The fascination of the night-ride was at once their justification and

their excuse. The air was so still that the ringing sound of flying

hoofs reached the ear when the first ganadero was some two miles in

advance of the procession; one was conscious of the heavy, intoxicating

perfume that stole out from gardens on either side of the road. From the

poplar trees came the ceaseless call of the cigarrons, nightingales sang

amid the orange-orchards of Las Delicias, the melancholy cry of the

bittern rose from the river marshes, mingled with the croaking of the

bull-frogs never at rest. And every venta along the roadside was

crowded, the garden trees were hung with lanterns, guitars tinkled an

accompaniment to malagueñas, jotas, boleros and other songs and dances

of Southern Spain, and through the pageant and festivities prepared in

their honour the bulls moved with silent dignity. Right along the

Guadalquivir's bank, where the lights shone from the faluchas at rest

upon its waters, they tramped almost up to the Tower of Gold, and then

the plaza de toros shone out clearly in the light of huge bonfires

kindled just beyond its boundaries. Guided for the first and last time

by the poles of the ganaderos, the bullocks turned sharply to the right,

and after a moment's hesitation that gave the one touch of suspense to

the proceedings, the fighting bulls followed. The heavy doors were drawn

behind them, the procession dispersed, and, quite unseen by any eyes

save those of the men engaged, each bull was driven to his own condemned

cell, while the bullocks remained by themselves in a small straw-covered

yard. Then profound silence reigned throughout the city, broken only

when the bells clashed from the Giralda Tower and the old serenos who

paraded the streets with spear and lantern cried to the Maria Santissima

that the night was clear.

* * * * *

In his narrow prison El Cuchillo may have noted the coming of the

morning when one white bar of light fell across the wall. There were

sounds of activity beyond the toril, but he remained undisturbed. He had

little room to turn, there was no food, and, worse still, no water.

Hunger, thirst and fear yielded slowly to an overmastering sense of

anger, founded upon his consciousness of giant strength. He bellowed

savagely, and would have given effect to his rage had it been possible

to move freely.

Long hours passed; morning yielded to afternoon. The great splash of

light that came through the bars waxed intense and intolerant and then

waned slowly with the passing hours, while an indescribable sense of

movement filled the twilight of the condemned cell. In some subtle

fashion it told of the gathering of an expectant multitude. On a sudden

a military band, somewhere just beyond the toril, crashed out the

Spanish National Anthem, there were cheers and shouts, succeeded by a

death-like stillness that was broken in its turn by a shrill,

penetrating trumpet call. Time after time, for more than an hour, came

the reverberating notes, the snatches of wild music, the cries from many

thousand throats. Only one word rang clear: "Espartero".

At last El Cuchillo became conscious of voices on either side of him,

the light broadened, and a hand, shooting out a little way above him,

stuck the barbed point of a red rosette in his shoulder. A moment later

the trumpets called again, the front wall of his prison opened as though

by magic, and he dashed forward with a rush that brought him half way

across the yellow arena. A yell from twelve thousand throats arrested

him; he lashed his flanks, blinked a little--for even the setting sun

hurt his eyes after those long hours of darkness--and then answered his

audience with a roar of defiance. Certainly he knew that he was

surrounded by his enemies; perhaps the awful odour of blood that filled

the arena gave him some prevision of the butchery that was to accompany

his death.

Let us pass over the first few minutes of the struggle. El Cuchillo knew

no difference between the armour-cased picadores who carried the spiked

poles, and the hapless, unprotected, blindfolded horses they bestrode.

That is all that needs be said by way of excuse for the six carcases

that strewed the arena when the tercio sounded, carcases from which the

blue-coated attendants had stripped saddle and bridle. With one

exception the picadores had fallen behind their horses in the most

approved fashion; the exception, a heavy man, protected at all vital

points against the reddened horns, was tossed high into the air and

carried off with a broken collar-bone; while Espartero himself drew El

Cuchillo away with some of the most superb cloak-work Seville had seen

since Lagartijo retired from the bull-ring.

With the enthusiasm of the huge auditorium a thrill of amazement was

mingled. Though the bull's neck bore red marks of the picadores' poles,

he was singularly fresh, his breathing was not short and sharp as it

should have been, and he was in no sense distressed.

