The second night I was sitting on my porch when I heard my back gate

slam. My back gate has a chain for a spring, weighted with a pail of

stones, and when it slams the earth trembles, and I have time to get my

hands out of the suds or dough or whatever; and it’s real handy and

practical. This time there come trotting round my house David Beach. My,

my but he was a nice little soul. He had bright eyes, that looked up

quick as a rabbit’s. And a smile that slipped on and off, swift as a

frisking squirrel. And he had little darting movements, like a

chipmunk’s. There was something wild about him, like the wind. Silas’s

pickle factory did seem a queer place for us to have put him.

“Look, Miss Marsh!” he says. And he was holding out his clock. “I got it

all together,” he says, “and it’ll go. And it’ll go right.”

“Did you now?” I says. And it was true. He had. It did. That little

alarm clock was ticking away like a jeweller-done job.... Yes, Silas’s

pickle factory did seem a queer place for us to have put him.

When the little lad had gone off through the dusk, with his clock under

his arm, I looked down the street after him. And I thought of this skill

of his. And then I thought of the $2.50 a week Silas was giving him for

shelling corn. And then I thought of this club that was to keep him and

the rest of ’em contented. And I begun to see, dim, just the particular

kinds of fools we was making of ourselves.

There was yet one thing more happened that wasn’t so much a window as a

door. The next night was to be the Business Men’s meeting, and just

before supper I went to pay my last visit on my list. It was out to the

County House to see the superintendent’s niece that had just resigned

from Eppleby’s store, and that they were afraid was going to Red Barns

to work.

The County House. Ain’t that a magnificent name? Don’t we love to drape

over our bones and our corpses some flying banner of a word like

sarcophagus? The County House sets on a hill. A hill is a grand place

for a County House. “Look at me,” the County House can say, “I’m what a

beneficent and merciful people can do for its unfit.” And I never go by

one that I don’t want to shout back at it: “Yes. Look at you. You’re our

biggest confession of our biggest sham. What right have we, in Nineteen

Hundred Anything, to have any unfit left?”

Right in front of the County House is a cannon. I never figured out the

fitness of having a cannon there--in fact, I never can figure out the

fitness of having a cannon anywhere. But one thing I’ve always noticed:

When public buildings and such do have cannon out in front of them,

they’re always pointing _away_ from the house. Never toward the house.

Always going to shoot somebody else. That don’t seem to me etiquette. If

we must keep cannon for ornament, aren’t we almost civilized enough to

turn ’em around?

Seems the superintendent’s niece wasn’t going to Red Barns at all--she’d

merely resigned to be married and had gone to town to buy things--a part

of being married which competes with the ceremony, neck and neck, for

importance. In the passageway, the matron called me in the office. She

was a tall, thick woman with a way of putting her hand on your back to

marshal you, as mothers do little children in getting them down an

aisle. Yes, she was a marshaling woman.

“Look here,” says the matron, proud.

They’d put a glass case up in the office and it was all hung with

work--crocheted things, knit and embroidered things, fringed things.

“Did by the inmates,” says she, proud. That word “inmates” is to the

word “people” what the word “support” is to the word “share.” It’s a

word we could spare.

I looked at the things in the case--hours and hours and hours the

fingers of the women upstairs had worked on ’em--intricate counting,

difficult stitches, pretty patterns. And each of them was marked with a

price tag. The County House inmates had got ’em hung out there in the

hope of earning a little money. One was a bed-spread--a whole crocheted

bed-spread. And one--one was a dress crocheted from collar to hem, and

hung on with all sorts of crazy crocheted ends and tassels so--I

knew--to make the job last a little longer. And when I saw that, I

grabbed the tall, thick matron by the arm and I shook her a little.

“What was we doing,” I says, “that these folks wasn’t taught to do some

kind of work so’s they could have kept out of the poor house?”

She looked at me odd and cool.

“Why,” she said, “my dear Miss Marsh, it’s being in here that gives ’em

the leisure to make the things at all!”

What was the use of talking to her? And besides being unreasonable, she

was one of them that you’re awful put to it to keep from being able not

to right down dislike. And I went along the passage thinking: “She acts

like the way things are is the way things ought to be. But it always

seems to me that the way things ought to be is the best way things could

be. For the earth ain’t so full of the fulness thereof but that we could

all do something to make it a little more so.”

