OLD DANCES.

We really strove honestly, swung ourselves and swung our ladies,

although many were stiff enough to get round. We were not invited to a

ball; this dance was merely a surprise frolic.

We had dined in all good faith--at least, the stranger cousin had; and

while I stood thinking of coffee, and dreading no danger, the house

began to swarm with young folks who had dined upstairs or downstairs, or

at home, or not at all, or God knows where. The dining-room doors were

thrown open again, the floor was cleared as if by magic, partners caught

hold of each other, two rushed to the piano, and--one, two, three, they

were in the middle of a galop before I could recover my wits.

They immediately forsook me again, when I received a frightful blow in

the region of the heart. It was Uncle Ivar himself, who shouted:

'Come, boy; inside with you, and move your legs. Don't stand there like

a snivelling chamberlain, but show what kind of fellow you are with

those long pipe-stalks that our Lord has sent you out upon.'

Thus the dance began; and although I did not at all like uncle's way of

arranging matters, I good-naturedly set to work, and we strove honestly,

that I can say, with the cousins as well as the lighter of the aunts.

By degrees we even became lively; and everything might have passed off

in peace and joy if uncle had not taken it into his head that we were

not doing our utmost in the dance, especially we gentlemen.

'What kind of dancing is that to show to people?' he exclaimed

contemptuously. 'There they go, mincing and tripping, as spindle-shanked

as pencils and parasols. No, there was another kind of legs in my time!

Pooh, boys, that was dancing, that was!'

We held up our heads and footed it until our ears tingled. But every

time that Uncle Ivar passed the ball-room door, his jeers became more

aggravating, until we were almost exhausted, each one trying to be

nimbler than another.

But what was the use? Every time uncle came back from his round through

the smoking-room, where he cooled his head in an enormous ale-bowl, he

was bolder and bolder, and at last he had aled so long in the cooling

bowl that his boldness was not to be repressed.

'Out of the way with these long-shanked flamingoes!' he cried. 'Now,

boys, you are going to see a real national dance. Come, Aunt Knoph, we

two old ones will make these miserable youngsters of nowadays think

shame.'

'Oh, no, my dear, do let me alone,' begged respectable Mrs. Knoph;

'remember, we are both old.'

'The devil is old,' laughed uncle merrily; 'you were the smartest of the

lasses, and I was not the greatest lout among the boys, that I know. So

come along, old girl!'

'Oh no, my dear Ivaren; won't you excuse me?' pleaded Mrs. Knoph. But

what was the use? The hall was cleared, room had to be made, and we

miserable flamingoes were squeezed up against the walls, so that we

might be out of the way, at all events.

All the young ladies were annoyed at the interruption, and we gentlemen

were more or less sulky over all the affronts that we had endured. But

the lady who had to play was quite in despair. She had merely received

orders to play something purely national; and no matter how often she

asked what dance it was to be, uncle would only stare politely at her

over his spectacles, and swear that this would be another kind of dance.

As far as Uncle Ivar was concerned, 'Sons of Norway' was no doubt good

enough for any or every dance; and as to the dance itself, the music was

really not so very important; for, you see, it happened in this way:

Uncle Ivar came swinging in with one arm by his side, and tall,

respectable Mrs. Knoph on the other. He placed her with a chivalrous

sweep in the middle of the floor, bowed in the fashion of elderly

gallants, with head down between his legs and arms hanging in front, but

quickly straightened himself up again and looked about with a provoking

smile.

Uncle Ivar, without a coat and with vest unbuttoned, was a sight to see

in a ball-room. A flaming red poll, one of the points of his collar up

and one down, his false shirtfront thrust under a pair of home-made

braces, which were green, two white bands of tape hanging down, a tuft

of woollen shirt visible here and there.

But one began to respect the braces when one saw what they carried--a

trousers-button as big as a square-sail, and another behind--I am sure

that one could have written 'Constantinople' in full across it in a

large hand.

'Tush, boys!' cried uncle, clapping his hands, 'now, by Jove, you shall

see a dance worth looking at!' And then it began--at least, I _think_

that it began here, but, as will presently appear, this is not quite

certain. It happened in this way:

The pianist struck up some national tune or other; uncle swung his arms

and shuffled a little with his feet, amorously ogling old Mrs. Knoph

over his spectacles.

All attention was now concentrated upon Uncle Ivar's legs; it was clear

that after the little preliminary steps he would let himself go! I stood

and wondered whether he would spring into the air clear over Mrs. Knoph,

or only kick the cap off her head.

That would have been quite like him, and it is not at all certain

whether he himself did not think of performing some such feat, for, as

will presently appear, we cannot know; it happened, you see, in this

way:

As Uncle Ivar, after some little pattering, collected his energies for

the decisive _coup_, he violently stamped his feet upon the floor.

But, as if he had trodden upon soft soap, like lightning his heels

glided forward from under him. The whole of Uncle Ivar fell backward

upon Constantinople, his legs beat the air, and the crown of his head

struck the floor with a boom that resounded through the whole house.

Yes, there he lay stretched in all his _rondeur_, with the square-sail

just in front of the feet of respectable Mrs. Knoph, who resembled a

deserted tower in the desert.

I was irreverent enough to let the others gather him up. Of course he

would not fall to pieces; I knew the Constantinople architecture. I

slipped out into the corridor and laughed until I was quite exhausted.

But since then I have often wondered what kind of dance it could have

been.

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