AUNTIE MAY

ALWAYS when I think of Auntie May, I remember sunshine, and the wind

blowing, and a lilac bush in purple bloom by the garden gate. We were

standing there together, very quiet and confidential, she, tall and

slim, and I a little girl who liked to cling to her hand. We had on our

best white dresses, for it was Sunday, and her church service was white

and violet, and mine was white and gold. We had parasols just alike, and

we stood waiting until the first boom rang out from the big bell in the

church tower far down the street.

"Now we will go," Auntie May said.

She opened the garden gate, and we passed out, very demurely.

It was seldom that I went into the big world; but when I did I enjoyed

it so! The parasols cast a pleasant shade, and I had a big five-cent

piece in my right hand that meant church, and another clutched tightly

in my left that meant Sunday school. There were other family parties to

be met on the street, elderly ladies carrying Bibles, and little girls

and boys walking with careful precision, and down near where the big

bell boomed there was another church which commenced after ours did

where Burton Raymond played the violin. I could not remember when I had

not known Burton Raymond and his violin, for they were one person.

"When Burton Raymond goes to bed," I had heard my mother say, "he always

puts the violin to bed, too."

"In a bed, mother?" I demanded.

"No. In a box by his bed, wrapped in his pocket handkerchief, poor

fellow."

It was after this time that Auntie May embroidered an oddly shaped

velvet mat quite secretly. It had forget-me-nots on it, and when it was

finished she tied it up in a beautiful white paper, and slipped it in

the mail box down at the corner. And, once, months afterwards, when

Burton Raymond played one evening at our house, he put his violin to bed

in a velvet jacket just like the one which Auntie May had made.

We were great friends. When we met down by the church steps he would

call to me, cheerfully.

"Good-morning, Rhoda."

"There he is, Auntie May!" I would cry. "Don't you see him? Look, Auntie

May!"

Somehow, or other, although he never called to her, I always wanted her

to see him, too.

He looked very pleasant in the bright sunshine. His hair was nicely

brushed, and his shoes were blacked. There was a patch on his right

elbow; but you could not see it unless you looked closely. There was

something noble in the way in which he carried his dark head. Somebody,

perhaps it was Norah, had told me that one of his ancestors had been a

great lord, back in the days when the lords were crusaders, and I liked

to think of Burton Raymond in chain armor killing people, recklessly.

Little Dick and I used to act it out sometimes in the dark end of the

hall. We killed a number of things there, Saracens, and lions, and

tigers, and the rocking-horse, and little Trixie, and would come in

quite breathless afterwards to the sitting room where the family sat in

the lamplight. Sometimes we found them talking about Burton Raymond.

"Every time that I walk down our block I seem to meet Burton Raymond,"

my father grumbled, one evening. "It's getting to be a nuisance.

Especially since May has been visiting here," he added, after a serious

moment's pause.

"He passed the house fifteen times to-day," my mother said, quietly.

She said it with a blush, and then, suddenly, she made an impulsive dive

at my father's hand and squeezed it.

"We were young ourselves once!" she cried.

"The lad hasn't a cent to bless himself with," grandmother demurred.

"But he has genius!" my mother cried again. "There is a great future

opening before him. And when we were married we had very little, Robert.

There was just one small twenty-five cent piece left after the wedding

trip. Do you remember, Robert? And you spent it in flowers--for me! They

were roses. I have some of them dried yet."

My mother's voice had sunk lower and lower, falling almost into a

whisper, as it always did when she was greatly moved. Sometimes I used

to fancy that my mother was not so clever as my father. He could add up

sums for you, and tell you about the presidents, and who were the

greatest generals in the world; but my mother knew quite different

things, the kind that stay with you forever. To her life was a poem and

a dream. She was her happiest when she could help somebody, so that for

any one to be poor, and very unfortunate, was an open sesame to her

heart.

I heard a good deal about Burton Raymond that night, and when I went to

bed I asked a sudden question, staring with wide open eyes at my mother

over the white coverlet.

"Mother, how poor is Burton Raymond?"

She was taking away the light; but she came back again.

"He is so poor," she said, dramatically, "that he lives in a garret

room at Widow Denton's. It is quite a cold room, without a fire, and the

bed is not soft like yours, Rhoda. He has a few books on the end of the

shelf by his violin box. He plays whenever he can get a chance.

Sometimes, perhaps, he is hungry! Yes, sometimes he is hungry!"

The Chronicles of Rhoda · 第 49 / 64 题