And then the thing happened that opened the door to all I’d been

thinking about, and let me slip through inside.

Being I was there, I dropped in a minute to see old Grandma Stuart. She

was one of the eighty “inmates.” Up in the ward where she was sitting,

there were twenty beds. And between each two beds was a shelf and a

washbasin, and over it a hook. And old Grandma Stuart sat there by her

bed and her shelf and her hook. She was old and white, and she had fine

wrinkles, like a dead flower. She drew me down to her, with her cold

hands.

“Miss Marsh,” she said, “I got two-three things.”

“Yes,” I says, “well, that’s nice,” I says. And wondered if that was the

right thing to say to her.

“But I ain’t got any box,” she says. “They keep the things and bring ’em

to us clean every time. And I ain’t got any box.”

“That’s so, you ain’t,” says I, looking at her shelf.

“I put my things in my dress,” she says, “but they always fall out. And

I’ve got to stop to pick ’em up. And _she_ don’t like it.”

No. The matron wouldn’t like it. I knew that. She was one of them that

the thing was the thing even if it was something else.

“And so I thought,” says Grandma Stuart, “that if I had a pocket, I

could put my things in that. I thought they wouldn’t fall out if I had a

pocket. _She_ says she can’t be making pockets for every one. But I keep

thinking if I had a pocket.... It’s these things I’ve got,” she says.

She took from her dress three things: A man’s knife, a child’s ring, and

a door-key.

“It was the extry key to my house,” she said. “I--brought it along. And

I thought if I had a pocket....”

...I sat there with her till the lights come out. I promised to come

next day and bring her a little calico pocket. And then I set and let

her talk to me--about how things use’ to be. When at last the matron

come to take ’em away to be fed, I went out, and I ran down the road in

the dark. And it was one of the times when the world of life is right

close up, and you can all but touch it, and you can almost hear what it

says, and you know that it can hear you--yes, and you almost know that

it’s waiting, eager, to hear what _you_ are going to say to it. For one

force breathes through things, trying to let us know it’s there. It was

speaking to me through that wrecked home of Grandma Stuart’s--through

the man’s knife, the child’s ring, the door-key; and through the

pitiful, clever, crocheted stuff in the glass case in the County House;

and through David, and through all them that we were trying to fix up a

club for--like a pleasant plaster for something that couldn’t be touched

by the remedy.

Out there in the soft night, the world looked different. I donno if

you’ll know what I mean, but it was like the world I knew had suddenly

slipped inside another world--like a shell; and the other one was bigger

and better and cut in a pattern that we haven’t grown to--yet. In the

west a little new moon was showing inside the gold circle of the big

coming full moon. And it seemed to me as if the world that I was in must

be just the little thin promise of the world that could be--if we knew.

Sometimes we do know. Sometimes, for just a minute, we see it. That

night was a night when I know that I saw. After you see, you never

forget.

“Life is something else than what we think it is,” I says to myself as I

ran along the road in the dark. “It’s something better than we think it

is.”

As I ran, I stopped in to Mis’ Beach’s house and asked for something.

“Oh, Mis’ Beach,” I says, “Oh, David! Will you let me take something?

Will you let me borrow the clock you put together without anybody

telling you how? Just for this evening?”

They said they would and they didn’t question that, particular, either.

And I took the clock. And being David was going for the yeast, he came

out with me, and we went on together. He ran beside me, the little lad,

with his hand in mine. And as I ran, it seemed to me that I wasn’t

Calliope Marsh any more, but that I was the immemorial woman, running

with the immemorial child, toward the hope of the better thing, always

the better thing.

Past the Post-Office Hall I went, already lighted for the Business

Meeting, and on to Abigail Arnold’s Home Bakery.

Abigail was sitting, dressed and ready, with her list in her hand. But

when she saw me she burst out with some strange excitement in her face:

“Calliope!” she says. “Silas has been here. He said you hadn’t handed in

your report. I--I don’t think he expects you to go to the meeting. I

know he didn’t expect me.”

“Didn’t he now?” I says. “Very well then, he didn’t. Are you ready?”

“But, Calliope----” says she.

“Are you a business woman in this town, or are you not?” I asked her.

Abigail has had her Bakery for twenty years now, and has paid off its

mortgage that her husband bequeathed her.

“Come,” says I. And she did.

