XVIII.—HOW TO MAKE A GOOD FLY.

FLY-FISHING is poetry; ordinary angling is prose. The latter looks to

the catch; the former to skill shown in the capture. There is more

sport in hooking and playing one single bass with a light pliant

fly-rod, than in dragging in a dozen by mere muscular force. To cast a

fly lightly to a chosen spot, to note instantly the swell indicative of

a “rise,” to strike at once, but deliberately, to keep your rod bent,

your line taut, and your fish in the water long enough to exhaust him,

all require judgment, skill and self-control.

But after you have put up your rod for the season, you may still

extract pleasure from mending your tackle, putting reel and rod in

order, and last, but not least, in making a supply of artificial flies

for future fishing.

[Illustration: FIG. 1.]

The articles necessary for making flies are hooks, silk, white wax,

silkworm-gut, tinsel-feather fibres—dubbing for the bodies of fur,

wool, silk or feathers—hackles for legs, and larger feathers for wings.

[Illustration: FIG. 2.]

[Illustration: FIG. 3.]

First, get a good hook. The good hook is as sharp as a needle, and

the barbed end points nearly exactly in a line with the end of the

shank; not inside of the “line of pull,” _a_, _b_ (see fig. 1), lest

the point come not in contact with the fish; nor too far out, lest the

barb be pulled flatwise against the fish’s mouth, and thus not pierce

it readily; nor exactly _in_ the line of pull, for, though in that case

it would pierce anything between the point and end of shank, it might

slip out without touching the unclosed jaws before the jaw had passed

the line of pull. A point like _x_ would be bad, so would one like

_z_; but one like _y_ would be about right. Now take the hook between

the forefinger and thumb of your left hand, the shank pointing to your

right, as in fig. 2. Say the end of a strong piece of silk, well waxed,

on the hook near the bend, and, holding it firmly with your forefinger

and thumb, wrap it tightly around the hook nearly to the end of the

shank, as in fig. 3. Now coil a piece of silkworm-tug that has been

soaked ten or fifteen minutes, and lay it on the hook with the coil

to your right, and wrap it with your silk carefully and firmly down

to the bend of the hook, cutting off the silkworm-gut a little before

you get to the bend, so as to cover it well with the wrap, like fig.

4, at first; it looks like fig. 5 after wrapping. Now take two of the

fibres of a peacock’s feather, technically known as peacock’s herl, and

a piece of silver or gilt tinsel; lay the tinsel on near the bend, and

then, after two wraps of the silk, lay on the two pieces of peacock’s

herl, which must be fastened by two or three wraps, as in fig. 6. Now

fasten in with a turn or two of the silk the dubbing for the body of

the fly. Supposing it to be peacock’s herl, three or four pieces will

do, as in fig. 7. Then take a hackle-feather, shaped like fig. 8, from

the neck or rump of a gamecock or brown leghorn, and fasten in the

point with three wraps of your silk, as in fig. 9.

[Illustration: FIG. 4.]

You have now a hook, _a_, wrapped with well-waxed silk, _b_, with a

piece of silkworm-gut, _c_, a piece of tinsel, _d_, two tail-pieces,

_e, e_, dubbing for body, _f, f, f_ and hackle for legs, _g_.

[Illustration: FIG. 5.]

[Illustration: FIG. 6.]

[Illustration: FIG. 7.]

[Illustration: FIG. 8.]

Now for the wings. Strip off or cut from a hawk’s feather, like fig.

10, a clipping or two, like fig. 11, and fold it into a convenient

width, and clip the ends square, like fig. 12. Lay them on the shank

of the hook, butts to the left, points to the right, and fasten with

three or four firm wraps, as in fig. 13. Now draw the silk under the

wing, between them and the hook, to hold them temporarily, and going

back to the bend of the hook, wind the dubbing, _f, f, f_ around the

hook over and to your right as far as the root of the wings, leaving

the hackle out; fasten the dubbing with one or two wraps, taking the

silk from under the wing to do the wrapping. Next wind your tinsel

_d_ up to the same point and fasten in same way. Now wind your hackle

towards the right, twisting the quill as you wind to keep the fibres

sticking outwards, and picking out any fibres that get entangled with

a dubbing-needle (a needle stuck in a piece of soft pine, like fig.

14) and fasten. Now turn back the wings with the points to your left,

towards the bend of the hook; fasten back with one or two wraps,

passing the silk through an opening between the wings made by the

dubbing-needle, to separate them. Finish by making two loose wraps,

like fig. 15; then draw the silk through them tightly, like fig. 16.

Touch this fastening with a drop of gum-shellac, and it will not slip

or be affected by water. Gum-shellac dissolved in alcohol can be gotten

at any drugstore, and should be rather thick. Your fly will now look

like fig. 17.

[Illustration: FIG. 9.]

[Illustration: FIG. 10.]

Your flies should be _rough_ imitations of any water-flies you see in

your tramps, in _color_ and _number_ of _parts_; outrageously colored

flies will be taken by black bass, who seem to bite at anything that

has the nearest apologies for body, wings and legs. All game-fish

bite readily at a simple hackle wound from bend to shank around any

attractively colored body in the form of a caterpillar; a good one for

black bass is made with one reddish-brown hackle and two black ones;

and a body of peacock’s herl wrapped with green or red silk is a good

imitation of a caterpillar common here (in Virginia) in November.

[Illustration: FIG. 11.]

[Illustration: FIG. 12.]

[Illustration: FIG. 13.]

Anglers also make something having no counterpart in nature—a winged

hackle—by tying the hackle in a winged fly back from the bend to the

end of shank—a sort of winged caterpillar. Some fish, no doubt, are

affected by it as by a caterpillar; others as by a fly; others just

strike out of curiosity, as a kitten plays with a ball. Should you buy

your tackle, buy from tackle-makers who angle occasionally themselves.

They know more “wrinkles” in their “line” in a day than ordinary makers

learn in a year. Some of the best houses in Boston, New York and

Baltimore derive their most valuable specialties from the presence of

one or more actual anglers in the firms.

[Illustration: FIG. 14.]

[Illustration: FIG. 15.]

Water-flies have generally, like the Mayfly, fig. 18, a body, wings,

legs, and tail-like appendages, technically, so you will not be far

wrong if you make your fly have those parts, though fish bite at flies

with less than these enumerated. For black bass, greens, yellows and

reds seem the best colors, though white and black are often used. I

like, however, flies that are combinations of bright and sober tints.

A favorite fly with me has a body of peacock’s herl brown; wings,

yellowish-white feather of chicken-hawk with discolorations on them;

legs, a reddish-brown hackle from a gamecock or brown leghorn cock;

tail-pieces, two fibres, like wings. I put a red streak in each wing. I

call it the “academy,” after a school once under my care.

[Illustration: FIG. 16.]

[Illustration: FIG. 17.]

[Illustration: FIG 18.]

A Boy's Workshop: With plans and designs for in-door and out-door work · 第 72 / 87 题