The first temple is Grecian Doric, as are all those of which I shall

speak. Its columns are about eleven feet across, and they must have been,

including their capitals, more than sixty feet high. Above these lofty

columns was placed the architrave, one of the stones of which, that we

measured, was twenty-five feet in length, eight in height, and six in

thickness; but another is still larger; forty feet long, seven broad, and

three deep. To transport these enormous masses of stone from their quarry,

which is several miles distant, with a deep valley and river intervening,

would trouble the modern engineer; but to poise and place them on the top

of the columns, seventy feet from the ground, with our mechanical means,

were indeed a great feat. The columns were not of single pieces, but

composed of several, and they now lie, to use an unpoetical phrase, like

rows of enormous cheeses. The great temple was three hundred and

thirty-four feet long, one hundred and fifty-four wide; its porticoes at

each end were four columns in depth, eight in width; a double row on the

sides of the cella or interior edifice, which in all Grecian temples was

the sanctum sanctorum. In _all_, there must have been eighty columns.

There is one remarkable feature about this temple, which is, that none of

the columns were fluted except those of the eastern end. About thirty

paces from this ruin, which the Sicilians call the Pileri di Giganti, or

Pillars of the Giants, are the remains of another temple which was about

two hundred feet long: its entablature was supported by thirty-six fluted

columns of seven feet in diameter and thirty-five feet long, each of a

single piece of stone. Only a few fragments of the columns remain standing

in their places. Treading another thirty paces, you come to a temple which

is of rather larger dimensions than the one last mentioned. The columns of

this were also fluted, but no part of the edifice is standing, except a

solitary pilaster, which was probably a portion of the cella. These

temples were built of a hard but porous stone, of a light color, and were

probably covered with a thin coat of cement. They command an extensive

view both of sea and land, and in their primal days must, with their

tower-like columns, their sculptured entablatures and pediments, have

risen above the scene in majestic grandeur.

Three quarters of a mile from these temples was the ancient port, now

choked with sand, and near it are the remains of edifices supposed to have

been the magazines. On an adjoining hill are remnants of three temples and

two towers, in almost undistinguishable ruin. We left Selinunte with a

lasting but melancholy impression, and were reminded of the lines:

'Two or three columns and many a stone,

Marble and granite, with grass o'ergrown:

* * * * *

Remnants of things which have passed away,

Fragments of stone rear'd by creatures of clay!'

Girgenti, anciently called Agragas and Agrigentum, is situated on the

southern coast of Sicily, in a delicious country; the modern city was

built by the Saracens on the summit of a hill upward of eleven hundred

feet above the level of the sea. The site of the ancient city is lower,

and about a mile distant. It was probably founded in the eighth century

before CHRIST. In its flourishing state it contained two hundred thousand

inhabitants, who were celebrated for their hospitality, their love of the

arts and luxurious style of living. Plato was so much struck with the

solidity of their buildings and the sumptuousness of their dinners, that

he said they 'built as though they thought themselves immortal, but ate as

though they never expected to eat again.' The horses of Agrigentum were

celebrated; and one of the citizens returning from the Olympic games, on

entering his native town, was followed by three hundred chariots, each

drawn by four white horses sumptuously caparisoned. The government of this

little state, whose inhabitants never amounted to more than eight hundred

thousand, was at first monarchical, afterward democratic; but neither the

forms of its institutions, nor its riches and grandeur, could save it from

misfortune: it was besieged several times by the Carthaginians, and at

length, after a siege of three years, was taken and sacked by Hannibal,

the son of Giscon. In alluding to these misfortunes, the historian says:

'Yet of all the Sicilian cities, the fate of Agrigentum seemed the most

worthy to be deplored, from the striking contrast of its fallen state with

its recent splendor and prosperity. The natural beauties of Agrigentum

were secured by strength and adorned with elegance; and whoever considered

either the innumerable advantages of the city itself, or the gay

cultivation of the surrounding territory, which abounded in every luxury

of the sea and land, was ready to pronounce the Agrigentines the most

favored inhabitants of the earth. The exuberant fertility of the soil,

particularly the rich luxuriance of the vines and olives, exceeded every

thing that is related of the happiest climates, and furnished the means of

lucrative commerce with the populous coast of Africa, which was sparingly

provided with those valuable plants. The extraordinary wealth of the

Agrigentines was displayed in the magnificence of public edifices and in

the splendid enjoyment of private fortunes. They had begun and almost

completed the celebrated Temple of Jupiter, built in the grandest style of

architecture, employed by the Greeks on the greatest and most solemn

occasions.'

