CHAPTER LVIII.

PREPARATIONS FOR WAR--THE SHORT CAMPAIGN--WATERLOO--NAPOLEON’S

ABDICATION.

‘The Royal Allied Oak and self-created mushroom Kings’ is a curiosity

on account of the many profiles contained therein. An account of them

is given as under:--

Behold the Oak whose firm fix’d stay

Doth check Oppression’s course,

Whose slightest branch can ne’er decay,

While strong with Virtue’s force.

Our much lov’d Sovereign decks the branch,

The highest of the Tree:

And peaceful Louis tho’ driven from France,

Among its boughs you’ll see.

The Regent’s Portrait next behold,

Whose Councils Wisdom guides;

And Russia’s noble Monarch bold,

Who check’d the Tyrant’s strides.

Immortal Wellington next is seen,

Whose fame can ne’er expire;

And vet’ran Blucher’s warlike mien

That kindled Napoleon’s ire.

The Mushroom race you have to seek

In weeds about the root,

Who scarce dare at the Oak to peep,

Or at its princely fruit.

This clever picture is by I. Field, and was published May 29, 1815.

[Illustration: THE ROYAL ALLIED OAK AND SELF-CREATED MUSHROOM KINGS.]

S. T. Taw, a new caricaturist, gives us ‘The Crown Candidates, or a

modest request politely refused’ (May 1815). Louis the Eighteenth,

Napoleon, and the young King of Rome are seated at a table. The former

is saying, in the hopes of an amicable settlement being come to, ‘Sire,

when you have done with the Empire, I will thank you to let me have

it.’ Napoleon replies, ‘I am sorry, Sire, it is engaged for that young

Gentleman.’ The King of Rome has a torn map, which he is trying to

piece, and he says, ‘I think I shall be able to unite them.’

G. Cruikshank drew (June 1, 1815) ‘Preparing for War,’ which is

somewhat elaborate in detail. The centre is occupied by a funeral pyre,

to which fire has already been applied, ‘Sacred to the Bourbon cause,

and dedicated to the Downfall of illegitimate Tyranny.’ Atop of this

is chained a bull, decked with flowers for the sacrifice, and draped

with a cloth, on which is inscribed: ‘Land Tax--Ditto Personal--Tax on

Windows, Dogs, Houses, Servants, Clerks, Shopmen, Carts, Hair powder,

Horses, Waiters, Travellers, Income, Armorial bearings,’ &c. &c. Poor

John Bull bellows, ‘Alas, and must I come to this! have I bled for so

many years in your service, and will you now take my life?’ A typical

representative of the House of Commons assures him that it is ‘Better

to die Johnny, than live, and see thrive the thing we hate--Let us

arm--war--war--interminable war I say, down with the Regicide--no

quarter to the Usurper--So I said at Congress, so I now repeat, and

if it is your fate to expire at the Altar, Johnny, all I ask is that

I may live to preach your funeral sermon.’ A typical House of Lords

is about to give him the _coup de grâce_ with a pole-axe inscribed

‘New War Taxes,’ comforting him with ‘No grumbling Johnny, you are

a Noble _Sacrifice_ and worthy of the Cause.’ A number of empty

bags are waiting to be filled--‘Subsidies,’ ‘The Army,’ ‘The Navy,’

‘Contractors,’ &c.

The left-hand portion of the picture shows the Prince Regent reclining

idly on the throne undergoing his toilet. His idea of the gravity

of the situation may be gathered from his speech: ‘Why this looks

like war! Order me a brilliant Fête, send me a Myriad of Cooks and

Scullions--say to me no more of Civil Lists and deserted wives, but of

lascivious Mistresses and Bacchanalian Orgies--To it, Pell mell--my

soul is eager for the fierce encounter--What, are my Whiskers[52]

easier than they were?’ One of his valets says, ‘Your highness shall

in all things be obey’d’; whilst one, who is measuring him round the

waist, tells him, ‘I think these will be the best stays your highness

has had yet.’

In the background are seen soldiery, and Wellington and Blücher

sharpening their swords. Poor gouty Louis is clad in armour, and is

mounted on Talleyrand as a charger. He is accompanied by an army of

two men, armed with bottles of _Eau Medicinal_, and his artillery is

composed of rolls of flannel. He soliloquises: ‘Well--we’ve _Tally_

for the Field to-morrow! but don’t forget the _Eau Medicinal_ and the

_Fleecy Hosiery_; alas! these gouty limbs are but ill adapted to Jack

boots and spurs--I think I had better fight my battles over a cool

bottle with my friend George.’

The extreme right of the engraving shews Napoleon giving orders to

‘Let loose the Dogs of War;’ which is obeyed by one of his marshals,

who delightedly exclaims, ‘Here is a glorious pack already sniffing

human blood, and fresh for slaughter----On--comrades--on! the word is

Bonaparte, Beelzebub and Blood.’

It was time to prepare for war, with a vengeance. On March 25 a treaty

had been concluded at Vienna between Great Britain, Russia, Austria,

and Prussia, binding themselves to maintain the Treaty of Paris, to

keep each 150,000 men in the field, and not to leave off until Napoleon

had been rendered harmless.

