CHAPTER I.

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[Illustration: TWO CHRISTMAS ANGELS.--p. 122.]

THE TAPESTRY ROOM

A Child's Romance

By MRS. MOLESWORTH

AUTHOR OF 'CARROTS,' 'CUCKOO CLOCK,' 'GRANDMOTHER DEAR,' 'TELL ME A

STORY,' ETC.

[Illustration: 'DUDU']

'What tale did Iseult to the children say,

Under the hollies, that bright winter's day?'

MATTHEW ARNOLD

ILLUSTRATED BY WALTER CRANE

London

MACMILLAN AND CO., Limited

NEW YORK: THE MACMILLAN COMPANY

1899

(By Permission.)

TO

H.R.H. VITTORIO EMANUELE

PRINCE OF NAPLES

CROWN PRINCE OF ITALY

ONE OF THE KINDLIEST OF MY YOUNG READERS

MAISON DU CHANOINE,

_October_ 1879.

CONTENTS.

CHAPTER I.

PAGE

MADEMOISELLE JEAN 1

CHAPTER II.

PRINCE CHÉRI 20

CHAPTER III.

ON A MOONLIGHT NIGHT 37

CHAPTER IV.

THE FOREST OF THE RAINBOWS 56

CHAPTER V.

FROG-LAND 75

CHAPTER VI.

THE SONG OF THE SWAN 94

CHAPTER VII.

WINGS AND CATS 114

CHAPTER VIII.

"THE BROWN BULL OF NORROWA" 135

CHAPTER IX.

THE BROWN BULL--(_Continued_) 158

CHAPTER X.

THE END OF THE BROWN BULL 177

CHAPTER XI.

DUDU'S OLD STORY 197

CHAPTER XII.

AU REVOIR 218

LIST OF ILLUSTRATIONS.

"DUDU" _Vignette on Title-Page._

"ISN'T IT A FUNNY ROOM, CHÉRI?" _To face Page_ 25

IT WAS DUDU " 51

ONWARDS QUIETLY STEPPED THE LITTLE PROCESSION " 75

TWO CHRISTMAS ANGELS " 122

STORY SPINNING " 141

THE BROWN BULL OF NORROWA " 162

"IS THIS A NEW PART OF THE HOUSE?" " 201

[Illustration]

CHAPTER I.

MADEMOISELLE JEANNE.

"Maitre Corbeau, sur un arbre perché."

LA FONTAINE.

It was so cold. Ah, so very cold! So thought the old raven as he hobbled

up and down the terrace walk at the back of the house--the walk that was

so pleasant in summer, with its pretty view of the lower garden, gay

with the bright, stiffly-arranged flowerbeds, so pleasantly warm and yet

shady with the old trees overhead, where the raven's second cousins, the

rooks, managed their affairs, not without a good deal of chatter about

it, it must be confessed. "Silly creatures," the raven was in the habit

of calling them with contempt--all to himself, of course, for no one

understood the different tones of his croaking, even though he was a

French raven and had received the best of educations. But to-day he was

too depressed in spirit by the cold to think of his relations or their

behaviour at all. He just hopped or hobbled--I hardly know which you

would call it--slowly and solemnly up and down the long walk, where the

snow lay so thick that at each hop it came ever so far up his black

claws, which annoyed him very much, I assure you, and made him wish more

than ever that summer was back again.

Poor old fellow! he was not usually of a discontented disposition; but

to-day, it must be allowed, he was in the right about the cold. It was

_very_ cold.

Several others beside the raven were thinking so--the three chickens who

lived in a queer little house in one corner of the yard thought so, and

huddled the closer together, as they settled themselves for the night.

For though it was only half-past three in the afternoon, they thought it

was no use sitting up any longer on such a make-believe of a day, when

not the least little ray of sunshine had succeeded in creeping through

the leaden-grey sky. And the tortoise _would_ have thought so too if he

could, but he was too sleepy to think at all, as he "cruddled" himself

into his shell in the corner of the laurel hedge, and dreamt of the nice

hot days that were past.

And upstairs, inside the old house, somebody else was thinking so too--a

little somebody who seemed to be doing her best to make herself,

particularly her nose, colder still, for she was pressing it hard on to

the icy window-pane and staring out on to the deserted, snow-covered

garden, and thinking how cold it was, and wishing it was summer time

again, and fancying how it would feel to be a raven like old "Dudu," all

at once, in the mixed-up, dancing-about way that "thinking" was

generally done in the funny little brain of Mademoiselle Jeanne.

