CHAPTER XX.

“THOU PARADISE OF EXILES, ITALY.”

Isola was not quite so well after that drive in the February wind and

dust. She developed a slight cough--very slight and inoffensive; but

still it was a cough--and the kind and clever physician of San Remo,

who came to see her once a week or so, told her to be careful. Mr.

Baynham had written him a long letter about his patient, and the San

Remo doctor felt a friendly interest in Isola and her sister-in-law,

and the baby son in whom the whole family were so intensely interested.

The infant had accepted the change in his surroundings with supreme

complaisance, and crowed and chirruped among the lemons and the

olives, and basked in the Southern sunshine, as his nurse wheeled his

perambulator to and fro upon the terraced road behind the villa--the

road which lost itself a little way further on amidst a wilderness of

olives, and dwindled into a narrow track for man or mule.

The flower-battle was over, and the mistral had gone back to the great

wind-cavern to lie in wait for the next golden opportunity; and the

sun was shining once again upon the hills where the oil mills nestled,

clinging to some rough ledge beside the ever-dropping waters, upon

the labyrinthine lanes and alleys, the queer little flights of stone

steps up which a figure like Ali Baba might generally be seen leading

his heavily-laden, long-suffering donkey; upon arch and cupola, church

and market-place, and on the triple rampart of hills that shuts San

Remo from the outer world. The Disneys had been in Italy nearly seven

weeks, and it seemed as natural to Isola to open her eyes upon the

broad blue waters of the Mediterranean, the gorgeous sunrise, and the

lateen sails, as on the Fowey river and the hills towards Polruan. She

had taken kindly to this Italian exile. The sun and the blue sky had

exercised a healing influence upon that hidden wound which had once

made her heart seem one dull, aching pain. She loved this new world of

wood and hill, and most of all she loved the perfect liberty of this

distant retreat, and the consolations of solitude. As for the cough,

or the pain in her side, or any of those other symptoms about which

the doctor talked to her so gravely, she made very light of them. She

was happy in her husband’s love, happy in his society, strolling with

him in the olive wood, or the deserted garden, or down to the little

toy-shop parade by the sea, where the band played once a week; or to

the other garden in the town, where the same band performed on another

day, and which was dustier and less airy than the little plantation

of palm and cactus upon the edge of the sea. She went for excursions

with him to points of especial beauty high up among the hills--to the

chocolate mill, to San Romolo, she riding a donkey, he at the animal’s

side, while the guide trudged cheerily in the dust at the edge of the

mountain road. In the evening she played to him, or sat by his side

while he smoked the pipe of rest, or worked while he read to her. They

had never been more devoted to each other, never more like wedded

lovers than they were now. People who only knew them by sight talked of

them admiringly, as if their love were an interesting phenomenon.

“He must be twenty years older than his wife,” said Society, “and yet

they seem so happy together. It is quite refreshing to see such a

devoted couple nowadays.”

People always seem ready and rather pleased to hold their own age up

to contempt and ridicule, as if they themselves did not belong to

it; as if they were sitting aloft in a balloon, looking down at the

foolish creatures crawling and crowding upon the earth, in a spirit of

philosophical contemplation.

Only one anxiety troubled Isola at this time, and that was on Allegra’s

account rather than her own. They had left England nearly two months,

and as yet there had been no sign or token of any kind from Captain

Hulbert, not so much as a packet of new books or new music--not so much

as a magazine or an illustrated paper.

“He asked if he might write to me, and I told him no,” Allegra said,

rather dolefully, one morning, as they sat a little way from the

well, Allegra engaged in painting a brown-skinned peasant girl of ten

years old, whom she had met carrying olives the night before, and had

forthwith engaged as a model. “I said it would never do for us to begin

the folly of engaged lovers, who write to each other about nothing,

sometimes twice a day. He has been wonderfully obedient: yet I think

he ought to have written once or twice in two months. He ought to have

known that though I told him not to write, I should be very anxious to

hear from him.”

“You mustn’t be surprised at his obeying you to the letter, Allegra.

There is a kind of simplicity about him, although he is very clever. He

is so thoroughly frank and honest. It is for that I honour him.”

“Yes, he is very good,” sighed Allegra. “I ought not to have told him

I would have no letter-writing. I really meant what I said. I wanted

to give myself up to art, and you, for the unbroken year--to have no

other thought, no distractions--and I knew that his letters would be a

distraction--that the mere expectation of them--the looking for post

time--the wondering whether I should have his letter by this or that

post--I knew all that kind of thing would unnerve me. My hand would

have lost its power. You don’t know what it is when all depends upon

certainty of touch--the fine obedience of the hand to the eye. No, his

letters would have been a daily agitation--and yet, and yet I should

like so much to know what he is doing--if he is still at the Mount--if

he has any idea of coming to San Remo later--with his yacht--as he

talked of doing.”

