THE CRUCIBLE

I

The girl heard the key rasp in the lock and the door open, but she did

not turn.

"When I enter the room, rise," directed an even voice.

The new inmate obeyed disdainfully. The superintendent, a middle-aged

woman of precise bearing and crisp accent, took possession of the one

chair, and flattened a note-book across an angular knee.

"Is Jean Fanshaw your full name?" she began.

"I'm called Jack."

"Jack!" The descending pencil paused disapprovingly in mid-air. "You

were committed to the refuge as Jean."

"Everybody calls me Jack," persisted the girl shortly--"everybody."

"Does your mother?"

Her face clouded. "No," she admitted; "but my father did. He began it,

and I like it. Why isn't it as good as Jean? Both come from John."

"It is not womanly," said Miss Blair, as one having authority. "Women

of refinement don't adopt men's names."

"How about George Eliot?" Jean promptly countered. "And that other

George--the French woman?"

The superintendent battled to mask her astonishment. Case-hardened by a

dozen years' close contact with moral perverts, budding criminals, and

the half-insane, she plumed herself that she was not easily taken off

her guard. But the unexpected had befallen. The newcomer had given her

a sensation, and moreover she knew it. Jean Fanshaw's dark eyes exulted

insolently in her victory.

Miss Blair took formal refuge in her notes. "Birthplace?" she continued.

"Shawnee Springs."

"Age?"

"Seventeen, two months ago--September tenth."

The official jotted "American" under the heading of nationality, and

said,--

"Where were your parents born?"

"Father hailed from the South--from Virginia." Her face lighted

curiously. "His people once owned slaves."

"And your mother?"

The girl's interest in her ancestry flagged. "Pure Shawnee Springs."

She flung off the characterization with scorn. "Pure, unadulterated

Shawnee Springs."

But the superintendent was now on the alert for the unexpected. "I

want plain answers," she admonished. "What has been your religious

training?"

"Mixed. Father was an Episcopalian, I think, but he wasn't much of a

churchgoer; he preferred the woods. Mother's a Baptist."

"And you?"

"I don't know what I am. I guess God isn't interested in my case."

The official retreated upon her final routine question.

"Education?"

"I was in my last year at high school when"--her cheek flamed--"when

this happened."

Miss Blair construed the flush as a hopeful sign. "You may sit down,

Jean," she said, indicating the narrow iron bed. "Let me see your

knitting."

The girl handed over the task work which had made isolation doubly

odious.

The superintendent pursed her thin lips.

"Have you never set up a stocking before?" she asked.

"No."

"Can you sew?"

"No."

"Or cook?"

"No."

"'No, Miss Blair,' would be more courteous. Have you been taught any

form of housework whatsoever?"

Jean looked her fathomless contempt. "We kept help for such drudgery,"

she explained briefly.

"You must learn, then. They are things which every woman should know."

"I don't care to learn the things every woman should know. I hate

women's work. I hate women, too, and their namby-pamby ways. I'd give

ten years of my life to be a man."

Her listener contrasted Jean Fanshaw's person with her ideas. Even

the flesh-mortifying, blue-and-white-check uniform of the refuge

became the girl. Immature in outline, she was opulent in promise. Her

features held no hint of masculinity; the mouth, chin, eyes--above

all, the defiant eyes--were hopelessly feminine. Miss Blair's own pale

glance returned again and again upon those eyes. They made her think

of pools which forest leaves have dyed. The brows were brown, too,

and delicately lined, but the thick rope of hair, which fell quite to

the girl's hips, was fair. The other woman touched the splendid braid

covetously.

"You can't escape your sex," she said. "Don't try."

"But I wasn't meant for a girl. They didn't want one when I was born.

They'd had one girl, my sister Amelia, and they counted on a boy. They

felt sure of it. Why, they'd even picked out his name. It was to be

John, after my father. Then I came."

"Nature knew best."

Jean gave a mirthless laugh. "Nature made a botch," she retorted. "What

business has a boy with the body of a girl?"

The superintendent lost patience. "You must rid yourself of this

nonsense," she declared firmly, and said again, "You can't escape your

sex."

"I will if I can."

"But why?"

"Because this is a man's world. Because I mean to do the things men do."

"For some little time to come you'll occupy yourself with the things

women do."

Jean's long fingers clenched at the reminder. The hot color flooded

back. "Oh, the shame of it!" she cried passionately. "The wicked

injustice of it!"

"You did wrong. This is your punishment."

"My punishment!" flashed the girl. "My punishment! Could they punish me

in no other way than this? Am I a Stella Wilkes, a common creature of

the streets, who--"

The superintendent raised her hand. "Don't go into that," she warned

peremptorily. "If you knew Stella Wilkes in Shawnee Springs--"

"I know her!"