Inside the room it was getting dark, and the white snow outside seemed

to make it darker.

"Mademoiselle Jeanne," said a voice belonging to a servant who just then

opened the door; "Mademoiselle Jeanne, what are you doing at the window?

You will catch cold."

Jeanne gave a little start when she heard herself spoken to. She had

been all alone in the room for some time, with not a sound about her.

She turned slowly from the window and came near the fire.

"If I did catch cold, it would not be bad," she said. "I would stay in

bed, and you, Marcelline, would make me nice things to eat, and nobody

would say, 'Don't do that, Mademoiselle.' It would be charming."

Marcelline was Jeanne's old nurse, and she had been her mother's nurse

too. She was really rather old, how old nobody seemed exactly to know,

but Jeanne thought her _very_ old, and asked her once if she had not

been her grandmother's nurse too. Any one else but Marcelline would have

been offended at such a question; but Marcelline was not like any one

else, and she never was offended at anything. She was so old that for

many years no one had seen much difference in her--she had reached a

sort of settled oldness, like an arm-chair which may once have been

covered with bright-coloured silk, but which, with time and wear, has

got to have an all-over-old look which never seems to get any worse. Not

that Marcelline was dull or grey to look at--she was bright and cheery,

and when she had a new clean cap on, all beautifully frilled and crimped

round her face, Jeanne used to tell her that she was beautiful, quite

beautiful, and that if she was _very_ good and always did exactly what

Jeanne asked her, she--Jeanne--would have her to be nurse to her

children when she had grown up to be a lady, married to some very nice

gentleman.

And when Jeanne chattered like that, Marcelline used to smile; she never

said anything, she just smiled. Sometimes Jeanne liked to see her

smile; sometimes it would make her impatient, and she would say, "Why do

you smile like that, Marcelline? _Speak!_ When I speak I like you to

speak too."

But all she could get Marcelline to answer would be, "Well,

Mademoiselle, it is very well what you say."

This evening--or perhaps I should say afternoon, for whatever hour the

chickens' timepiece made it, it was only half-past three by the great

big clock that stood at the end of the long passage by Jeanne's room

door;--this afternoon Jeanne was not quite as lively as she sometimes

was. She sat down on the floor in front of the fire and stared into it.

It was pretty to look at just then, for the wood was burning redly, and

at the tiniest touch a whole bevy of lovely sparks would fly out like

bees from a hive, or a covey of birds, or better still, like a thousand

imprisoned fairies escaping at some magic touch. Of all things, Jeanne

loved to give this magic touch. There was no poker, but she managed just

as well with a stick of unburnt wood, or sometimes, when she was _quite_

sure Marcelline was not looking, with the toe of her little shoe. Just

now it was Marcelline who set the fairy sparks free by moving the logs a

little and putting on a fresh one behind.

"How pretty they are, are they not, Marcelline?" said Jeanne.

Marcelline did not speak, and when Jeanne looked up at her, she saw by

the light of the fire that she was smiling. Jeanne held up her

forefinger.

"Naughty Marcelline," she said; "you are not to smile. You are to

_speak_. I want you to speak very much, for it is so dull, and I have

nothing to do. I want you to tell me stories, Marcelline. Do you hear,

you naughty little thing?"

"And what am I to tell you stories about then, Mademoiselle? You have

got all out of my old head long ago; and when the grain is all ground

what can the miller do?"

"Get some more, of course," said Jeanne. "Why, _I_ could make stories if

I tried, I daresay, and I am only seven, and you who are a hundred--are

you _quite_ a hundred, Marcelline?"

Marcelline shook her head.

"Not _quite_, Mademoiselle," she said.

"Well, never mind, you are old enough to make stories, any way. Tell me

more about the country where you lived when you were little as I; the

country you will never tell me the name of. Oh, I do like that one about

the Golden Princess shut up in the castle by the sea! I like stories

about princesses best of all. I do wish I were a princess; next to my

best wish of all, I wish to be a princess. Marcelline, do you hear? I

want you to tell me a story."

Still Marcelline did not reply. She in her turn was looking into the

fire. Suddenly she spoke.