“I have no doubt he will come. It will be the most natural thing for

him to do. You will see the white sails some afternoon, glorified in

the sunset, like that boat yonder with its amethyst-coloured sail.”

Isola was right in her prophecy, except as to the hour of Captain

Hulbert’s arrival. They were taking a picnic luncheon in a little

grove of lemon and orange, wedged into a cleft in the hills, on the

edge of a deep and narrow gorge down which a mountain torrent rushed

to the sea. Suddenly across the narrow strip of blue at the end of the

vista came the vision of white sails, a schooner with all her canvas

spread, dazzling in the noonday sun, sailing towards San Remo. Allegra

sat gazing at the white sails, but said never a word. Neither Martin

Disney nor his wife happened to be looking that way, till the child in

his nurse’s lap gave a sudden crow of delight.

“Did he see the pretty white ship, then?” said the nurse, holding him

up in the sunshine. “The beautiful white ship.”

No one took any notice. The colonel was reading his _Times_, the chief

link between the exile and civilization. Isola was intent upon knitting

a soft white vestment for her firstborn.

Two hours later the garden gate gave a little click, and Captain

Hulbert walked in. Allegra heard the click of the latch as she sat

in the verandah, and ran out to meet him. She had been watching and

expectant all the time, though she had held her peace about the vision

of white sails, lest she should be suspected of hoping for her lover’s

coming, and, above all, lest she should be compassionated with later in

the day, if the ship were not the _Vendetta_.

Yes, it was he. She turned pale with delight at the realization of her

hope. She had hardly known till this instant how much she loved him.

She let him take her in his arms and kiss her, just as if he had been

the commonest sailor whose “heart was true to Poll.”

“Are you really glad to see me, darling?” he whispered, overcome by the

delight of this fond welcome.

“Really glad. I feel as if we had been parted for years. No letter to

tell me where you were or what you were doing! I began to doubt if you

ever cared for me.”

“Heartless infidel, you told me not to write; and so I thought the

only alternative was to come. And I have been coming for the last five

weeks. We had a stiffish time across the bay--nothing to trust to but

canvas; and I had to waste a week at Toulon while my ship was under

repairs. However, here I am, and the _Vendetta_ is safe and sound; and

I am your most obedient slave. How is Mrs. Disney?”

“Not quite so well as she was two or three weeks ago. She improved

wonderfully at first, but she caught cold one bleak, blowy day, and

she has started a little nervous kind of cough, which makes us anxious

about her.”

“Better spirits, I hope. Not quite so mopy?”

“Her spirits have revived wonderfully. This lovely land has given

her a new life. But there are times when she droops a little. She is

curiously sensitive--too impressionable for happiness. We have a very

fine preacher here--Father Rodwell; you must have heard him.”

“Yes, I heard of him at Oxford. He was before my time by some years;

but he was a celebrity, and I heard men talk of him. Well, what of your

preacher? Has he fallen in love with my Allegra--is he in the same boat

as poor Colfox?”

“Fallen in love! No, he is not that kind of man. He is as earnest and

enthusiastic as a mediæval monk. We have all been carried away by his

eloquence. He preaches what people call awakening sermons; and I fear

they have been too agitating for Isola. She insists on hearing him; she

hangs upon his words; but his preaching has too strong an influence

upon her mind--or upon her nerves. I have seen the tears streaming down

her poor pale cheeks; I have seen her terribly overcome. She is too

weak to bear that kind of strain. She is depressed all the rest of the

day.”

“She ought not to be allowed to hear such sermons. Take her to another

church, where some dozy old bird will send her comfortably to sleep.”

“I have tried to take her to the other church--you must not talk of a

clergyman as a dozy old bird, sir--but she looked so unhappy at the

mere idea of missing Father Rodwell’s sermons that I dare not press the

matter. He comes to see us occasionally, and he is the cheeriest and

pleasantest of men, nothing of the zealot or ascetic about him; so that

I am in hopes his influence will be for good in the long run. How long

shall you be able to stop at San Remo?”

“Till the lady for whose sake I came shall take it into her head to

leave the place. I have been thinking, Allegra,” putting his arm

through hers, and pacing up and down the terrace, with the bright

expanse of sea in front of them, and at their back the great curtain of

hills encircling and defending them from the wintry world--“I have been

thinking that Venice would be a charming place for you and me to spend

next summer in--if--if--you meant six months instead of twelve for my

probation--as I really think you must have done. We could be married

on the first of June--such a pretty date for a wedding! So easy to

remember! You would want to be married in Trelasco Church, of course;

on our native soil. The church in which my great-grandfather was

married, and in which I and all my race were christened! We could have

the yacht at Marseilles ready to carry us off on our travels, through

the delicious summer days and nights, all along this lovely coast, and

away by Naples to the Adriatic. Allegra, why should we wait for the

winter, the dreary winter, to begin our life journey? Let us begin it

in the time of roses.”

