XXIX

Early as she reached the Lorna Doone, Jean found others before her,

drawn by the morbid lure of sudden death. The hawkers of "extras"

already filled the street with their cries; open-mouthed children

swarmed about the entrance of the apartment-house as if this, not the

park, were the historic ground; while Amy's narrow hall was choked with

reporters, amidst whom Amy herself, colorless, bright-eyed, babbled

wearilessly of the drummer's virtues.

"He was the best salesman they ever had," she was saying. "Put that

in the paper, won't you? In another year he'd most likely have had an

interest in the business. They couldn't get along without him, they

said. He was the best salesman they ever had. People just had to buy

when Fred called. He seemed to hypnotize customers. One man--" and she

rambled into the story of a conquest, beginning nowhere and ending in

fatuity with the unceasing refrain, "He was the best salesman they ever

had."

The sight of Jean shunted her from this theme to self-pity. She clung

to her hysterically, declaring she was her only friend and calling upon

the reporters to witness what a friend she was! They had, of course,

heard of Francis Craig Atwood, the great artist? This was his wife--her

old friend, her only friend. Jean urged her gently toward the bedroom,

and, shutting the door upon her, turned and asked the pressmen to go.

They assented and left immediately, save one of boyish face who delayed

some minutes for sympathetic comment on the tragedy.

"I'm only a cub reporter, Mrs. Atwood," he added, "and I have to take

back something. That's the rule in our office--get the story or get

out. Poor Mrs. Chapman was too upset to give me anything of value.

Perhaps you'd be willing to help me make good?"

"I know nothing but what the papers have told," Jean replied.

"I don't mean the shooting--merely a fact or two about Mr. and Mrs.

Chapman, whom you know so well. When were they married?"

"I can't tell you," she said hastily. "I--I was not present."

"But approximately? I don't want the dates. She looks a bride, and you

know the public is interested in brides. They haven't lived here long,

I suppose?"

"No; not long," she assented, thankful for the loophole; "a few weeks."

"This was their first home?"

"Practically. They boarded for a time. Excuse me now, please. You must

see how much she needs me."

"She is lucky to have you, Mrs. Atwood. Girlhood friends, I presume?"

"Yes, yes. Go now, please."

She turned him out at last and paused an instant to brace her nerves

before joining Amy. At the far end of the hall the parlor door stood

ajar, and she saw with a shiver that the shades were down. Then Amy

peered from the bedroom in search of her, a grief-stricken figure with

wringing hands.

"Don't keep me in here," she moaned. "Let me walk, walk." And she moved

toward the darkened room.

"Not there!" Jean cried, preventing her. "Not there!"

Amy stared an instant and then uttered a laugh more terrible than tears.

"He is not in the parlor," she replied. "They took him to an

undertaker's. There's a man--I forgot to tell you--there's a man from

the undertaker's here now. He wants clothes, black clothes. He's in

the spare room, hunting. I--I couldn't touch them. I told him to look

for himself. You help him, Jean. I couldn't touch Fred's things. It

seemed--oh, I just couldn't!"

Jean let her wander where she would, and opened the guest-room door. A

heavy-jowled man pivoted about at her entrance and stuffed a handful of

letters into a pocket of one of the dead drummer's coats. The garment

was not black.

"What are you doing there?" she demanded. "That coat might answer for a

horse-race, not a funeral."

The man had a glib answer ready.

"I took it down to look behind," he said. "The letters fell out."

She doubted his word and, walking to the closet, made a selection from

the more sober wear.

"Take these," she ordered.

He thanked her, gathered the clothing together, and left the room; and

she heard the hall door close after him while she lingered a moment to

replace the things his rummaging had disturbed. Coming out herself, the

first object to meet her eye was a telltale bit of cloth protruding

from the umbrella-rack, into which, she promptly discovered, the

supposed undertaker's assistant had stuffed every article she had given

him. The sight unnerved her, and she sought Amy in the parlor and told

her what she had seen.