Conecito came forward with his banderillas, the beribboned spears used

for the second attack upon the bull, and the crowd cheered lustily, for

the banderillero was a favourite. Bull and man seemed to charge

together, and then Conecito was seen travelling post-haste for the

barrier, which he reached just in time, while his opponent drew up and

trotted off gamely but with "half a pair" (the technical term for one

banderilla) hanging from his shoulder. The second banderillero tried

next and failed altogether--El Cuchillo's pace beat him utterly; and

then, to the accompaniment of a roar of applause and a burst of barbaric

music, Espartero himself came forward with a pair of the light lances.

This time there was no mistake. For all Cuchillo's wonderful habit of

using his eyes as he charged he could never quite tell where the great

matador would cross him, and at the second attempt the two lances were

beautifully placed. Then Conecito tried again, with the same result as

before, save that the one sent home was on the other side of the bull's

flank, so that he carried two pairs now. The second banderillero was

quite beaten, but the renowned Rafael Guerra, who led the second

cuadrilla, succeeded, amid thunders of acclamation. Then the judge

raised his hand to the string with which he signalled, the trumpeters

sounded the third call and a great hush fell upon the arena.

Espartero was to kill. The great diestro, who had been testing the

quality of two or three swords, and giving instructions to the footmen

of his cuadrilla, now chose his weapon, and wrapping the scarlet muleta

round it strode across the arena until he stood below the President's

box.

Hat in hand, he asked permission to kill El Cuchillo in manner that

would do honour to Seville. The President raised his hat in token of

assent; Espartero flung his own over the barrier and turned towards the

middle of the arena, where El Cuchillo, standing sturdily defiant,

greeted his coming with a thunderous bellow, and stared with bloodshot

eyes at the gold epaulettes and braid, the gaudy coat, the red waistband

and blood-stained white stockings of his enemy.

Conecito, who now carried one of the plum-coloured cloaks, stood a

little to the left of his chief and heard Espartero speak to the bull as

though he were a human being.

"El Cuchillo," he said slowly, almost solemnly, "you are a great bull

and know no fear. You have killed six horses and you are still fresh. I,

Espartero, salute and honour you. And now one of us must die."

So saying, he unfurled the scarlet cloth, the muleta, and flashed it

across the bull's startled eyes, so that he charged the uncanny thing.

It jumped up out of his reach, and came back just below his nose, and

buzzed round him like a hornet, and led him to jump and turn and twist

and lose his caution, and stand with his forelegs closer and closer

together as Espartero wished, for when they were quite in the normal

condition he could send his espada through the matted hair over the

shoulder and through the lungs to the heart. Then on a sudden, when the

aficionados were telling each other that the end of the splendid animal

would be tame enough, and speculating whether Espartero would kill with

his favourite volapies, or would fall back on the descabello à pulso,

that must be difficult with a bull whose movements were so uncertain, El

Cuchillo seemed to recover his nerve. He ignored the muleta and rushed

at Espartero himself, and in that moment all the diestro's plans were

upset, and he was forced to save himself by one of the agile turns of

which he was the master.

The trumpets sounded a single warning note; Espartero had gone beyond

the time allotted to him. A murmur of astonishment rippled round the

vast arena; never before in the history of Seville had Espartero been

warned. Even the boys who sell programmes and fruit and sandwiches

ceased their cries; the flutter of fans on the sunny side of the ring

faded into stillness almost automatically; and the gaudy flags that

decked the arena seemed to hang breathless. Alone in that vast concourse

matador and bull preserved their tranquillity, and it would be hard to

say which of the two needed it most.

Espartero realised the need for prompt action. With splendid disregard

for danger he returned to his work, and once again the muleta flashed

all round the bull's head, bewildering, dazing and almost stupefying

him, while one of the banderillas that lay right across the animal's

shoulder was lifted into its proper place by a daring stroke of the

sword. For a moment the forelegs came together, and it seemed as though

Espartero hurled himself upon the bull, but a second later the sword was

high in the air, the matador's stroke had been foiled by one of El

Cuchillo's sudden movements, and one blood-stained horn ripped

Espartero's red waistcoat as he jumped aside avoiding death by a

hand's-breadth. The capadores rushed in to cover their chief's defeat,

and El Cuchillo, disdaining the plum-coloured cloaks, made for one man.

The moment of mad chase to the barrier was one of horrible uncertainty,

the capador vaulted and fell, badly bruised, on the other side, and then

El Cuchillo trotted back to the centre of the arena, distressed and

bleeding, but unbeaten. The trumpet called again.