We went down the street to the Post-Office store building, all lighted

up. We went up the stairs, and slipped into some seats by the door. I

don’t think Silas, the chairman, see us come in. He can’t of, because he

failed to explode. He just kept on conducting the meeting called to

consider the future prosperity of Friendship Village and balancing on

his toes.

While they talked, I set there, looking at them. Sixty men or so they

were--the men that had made Friendship Village. Yes, such as it was,

these men had made it. It was Silas that had built up his business and

added to it, till he employed forty-two folks. Timothy Toplady had done

the same and had encouraged three-four others to come in to open up new

things for the town. It was Timothy stood back of Zittelhof when he

added furniture to his undertaking business, and that started the

agitation for the cheese factory out in the hills, and that got the

whole county excited about having good roads. And it was these men and

Eppleby Holcomb and some others that had got the new bridge and the

water works and more than these. And while I set there looking at them,

it come flooding over me the skill and the energy and the patience and

the dogged hard work that it had meant for them sixty men to get us

where we were, and from my heart I was thankful to ’em. And then I put

my mind on what they were a-saying:

“An up-to-date, hustling little town,” I kept hearing. “The newer

business methods.” “Good openings.” “Opportunities for hustlers.” “Need

of live wires.” “Encourage industry.” “Advance the town, advance the

town, advance the town.” And the thoughts that had been formed in no

account clots in my head suddenly took shape in one thought, with the

whole of day-light turned on to it.

So, as quick as the business part seemed to me to be done, I rose up and

told Silas we had our reports to make, Abigail and me, about the Evening

Club.

“Well,” says Silas, “this whole thing is being done irregular. Most

irregular. But you go on ahead, and we’ll be glad to listen if you

think you have anything to say, bearing on to--er--what we’re up to.”

And that was all right, and I took it so, because it was meant right.

I donno what there was to be afraid of. All of those men we’d known for

years. We’d worked with ’em shoulder to shoulder in church affairs. We’d

stood equal to ’em in school affairs, and often agreed with ’em. We’d

even repeatedly paid one of ’em our taxes. And yet because it was a

Business Men’s meeting, we felt kind of abashed or askant or something,

Abigail and me.

Abigail reported first, about the thirty odd she’d been to see. “But,”

she winds up, “Calliope’s got something to say that I agree to, over and

above the report. We’ve talked it over, her and me, and--” she adds with

her nice dignity, “as a Friendship Village business woman, I’m going to

leave her speak for me.”

So I said what I had to say about them I’d been to see, and what they

had said about the club. And then I come to the heart of it, and I held

up David’s little clock. I told ’em about it, and about him. I suppose

everybody else has stories to tell like David’s, about the folks, young

or old, that is living graves, little or big, of the kind of skill and

energy and patience that they’ve never had the chance or the courage or

the little will-power inside ’em--to develop. And there it stays in ’em,

undeveloped, till they die. I believe it’s truer of all of us--of you

and me--than we’ve any idea of. And this is what I tried to say to ’em

that night, when I showed ’em David’s little clock. I didn’t say

anything about the girls to Mis’ Cripps’s boarding house--I kept them,

and the rest of ’em, in my heart, along with that crocheted dress up to

the County House, and Grandma Stuart’s wreck of a home--the man’s knife,

the child’s ring, the door-key. And I says:

“Now, we’ve visited all these folks that the Evening Club was thought of

for. And we’ve found most of ’em in favor of having the club. I’m free

to confess that I hoped some of ’em wouldn’t be. I hoped some of ’em

would say they’d rather be paid better wages than to be give a club. But

perhaps it’s all right. Mebbe the club is one step more we’ve got to

take before we can get down to the big thing underneath it all. But it

ain’t the last step--and I’d almost rather not bother with it--I’d

almost rather get on to the big thing right away.”

“May I ask,” snaps out Silas, clean forgetting his chairmanshipping and

acting like he was talking to me in the Post-Office store beside the

cheese, “may I ask what you mean by the ‘big thing’?”

“Oh,” I says, “that’s what I’ve been thinking about while I set here.

Oh,” I says, “you men--you’ve made the town. You’ve done everything

once. Do it again--now when the next thing is here to do. You’ve done

your best with your own property and your own homes. Now do your best

with folks!”

“Ain’t that the purpose of this here club we’re a-talking about?” says

Silas. “Ain’t that what I been a-saying? What do you mean--folks?” Silas

winds up, irritable. Silas knows customers, agents, correspondents,

partners, clients, colleagues, opponents, plaintiffs, defendants _and_

competitors. But he don’t know _folks_.