"Don't let people in here," she warned. "The man was, of course, a

reporter. No experienced detective would have left the clothes behind."

Amy plucked at her throat as if stifled.

"What did he w-want?" she chattered. "What did he want?"

"Scandal, probably."

"You think so?" whispered the girl, ghastly white. "You think so? You

don't suppose he came because--because he suspects--"

"Suspects whom?"

"Me!" she wailed, her cry trembling to a shriek. "Me! Me! Me! I did it,

Jean. I shot him. I killed Fred. I'm the one. I--"

Jean clapped a hand over her mouth.

"Hush!" she implored. "You're mad!"

Amy tore herself free and dropped huddled to the floor.

"I'm not mad. I wish I were. They'd only lock me up, if I were mad. Now

they'll kill me, too."

Jean shook her roughly.

"Stop!" she commanded. "Some one might overhear and believe you. Don't

say such things. It's dangerous."

Amy threw back her head with a repetition of her awful laugh.

"You don't believe me!" she cried. "I'll make you believe me. Listen:

He came home last night after you left. You hadn't been gone ten

minutes when he came. He'd been drinking, but he was good-natured, and

I thought I would speak to him myself. It didn't seem as if I could

wait for you to speak to him, Jean. I thought I could manage it--he was

so good-natured--and so I asked him to make me an honest woman. I never

mentioned the baby--then! And I wasn't cross or mean with him. I asked

him as nice as I knew how. But he wouldn't listen--it was the drink in

him--and he struck me. Fred never struck me before in his life. He was

always such a gentleman. It was the drink in him made him strike me.

After that I went into the bedroom and cried, and I heard him go to the

sideboard and pour out more whisky. He did it twice. By and by he came

into the hall and took his hat, and I called to him and asked him not

to go out again. I said I was sorry for bothering him; but he went out

just the same. Then I followed. I knew, I don't know how, but I knew he

was going to Stella's, and it didn't seem, after all I'd been through,

I could stand for it. Sure enough, he turned down the avenue toward

that flat of hers I told you about, with me after him keeping on the

other side. I lagged behind a little when he reached Stella's street,

for it was lighter by her door than on the avenue, and when I got

around the corner he wasn't anywhere to be seen, and I knew for certain

he'd gone in at her number. I'd been trembling all over up to then, but

now I felt bold as a lion, I was so mad, and I marched straight up to

the house myself. I decided I wouldn't ring her bell--it's just one of

those common flat-houses without an elevator--but somebody else's, and

then, after the catch was pulled, go up and take them by surprise.

"I was half running when I came to the steps, and before I could stop

myself, or hide, or do anything, I banged right into Fred, who hadn't

been able to get in at all and was coming away. His face was terrible

when he saw who it was, but I wasn't afraid of him any more and told

him he'd got to hear something now that would bring him to his senses,

if anything could. He saw I meant business and said, 'Oh, well, spit

it out!' But just then some people came along and walked close behind

us all the way to the corner. The avenue was full of people, too, for

the show at that little concert-hall near the park entrance was just

over, so we crossed into the park to be by ourselves. We were quite

a way in before I spoke, for I was thinking what to say, and finally

when Fred said he wasn't going a step farther, I up and told him about

the baby. He said that was a likely story and started to pull away,

and then--then I took out the pistol. It was Fred's six-shooter; he'd

kept it in the top bureau drawer ever since the last scare about

burglars, and I caught it up when I followed him out. I didn't mean it

for him. I only meant to shoot myself, if he wouldn't do right by me

when he'd heard the truth. But he thought I wanted to kill him, and he

grabbed hold of my arm to get it away. Then, somehow, all of a sudden

it was done, and there he was lying across the path with his head in

the grass. I don't know how long I stood there, or why I didn't kill

myself. I ought to have shot myself right there. But I only stood,

numb-like, till all at once I got frightened and began to run. I ran

along by the lake and threw the revolver in the water, and went out of

the park by another entrance and came back here. Nobody saw me go out;

nobody saw me come in. The elevator boy goes home at twelve o'clock. I

guess you believe me now, don't you?"