Espartero examined the sword that had been picked up and brought to him,

only to fling it aside. Armed with a fresh one, he paused to replace and

reassure his wondering cuadrilla, and moved forward again. His face was

perfectly colourless, his hand was shaking, the fatigue of the work done

during the long afternoon was making itself felt, for he had killed two

difficult bulls already, and El Cuchillo had been more than twenty

minutes in the arena.

"Give me your horns or take my sword this time," he cried, as he

approached his enemy, and, as though in reply, El Cuchillo bellowed his

defiance to Spain and its champion matador.

Now, in those last moments, the silence was almost as oppressive as the

heat.

Something of the fury of despair seemed to seize upon man and beast,

some shadow of their overwhelming anxiety lay heavily upon the audience.

The muleta had seemingly lost its power to charm, and the matador seemed

resolved to set his life upon the point of his own sword. With a superb

gesture, he lowered the scarlet rag and invited El Cuchillo to charge.

Hundreds of men and women, used though they were to all the carnage of

the arena, turned their eyes away, until a deafening roar roused them to

see Espartero hurled on one side and El Cuchillo in pursuit of the

plum-coloured cloaks, with the sword quivering in his shoulder.

As the shout rolled through the arena, and Espartero walked slowly to

the barrier, the setting sun made a final effort and flooded half the

arena with yellow crocus-coloured light. The pigeons from the Giralda

Tower swept right across the plaza, and from the sunny side rose a

sudden shout of "Pardon! pardon."

It was caught up all over the arena as El Cuchillo, with a mighty

effort, shook the sword out of his shoulder and, with splendid valour,

returned to the centre of the arena, unbeaten still, and ready for the

next attack.

The clamour increased and became deafening until Espartero was seen

walking empty-handed to the corner below the President's box. Then it

died away to absolute silence.

In clear tones that could be heard all over one side of the arena the

great matador asked the President to grant pardon to El Cuchillo for his

splendid fight, which had given more honour to the famous plaza de toros

than would come to it by his death. And the President, listening gravely

to his appeal, raised his hat and replied, "We pardon El Cuchillo on

account of his bravery".

Amid a scene of extraordinary enthusiasm the trumpets sounded again, and

the tame bullocks came into the arena by way of the toril. They grouped

themselves round El Cuchillo, while people cheered and flung hats and

cigars and flowers to Espartero, and the band played Spain's National

Anthem. So the long-horned hero of "the herd of death" passed to the

toril, where the barbs were removed, his wounds were dressed and his

raging thirst was satisfied. And the crowd that had gathered along the

river-side road to see him pass to his death gathered on the morrow to

do him honour on his way back to the pleasant pastures of Utrera, where

old age comes to him to-day, slowly and in peaceful guise.

THE CUCKOO

The month was May, the place was the Heron Wood, which was ablaze with

wild hyacinths and pansies, and full of singing-birds. If you have ever

been through the wood you must know the little open space in the middle

with the pond to which a stray wild duck comes now and again in cold

weather. From one corner of the pond you can see right down the slope to

the wood's end, along a path now overgrown with ferns and weeds, but, in

the old preserving days, a ride cut to enable the squire to shoot his

pheasants. There a Vixen had her earth. She could see over the approach

to the wood and yet remain unseen, so she was well content.

[Illustration: YOUNG CUCKOO [Photo by C. Reid]]

A bird that seemed at first sight to be a sparrow-hawk came into the

wood above the ride, hard-pressed by a flock of sparrows and finches

that were pursuing it with loud, angry cries. Once among the trees, the

hunted one was lost to its pursuers, who gave up the chase and returned

twittering to the open. The Vixen sat quite still. Suddenly she heard

the flutter of leaves, as strong wings passed between them, and in

another minute the bird that might have been taken for a sparrow-hawk

lighted on the branch of the black-thorn above her, lowered his head,

drooped his wings, spread his tail out to the fullest extent and called,

"Cuc-koo," he cried, "Cuc-koo, cuc-cuk-koo".

"Well, I am surprised," said the Vixen, "I thought you were a hawk."

"So did the hedge-sparrows and the green-finches, and the

yellow-hammer," laughed the Cuckoo. "It was very amusing, particularly

as they could not get near me. But I would not like them to catch me in

the open."

"Then why do you try to appear like a hawk when you're a cuckoo," said

the Vixen. "Trouble enough comes to all of us without asking for it. At

least I think so."