“Folks,” I says. “Why, folks, Silas. Why, here in this room with you

that we say have made Friendship Village, are setting them sixty-one

employees of yours that have helped make it too. And all the tens that

will come afterward, and that have come before to help to make the

village by the work of their hands. They belong--they’re the village.

They’re us. Oh, let’s not do things _for_ them--let’s do things _with_

them. Let’s meet all together, employers and employees, men and women,

and let’s take up together the job of being a town. Let’s not any of us

have more than our share, and then deal out little clubs, and old

furniture, and magazines, and games to the rest of us. You men are

finding out that all your old catch words about advancing the town and

making business opportunities, have got something lacking in them, after

all. And us women are beginning to see that twenty houses to a block,

each keeping clean and orderly and planted on its own hook, each handing

out old clothes and toys down to the Flats, each living its own life of

cleanliness and home and victual-giving-at-Christmas, that that ain’t

being a town after all. It isn’t enough. Oh, deep inside us all ain’t

there something that says, I ain’t you, nor you, nor you, nor five

thousand of you. I’m all of you. I’m one. ‘When,’ it says, ‘are you

going to understand, that not till I can act like one, one united one,

can I give any glimpse whatever of what people might be?’ Don’t let’s us

go on advancing business and multiplying our little clubs and

philanthropies. Instead, let’s get together--in the kind of meetings

they use’ to have in the old first days in America--and let’s just talk

over the next step in what’s to become of us. Let’s dream--real far.

Let’s dream farther than gift-giving--and on up to wages--and mebbe a

good deal farther than that. Let’s dream the farthest that folks could

go....”

I didn’t know but they’d think I was crazy. But I’d be glad to be that

kind of crazy. And the glory is that more folks and more folks are

getting crazy the same way.

But they didn’t think so--I know they didn’t. Because when I got

through, they clapped their hands, hard and hearty--all but Silas, that

don’t think a chairman had ought to show any pleased emotion. And times

now when I’m lonesome, I like to remember the rest of the talk, and it

warms my heart to remember it, and I like to think about it.

For we give up having the club. Nobody said much of anything more about

it, after we got Silas silenced. And this was the notice we put the next

night in the Friendship _Evening Daily_. Nobody knows better than I the

long road that there is to travel before we can really do what we

dreamed out a little bit about. Nobody better than I knows how slow it

is going to be. But I tell you, it is going to be. And the notice we put

in the paper was the first little step we took. And I believe that

notice holds the heart of to-day.

It said:

“Will all them that’s interested in seeing Friendship Village made

as much a town as it could be, for all of us and for the children

of all of us, meet together in Post-Office Hall to-morrow night, at

7 o’clock, to talk over if we’re doing it as good as we could.”

For there was business. And then there was big business. But the biggest

business is taking employers and employees, and all men and women--yes,

and inmates too--and turning them into folks.

THE PRODIGAL GUEST

Aunt Ellis wrote to me:

“DEAR CALLIOPE: Now come and pay me the visit. You’ve never been here

since the time I had sciatica and was cross. Come now, and I’ll try to

hold my temper and my tongue.”

I wrote back to her:

“I’ll come. I was saving up to buy a new cook-stove next fall, but I’ll

bring my cook-stove and come in time for the parade. I did want to see

that.”

She answered:

“Mercy, Calliope, I might have known it! You always did love a circus in

the village, and these women are certainly making a circus parade of

themselves. However, we’ll even drive down to see them do it, if you’ll

really come. Now you know how much I want you.”

“I might have known,” I said to myself, “that Aunt Ellis would be like

that. The poor thing has had such an easy time that she can’t help it.

She thinks what’s been, is.”

She wrote me that she was coming in from the country an hour after my

train got there, but that the automobile would be there for me. And I

wrote her that I would come down the platform with my umbrella up, so’s

her man would know me; and so I done, and he picked me out real ready.

When we got to her big house, that somehow looked so used to being a big

house, there was a little boy sitting on the bottom step, half asleep,

with a big box.

“What’s the matter, lamb?” I says.

“Beg pad’, ma’am, he’s likely waitin’ to beg,” says the chauf---- that

word. “I’d go right by if I was you.”

But the little fellow’d woke up and looked up.

