CHAPTER VIII.

“As the wind

Sobs, an uncertain sweetness comes from out

The orange-trees.

Rise up, Olympia.--She sleeps soundly. Ho!

Stirring at last.” BARRY CORNWALL.

The next day, Fanny was seen by Sarah counting the little hoard that she

had so long and so painfully saved for her benefactor’s tomb. The money

was no longer wanted for that object. Fanny had found another; she said

nothing to Sarah or to Simon. But there was a strange complacent smile

upon her lip as she busied herself in her work, that puzzled the old

woman. Late at noon came the postman’s unwonted knock at the door. A

letter!--a letter for Miss Fanny. A letter!--the first she had ever

received in her life! And it was from him!--and it began with “Dear

Fanny.” Vaudemont had called her “dear Fanny” a hundred times, and the

expression had become a matter of course. But “Dear Fanny” seemed

so very different when it was written. The letter could not well be

shorter, nor, all things considered, colder. But the girl found no fault

with it. It began with “Dear Fanny,” and it ended with “yours truly.”

“--Yours truly--mine truly--and how kind to write at all!” Now it so

happened that Vaudemont, having never merged the art of the penman

into that rapid scrawl into which people, who are compelled to

write hurriedly and constantly, degenerate, wrote a remarkably good

hand,--bold, clear, symmetrical--almost too good a hand for one who was

not to make money by caligraphy. And after Fanny had got the words by

heart, she stole gently to a cupboard and took forth some specimens of

her own hand, in the shape of house and work memoranda, and extracts

which, the better to help her memory, she had made from the poem-book

Vaudemont had given her. She gravely laid his letter by the side of

these specimens, and blushed at the contrast; yet, after all, her own

writing, though trembling and irresolute, was far from a bad or vulgar

hand. But emulation was now fairly roused within her. Vaudemont,

pre-occupied by more engrossing thoughts, and indeed, forgetting a

danger which had seemed so thoroughly to have passed away, did not in

his letter caution Fanny against going out alone. She remarked this; and

having completely recovered her own alarm at the attempt that had been

made on her liberty, she thought she was now released from her promise

to guard against a past and imaginary peril. So after dinner she slipped

out alone, and went to the mistress of the school where she had received

her elementary education. She had ever since continued her acquaintance

with that lady, who, kindhearted, and touched by her situation, often

employed her industry, and was far from blind to the improvement that

had for some time been silently working in the mind of her old pupil.

Fanny had a long conversation with this lady, and she brought back a

bundle of books. The light might have been seen that night, and many

nights after, burning long and late from her little window. And having

recovered her old freedom of habits, which Simon, poor man, did not

notice, and which Sarah, thinking that anything was better than moping

at home, did not remonstrate against, Fanny went out regularly for two

hours, or sometimes for even a longer period, every evening after

old Simon had composed himself to the nap that filled up the interval

between dinner and tea.

In a very short time--a time that with ordinary stimulants would have

seemed marvellously short--Fanny’s handwriting was not the same thing;

her manner of talking became different; she no longer called herself

“Fanny” when she spoke; the music of her voice was more quiet and

settled; her sweet expression of face was more thoughtful; the eyes

seemed to have deepened in their very colour; she was no longer heard

chaunting to herself as she tripped along. The books that she nightly

fed on had passed into her mind; the poetry that had ever unconsciously

sported round her young years began now to create poetry in herself.

Nay, it might almost have seemed as if that restless disorder of the

intellect, which the dullards had called Idiotcy, had been the wild

efforts, not of Folly, but of GENIUS seeking to find its path and outlet

from the cold and dreary solitude to which the circumstances of her

early life had compelled it.

Days, even weeks, passed--she never spoke of Vaudemont. And once, when

Sarah, astonished and bewildered by the change in her young mistress,

asked:

“When does the gentleman come back?”

Fanny answered, with a mysterious smile, “Not yet, I hope,--not quite

yet!”

Night and Morning, Complete · 第 8 / 21 章