"I'm not so foolish as you think," explained the bird, whose plumage,

now it could be seen closely, was very drab and undistinguished, just a

dirty grey with brown markings, and nothing of the gloss that belongs to

the feathers of the hawk tribe. "You see, I'm quite a defenceless bird.

My bill is not made to deal with anything harder than insects. I'm not

built for fighting. Now I'm a fair size, and every hawk can see me when

I fly abroad. If they knew me for a cuckoo, I'd not do much good for

myself, the first that saw me would have a free meal. So I imitate their

flight and all their actions, and they take me for one of themselves. In

this way I am safe to go from place to place; but there is the drawback

that all the little hawk-haters of the woods and hedges are deceived

too, and they mob me as you have seen. However, we can't expect to have

unmixed good luck, and deception involves trouble. Upon my word, I'm

almost as wise as the brown owl himself."

"How do you manage the imitation so well?" asked the Vixen. "I'm not

readily deceived, but I thought you were a hawk."

"Just practice," he replied. "When I'm feeding I can twist and turn up

and down any way you like, and when I'm trying to hide I can slip in and

out among branches in a way your eye could not follow. But when I go

into the open where there may be hawks about, I take a straight flight,

keep my tail spread out, utter no sound at all and go across the fields

as though I were on the look-out for little birds."

"And what are you doing in this part?" asked the Vixen suspiciously. She

was not pleased to see strangers in the wood.

"I've been about since early April," replied the Cuckoo. "I've taken up

my summer quarters here, and I don't mind telling you that there is no

room for any other male cuckoo in this wood. I had to make an exception

to my general rule of peaceful living and fight one of my own tribe for

possession of this pitch. I won, and he has gone across the river."

"What about your mate?" she asked him, and the Cuckoo smiled again,

rather wickedly.

"I don't mind allowing any really charming lady cuckoo to call for a few

days, but she can't stay," he replied. "My instincts are those of a

bachelor."

The Vixen thought it best to change the subject.

"What part have you come from?" she said.

"My winter home is in the centre of Africa," he replied. "A place south

of the equator full of tropical forests, where there are lions and

hippopotami and a few black people in towns and villages where a white

man has never been seen.

"We leave there in March and come north. On our way through Morocco or

Algeria some of us stop, unwilling to cross the sea. You can hear us in

the forests of Ma'mora and Argan, and in the woods of the country of the

Beni M'gild. But the most of us persevere and leave Africa and come into

Spain. There the great spotted cuckoo, who is my cousin, stays and

spends his summer. He is four inches longer than I am; he has a crest on

his head, and white under-parts. He does not thrive as he might, for his

wives will put their eggs in magpies' nests, and those birds are not

good foster-parents. My cousins say that the country north of Spain is

too cold for them; but we say they are too idle or too cowardly to take

the longer journey. We take it, however, making the sea passage as short

as possible, and travelling in separate parties."

"What do you mean by that?" asked the Vixen curiously, and keeping her

eyes upon him as though she feared a surprise.

"You see we male birds come first, and the other folk follow," he

explained. "They come about a week later than we do. We all land in the

South and go quite at our leisure to the northern counties and to

Scotland. One part of these islands is like any other to us so long as

there are plenty of insect-eating birds in the neighbourhood. This year

I arrived about the 6th of April."

"Nobody heard your voice before the 14th," remarked the Vixen, for she

knew every sound from copse and woodland.

"We wait for our females before we sing," said the Cuckoo, "and when our

notes are heard for the first time there is quite a flutter of

excitement in birdland. Dozens of birds come round to ask us what we are

and where we come from; they are in their first year, and have forgotten

our notes. Some of the elders want to hear the news from Africa.

Unfortunately, the novelty soon wears off. Our women-folk can't call as

we do. They have nothing better than a husky note with something like a

common chuckle in it. They try to say 'cuc,' and it sounds like 'kwook'.

And now I've said quite enough for one day, and I'm going to find some

dinner."

He must have lighted not very far away, for he called merrily and

persistently during the next few minutes, and the notes thrilled through

the wood, giving to every living thing the assurance that summer had

returned at last. The Vixen waited awhile, and heard a mild, meek

"kwook-oo-oo," that seemed to be the confidential reply of some fair

lady of the family, then she went back to her earth. Perhaps the Cuckoo

had seen or heard his partner and had gone to a more remote corner to

call to her.

