30. Avoid a toad, as it may be a witch.

31. Little children's nails should be bitten off instead of cut the

first time, lest they learn to steal.

32. An approved sort of love charm is to take the two hind legs of a

green tree-frog, bury these in an anthill till all the flesh is removed,

then tie them up securely in a linen handkerchief, and whosoever touches

this linen will be seized at once with love for its owner.

33. To avert many illnesses which may occur to the pigs, it is still

customary in some places for the swineherd to dispense with his clothes

the first time he drives out his pigs to pasture in spring. A newly

elected clergyman, regarding this practice as immoral, tried to forbid

it in his parish, but was sternly asked by the village bailiff whether

he was prepared to pay for all the pigs which would assuredly die that

year in consequence of the omission.

34. The same absence of costume is likewise recommended to women

assisting a cow to calve.

The night of St. Thomas (21st of December) is the date consecrated by

Saxon superstition to the celebration of the games which elsewhere are

usual on All-Halloween. Every girl puts her fate to the test on this

evening, and there are various ways of so doing (too lengthy to be here

described), with shoes, flowers, onions, &c. For the twelve days

following it is not allowed to spin, and the young men who visit the

spinning-room of the girls have the right to break and burn all the

distaffs they find, so it has become usual for the maidens to appear

with a stick dressed up with wool to represent the distaff instead of a

real spinning-wheel.

Some of the Saxon customs are peculiarly interesting from being

obviously remnants of Paganism, and are a curious proof of the force of

verbal tradition, which in this case has not only borne the

transplantation from a far distant country, but likewise weathered the

storm of two successive changes of religion.

A very strong proof of the tenacity of Pagan habits and train of thought

is, I think, the fact, that although at the time these Saxon colonists

appeared in Transylvania, towards the second part of the twelfth

century, they had already belonged to the Christian Church for more than

three hundred years, yet many points of the landscape in their new home

baptized by them have received Pagan appellations. Thus we find the

_Götzenberg_,[17] or mountain of the gods, and the _wodesch_ and the

_wolnk_ applied to woods and plains, both evidently derived from Wodan.

Many old Pagan ceremonies are still clearly to be distinguished through

the flimsy shrouding of a later period, and their origin unmistakable

even through the surface-varnish of Christianity which was thought

necessary to adapt them to newer circumstances, and like a clumsily

remodelled garment the original cut frequently asserts itself, despite

the fashionable trimmings which now adorn it. In many popular rhymes and

dialogues, for instance, it has been clearly proved that those parts now

assigned to the Saviour and St. Peter originally belonged to the old

gods Thor and Loki; while the faithless Judas has had the

personification of a whole hoard of German demons thrust upon him. It is

likewise strongly to be suspected that St. Elias who in some parts of

Hungary, as well as in Roumenia, Servia, and Croatia, is considered the

proper person to be invoked in thunderstorms, is verily no other than

the old thunder god Thor, under a Christian mask.

One of the most striking of the Christianised dramas just mentioned is

the _Todaustragen_, or throwing out the Death, a custom still extant in

several of the Transylvanian Saxon villages, and which may likewise be

found still existing in some remote parts of Germany. The feast of the

Ascension is the day on which this ceremony takes place in a village of

this neighbourhood. It is conducted in the following manner:--

After forenoon church on that day, the school-girls of the parish repair

to the house of one of their companions, and there proceed to dress up

the 'Death.' This is done by tying up a threshed-out corn-sheaf into the

rough semblance of a head and body, while the arms are simulated by a

broomstick stuck horizontally. This done, the figure is dressed up in

the Sunday clothes of a young village matron, the head adorned with the

customary cap and veil fastened by silver pins; two large black beads,

or black-headed pins, represent the eyes, and thus equipped the figure

is displayed at the open window, in order that all people may see it, on

their way to afternoon church. The conclusion of vespers[18] is the

signal for the girls to seize the figure and open the procession round

the village; two of the eldest girls hold the 'Death' between them, and

the others follow in regular order two and two, singing a Lutheran

Church hymn. The boys are excluded from the procession, and must content

themselves with admiring the _Schöner Tod_ (handsome Death) from a

distance. When all the village streets have been traversed in this

manner, the girls repair to another house, whose door is locked against

the besieging troop of boys. The figure Death is here stripped of its

gaudy attire, and the naked straw bundle thrown out of the window,

whereupon it is seized by the boys and carried off in triumph to be

thrown into the neighbouring stream or river. This is the first part of

the drama, while the second consists in one of the girls being solemnly

invested with the clothes and ornaments previously worn by the figure,

and like it, led in procession round the village to the singing of the

same hymn as before. This is to represent the arrival of summer. The

ceremony terminates by a feast given by the parents of the girl who has

acted the principal part, from which the boys are again excluded.