“I can’t find the place,” he says, and stuck out his big box. The man

looked at the label. “They ain’t no such number in this street,” says

he. “It’s a mistake.”

The little fellow kind of begun to cry, and the wind was blowing up real

bitter. I made out that him and his family made toys for the uptown

shops, and somebody in our neighborhood had ordered some direct, and he

was afraid to go home without the money. I didn’t have any money to give

him, but I says to the chauf----

“Ask him where he lives, will you? And see if we’d have time to take him

home before Mis’ Winthrop’s train gets in.”

The chauf---- done it, some like a prime minister, and he says, cold, he

thought we’d have time, and I put the baby in the car. He was a real

sweet little fellow, about seven. He told me his part in making the

toys, and his mother’s, and his two little sisters’, and I give him the

rest o’ my lunch, and he knew how to laugh when he got the chance, and

we had a real happy time of it. And we come to his home.

Never, not if I live till after my dying day, will I forget the looks of

that back upstairs place he called home, nor the smell of it--the smell

of it. The waxy woman that was his mother, in a red waist, and with a

big weight of hair, had forgot how to look surprised--that struck me as

so awful--she’d forgot how to look surprised, just the same as a grand

lady that’s learned not to; and there was the stumpy man that grunted

for short instead of bothering with words; and the two little girls that

might of been anybody’s--if they’d been clean--one of ’em with regular

portrait hair. I stayed a minute, and give ’em the cost of about one

griddle of my cook-stove, and then I went to the station to meet Aunt

Ellis. And I poured it all out to her, as soon as she’d give me her

cheek to kiss.

“So you haven’t had any tea!” she said, getting in the automobile. “I’m

sorry you’ve been so annoyed the first thing.”

“Annoyed!” I says over. “Annoyed! Well, yes,” I says, “poor people is

real annoying. I wonder we have ’em.”

I was dying to ask her about the parade, but I didn’t like to; till

after we’d had dinner in front of snow and silver and sparkles and so

on, and had gone in her parlor-with-another-name, and set down in the

midst of flowers and shades and lace, and rugs the color of different

kinds of preserves, and wood-work like the skin of a cooked prune. Then

I says:

“You know I’m just dying to hear about the parade.”

She lifted her hand and shut her eyes, brief.

“Calliope,” she says, “I don’t know what has come over women. They seem

to want to attract attention to themselves. They seem to want to be

conspicuous and talked about. They seem to want----”

“They want lots o’ things,” says I, dry, “but it ain’t any of them, Aunt

Ellis. What time does the parade start?”

“You’re bound to see it?” she says. “When I think of my dear Miss

Markham--they used to say her school taught not manners, but

manner--and what she would say to the womanhood of to-day.... We’ll

drive down if you say so, Calliope--but I don’t know whether I can bear

it long.”

“Manner,” I says over. “Manner. That’s just what we’re trying to learn

now, manner of being alive. We haven’t known very much about that, it

seems.”

I kept thinking that over next day when we were drawn up beside the curb

in the car, waiting for them to come. “We’re trying to learn manner at

last--the manner of being alive.” There were lots of other cars, with

women so pretty you felt like crying up into the sky to ask there if we

knew for sure what all that perfection was for, or if there was

something else to it we didn’t know--yet. And thousands of women on

foot, and thousands of women in windows.... I looked at them and

wondered if they thought we were, and life was, as decent as we and it

could be, and, if not, how they were preparing to help change it. I

thought of the rest that were up town in colored nests, and them that

were down town in factories, and them that were to home in the villages,

and them that were out all along the miles and miles to the other ocean,

just the same way. And here was going to come this little line of women

walking along the street, a little line of women that thought they see

new life for us all, and see it more abundant.

“Manner,” I says, “we’re just beginning to learn manner.”

Then, way down the avenue, they began to come. By ones and by fours and

by eights, with colors and with music and with that that was greater

than all of them--the tramp and tramp of feet; feet that weren’t dancing

to balls, nor racking up and down in shops buying pretty things to make

’em power, nor just paddling around a kitchen the same as mine had

always done--but feet that were marching, in a big, peaceful army,

towards the place where the big, new tasks of to-morrow are going to be,

that won’t interfere with the best tasks of yesterday no more than the

earth’s orbit interferes with its whirling round and round.

Neighborhood Stories · 第 10 / 14 段