"Don't interrupt me. I repeat, if you know anything of Stella's record,

keep it to yourself. A girl turns over a new leaf when she enters here.

Her past is behind her. And let me caution you personally not to speak

of your life to any one but myself. Remember that. Make confidences to

no one--not even the matrons--to no one except me."

Jean searched the enigmatic face hungrily. "I doubt if you'd care

to listen," she stated simply; "or whether, if you did listen, you'd

believe!"

Something in her tone penetrated Miss Blair's official crust. "My

dear!" she protested.

The girl was silent a moment. Then, point-blank, "Do you think a mother

can hate her child?" she asked.

The superintendent, by virtue of her office, felt constrained to take

up the cudgels for humanity. "Of course not," she responded.

"My mother hates me sometimes."

"Nonsense!"

"At other times it's only dislike," Jean went on impassively. "It's

always been so. Dad got over the fact that I was a girl. He said he

would call me his boy, anyhow. That's where the 'Jack' came from.

But mother--she was different. I dare say if I'd been all girl, like

Amelia, she could have stood me. She was forever holding up Amelia

as a pattern. Amelia would get a hundred per cent. in that quiz you

put me through. Amelia can sew; Amelia can embroider; Amelia can make

tea-biscuit and angel-cake."

"And what were you doing while your sister was improving her

opportunities?"

"Improving mine," came back Jean, with conviction. "Why didn't you ask

me if I could swim, and box, and shoot, and hold my own with a gamy

pickerel or trout?"

"Did your father teach you those things?"

"Some of them."

"And to affect mannish clothes, and smoke cigarettes with your feet on

the table?"

Jean flaunted an unregenerate grin. "You've heard more than you let on,

I guess. But you wouldn't have asked that last question if you'd known

him. He wasn't that sort. I did those things after--after he went. I

didn't really care for the cigarettes; I mainly wanted to shock that

sheep, Amelia. Besides, I only smoked in my own room. I had a bully

room--all posters and foils and guns. That reminds me," she added, with

a quick change of tone. "That woman who comes in here--the matron--took

something of mine. I want it back."

"What was it?"

"A little clay bust my father made."

"Was he a sculptor?"

"No, a druggist; but he could model. You'll make her give it back?"

"Is it the likeness of a man?"

"Yes, of dad."

"The matron was right. We allow no men's pictures in the girls' rooms,

and the rule would apply here."

Incredulity, resentment, impotent anger drove in rapid sequence across

the too mobile face. "But it's dad!" she cried. "Why, he did it for me!

I never had a picture. Don't keep it from me; it's only dad."

The official shook her head in stanch conviction of the sacredness of

red tape. "The rule is for everybody. Furthermore, you must not refer

to men in your letters home. If you make such references, they will be

erased. Nor will they be permitted in any letter you may receive from

your family."

"You'll read my letters?"

"Certainly."

Jean silently digested this fresh indignity. "Then I'll never write,"

she declared.

Miss Blair waived discussion. "Never mind about the rules now, my

girl," she returned, not unkindly. "You will appreciate the reasons for

them in time. Go on with your story. Tell me more of your home life."

"It wasn't a home--at least, not for me. I didn't fit into it anywhere

after dad went. Mother couldn't understand me. She said I took after

the Fanshaws, not her folks, the Tuttles. Thank heaven for that! I

never understood her, it's certain. When she wasn't flint, she was

mush. Her softness was all for Amelia, though. They were hand and glove

in everything, and always lined up together in our family rows. I think

that was at the bottom of half the trouble. If mother'd only let us

girls scrap things out by ourselves, we'd have rubbed along somehow,

and probably been better friends. But she couldn't do it. She had to

take a hand for Saint Amelia, as a matter of course. I can't remember

when it wasn't so, from the days when we fought over our toys till the

last big rumpus of all."

"And that last affair?" prompted her inquisitor. "What led to it?"

"A box social."

"A box social!"

"Never heard of one? You're not country-bred, I guess. Shawnee Springs

pretends to be awfully citified when the summer cottagers are in town,

but it's rural enough the rest of the year. Box socials are all the

rage. You see, the girls all bring boxes, packed with supper for two,

which are auctioned off to the highest bidder. The fellows aren't

supposed to know whose box they're buying. Anyhow, that's the theory.

I thought it ought to be the practice, too, and when I found that

Amelia had fixed things beforehand with Harry Fargo, I planned a little

surprise by changing the wrapper. Harry bid in the box she signalled

him to buy, and drew his own little sister for a partner. The man who

bought Amelia's was a bald-headed old widower she couldn't bear. It

wasn't much of a joke, I dare say, and Amelia couldn't see the point of

it at all. She told me she hated me, right before Harry Fargo himself,

and after we came home she followed me up to my room to say it again."