“Look, John!” cried Allegra, laughing, as she pointed to the hedge of

red roses in front of them, and the clusters of creamy bloom hanging

over the verandah. “The roses have been blooming ever since we came

to Italy. It is always rose-time here. You remember our reading in

the dedication of ‘To Leeward’ how Marion Crawford strewed his wife’s

pathway with roses on Christmas Day at Sorrento. We can find a flowery

land for our honeymoon at any season of the year.”

“But why wait a year? Can you not prove me trusty and true in less than

a year?”

“You are so impatient,” she said, plucking a handful of roses, and

scattering the petals at her feet. “A year is so short a time.”

“Short, love! why, eight weeks have seemed an eternity to me without

you; and you honoured me just now by saying that the time had appeared

long, even to you--even to my liege lady, sitting serene in her palace

of art, painting contadinas and their olive-faced offspring--even to

you, whose love is as a thread of silk against a cable, compared to

mine. Even to you, my mistress and my tyrant.”

“That was because you were so far away. But there will be nothing to

hinder our seeing each other, as often as you may find convenient. I

have set my heart upon painting steadily for a twelvemonth, without any

distractions.”

“There is no such place as Venice for a painter. Think of the Miss

Montalbas, and the splendid work they have done at Venice. Would you

not like to be like them?”

“Would I not like to be like Apelles?”

“Well, Venice will be your treasury; Venice will fill that busy brain

with ideas. You shall be fed upon pictures old and new--the new living

pictures in the narrow streets and canals; the old masters in the

churches and palaces. You shall learn of Tintoret and Veronese. You

shall paint as much as you like. You shall have no distractions. We

shall be strangers there, can live as we choose. Summer is the time

for Venice, Allegra. Benighted English people have an idea that Italy

is a place to winter in, and they go and shiver in marble palaces, and

watch the torrential rain beating against windows that were never meant

to shut out bad weather. The Italians know that their land is a land

of summer, and they know how to enjoy sunny days and balmy nights. You

don’t know how delicious life is on the Lido when the night is only a

brief interval of starshine betwixt sunset and dawn. You don’t know

what a dream of delight it is to float along the lagoons and watch the

lamp-lit city melt into the mists of evening, breathing faint echoes

of music and song. A great many things of beauty have been turned to

ugliness, Allegra, since printing and the steam engine were invented;

but, thank God! Venice is not one of them. You will think of my plan,

won’t you, love? At the least, it is a thing to be considered.”

“Anything you say is worthy to be considered, John. And now come in and

see Isola and Martin.”

He felt that he had gone far enough--he felt that it were unwise to

press the question too much at first. He meant to be gently persistent;

and he meant to have his own way.

He followed Allegra into the drawing-room--a room full of light and

sunshine, which had been beautified and made home-like by the addition

of a few Japaneseries and a little old Italian furniture which Martin

Disney had picked up at a bric-à-brac shop in the Via Vittorio

Emanuelo. There were flowers everywhere, in the bright Italian pottery,

so artless, so cheap, so gay, in its varieties of form and colouring.

To Hulbert’s fancy it was the prettiest room he had seen for an age.

“You seem to have made yourself uncommonly comfortable here,” he said,

after cordial greetings, settling down into a bamboo chair near Isola’s

little olive-wood table, littered with Tauchnitz novels and fancy work.

“It is a pleasant sensation for a rolling stone who has hardly ever

known what home means to drop into such a nest as this. You will have

too much of my company, I’m afraid. You’ll be shocked to hear that I

have taken rooms at the Anglais, down there,” pointing down the valley,

“within a stone’s throw of you.”

“We are not shocked. We are very glad you will be near us,” said Isola,

smiling at him. “It has been a dull life for Allegra, I’m afraid.”

“Dull! dull in this land of beauty!” cried Allegra. “I have never known

a dull hour since I came here; though, of course,” with a shy glance at

her lover, “I have naturally thought sometimes of absent friends, and

wished they were with me to revel in the loveliness of these woods and

hills.”

“Well, one of your friends has come to you, one who would as gladly

have come had you been in regions where the sun never shines, or where

his chariot wheels scorch the torrid sands.”

Captain Hulbert stayed with them all the evening, and planned a sail

to Mentone for the following day, Isola again begging to be left out of

their plans, as she had done at Fowey.