The ancient city of Agragas stood on an elevated platform or table of

land, three sides of which fell off in steep precipices; the fourth side

was surmounted by the lofty hill on which the modern city stands. These

steep precipices were the natural walls of the city, and were made more

available for defence by excavation on the inside, so as to leave a solid

wall of rock rising round the city. On the verge of this platform, which

gradually sinks from east to west, and on the side next the sea, which is

about a mile distant, are seen the remains of no fewer than six temples.

They stood in a general line, but at irregular intervals, and must have

formed one of the most magnificent spectacles that the art of man has ever

presented to the eye. The remains of three other temples exist, but they

lie at a distance from this grand range. On the eastern and highest part

of the platform, where the natural wall of which I have spoken makes an

angle, stood the Temple of Juno Lucina; next came the Temple of Concord;

next the Temple of Hercules, near which was the Temple of Jupiter, called

of the Giants; next came the Temple of Venus, and lastly that of Castor

and Pollux. The approach to the ruins of these temples from the modern

city is over the site of the ancient, now shaded by olive, almond, and

carruba trees. The Temple of Juno is a picturesque ruin; all the columns

on the northern side are standing, also several at the ends, and part of

the entablature; the rest of the building, corroded by time or entirely

prostrate, lies under an exuberant growth of flowers and shrubs.

Descending from this temple, we pass through a sort of wild garden, with

here and there an olive-tree or dark carruba; on the left are the ruins of

the ancient rock-wall, huge fragments of which in places have fallen down

the precipice; other parts are perforated as with windows or loop-holes,

or with deep cell-like excavations: these are the tombs of the ancient

Agrigentines, now tenantless and void. Those window-like apertures were

evidently made so by the action of the elements or the violence of man;

and it is related that in consequence of the Agrigentines having made

their tombs in the walls, they were so much weakened that the

Carthaginians by means of their engines were enabled to batter them down

and obtain an entrance. We now come to the Temple of Concord, one of the

most beautiful specimens of Grecian Doric in existence. It is roofless,

but otherwise almost perfect. It has twenty-four columns; it is, like the

temple of Juno, raised on a platform of several steps, and about one

hundred and fifty-four feet in length and fifty-five in breadth. It seems

that this temple was used in times past for a Christian church, and the

sides of its cella are perforated by arched openings. The next temple is

near one of the ancient city gates, and is supposed to have been dedicated

to Hercules: it was celebrated in ancient times for having in it a fine

picture of Alcmena; but it is now a confused heap of ruin, with only one

column standing, which proves it to have been of larger dimensions than

the temples just mentioned.

Turning a little to the right, we come upon the Temple of Jupiter

Olympius, commonly called of the Giants, the largest sacred edifice in

Sicily, and one of the most stupendous works of the ancients. It was in

length three hundred and sixty-eight feet, in breadth one hundred and

eighty; the breadth or diameter of its columns at the base thirteen feet

four inches; the height of the columns must have been seventy-five feet;

above these rose a massive entablature, and the top of the pediments could

not have been less than one hundred and twenty feet high! The grandeur of

the door and vestibule corresponded to the simple majesty of the whole

building, whose sculptured ornaments represented, with the finished

elegance and laborious accuracy that distinguished each particular figure,

the 'Defeat of the Giants and the Taking of Troy.' In the interior ranged

twenty-four antæ, or square pillars, of fifty feet in height; on the top

of each was a sculptured giant twenty-seven feet in height, which with his

hands clasped over his head supported the lofty roof. One can scarcely

conceive any thing more noble and majestic than this wonderful edifice, in

comparison with which, though covering much more ground, St. Peter's in

Rome is a splendid gew-gaw. But what remains of this great temple? A wide

heap of ruin; the interior of which, the columns and walls having fallen

outward, is a flowery field, in which lie some fragments of those huge

giants that once supported the roof. One of these is tolerably entire: the

curls of his hair form a sort of garland: it lies with its face upward,

and when I stood by it, my own head scarcely reached as high as the brow

of the statue. It is composed of several pieces of stone, as are the

columns of this temple, and most of the others of Agrigentum. On every

side of this elevated field lie the walls, entablatures, and columns in

enormous fragments: the capitals of the columns look like huge rocks that

have been hurled there by some violent convulsion of nature.

