulating; there
were cries of “Vive la France!” and “A bas l'Allemagne!” Everywhere was
seething but suppressed excitement. As he passed a great hotel he found
the street, early as it was, blocked with departing cabs piled high with
baggage.
“War is declared,” he thought, but the knowledge conveyed nothing to his
senses. He crossed the Seine, and found himself in his own quarter. At
the corner of the rue des Trois Ermites a hand-organ, surrounded by
a cosmopolitan crowd of students, was shrilly grinding out the
Marseillaise. The students sang to it, cheering wildly.
“Who fights for France?” a voice yelled hoarsely, and among cheers a
score of hands went up.
“Who fights for France?” Stefan stood stock still, then hurried past the
crowd, and up the stairs to his attic.
There, in the midst of gaping drawers and fast emptying shelves, stood
Adolph in his shirt sleeves, methodically packing his possessions into
a hair trunk. He looked up as his friend entered; his mild face was
alight; tears of excitement stood in his eyes.
“Ah, my infant,” he exclaimed, “it has arrived! The Germans are across
the frontier. I go to fight for France.”
“Adolph!” cried Stefan, seizing and wringing his friend's hand. “Thank
God there's something great to be done in the world after all! I go with
you.”
“But your wife, Stefan?”
Stefan drew out Mary's letter. For the first time his eyes were wet.
“Listen,” he said, and translated the brief words.
Hearing them, the good Adolph sat down on his trunk, and quite frankly
cried. “Ah, quel dommage! quel dommage!” he exclaimed, over and over.
“So you see, mon cher, we go together,” said Stefan, and lifted his
Gladstone bag to a chair. As he fumbled among its forgotten contents, a
tiny box met his hand. He drew out the signet ring Mary had given him,
with the winged head.
“Ah, Mary,” he whispered with a half sob, “after all, you gave me
wings!” and he put the ring on. He was only twenty-seven.
* * * * *
Later in the day Stefan went to the bank and had Mary's draft endorsed
back to New York. He enclosed it in a letter to James Farraday, in which
he asked him to give it to his wife, with his love and blessing, and to
tell her that he was enlisting with Adolph Jensen in the Foreign Legion.
That night they both went to a vaudeville theatre. It was packed to the
doors--an opera star was to sing the Marseillaise. Stefan and Adolph
stood at the back. No one regarded the performance at all till the
singer appeared, clad in white, the French liberty cap upon her head,
a great tricolor draped in her arms. Then the house rose in a storm of
applause; every one in the vast audience was on his feet.
“'_Allons, enfants de la patrie_,'” began the singer in a magnificent
contralto, her eyes flashing. The house hung breathless.
“'_Aux armes, citoyens!_'” Her hands swept the audience. “'_Marchons!
Marchons!_'” She pointed at the crowd. Each man felt her fiery glance
pierce to him--France called--she was holding out her arms to her sons
to die for her--
“'_Qu'un sang impur abreuve nos sillons!_'”
The singer gathered the great flag to her heart. The tears rolled down
her cheeks; she kissed it with the passion of a mistress. The house
broke into wild cheers. Men fell upon each other's shoulders; women
sobbed. The singer was dumb, but the drums rolled on--they were calling,
calling. The folds of the flag dazzled Stefan's eyes. He burst into
tears.
* * * * *
The next morning Stefan Byrd and Adolph Jensen were enrolled in the
Foreign Legion of France.