POSSIBILITIES OF THE PROPOSAL

Still, though I am certainly not willing to give Lord Gorell the chance

of seeing me in the pillory with my ears cut off if I can help it, I

daresay many authors would rather take their chance with a Star Chamber

than with a jury, just as some soldiers would rather take their chance

with a court-martial than at Quarter Sessions. For that matter, some of

them would rather take their chance with the Lord Chamberlain than with

either. And though this is no reason for depriving the whole body of

authors of the benefit of Magna Charta, still, if the right of the

proprietor of a play to refuse the good offices of the Privy Council

and to perform the play until his accusers had indicted him at law, and

obtained the verdict of a jury against him, were sufficiently guarded,

the proposed committee might be set up and used for certain purposes.

For instance, it might be made a condition of the intervention of the

Attorney-General or the Director of Public Prosecutions that he should

refer an accused play to the committee, and obtain their sanction before

taking action, offering the proprietor of the play, if the Committee

thought fit, an opportunity of voluntarily accepting trial by the

Committee as an alternative to prosecution in the ordinary course of

law. But the Committee should have no powers of punishment beyond the

power (formidable enough) of suspending performances of the play. If

it thought that additional punishment was called for, it could order a

prosecution without allowing the proprietor or author of the play the

alternative of a trial by itself. The author of the play should be

made a party to all proceedings of the Committee, and have the right to

defend himself in person or by counsel. This would provide a check on

the Attorney-General (who might be as bigoted as any of the municipal

aldermen who are so much dreaded by the actor-managers) without enabling

the Committee to abuse its powers for party, class, or sectarian ends

beyond that irreducible minimum of abuse which a popular jury would

endorse, for which minimum there is no remedy.

But when everything is said for the Star Chamber that can be said,

and every precaution taken to secure to those whom it pursues the

alternative of trial by jury, the expedient still remains a very

questionable one, to be endured for the sake of its protective rather

than its repressive powers. It should abolish the present quaint

toleration of rioting in theatres. For example, if it is to be an

offence to perform a play which the proposed new Committee shall

condemn, it should also be made an offence to disturb a performance

which the Committee has not condemned. "Brawling" at a theatre should be

dealt with as severely as brawling in church if the censorship is to be

taken out of the hands of the public. At present Jenny Geddes may throw

her stool at the head of a playwright who preaches unpalatable doctrine

to her, or rather, since her stool is a fixture, she may hiss and hoot

and make it impossible to proceed with the performance, even although

nobody has compelled her to come to the theatre or suspended her liberty

to stay away, and although she has no claim on an unendowed theatre

for her spiritual necessities, as she has on her parish church. If mob

censorship cannot be trusted to keep naughty playwrights in order, still

less can it be trusted to keep the pioneers of thought in countenance;

and I submit that anyone hissing a play permitted by the new censorship

should be guilty of contempt of court.

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