MRS S. (_starting_). Sandy and Màiri. Can it be?----

WIDOW (_re-enters_). I’m sorry, mem, but--but (_with agitation_) I

cannot understand--your son refuses to come in.

MRS S. (_rising_). Then I will go to my son.

[_Limps towards the door, sees her son and Màiri._]

MRS S. Sandy ... Màiri ... come here--come here at once. Do not go

out and leave me in misery. I wish to speak to you both.

[_Sandy and Màiri enter. Both look stern and defiant._]

MRS S. Let me sit down. I want to speak to my son and Màiri.

[_Widow assists her towards the arm-chair._]

WIDOW (_addressing her daughter_). Is this your young man, Màiri

dear?

MÀIRI (_hiding her face in Sandy’s arm_). Yes, mother (_faintly_).

WIDOW (_nervously_). I think I will better be putting the big

kettle on the kitchen fire. (_Walks towards the door._)

MRS S. No, no, come back; please sit down, Mrs Mackay. I wish you

to hear all I have got to say.

[_Mrs Mackay sits opposite Mrs Speedwell, who is in the “easy

chair.” Sandy and Màiri stand beside the table, arm in arm._]

MRS S. (_addressing Mrs Mackay_). When you found me lying

helplessly on the moor, my sprained ankle sinking into a

bog, I thanked you and you said, “It’s not me you should be

thanking, but Providence.” You were right there, Mrs Mackay.

The hand of Providence arranges all things. Providence brought

me here to be punished for my sin; Providence brought these

two together (_pointing to Sandy and Màiri_) at the same

time.... When I was lying on that dreadful lonely moor,

expecting to meet an awful death--to die there alone--the

thoughts that were uppermost in my mind were about my sin

against your daughter and my own son. Now I am going to ask

their forgiveness.

SANDY (_impulsively, hastening towards her_). No, no. Don’t ask my

forgiveness (_kisses her_), but Màiri’s only.

MRS S. (_turning to Màiri_). Màiri dear (_entreatingly and

softly_).

[_Sandy goes towards Màiri and leads her to his mother._]

MRS S. Kiss me, my ... daughter.

[_Sandy grasps Mrs Mackay’s hand. The old woman rises to her feet._]

SANDY (_gleefully_). My mother has robbed you of your daughter. Let

me take her place and be your son.

WIDOW (_with emotion_). Be you a good man to _my_ Màiri, for _my_

Màiri has been a good daughter to me.

[_Màiri comes forward and kisses her mother._]

SANDY (_taking Màiri’s arm_). Come on! hurry, hurry! Let us boil

the big kettle on the kitchen fire.

[_Màiri smiles radiantly and Mrs Speedwell laughs. The widow sinks

into a chair._]

MRS S. Dear Mrs Mackay, but for my sore foot I think I would dance

to you. (_Màiri and Sandy turn at the door and laugh. The

widow smiles._)

(CURTAIN)

[1] pron. Mah’ri.

[2] chill.

[3] nothing.

[4] pron. mai’tl, _Gael._, my treasure.

Transcriber’s Note:

Words may have multiple spelling variations or inconsistent

hyphenation in the text and were not changed. Jargon, dialect,

obsolete, and alternative spellings were not changed. Inconsistent

punctuation after "Mrs" was not changed.

Words and phrases in italics are surrounded by underscores, _like

this_. Footnotes were renumbered sequentially and were moved to the

end of the book.

The real Mackay · 第 9 / 9 题