A short distance from this temple are the ruins of the Temple of Venus,

and another of Castor and Pollux, of which two of the columns and part of

the entablature are entire, and the thin coat of cement or stucco which

covered them is in some parts as perfect as ever. The stone of which the

temples were constructed is of a very porous nature, a sort of tufa, full

of sea-shells, and when seen in the sunlight, of a golden hue; but they

were all covered with stucco, which, judging from what remains, was nearly

as hard as porcelain, and gave a beautiful and finished appearance to the

otherwise rude material. Of the other remains in Agrigentum, the limits of

this article will not allow me to speak. But the reader would ask, how

came these temples in such a state of ruin? On this subject there has been

some dispute; but their destruction may most reasonably be attributed to a

mightier agency than man's. Earthquake has shattered these gorgeous

temples; the time _when_ is not recorded. I am inclined to believe that

they were destroyed, as well as those of Selinus, by the dreadful

earthquakes that shook Italy and Sicily in the dark age of Valens and

Valentinian, three hundred and sixty-five years after CHRIST.

Let us now proceed to Syracuse, once the capital of Sicily, and the

birth-place of the great Archimedes. It was founded by Archias, one of the

Heraclidæ, more than seven hundred years before the Christian era, and

according to some authors contained within its walls at one time, one

million two hundred thousand inhabitants; could maintain an army of one

hundred thousand foot, ten thousand horse, with a navy of five hundred

armed vessels. Little now remains of a place once so populous and so

powerful, save the shrunken modern city of Syracusa, containing about nine

thousand inhabitants, and a few almost unintelligible ruins scattered

among vineyards, olive-groves, and fields of corn, or over the high wastes

of the barren Epipole, on the summit of which the curious will find ruined

walls and fortresses of massive and beautiful masonry. From these the eye

commands the whole site of the ancient city. _There_ lies, at the distance

of three miles, the small island of Ortygia, on which is the modern town;

on its right is the narrow entrance from the sea, which lies beyond, to

the greater harbor, that appears like a beautiful lake, and is about two

miles long and one and a half broad. On the left of the island of Ortygia

is all that remains of the lesser port of Syracuse. On this side the

island is connected with the main land by means of a draw-bridge. In

Ortygia is the famous fountain of Arethusa: the spring is yet clear and

copious; but the only nymphs I was fortunate enough to see were engaged in

the necessary vocation of cleansing the soiled linen of Syracusa. The

remains of a beautiful temple of Minerva form a part of the cathedral

church. Near the small river Anapus are two columns, the remnants of a

temple of Jupiter, which once contained a statue of that god, wearing a

robe of gold; but Dionysius the tyrant stripped it off, saying 'it was too

cold for winter and too hot for summer.' Among the seats of a noble

theatre now stands a mill, that is supplied with water diverted from an

ancient aqueduct close by: a strange metamorphosis indeed! This aqueduct

conveys the water thirty miles. It may have been of Greek construction

originally, but that part of it which I have seen is evidently Saracenic.

The rocky site of Syracuse is in many parts perforated with tombs; the

roads are literally honey-combed with them. There is a street excavated in

the limestone rock which on either side is full of cells, and it may

indeed be said of Syracuse that it is a great burying-ground. The oranges,

vines, and figs of Syracuse are still flourishing, and the earth yet

yields its hundred fold; but its glory is departed, and the traveller

looks in vain for satisfactory vestiges of that mighty city.

There are many other interesting remains of antiquity in Sicily, but I

must hasten to a conclusion. I trust the reader will have found the

subject of this article interesting, although treated briefly and

imperfectly. The traveller is unworthy of his privilege, and forgetful of

duty if he extracts not from the scenes described some moral lesson or

religious truth. The reader has accompanied me in imagination through

classic Sicily. He has seen the lonely temple of Segeste, standing among

the mountains like a widowed thing, mourning in silence the departed.