"One, two, three," she said. "Quick, now, Mademoiselle, quick, quick.

Wish a wish before that last spark is gone. Quick, Mademoiselle."

"Oh dear, what shall I wish?" exclaimed Jeanne. "When you tell me to be

quick it all goes out of my head; but I know now. I wish----"

"Hush, Mademoiselle," said Marcelline, quickly again. "You must not say

it aloud. Never mind, it is all right. You have wished it before the

spark is gone. It will come true, Mademoiselle."

Jeanne's bright dark eyes glanced up at Marcelline with an expression of

mingled curiosity and respect.

"How do you know it will come true?" she said.

Marcelline's old eyes, nearly as bright and dark still as Jeanne's own,

had a half-mischievous look in them as she replied, solemnly shaking her

head,

"I know, Mademoiselle, and that is all I can say. And when the time

comes for your wish to be granted, you will see if I am not right."

"Shall I?" said Jeanne, half impressed, half rebellious. "Do the fairies

tell you things, Marcelline? Not that I believe there are any

fairies--not now, any way."

"Don't say that, Mademoiselle," said Marcelline. "In that country I have

told you of no one ever said such a thing as that."

"Why didn't they? Did they really _see_ fairies there?" asked Jeanne,

lowering her voice a little.

"Perhaps," said Marcelline; but that was all she _would_ say, and Jeanne

couldn't get her to tell her any fairy stories, and had to content

herself with making them for herself instead out of the queer shapes of

the burning wood of the fire.

She was so busy with these fancies that she did not hear the stopping of

the click-click of Marcelline's knitting needles, nor did she hear the

old nurse get up from her chair and go out of the room. A few minutes

before, the _facteur_ had rung at the great wooden gates of the

courtyard--a rather rare event, for in those days letters came only

twice a week--but this, too, little Jeanne had not heard. She must have

grown drowsy with the quiet and the heat of the fire, for she quite

started when the door again opened, and Marcelline's voice told her that

her mother wanted her to go down to the salon, she had something to say

to her.

"O Marcelline," said Jeanne, rubbing her eyes, "I didn't know you had

gone away. What does mamma want? O Marcelline, I am so sleepy, I would

like to go to bed."

"To go to bed, Mademoiselle, and not yet five o'clock! Oh no, you will

wake up nicely by the time you get down to the salon."

"I am so tired, Marcelline," persisted Jeanne. "These winter days it is

so dull. I don't mind in summer, for then I can play in the garden with

Dudu and the tortoise, and all the creatures. But in winter it is so

dull. I would not be tired if I had a little friend to play with me."

"Keep up your heart, Mademoiselle. Stranger things have happened than

that you should have some one to play with."

"What do you mean, Marcelline?" said Jeanne, curiously. "Do you know

something, Marcelline? Tell me, do. Did you know what my wish was?" she

added, eagerly.

"I know, Mademoiselle, that Madame will be waiting for you in the

salon. We can talk about your wish later; when I am putting you to bed."

She would say no more, but smoothed Jeanne's soft dark hair, never very

untidy it must be owned, for it was always neatly plaited in two tails

that hung down her back, as was then the fashion for little girls of

Jeanne's age and country, and bade her again not to delay going

downstairs.

Jeanne set off. In that great rambling old house it was really quite a

journey from her room to her mother's salon. There was the long corridor

to pass, at one end of which were Jeanne's quarters, at the other a room

which had had for her since her babyhood a mingled fascination and awe.

It was hung with tapestry, very old, and in some parts faded, but still

distinct. As Jeanne passed by the door of this room, she noticed that it

was open, and the gleam of the faint moonlight on the snow-covered

garden outside attracted her.

"I can see the terrace ever so much better from the tapestry room

window," she said to herself. "I wonder what Dudu is doing, poor old

fellow. Oh, how cold he must be! I suppose Grignan is asleep in a hole

in the hedge, and the chickens will be all right any way. I have not

seen Houpet all day."

"Houpet" was Jeanne's favourite of the three chickens. He had come by

his name on account of a wonderful tuft of feathers on the top of his

head, which stuck straight up and then waved down again, something like

a little umbrella. No doubt he was a very rare and wonderful chicken,

and if I were clever about chickens I would be able to tell you all his

remarkable points. But that I cannot do. I can only say he was the

queerest-looking creature that ever pecked about a poultry-yard, and how

it came to pass that Jeanne admired him so, I cannot tell you either.

