THE EMPIRE
THE SPIRIT OF THE TIMES
In the first century of the empire the political circumstances of the
world were in a deplorable condition. Power was entirely concentrated in
Rome and the legions, and there the most shameful and degrading scenes
occurred. The Roman aristocracy which had conquered the world, and which,
in fact, alone had a share in the government under the rule of the
Cæsars, gave themselves up to saturnalian crimes of the most unbridled
kind ever witnessed.
Cæsar and Augustus, when instituting the imperial office, had clearly
discerned the needs of their times. The world was politically so corrupt
that no other form of government would have been possible. Since Rome had
conquered numberless provinces, the ancient constitution, founded on the
privileges of the patrician families, who were a species of obstinate
and malevolent Tories, could no longer continue. But Augustus in leaving
the future to chance had entirely neglected his political duty. Without
legitimate heirs, without laws of election, without proper rules of
adoption, without constitutional limits, Cæsarism was like an enormous
weight on the deck of a ship without ballast. The most terrible upheavals
were inevitable.
Three times in one century, under Caligula, under Nero, and under
Domitian, the greatest power that has ever existed fell into the hands
of execrable or extravagant men. The results were seen in horrors which
have hardly been surpassed by the monsters of Mongolian dynasties.[36] In
the fatal succession of rulers, we are almost reduced to making excuses
for Tiberius, who was wholly wicked only towards the end of his life, or
Claudius, who was only eccentric, wanting in judgment, and surrounded by
evil counsellors.
The most shameful ignominies of the empire, such as the apotheosis of the
emperor and his deification when still living, came from the East and
more particularly from Egypt, which was then the most corrupt country
in the world. The true Roman spirit still existed. Human nobility was
far from being extinct. There was still great traditional pride in
some families, who came into power with Nerva, who rendered the age of
the Antonines glorious. An epoch during which such absolutely virtuous
people lived as, for example, Quintilian, Pliny the Younger, and Tacitus
[are reputed to have been], is not an epoch of which one need despair.
Outward debauchery did not touch the great foundation of honesty and
sobriety which still existed in good Roman society; a few families were
still models of good conduct, of devotion to duty, of concord and solid
virtue. Admirable wives and admirable sisters were still to be found in
the houses of the patricians. Was there ever a more touching fate than
that of the chaste and youthful Octavia, daughter of Claudius and wife of
Nero, who remained pure in the midst of all this infamy, and was put to
death at twenty-two years of age, without ever having known happiness?
Women who in inscriptions are called _castissimæ_, _univiræ_ are not
rare. Wives accompany their husbands into exile, others share their
heroic death. The old Roman simplicity was not entirely lost, children
were wisely and carefully educated. The most aristocratic women were
known to work in wool; the vanities of the toilet were almost unknown in
the best families.
[Illustration: ROMAN KITCHEN UTENSILS
(In the British Museum)]
Those excellent statesmen who under Trajan seemed to spring from the
ground were not the product of the moment. They had been in office during
the preceding reigns, only they had had but little influence, being kept
in the background by the freedmen and infamous favourites of the emperor.
Men of the greatest merit thus occupied high places under Nero. The
framework was good, and the rise of the bad emperors to power, although
disastrous, did not suffice to change the general order of things and the
principles of the state. The empire, far from being decadent, was in all
the vigour of a most robust youth. The decadence was to come two hundred
years later, and strange to say under far less wicked emperors.
Politically the situation was analogous to that of France, which since
the Revolution has never enjoyed a direct succession of its ruling
powers, and can pass through perilous fortunes without hopelessly
damaging its internal organisation and national force. We naturally
compare the first century of the empire to the eighteenth century, an
epoch absolutely corrupt if we judge from the collections of anecdotes
belonging to the times, and during which certain families nevertheless
maintained their austere customs.
Philosophy made alliance with the honest Roman families and offered a
noble resistance. The school of stoics produced such grand characters as
Cremutius Cordus, Thrasea, Helvidius Priscus, Annæus Cornutus, Musonius
Rufus--all admirable upholders of aristocratic virtue. The rigidity and
exaggeration of this school were due to the horrible cruelty of the
government of the cæsars. The one idea of a man of real worth was to
accustom himself to pain and to prepare for death. Lucan with bad taste,
and Persius with superior talent, expressed the highest sentiments of
a great spirit. Seneca the philosopher, Pliny the Elder, and Papirius
Fabianus kept up a high standard of learning and philosophy. All were
not corrupted; there were some shining lights; but too often their only
alternative was death. The ignoble portion of humanity from time to time
got the upper hand. The spirit of frenzy and of cruelty then burst forth
and turned Rome into a veritable hell.
