Marnagan raised his proton-gun dramatically. "Snap me this pose," he
said. "I paid your salary to trot along, photographing, we hoped,
my capture of Gunther, now the least you can do is record peace
negotiations betwixt me and these pixies."
Marnagan wasn't fooling anybody. Hathaway knew the superficial palaver
for nothing but a covering over the fast, furious thinking running
around in that red-cropped skull. Hathaway played the palaver, too, but
his mind was whirring faster than his camera as he spun a picture of
Marnagan standing there with a useless gun pointed at the animals.
Montage. Marnagan sitting, chatting at the monsters. Marnagan smiling
for the camera. Marnagan in profile. Marnagan looking grim, without
much effort, for the camera. And then, a closeup of the thrashing death
wall that holed them in. Click took them all, those shots, not saying
anything. Nobody fooled nobody with this act. Death was near and they
had sweaty faces, dry mouths and frozen guts.
When Click finished filming, Irish sat down to save oxygen, and used it
up arguing about Gunther. Click came back at him:
"Gunther drew us down here, sure as Ceres! That gravity change we felt
back on that ridge, Irish; that proves it. Gunther's short on men. So,
what's he do; he builds an asteroid-base, and drags ships down. Space
war isn't perfect yet, guns don't prime true in space, trajectory
is lousy over long distances. So what's the best weapon, which
dispenses with losing valuable, rare ships and a small bunch of men?
Super-gravity and a couple of well-tossed meteors. Saves all around.
It's a good front, this damned iron pebble. From it, Gunther strikes
unseen; ships simply crash, that's all. A subtle hand, with all aces."