“You need feel no compunction about leaving me,” she paid. “I shall be

perfectly happy in the woods with nurse, and baby, and my books.”

They obeyed her, and the little excursion was arranged. They were to

start soon after the early breakfast, carrying what their Italian

cook called a pique-nique with them, in the shape of a well-provided

luncheon-basket. Isola sat in the olive wood, watching the white sails

moving slowly towards Bordighera. It was an exquisite day--a day

for dreaming on the water rather than for rapid progress. The yacht

scarcely seemed to move as Isola watched her from the cushioned corner

which Löttchen had arranged in an angle of the low stone wall--all

amongst ferns and mosses, brown orchises and blue violets--an angle

sheltered by a century-old olive, whose gnarled trunk sprawled along

the ground, rugged and riven, but with another century’s life in it

yet. Far down in the valley, below the old gateway, a company of

cypresses rose dark against the blue of the sea, and Isola knew that

just on that slope of the shore where the cypresses grew tallest the

graves of English exiles were gathered. Many a fair hope, many a broken

dream, many a disappointed ambition lay at rest under those dark

spires, within the sound of that summer sea.

This was one of many days which the young mother spent in the woods or

in the garden with her baby for her companion, while Allegra and the

colonel sailed east or west in the _Vendetta_. Her doctor would have

liked her to go with them, but she seemed to have an absolute aversion

to the sea, and he did not press the point.

“Nothing that she dislikes will do her any good,” he told Colonel

Disney. “There is no use in being persistent about anything. Fancies

and whims stand for a great deal in such an illness as hers.”

A week or two later the same kind doctor discovered that his patient

was fast losing ground. Her strength had flagged considerably in a

short time. He recommended change of scene.

“This quiet life suited her wonderfully well for the first month or so,

but we are no longer making any headway. You had better try a gayer

place--a little more life and movement.”

Martin Disney was ready to obey. He and Allegra took counsel together,

and then--in the lightest strain, one evening after dinner--they

discussed the notion of a change.

“Shall we strike our tents, Isola? Are you tired of San Remo?”

“No, Martin. I am tired of myself, sometimes--never of these olive

woods and lemon groves. Sometimes the stillness and the silent beauty

of the place make me feel unhappy, without knowing why; but that is a

kind of unhappiness no one can escape.”

“Is there any place in the world within tolerable easy reach of this

that you would like to see?” asked her husband.

“Yes, there is one city in the world that I have been longing to see

ever since I began to have thoughts and wishes.”

“And that is----”

“Rome! I should like to see Rome before I die, Martin; if it were not

too troublesome for you----”

“Troublesome! My dearest, can anything be troublesome to me if it

can but give you pleasure? You shall see Rome--not once--but again

and again, in the course of a long and happy life, I hope. I am more

than twenty years older than you; but I count upon at least thirty

years more upon this planet, before I blow out my candle and say ‘_Bon

soir_.’”

“God grant that you may live to a good old age, Martin. The world is

better for such a man as you.”

“The world would be no place for me without my wife,” he said. “And

so you would like to see Rome, Isa? What has put that fancy into your

head?”

“Oh, it is an old dream, as I said just now. And lately I have been

talking to Father Rodwell, who knows Rome as well as if he were a

Roman citizen, and he has made me more and more anxious to go there. If

it would not be a great plague to you, Martin.”

“On the contrary, it would be a great pleasure. We will go to Rome,

Isa, if your doctor approve. Allegra will like it, I know.”

“Like it?” echoed Allegra, “I shall simply be intoxicated with delight.

I know the catalogues of all the picture-galleries by heart. I think I

know every one of the seven hills as well as if I had walked upon them

from my childhood. I have read so many descriptions of the place and

its surroundings--so many raptures penned by people whom I have envied

for nothing else than that they have known Rome; they have lived in

Rome.”

The whole business was easily settled. Captain Hulbert was the only

person who regretted the change. He had been a month at San Remo, a

month of summer idleness in February and March, a month of summer sails

on an azure sea; of mountain walks and rides, high up from stage to

stage, until the region of lemon groves and olive woods gave place to

the pines on the loftier hills. He had been able to spend all his days

in Allegra’s society.

There were no pictures, except in that one little gallery at Colla.

There was nothing to distract her from her lover. In Rome there would

be all the wonders of the most wonderful city in the world. It would be

art first and love second.

The doctor approved; Father Rodwell wrote to an agent in Rome, and

after some negotiation a suite of apartments was found on the high

ground near the Trinità de’ Monti, which seemed to meet all the

requirements of the case. The priest vouched for the honesty and good

faith of the agent, and on his responsibility the rooms were taken for

the month of April, with liberty to occupy them later if it were so

desired.

All along the River: A Novel · 第 20 / 29 章