The government, which in Rome was so uncertain, was far better in the
provinces, and the shocks which disturbed the capital were hardly felt
there. In spite of its faults the Roman administration was far superior
to the monarchies and republics which had disappeared through conquest.
The reign of sovereign municipalities had passed away many centuries
before. The small states had been killed by their egotism, their
jealousy, their ignorance, and their disregard of private rights. The old
Grecian life, made up of struggles entirely external, no longer satisfied
the people. It had been charming in its day; but that brilliant Olympus,
a democracy of demi-gods, having lost its freshness, had become hard,
unfeeling, vain, superficial, for lack of sincerity and real uprightness.
This was the cause which resulted in the Macedonian domination, followed
by Roman rule.
The evils of excessive centralization were yet unknown to the empire.
Up to the time of Diocletian the towns and provinces were allowed great
liberty. In Palestine, Syria, Asia Minor, Lower Armenia, and Thrace
there were independent kingdoms under the protection of Rome. These
kingdoms only became sources of danger from the time of Caligula onwards,
because the great and far-sighted policy which Augustus had traced
with regard to them had not been carried out. The free towns--and they
were numerous--governed themselves according to their own laws; they
had legislative power and administered justice as in a self-governing
country; until the third century, municipal decrees were promulgated
with the formula, “the senate and the people.” Theatres served not only
for scenic pleasures, they were everywhere centres of agitation and
public opinion. The favour of the Romans towards the human race was the
theme of some adulatory orations which were not, however, devoid of
all sincerity. The doctrine of the “Roman peace,” the idea of a great
democracy organised under the protection of Rome, was the basis of all
thought. A Greek orator displayed vast learning in proving that the glory
of Rome ought to be regarded by all the branches of the Hellenic race
as a sort of common inheritance. As far as Syria, Asia Minor, and Egypt
are concerned, it may be said that the Roman conquest did not destroy a
single liberty. Those countries were either indifferent to political life
or had never known it.
In spite of the exactions of the governors and the acts of violence
inseparable from absolute government, the world, in many ways, had never
been so happy. An administration coming from a centre far away was such
an advantage, that even the pillage of the prætors of the latter end of
the republic did not succeed in rendering it odious. Moreover, the _lex
Julia_ had greatly limited the field of abuses and extortion. Excepting
under Nero, the follies or the cruelty of the emperor did not go beyond
the Roman aristocracy and the immediate surroundings of the prince. Never
had those who wished to leave politics alone lived in greater peace. The
republic of ancient times, where everyone was forced into party quarrels,
was not pleasant to live in; supersession and exile were too frequent.
Now it seemed as if the times were ripe for wide propagandism, superior
to the quarrels of little towns, to the rivalries of dynasties. Attempts
against liberty owed their origin to the independence which still
remained to the provinces and communities, rather than to the Roman
administration. In those conquered countries where political needs had
not existed for several centuries, and where the people were deprived
only of the power of tearing each other to pieces by continual warfare,
the empire was an era of prosperity and welfare until then unknown and,
we may add without paradox, of liberty. On the one hand the freedom of
trade, and industry, and that personal liberty of which the Greek had no
idea, became possible. On the other hand the freedom which consists in
liberty of opinion could only be benefited by the new régime.
This liberty always gains in dealing with kings and princes more than
in dealing with a jealous and narrow-minded middle class. The Greek
republics had no such liberty of opinion. The Greeks achieved great
things without it, thanks to the unequalled power of their genius, but
for all that, Athens was actually under an inquisition. The inquisitor
was the archon, the holy office was the royal portico where charges of
impiety were tried. Accusations of this nature were very frequent--it was
the favourite theme of Attic orators. Not only philosophical offences,
such as denying God or providence, but the slightest offence against
the municipal doctrines, preaching a strange religion, the most puerile
omissions of the scrupulous laws pertaining to the mysteries, were crimes
punished with death. The gods whom Aristophanes scoffed at on the stage
could sometimes slay. They slew Socrates, they all but slew Alcibiades;
Anaxagoras, Protagoras, Theodorus the atheist, Diagoras of Melos,
Prodicus of Ceos, Stilpo, Aristotle, Theophrastus, Aspasia, Euripides,
were more or less seriously threatened.