According to popular belief it is allowed to eat fruits only after this

day, as now the 'Death,' that is, the unwholesomeness, has been expelled

from them. Also the river in which the Death has been drowned may now be

considered fit for public bathing.

If this ceremony be ever omitted in the villages where it is customary,

this neglect is supposed to entail the death of one of the youths or

maidens.

This same ceremony may, as I have said, be found still lingering in many

other places, everywhere with slight variations. There are villages

where the figure is burnt instead of drowned, and Passion Sunday (often

called the Dead Sunday), or else the 25th of March, are the days

sometimes chosen for its accomplishment. In some places it was usual for

the straw figure to be attired in the shirt of the last person who had

died, and with the veil of the most recent bride on its head. Also the

figure is occasionally pelted with stones by the youth of both sexes;

whoever hits it will not die during the year.

At Nuremberg little girls dressed in white used to go in procession

through the town, carrying a small open coffin, in which a doll was laid

out in state, or sometimes only a stick dressed up, with an apple to

represent the head.

In many of these German places, the rhymes which are sung apply to the

advent of summer and the extinction of winter, such as the following:--

And now we have chased the death away

And brought in the summer so warm and so gay;

The summer and the month of May

We bring sweet flowers full many a one.

We bring the rays of the golden sun,

For the dreary death at last is gone.

or else,

Come all of you and do not tarry

The evil death away to carry;

Come, spring, once more, with us to dwell,

Welcome, O spring, in wood and dell!

And there is no doubt that similar rhymes used also to be sung here,

until they were replaced by the Lutheran hymns.

Some German archæologists have attempted to prove that 'death' in these

games is of more recent introduction, and has replaced the 'winter' of

former times, so as to give the ceremony a more Christian colouring by

the allusion of the triumph of Christ over death, on His resurrection

and ascension into heaven. Without presuming to contradict the many

well-known authorities who have taken this view of the case, I cannot

help thinking that it hardly requires such explanation to account for

the presence of death in these dramas. Nowadays, when luxury and

civilisation have done so much towards equalising all seasons, so that

we can never be deprived of flowers in winter, nor want for ice in

summer, we can with difficulty realise the enormous gulf which in olden

times separated winter from summer. Not only in winter were all means of

communication cut off for a large proportion of people, but their very

existence was, so to say, frozen up; and if the granaries were scantily

filled, or the inclement season prolonged by some weeks, death was

literally standing at the door of thousands of poor wretches. No wonder,

then, that winter and death became identical in their minds, and that

they hailed the advent of spring with delirious joy, dancing round the

first violet, and following about the first cockchafer in solemn

procession. It was the feast of Nature which they celebrated then as

now--Nature mighty and eternal--which must always remain essentially the

same, whether decked out in Pagan or Christian garb.

Another remnant of Paganism is the _Feurix_ or _Feuriswolf_, which

lingers yet in the mind of these people. According to ancient German

mythology the _Feuriswolf_ is a monster which, on the last day, is to

open his mouth so wide that the top jaw touches the sky, and the lower

one the earth; and not long ago a Saxon woman bitterly complained in a

court of justice that her husband had cursed her over strongly, in

saying, 'Der wärlthangd saul dich frieszen;' literally, 'May the

world-dog swallow thee!'

The gipsies take up a different position as regards superstition from

either Roumenian or Saxon, since they may be rather considered to be

direct causes and mainsprings of superstition, than victims of credulity

themselves. The Tzigane, whose religion is of such an extremely

superficial nature that he rarely believes in anything as complicated as

the immortality of the soul, can hardly be supposed to lay much weight

upon the supernatural; and if he instinctively avoids such places as

churchyards, gallow-trees, &c., his feelings are rather those of a child

who shirks being reminded of anything so unpleasant as death or burial.

That, however, these people exercise a considerable influence on their

Saxon and Roumenian neighbours is undoubted, and it is a paradoxical

fact, that the same people who regard the gipsy as an undoubted thief,

liar, and cheat, in all the common transactions of daily life, do not

hesitate to confide in him blindly for charmed medicines and

love-potions, and are ready to attribute to him unerring power in

deciphering the mysteries of the future.

The Saxon peasant will, it is true, often drive away the fortune-teller

with blows and curses from his door, but his wife, as often as not, will

secretly beckon to her to come in again by the back door, in order to be

consulted as to the illness of the cows, or to beg from her a remedy

against the fever.

Wonderful potions and salves, in which the fat of bears, dogs, snakes

and snails, along with the oil of rain-worms, the bodies of spiders and

midges rubbed into a paste, and many other similar ingredients, are

concocted by these cunning Bohemians, who will sometimes thus make

thrice as much money out of the carcass of a dead dog as another from

the sale of three healthy pigs.