Through the long nights of May and June the Cuckoo seemed to be nearly

always awake. He was quite the last of the woodland birds to go to sleep

and the first to wake up. The Vixen would hear his call break the

silence of the Heron Wood before three o'clock in the morning, when she

was waiting for her lord's return. It was not always the familiar

cuc-koo accented on the first syllable, but sometimes cuc-cuc-koo, and

sometimes, though not often, cuc-koo-koo. He was comparatively shy; most

of the cuckoos that passed over the meadow, calling as they flew, were

hen birds, and it was seldom that he answered their call. One morning in

early June, when the Vixen was playing with her cubs in the shaded

corner by the water, he slipped through the leaves, lighted on a branch

above her head, spread his tail and called loudly, jerking his body with

each note as though the effort was a considerable one, and he did not

want any of the significance of the cry to be lost.

"Why don't you keep your singing for the daytime," said one of the fox

cubs, the biggest in the litter, "instead of waking me up before

sunrise?"

"Well," he replied, "you must not grumble at that. Other birds sleep

soundly because they have been busy all day building their nests or

helping to hatch the eggs or feed the little ones. Naturally enough,

then, the evening finds them tired out, and they sleep until the sun

wakes them. But cuckoos are the wisest birds in all the world. They want

to enjoy the spring and summer without the hard labour that others

practise. So I have no nest to build, no wife to keep, no young to tend,

and I know the Heron Wood in all its beauty as no other bird can hope

to. A very few hours give me all the sleep I require, and when I wake

and see the summer decorating the beautiful wood, I must tell how

grateful I am. It is by my help that the wood returns thanks for the

gift of summer at all hours of the day and night, for when the late

woodlark ceases his song I resume mine."

"That explanation may satisfy you," the Vixen interrupted, "but I am not

sure that it convinces me. For you seem to shirk your duties, and you

can have no share in the joy of the birds that work; you are not a

father."

"You don't know much about it," cried the Cuckoo merrily. "Follow me

now, if you please."

So the Vixen, leaving her cubs to gambol about the little patch of

green-sward, followed, and he went lightly through the wood until he

came to a bush where two accentors, known to the village lads as

hedge-sparrows, had a nest.

"Show yourself," he whispered, and when she did so the sitting bird flew

away hurriedly, leaving six pale-blue eggs exposed to view.

"Look carefully," said the cuckoo with a chuckle, and the Vixen saw that

one egg was rather larger than the rest, and had some tiny black specks

that might have been overlooked at first sight.

"Come away," whispered the Cuckoo. "I don't like to be seen about here.

But I'll tell you in confidence that I'm the father of the big blue

egg."

They moved off quietly to the more secluded corner of the wood where the

cubs had found some rabbits to play with.

"If boys saw the nest they might not recognise that as a cuckoo's egg at

all. Some eggs have red or brown blotches on a grey-white ground; they

were not like this one, and you would not see them in a hedge-sparrow's

nest. They would be in a blackbird's home by the side of the ten-acre

meadow, or a warbler's on the marsh, or in a wagtail's nest."

"I was born in this wood in a hedge-sparrow's nest three years ago,"

said the Cuckoo, on another morning when he sat on a bough above the

Vixen's earth, "and when I am a father the egg is always blue. The

mother of the egg you have just seen visited me for a few days at the

end of May and laid this egg for me on the ground. You see I had no nest

to offer her. So soon as we saw that the colour was blue, as I expected

it to be, we scoured the wood for a nest that had eggs similar to it. We

soon found the hedge-sparrow's. Then we waited patiently for both birds

to go for an airing, and my mate took the egg up in her mouth and flew

with it to the nest. There she left it, and on the following day I said

good-bye to her and she went away."

"Will she lay any more eggs this year?" the Vixen asked him.

"It is quite possible," replied the Cuckoo, "at intervals of a week or

ten days, but they will be no concern of mine, in fact, they may not

even be blue. But they will all find a place in the nests of birds that

have our tastes in food. In parts where there are no insect-eating birds

you would have to search a long time to find a cuckoo."

"Do the hedge-sparrows, and warblers, and pipits and the rest of them

realise the trick you have played upon them?" she asked him. "My mother

once chose a badger's earth for her home and I was the only one that got

out alive."

"Never," he replied lightly. "They only think one of their eggs is a

little unlike the rest, that's all. You know our eggs are quite small

for our size. And when they are all hatched the parents must work harder

than they expected to, for a young cuckoo can eat as much as the rest of

the family put together."

The Heart of the Wild: Nature Studies from Near and Far · 第 8 / 14 段