Jean froze before the horror of it. While she mechanically soothed the

hapless creature who, her secret out, had relapsed into ungovernable

hysteria wherein Fred's praises alternated with shuddering terror of

the future, her own thoughts crowded in a disorder almost as chaotic.

She faced a crime, and yet no crime. Must she bid Amy give herself up

to the law? Must this frail girl undergo the torture of imprisonment

and trial for having served as little more than the passive tool

of circumstance? If they held their peace, the mystery might never

be cleared. Would justice suffer greatly by such silence? But Amy

would suffer! The fear of discovery--the fear Jean herself knew so

well--would dog her to her grave. To trust the law was the frank

course, but would the law--blind, clumsy, fallible Law whose heavy hand

had all but spoiled her own life--would the law believe Amy had gone

out, carrying a weapon, without intent to do murder? The dilemma was

too cruel.

The door-bell bored itself into her consciousness, and she went out to

confront more reporters.

"Mrs. Chapman is too ill to see you," she said curtly.

"But it's you we want to see," returned one, whose face she recalled

from the earlier invasion. "There are new developments, and we'd like

to have your comment. It's of public interest, Mrs. Atwood."

Her anger flamed out against them.

"What have I to do with your public?" she demanded. "I have nothing to

say to it."

"But you consented to an interview this morning," rejoined the

spokesman for the group. "Why do you object to another?"

"I consented to an interview!"

"Here you are," he said, producing one of the more sensational

newspapers. "'The beautiful wife of the well-known illustrator, Francis

Craig Atwood, has been with the heart-broken little bride since early

morning. Mrs. Atwood and Mrs. Chapman were schoolgirl chums whose

friendship has endured to be a solace in this crushing hour. Mrs.

Atwood brokenly expressed her horror at the catastrophe and added one

or two touching details concerning the Chapmans' ideal married life.

Their wedding--'"

Jean seized the cub reporter's "story" and read it for herself. The

drummer shone a paragon of refinement in the light of her friendship

and Craig's, for Atwood was not neglected; two paragraphs, indeed, were

given over to a résumé of his artistic career.

Tears of mortification sprang to her eyes.

"What an outrage!" she exclaimed. "Mr. Atwood has never seen these

people, never set foot in this building! I myself met this unfortunate

man but once in my life!"

The group pricked up its ears.

"We shall be very glad to publish your denial," assured the spokesman.

"Oh, don't publish anything," she cried. "Drop us out of it altogether,

I beg of you!"

"But in the light of the new developments, it would be only just to you

and Mr. Atwood," he persisted.

"What developments?"

"The revelations concerning Chapman's--er--irregular mode of life. His

former wife--she lives in Jersey City--has laid certain information

before the police. She seems to care for him still, after a fashion.

She only heard this morning of his remarriage, though she met and

talked with him day before yesterday."

Jean's hand sought the wall.

"What does she know?"

"The police won't disclose. But they say her information, taken with

another clew that's come into their hands, will lead shortly to an

arrest. Shall we publish the denial, Mrs. Atwood?"

"Yes," she answered; "yes."

As she closed the door, Amy tottered down the hall.

"I heard!" she gasped. "I heard all they said. The police--the police

will come next! They've found out I'm not Fred's wife. I'll be shamed

before everybody. They'll suspect me first of all. They'll find out

everything. You heard what they said about a clew? When they get hold

of a clew, they get everything! They'll take me to the Tombs--the

Tombs! Hark!"

The fretful bell rang again.

"The police!" chattered Amy. "The police!"

The same fear gripped Jean, but she mustered strength to push the girl

into the bedroom and shut the door; and then, with sinking knees, went

to answer the summons.

The Crucible · 第 41 / 42 题