It has also been averred that both Roumenian and Saxon mothers, whose

sickly infants are thought to be suffering from the effects of the evil

eye, are frequently in the habit of giving the child to be nursed for a

period of nine days to some gipsy woman, who is supposed to be able to

undo the spell.

There is not a village which does not boast of one or more

fortune-tellers, and living in the suburbs of each town are many old

women who make an easy and comfortable livelihood only by imposing on

the credulity of their fellow-creatures.

The gipsies, one of whose principal trades is the burning of bricks and

tiles, are often accused of occasioning lengthy droughts to suit their

own purposes. When this has occurred, and the necessary rains have not

been produced by soundly beating the guilty Tziganes, the Roumenians

sometimes resort to the _Papaluga_, or Rain-maiden. This is done by

stripping a young gipsy girl quite naked, and dressing her up with

wreaths of flowers and leaves which entirely cover her up, leaving only

the head visible. Thus adorned, the Papaluga is conducted round the

villages in procession, to the sound of music and singing, and everyone

hastens to water her copiously.

If also the Papaluga fails to bring the desired rain, then the evil must

evidently be of a deeper and more serious nature, and is to be

attributed to a vampire, who must be sought out and destroyed in the

manner described above.

The part of the Papaluga is also sometimes enacted by a Roumenian

maiden, when there is no reason to suspect the gipsies of being

concerned in the drought. This custom of the Rain-maiden is also to be

found in Servia, and I believe in Croatia.

It would be endless were I to attempt to enumerate all the different

sorts of superstition afloat in this country; for besides the three

principal definitions here given, the subject comprises innumerable

other side branches, and might further be divided into the folk-lore of

shepherds, farmers, hunters, miners, fishermen, &c., each of these

separate callings having its own peculiar set of signs, customs, charms,

and traditions to go by.

Superstition is an evil which every person with a well-balanced mind

should wish to die out, yet it cannot be denied that some of these

fancies are graceful and suggestive. Nettles and briars, albeit

mischievous plants, may yet come in picturesquely in a landscape; and

although the stern agriculturist is bound to rejoice at their uprooting,

the softer-hearted artist is surely free to give them a passing sigh of

regret.

E. Gerard.

----------

[Footnote 1: 'Der Aberglaube in seiner Mannigfaltigkeit bildet

gewissermassen eine Religion für den ganzen niederen Hausbedarf.']

[Footnote 2: This would seem to suggest a German (or Celtic) origin.

Donar, as god of marriages, blesses unions with his hammer.]

[Footnote 3: This spirit corresponds to the Polednice of the Bohemians

and the Poludnica of the Poles and Russians. Grimm, in speaking of the

Russians, in his German Mythology, quotes from Boxhorn's _Resp.

Moscov._: 'Dæmonem meridianum Moscovitæ et colunt.']

[Footnote 4: This is also usual in Poland, Moldavia, and the Bukowina.]

[Footnote 5: The Roumenian peasant does not wear shoes or stockings, but

has his feet swaddled up in linen rags, which are kept in their place by

a rough sandal made of a flat piece of leather.]

[Footnote 6: Also believed in Poland.]

[Footnote 7: Archæologists have derived this word from _Pri_, which in

Sanscrit means fruitful, and _Hu_, the god of the Celtic deluge

tradition, also regarded as a personification of fruitful nature.]

[Footnote 8: The Council of Constantinople, 869 A.D., forbade the

members of the Oriental Church to keep the feast of the Pagan goddess,

Kolinda, occurring on the shortest day.]

[Footnote 9: Called Turon by the Poles, who have many similar games.]

[Footnote 10: This detail would seem to bear some resemblance to Saturn

devouring his children, and being cheated by stones thrown into his

jaws.]

[Footnote 11: Likewise in Bavaria.]

[Footnote 12: Also believed by most Slav nations.]

[Footnote 13: The original signification of this seems to have gone

astray, but was probably based on former worship of the horse, long

regarded as a sacred animal by Indians, Parsees, Arabs, and Germans.]

[Footnote 14: So in India the Matris, also known amongst the Egyptians,

Chaldeans, and Mexicans. A corresponding spirit is likewise found in the

Scandinavian and Lithuanian mythologies; in the latter under the name of

_medziajna_.]

[Footnote 15: Also practised in Poland.]

[Footnote 16: Also believed by the Roumenians.]

[Footnote 17: The word _Götzen_ in German signifies Pagan deities.]

[Footnote 18: Afternoon church is always called vespers by the Saxon

villager, though I believe it has no resemblance to the chanted vespers

of the Roman Catholics.]

Transylvanian Superstitions From: The Nineteenth Century (Vol. 18), London, July-December 1885, pp. 130-150 · 第 10 / 12 题