An unofficial smile tempered Miss Blair's austerity. "But go on," she

said, with an access of formality by way of atonement for her lapse.

Jean's own quick-changing eyes gleamed over the memory of Amelia's

undoing, but it was for an instant only. "It was a dear joke for me,"

she continued soberly. "Amelia was sore. She had a nasty way of saying

things, for all her angel-food, and she hadn't lost her voice that

night, I can assure you. I said I was sorry for playing her the trick,

but she kept harping on it like a phonograph, and one of our regular

shindies followed. It would have ended in talk, like all the rest, if

mother hadn't chimed in, but when they both tuned up with the same old

song about my being a hoiden and a family disgrace, why, I got mad

myself, and told them to clear out. When they didn't budge, I grabbed

a Cuban machete that a Rough Rider friend had given me, and went for

them."

"What did you mean to do?"

"Only frighten them. I never knew till afterward that I'd really pinked

Amelia's arm. Of course, I didn't mean to do anything like that. I

swear it."

"And then?"

"Then mother lost her head completely. She tore shrieking downstairs,

Amelia after her, and both of them took to the street. First I knew,

in came the officer. The rest seems a kind of nightmare to me--the

arrest, the station-house cell, the blundering old fool of a magistrate

who sent me here. He said he'd had his eye on me for a long time, and

that I was incorrigible. Incorrigible! What did he know about it? He

couldn't even pronounce the word! What business has such a man with

power to spoil a girl's life! He was only a seedy failure as a lawyer,

and got his job through politics. That's what sent me here--politics!

Mother never intended matters to go this far. I know she didn't, though

she doesn't admit it. She wanted to frighten me, but things slipped out

of her hands. Think of it! Three years among the Stella Wilkeses for a

joke! My God, I can't believe it! I must be dreaming still."

The superintendent ransacked her stock of homilies for an adequate

response, but nothing suggested itself. Jean Fanshaw's case refused to

fit the routine pigeonholes. She could only remind the girl that it lay

with herself to decide whether she would serve out her full term.

"It is possible to earn your parole in a year and a half, remember,"

she charged, rising. "Bear that constantly in mind."

Jean seemed not to hear. "The shame of it!" she repeated numbly. "The

disgrace of it! I shall never live it down."

She brooded long at her window when her visitor had gone, her wrongs

rankling afresh from their rehearsal. The two weeks' isolation had

begun to tell upon the nerves which she had prided herself were of

stoic fibre. Human companionship she did not want. She had not welcomed

the superintendent's coming, nor the physician's before her; and, if

contempt might slay, the drear files of her fellow-inmates which

traversed the snow-bound paths below would have withered in their

tracks. It was the open she craved, and the daily walks under the close

surveillance of a taciturn matron had but whetted her great desire.

She had conned the desolate prospect till she felt she knew its every

hateful inch. Yonder, at the head of the long quadrangle, was the

administration building, whither Miss Blair had taken her precise

way. Flanking the court, ran the red brick cottages--each a replica

of its unlovely neighbor, offspring all of a single architectural

indiscretion--one of which she supposed incuriously would house her in

the lost years of her durance. Quite at the end, closing the group,

loomed the prison, gaunt, iron-barred, sinister in the gathering dusk.

This last structure had come almost to seem a sensate creature,

a grotesque, sprawling monster, with half-human lineaments which

nightfall blurred and modelled. Now, as she watched, the central door,

that formed its mouth, gaped wide and emitted one of the double files

of erring femininity which were continually passing and repassing. She

knew that there were degrees of badness here, and reasoned that these

from the monster's jaws must be the more refractory, but they appeared

to her no worse than the others. Indeed, as looks went, they were,

on the whole, superior. She felt no pity for them, only measureless

disgust--disgust for the brazen and the dispirited alike; all were

despicable. Her pity was for herself that she must breathe the common

air.

Hitherto she had not separated them one from the other. This time,

however, she passed them in review--the hard, the vicious, the frankly

animal, the merely weak; till, coming last of all upon a brunette

face of garish good looks, she shrank abruptly from the window. For

the first time since her arrival she glimpsed the girl whose name had

been a byword in Shawnee Springs, the being who at once symbolized and

made concrete to Jean the bald, terrible fact of her degradation. Till

now she had gone through all things dry-eyed--manfully, as she would

have chosen to say--but the sight of Stella Wilkes plumbed emotional

deeps in the womanhood she would have forsworn, and she flung herself,

sobbing, upon her bed.

The Crucible · 第 12 / 42 题