PRISONERS OF WAR

“Everything is bearable so long as there is bread,” said Sancho Panza.

I begin to feel I could reckon with the Uhlans if only we had enough to

eat. Between the closely-drawn shutters of the little village shop can

be discerned packets of chocolate in small, neat, silver wrapped rows.

I would sell my chances of seeing England again for two good sticks or

twenty centimes in solid nickel coin with which to purchase them.

For lunch to-day I have a tiny piece of black bread. I eat it

lingeringly, carefully putting in the Gladstonian forty bites.

Yeastless, heavy as lead, it seems the most delicious food. I am

compunctious for having eaten so much when I think that there are only

three more such loaves. These are carefully hidden behind the cellar

door. They will last us some time, and the Uhlans will not find them

easily. But so beautiful is the Belgian nature, I am sure Mdme Job

and the others would willingly starve themselves that I—and even the

Germans—might have enough.

A hush is on the village since the word is passed round that the Duke

of Meiningen has entered the Gendarmerie beneath the shadow of the

still waving flag. No doubt it will presently be pulled down, “by order

of the Kaiser,” and replaced by the Imperial Eagle. We shall see!

In the meantime all documents and money are taken possession of by

the Prince. He comes out and speaks to the soldiers with some show of

anger. I gather that the upheaval the interior of the Gendarmerie has

undergone is set down to our account.

We shall be punished unless I interfere. In crudest German I explain

that none of us has been within the doors, that the disturbance and

looting are the work of German soldiers, that we should not dream of

interfering with a Belgian Governmental office. My excuses are met with

grunts. But I can see that they believe me. We shall pay no penalty for

this. I breathe again.

A tin case containing documents and money is set in the roadway by the

Gendarmerie door. The street is as full of soldiers with bayonets as of

cobblestones. The Prince stalks over to the post office, his scholarly

face grave with thought. Prince Ernst, his brother, mounted on a

splendid horse, guards the door.

The family of Job is behind fast-shut windows. So is the rest of the

village. Tragedy stalks in the air. We wonder what M. le Précepteur is

doing and what is going forward inside his house.

Suddenly shriek upon shriek ascends. Madame la Précepteur is in

hysterics. Her husband is being killed without doubt. The shrieks

intensify to yells. They are joined by a sturdy howl from M. Victor

and a whimpering cry, more pathetic than either, from the little baby

Germaine.

Madame Job puts her handkerchief to her face and begins to cry.

Monsieur puts his fingers in his ears. Messieurs Alfred and Floribert

have disappeared. I stand irresolute.

The owner of the café next door ventures into the open, and gazes

across that phalanx of impassive, well-armed men.

“Mademoiselle,” she calls. I go to the door and slip back the bolt. I

am ashamed to say I still hesitate. It is not exactly fear, but what

can I do, of what use am I, even if murder is being done; I, a woman,

defenceless, alone?

“I must go if you will not,” she says, gazing at me like a piteous

sheep. I am startled into action. Across the road I slip, in front of

the truculent-looking soldiers and seize Prince Ernst’s horse by the

bridle.

“May I go in?” I ask, hating to be forced to appeal to the enemy in

this way.

Instead of ordering me back or insulting me as I expect, a look of

immense relief flashes over his face.

“Pray do, Mademoiselle,” he says in French. “The poor woman is in great

distress. At nothing, nothing at all.”

“She naturally doesn’t like soldiers entering her house and taking the

post office papers and money,” I say, noting the large tin box on the

pavement, matching in appearance the one outside the Gendarmerie door.

“That is not the reason,” returns the Prince, looking a little

uncomfortable this time, “she is troubled because he is taken as

prisoner.”

“Prisoner,” I say, stupefied.

“C’est la guerre,” he answers a little cynically, a little sullenly.

An Englishwoman's adventures in the German lines · 第 59 / 69 题