British gold had to be lavishly employed: the King of Würtemberg

receiving from our Government 11_l._ 2_s._ for each man, to the number

of 29,000, which he bound himself to bring into the field.[53] But the

campaign in Belgium was to be a short one. We all know it, and its

glorious end, at Waterloo. The news of that victory flew as never news

flew before, for on the 22nd inst. was published the following official

bulletin:

‘Downing Street, June 22, 1815.

‘The Duke of Wellington’s Dispatch, dated Waterloo, the 19th

of June, states that on the preceding day Buonaparte attacked,

with his whole force, the British line, supported by a corps of

Prussians; which attack, after a long and sanguinary conflict,

terminated in the complete overthrow of the Enemy’s Army, with

the loss of ONE HUNDRED and FIFTY PIECES of CANNON, and TWO

EAGLES. During the night, the Prussians under Marshall Blücher,

who joined in the pursuit of the Enemy, captured SIXTY GUNS,

and a large part of Buonaparte’s BAGGAGE. The Allied Armies

continued to pursue the enemy. Two French Generals were taken.’

Although jubilant exceedingly, the nation hardly yet comprehended the

value of that victory; in fact, in reading the immediate contemporary

comments thereon, there seems to be a dread of Napoleon’s powers of

resource and recuperation, and the illuminations which followed were

not so enthusiastically described as on some other occasions.

One caricaturist seems to have been gifted with prescience, for before

the victory became known he had produced a caricature which was called

‘A Lecture on Heads,[54] as Delivered by Marshalls Wellington and

Blucher’ (artist unknown, June 21, 1815), which shews these heroes

dealing death and destruction on the French all round them, making the

heads fly all over the place. Blücher shouts out, ‘Blister ’em, Fire

’em, shoot ’em, Kick ’em, Lump ’em, Thump ’em, whack ’em, smack ’em.’

Wellington sings--

Bold as Hector or Macbeth,

Ri tol, lol, la.

Where’s the Fun like meeting Death,

Tol de ridy Tol de ray.

‘Monkey’s Allowance, more Kicks than Dumplings. A Farce Perform’d

with Great Eclat at the National Theatre in the Netherlands,’ is the

title of a not particularly good picture by an unnamed artist in June

1815. It represents Napoleon, with his hands tied behind him, getting

‘Monkey’s Allowance’ from the principal sovereigns of Europe.

WELLINGTON (_sings whilst kicking him_).

Master Boney with his fol der lol, le,

I buffet away on the _plain_, Sir;

BLÜCHER.

And I’ll assist your Worship’s fist,

With all my might and main, Sir.

AUSTRIA.

And I’ll have a Thump,

Although he’s so plump,

PRUSSIA.

And we’ll make such a woundy racket,

HOLLAND.

We’ll ramp, we’ll swear

RUSSIA AND SWEDEN.

We’ll tear--oh rare,

LOUIS XVIII.

I warrant we’ll pepper his jacket.

‘R. Ackermann’s Transparency on the Victory of Waterloo’ is said to be

by Rowlandson, and is without date. It, doubtless, was got up on the

news of that great battle, but it is a very weak production. It simply

represents Napoleon between Wellington and Blücher: the latter meets

him with artillery, the former pursues him on horseback. Of course his

crown has tumbled off. It is not an artistic picture by any means, but,

doubtless, it evoked the enthusiasm of the masses, who were intoxicated

with joy at the famous victory.

After the battle of Waterloo, Napoleon hastened to Paris, and, tired

and covered with dust as he was, he immediately met his Ministers,

and told them the extent of his disasters. They laid the intelligence

before the Houses of Legislature, and on the morning of June 22

Napoleon received a deputation from the Chamber, who submitted to him

that ‘the state of war in which France was involved concerned much

less the nation than himself, and that the Assembly had the means at

command, if he would act so disinterested a part as to restore to it

freedom of action according as circumstances might dictate.’

This was a pretty broad hint to Napoleon to abdicate, and he took it as

such, and sent the following reply:--

‘Frenchmen! When I began the war to uphold national

independence, I relied on the union of all efforts, all

wills, and on the co-operation of all national authorities. I

was justified in anticipating success, and I braved all the

declarations of the Powers against my person. Circumstances

seem to be changed. I offer myself as a sacrifice to the hatred

against France. May your enemies prove sincere, and may it

appear that they wage war against me alone! My political life

is terminated. I proclaim my son, under the title of Napoleon

II., Emperor of the French. The present Ministers will form the

Council of the Provisional Government. The interest which I

take in my son induces me to invite the Chambers to organize a

Regency without delay, by a special law. Unite for the general

safety, and to secure national independence.

NAPOLEON.

At the Palace of the Elysée, the 22 June, 1815.

The ‘Times,’[55] as usual, must speak bitter things of the fallen foe,

and, anent his abdication, says, ‘The wretch, with the blood of so

many thousands on his head, seemed to carry about him all the coolness

of that apathy which is part of his physical constitution; and so

degraded and demoralised are the Parisian populace, that they could see

the butcher of their race without the least emotion. He is, however,

spoken of in the journals, and in the debates, without any share of

that respect which but lately was attached to his name. After his

former abdication, he was invariably termed the “Emperor”; but now he

is called nothing but plain Napoleon.’

English Caricature and Satire on Napoleon I. Volume 2 (of 2) · 第 21 / 25 章