Where is the multitude that once thronged around its walls? Mount Erix

still battles with the clouds, as in the days of Agathocles. He has

clambered with me among the prostrate columns of Selinunte: _once_, from

beneath those massive porticoes, the Selinuntine, in the pride of his

heart, looked upon the crowded port and distant mountains as we look on

the Hudson, with its white sails and swift steamers, and the neighboring

hills. Where and what are they? The distant mountains stand, but the great

works which he erected to be a living honor to his name and country, are

perished forever. He has lingered with me among the ruins of the splendid

Agrigentum. Its numerous temples are dilapidated, or crumbling on the

earth; its walls, once its vaunted strength, are strewed in shattered

fragments on the steeps around. The dust of its multitudes serves to

fertilize the soil of its ancient site! But the stream still flows which

gave its name to the city, and the hills around yet produce the oil, the

wine, and the grain. We have sojourned for a time among the melancholy

vestiges of Syracuse; the scene of battles far more bloody than this land

has ever known. The army which the Athenians, inflated with pride and

presumption, sent against Syracuse, was here defeated. In yonder

land-locked bay the Athenian fleet, the mightiest that republic had ever

sent forth, and which they believed _invincible_, was destroyed. And the

Roman orator has eloquently said, that not only the navy of Athens, but

the glory and the empire of that republic, suffered shipwreck in the fatal

harbor of Syracuse. It was there the wonderful mechanical skill of

Archimedes was displayed against the Roman fleet, and those quiet waters

have been strewed with the dying and the dead. From this deserted citadel,

called of 'Labdalus,' the eye embraces the whole site of the once populous

Syracuse; and what does it behold? On the distant island of Ortygia, an

insignificant town, with a few small craft at anchor in the bay; nearer, a

desert of rocky hills, a goat-herd, and a few straggling goats. Turning

away from the melancholy scene, we behold afar off the snow-clad Ætna.

What a contrast is this to what we have just reviewed in the mind's eye!

_That_ is the work of God! Since its huge pyramid arose, nation after

nation has possessed its fertile slopes. The Siculi have labored on its

sides; the Greek, the Carthaginian and the Roman; the Norman and the

Saracen have struggled for mastery at its foot; but the roar of the battle

is past; the chariot and the charioteer are mingled in the dust. Yet yon

earth-born giant, fed by continual fires, each century augments, and in

all probability will continue to do so until

'The cloud-capt towers, the gorgeous palaces,

The solemn temples, yea the great globe itself

Shall dissolve, and like the baseless fabric

Of a vision, leave not a wreck behind!'

May we not in these things read deep lessons applicable to ourselves? The

history of the people whose noble works I have endeavored to describe,

should in the first place teach us how noble a thing it is to construct

works of beauty and utility, not only for our own gratification, but for

the benefit of posterity also. The selfish and unreflecting, even the

modern utilitarian, will perhaps laugh at the thought, and say: 'What

folly to undertake such labors for the benefit of posterity! We will labor

for ourselves.' I would ask such persons, what would have been our state

if the ancients had entertained such grovelling notions? Do they not know

that most of the elegant as well as the useful, is the rich bequest of

these ancients whom they affect to despise? There is not in the whole city

of New-York a house, however lowly, but in some part of it I could point

out a moulding or an ornament that comes from the ancients. But there are

other points of view perhaps of higher consequence. Their temples were

erected to the gods; mistaken as they were in their religious notions, we

Christians may be put to shame by the devotion of the pagan. Not to man

were their temples erected. Man enjoyed their beauty; gazed with

admiration on their exquisite forms, and lingered under their shady

porticoes; but the eye of the god to whom each temple was dedicated was

supposed to be on the work, and the aim of the builders was perfection in

every part; and even that which the eye of the multitude never rested on,

was finished with elaborate care. I would ask, is there such a lofty

feeling among us? Are we willing to expend toil and cost on that which

will never gratify our senses? You will answer no. Is not this then a

lesson to us? Another view of the matter: These works of art were the

objects of veneration and love; city vied with city in their construction;

it was a noble emulation--think you not _nobler_ than the competition for

sordid gold? The citizen gazed with pride upon the marble triumphs of his

native place; he loved it more than ever, and felt his patriotism kindle

as he gazed.

Let us not think that rail-roads and canals are the only works worthy of

modern civilization. If we look to intents, (and what ought we to look

at?) I doubt much but the ancients rose superior to us. We are in the

enjoyment of many advantages of which they knew nothing. The

wonder-working press was unknown to them; and above all, the beautiful

light of Christianity had not been shed on the world. We have the broad

day; they wrought in the twilight gloom. What majestic monuments of art!

what enduring legacies of beauty! what objects to make a man love his

country more and more, could have been erected with the means expended a

few years ago in reckless speculations! Instead of turning with melancholy

loathing to those broken bubbles on which the hopes and fortunes of many

of us were suspended, we could at least look with admiration on the marble

pile, and exclaim, 'I also can be proud of the genius and taste of my

country!' Another lesson we may learn from the fate of ancient states: it

is to beware of presumptuous pride and overweening conceit: these are the

result of inconsiderate ignorance. It was through presumptuous pride that

Athens fell, as I have before intimated. We have reason to fear there are

many, some unconscious of the injury they do, and perhaps with just

intentions, who feed this appetite for undue praise. Others, for mere

popularity or the applause of the day, minister with adroitness the sweet

though poisonous morsel for which our vanity and self-love are

open-mouthed; which (to carry on the simile,) puffs us up with the

comfortable notion that we are superior in every respect to all other

nations, ancient or modern. It would be well to turn a deaf ear to this

syren's song: let us learn if possible to _know_ ourselves; let us

remember that there is no perfection, either in men or their institutions;