"Poor Houpet!" she repeated, as she ran across the tapestry room to the

uncurtained window; "I am sure he must have been very sad without me all

day. He has such a loving heart. The others are nice too, but not half

so loving. And Grignan has no heart at all; I suppose tortoises never

have; only he is very comical, which is nearly as nice. As for Dudu, I

really cannot say, he is so stuck up, as if he knew better than any one

else. Ah, there he is, the old fellow! Well, Dudu," she called out, as

if the raven could have heard her so far off and through the closely

shut window; "well, Dudu, how are you to-day, my dear sir? How do you

like the snow and the cold?"

Dudu calmly continued his promenade up and down the terrace. Jeanne

could clearly distinguish his black shape against the white ground.

"I am going downstairs to see mamma, Dudu," she went on. "I love mamma

very much, but I wish she wasn't my mother at all, but my sister. I wish

she was turned into a little girl to play with me, and that papa was

turned into a little boy. How funny he would look with his white hair,

wouldn't he, Dudu? Oh, you stupid Dudu, why won't you speak to me? I

wish you would come up here; there's a beautiful castle and garden in

the tapestry, where you would have two peacocks to play with;" for just

at that moment the moon, passing from under a cloud, lighted up one side

of the tapestry, which, as Jeanne said, represented a garden with

various curious occupants. And as the wavering brightness caught the

grotesque figures in turn, it really seemed to the little girl as if

they moved. Half pleased, half startled at the fancy, she clapped her

hands.

"Dudu, Dudu," she cried, "the peacocks want you to come; they're

beginning to jump about;" and almost as she said the words a loud croak

from the raven sounded in her ears, and turning round, there, to her

amazement, she saw Dudu standing on the ledge of the window outside,

his bright eyes shining, his black wings flapping, just as if he would

say,

"Let me in, Mademoiselle, let me in. Why do you mock me by calling me if

you won't let me in?"

Completely startled by this time, Jeanne turned and fled.

"He must be a fairy," she said by herself; "I'll never make fun of Dudu

any more--_never_. He must be a fairy, or how else could he have got up

from the terrace on to the window-sill all in a minute? And I don't

think a raven fairy would be nice at all; he'd be a sort of an imp, I

expect. I wouldn't mind now if Houpet was a fairy, he's so gentle and

loving; but Dudu would be a sort of ogre fairy, he's so black and

solemn. Oh dear, how he startled me! How did he get up there? I'm very

glad _I_ don't sleep in the tapestry room."

But when she got down to the brightly-lighted salon her cheeks were so

pale and her eyes so startled-looking that her mother was quite

concerned, and eagerly asked what was the matter.

"Nothing," said Jeanne at first, after the manner of little girls, and

boys too, when they do not want to be cross-questioned; but after a

while she confessed that she had run into the tapestry room on her way

down, and that the moonlight made the figures look as if they were

moving--and--and--that Dudu came and stood on the window-sill and

croaked at her.

"Dudu stood on the window-sill outside the tapestry room!" repeated her

father; "impossible, my child! Why, Dudu could not by any conceivable

means get up there; you might as well say you saw the tortoise there

too."

"If I had called him perhaps he _would_ have come too; I believe Dudu

and he are great friends," thought Jeanne to herself, for her mind was

in a queer state of confusion, and she would not have felt very much

astounded at anything. But aloud she only repeated, "I'm sure he was

there, dear papa."

And to satisfy her, her kind father, though he was not so young as he

had been, and the bad weather made him very rheumatic, mounted upstairs

to the tapestry room, and carefully examined the window inside and out.

"Nothing of the kind to be seen, my little girl," was his report.

"Master Dudu was hobbling about in the snow on his favourite terrace

walk as usual. I hope the servants give him a little meat in this cold

weather, by the by. I must speak to Eugène about it. What you fancied

was Dudu, my little Jeanne," he continued, "must have been a branch of

the ivy blown across the window. In the moonlight, and with the

reflections of the snow, things take queer shapes."

"But there is no wind, and the ivy doesn't grow so high up, and the ivy

could not have _croaked_," thought Jeanne to herself again, though she

was far too well brought up a little French girl to contradict her

father by saying so.