and by avoiding a vain and presumptuous spirit, and scanning with a

careful eye the causes of the greatness which under Providence we possess,

we shall be most likely to approach the perfection which we all desire. We

can have little doubt that the Agrigentine considered the institutions of

his country as perfect as we do ours; and the citizens of greater states,

Athens, even Rome itself, indulged in the same pleasing thought. Our only

means of judging of the future is the past. We see that nations have

sprung from obscurity, risen to glory, and decayed. Their rise has in

general been marked by virtue; their decadence by vice, vanity, and

licentiousness. Let us beware!

I would not have the reader censure me for commencing this article as a

traveller and ending it with an attempt to moralize. In reviewing in my

mind the interesting scenes I have endeavored to describe, I have been led

back to the thoughts that arose when I trode among the ruins of prostrate

temples, and they were _connected_ in my mind; and I will venture again to

say, that he is unworthy of the privilege of travelling who gleans not

from the fields he visits some moral lesson or religious truth.

T. C.

STANZAS.

WRITTEN AT BEVERLY, MASSACHUSETTS. BY REV. WILLIAM B. TAPPAN.

I.

In Beverly, the building I sought the other day,

Where forty years ago my sire his infant gave away;

I sought it, for I coveted where he had placed his foot,

My honored, sainted father! mine in filial love to put.

II.

I entered it: most holy appeared the house of prayer;

Yet more than common holiness its beauty seemed to wear;

For there the waters bathed me, and solemn words were said,

And Father, Son, and Paraclete invoked above my head.

III.

Of all the congregation who looked in reverence on,

The elders and the blooming youth, each worshipper was gone;

And he, with hairs of winter, whose office 'twas to lave

My baby brow, and name my name, was hidden in the grave!

IV.

What years have passed of sorrow, that hour and this between!

What moments of enjoyment in that interval I've seen!

I wept that I had measured the half of being's track;

I smiled that worlds were poor to bribe the weary pilgrim back.

V.

I sighed that in the journey where blessings are so few

For even the most favored, I but scanty portion knew;

And chiefly in the season of confidence and pride,

My youth was forced the dangerous way, without my earthly guide.

VI.

Where is my sainted father, who took me in his arms,

And held me to the minister, and kissed away alarms?

I feel his presence near me! he blesses me once more!

Ay, where he gave me up to GOD, just forty years before!

THE QUOD CORRESPONDENCE.

Harry Harson.

CHAPTER XXII.

It was not the failure of his plans, nor the dread of detection, which

broke Rust down. He had been prepared for that, and had nerved himself to

meet it; but it was a blow coming from a quarter where he had not dreamed

of harm, and wounding him where alone he could feel a pang, that crushed

him. There was something so abject in the prostration of that iron-willed

man, who had often endured what would have wrung the very souls of other

men, without exhibiting any other feeling than contempt, that for a moment

awed even the hard man who had struck the blow. In proportion as Rust's

control over his emotions had been great, so now the reäction was

terrible. He seemed paralyzed in body and mind. No cry escaped him, but

his breath rattled as he drew it; his long hair hung loosely over his

face, and upon the floor; his eyes were closed; his features livid and

distorted; and but for his struggling breath, and the spasmodic jerking of

his fingers, he seemed dead.

'Lift him up, Bill,' said Grosket, in a subdued tone. 'It's been too much

for him. Who'd have thought he had a heart?'

Jones smiled grimly, as he said: 'I'm glad you did it, Mr. Grosket. It was

better than murdering him. He wasn't afeard of dying. Is it a fit he's

got?'

Without waiting for a reply, he placed his arms under him and raised him

up. Rust lay heavily against him, his head falling back, and his arms

dangling at his side. They carried him to the bench, and placed him on it,

Grosket standing behind him, and supporting his back.

'I guess he's done for,' said Jones, pushing the hair from his face; 'pity

it wasn't three days ago--that's all.'

'Get some water, or brandy,' said Grosket; 'I suppose we may as well bring

him to. It would be an ugly business if he should die on our hands.'

The Knickerbocker, or New-York Monthly Magazine, March 1844 Volume 23, Number 3 · 第 4 / 14 段