"Perhaps so, dear papa," was all she said.

But her parents still looked a little uneasy.

"She cannot be quite well," said her mother. "She must be feverish. I

must tell Marcelline to make her a little tisane when she goes to bed."

"Ah, bah!" said Jeanne's white-headed papa. "What we were speaking of

will be a much better cure than tisane. She needs companionship of her

own age."

Jeanne pricked up her ears at this, and glanced at her mother

inquiringly. Instantly there started into her mind Marcelline's prophecy

about her wish.

"The naughty little Marcelline!" she thought to herself. "She has been

tricking me. I believe she knew something was going to happen. Mamma, my

dear mamma!" she cried, eagerly but respectfully, "have you something to

tell me? Have you had letters, mamma, from the country, where the

little cousin lives?"

Jeanne's mother softly stroked the cheeks, red enough now, of her

excited little daughter.

"Yes, my child," she replied. "I have had a letter. It was for that I

sent for you--to tell you about it. I have a letter from the grandfather

of Hugh, with whom he has lived since his parents died, and he accepts

my invitation. Hugh is to come to live with us, as his mother would have

wished. His grandfather can spare him, for he has other grandchildren,

and we need him, do we not, my Jeanne? My little girl needs a little

brother--and I loved his mother so much," she added in a lower voice.

Jeanne could not speak. Her face was glowing with excitement, her breath

came quick and short, almost, it seemed, as if she were going to cry.

"O, mamma!" was all she could say--"O mamma!" but her mother understood

her.

"And when will he come?" asked Jeanne next.

"Soon, I hope. In a few days; but it depends on the weather greatly. The

snow has stopped the diligences in several places, they say; but his

grandfather writes that he would like Hugh to come soon, as he himself

has to leave home."

"And will he be always with us? Will he do lessons with me, mamma, and

go to the château with us in summer, and always be with us?"

"I hope so. For a long time at least. And he will do lessons with you at

first--though when he gets big he will need more teachers, of course."

"He is a year older than I, mamma."

"Yes, he is eight."

"And, mamma," added Jeanne, after some consideration, "what room will he

have?"

"The tapestry room," said her mother. "It is the warmest, and Hugh is

rather delicate, and may feel it cold here. And the tapestry room is not

far from yours, my little Jeanne, so you can keep your toys and books

together. There is only one thing I do not quite understand in the

letter," went on Jeanne's mother, turning to her husband as she always

did in any difficulty--he was so much older and wiser than she, she used

to say. "Hugh's grandfather says Hugh has begged leave to bring a pet

with him, and he hopes I will not mind. What can it be? I cannot read

the other word."

"A little dog probably," said Jeanne's father, putting on his spectacles

as he took the letter from his wife, "a pet--gu--ga--and then comes

another word beginning with 'p.' It almost looks like 'pig,' but it

could not be a pet pig. No, I cannot read it either; we must wait to see

till he comes."

* * * * *

As Marcelline was preparing to put Jeanne to bed that night, the little

girl suddenly put her arms round her nurse's neck, and drew down her old

face till it was on a level with her own.

"Look in my face, Marcelline," she said. "Now look in my face and

confess. Now, didn't you know that mamma had got a letter to-night and

what it said, and was not that how you knew my wish would come true?"

Marcelline smiled.

"That was one way I knew, Mademoiselle," she said.

"Well, it shows I'm right not to believe in fairies any way. I really

did think at first that the fairies had told you something, but----"

suddenly she stopped as the remembrance of her adventure in the tapestry

room returned to her mind. "Dudu may be a fairy, whether Marcelline has

anything to do with fairies or not," she reflected. It was better

certainly to approach such subjects respectfully. "Marcelline," she

added, after a little silence, "there is only one thing I don't like. I

wish the little cousin were not going to sleep in the tapestry room."

"Not in the tapestry room, Mademoiselle?" exclaimed Marcelline, "why, it

is the best room in the house! You, who are so fond of stories,

Mademoiselle--why there are stories without end on the walls of the

tapestry room; particularly on a moonlight night."

"_Are_ there?" said Jeanne. "I wonder then if the little cousin will be

able to find them out. If he does he must tell them to me. Are they

fairy stories, Marcelline?"

But old Marcelline only smiled.

The Tapestry Room: A Child's Romance · 第 1 / 12 章