Liberty of thought was, in fact, the fruit of the kingdoms which sprang
from the Macedonian conquest. Attalus and Ptolemy were the first to give
to thinkers a liberty which none of the old republics had ever offered
them. The Roman Empire continued on the same lines. There existed, under
the empire, more than one severe law against philosophers, but that was
on account of their meddling in politics. One might look in vain, in the
collection of Roman laws previous to Constantine, for a passage against
liberty of thought, or in the history of the emperors for a lawsuit about
abstract doctrines. Not a scholar was disturbed. Men who would have
been burned in the Middle Ages, such as Galen, Lucian, Plotinus, lived
peacefully, protected by the law.
The empire inaugurated a period of liberty, in the sense that it
abolished absolute government in families, towns, and tribes, and
replaced or modified such governments by that of the state. Absolute
power is even more vexatious than usual when it exercises its power in
a narrower circle. The ancient republics and feudalism tyrannised over
the individual more than the state has ever done. Granted that the Roman
Empire, at certain epochs, cruelly persecuted Christianity, at least
it did not kill it. The republics would have made it quite impossible;
Judaism, if it had not felt the pressure of Roman authority, would have
sufficed to crush it. It was the Roman magistrates who prevented the
Pharisees from destroying Christianity.
A broad idea of universal brotherhood, the outcome for the most part of
stoicism, and a kind of general sentiment of humanity were the fruit
of the less narrow form of government, and of the less circumscribed
education to which the individual was subjected. A new era and new
worlds were dreamed of. The public wealth was great, and, in spite of
the imperfections of the economic doctrines of the times, comfort was
widespread. Manners were not what they are often imagined to be. In Rome,
certainly, vice vaunted itself with revolting cynicism. Theatres, above
all, had introduced horrible depravity; certain countries, such as Egypt,
had also fallen to the lowest depths. But in the greater number of the
provinces there existed a middle class, amongst whom kindness, conjugal
fidelity, domestic virtue, and uprightness were sufficiently common.
[Illustration: ROMAN MUSICAL INSTRUMENTS]
Does there exist a more charming and ideal picture of family life in
the world of the honest middle class of small towns than that described
by Plutarch? What good nature, what peaceful habits, what chaste and
amiable simplicity! Chæronea was certainly not the only town where life
was so pure and innocent. There still remained in the general customs,
even beyond Rome, something cruel, either as a relic of ancient habits,
everywhere equally sanguinary, or through the special influence of Roman
austerity. But there was improvement in that respect. What sweet and pure
sentiment, what an impression of melancholy tenderness there is in the
writings of Virgil and of Tibullus! The world was taking shape and losing
its ancient rigour, acquiring freedom and moral sensibility. Principles
of humanity spread everywhere; equality and abstract ideas of the rights
of man were loudly preached by stoicism. Woman, thanks to the system of
dowries under Roman law, became more and more her own mistress; rules as
to the treatment of slaves were made--Seneca dined with his. Slaves were
no longer necessarily the grotesque and evil beings who were introduced
into Latin plays to be laughed at, and of whom Cato urges that they
should be treated as beasts of burden. Times had changed. The slave was
his master’s moral equal, and admittedly capable of virtue and fidelity,
of which he gave proof. Prejudice concerning nobility of birth was
diminishing.
Humane and just laws were passed even under the worst emperors. Tiberius
was an able financier; he founded a system of land tenure on a sound
basis. Nero introduced into the system of taxation, until then iniquitous
and barbarous, improvements which might shame even the present day. The
progress made in legislation was considerable, although the death penalty
was much too common. Love for the poor, charity, and universal sympathy
were accounted virtues.
The theatre was one of the scandals which gave the greatest offence to
virtuous people, and one of the first causes to excite the antipathy of
Jews and Judaisers of all kinds against the profane civilisation of the
time. These gigantic cauldrons seemed to them sewers in which all the
vices simmered. Whilst the front rows were applauding, scenes of the
greatest repulsiveness and horror were often taking place on the upper
benches. In the provinces gladiatorial combats were only established
with difficulty. The Hellenic countries, at least, disapproved of them,
and kept for the most part to the ancient Greek exercises. In the East,
cruel games always preserved a marked stamp of their Roman origin. The
Athenians, wishing to rival the Corinthians, having one day discussed
the subject of imitating their barbarous games, a philosopher got up and
proposed that first of all the altar of Pity should be overthrown. The
horror of the theatre, the stadium, the gymnasium, that is of all public
places which were the essential elements of a Greek or Roman town, was
thus one of the deepest sentiments of the Christians, and one of those
which had the greatest results.
Ancient civilisation was of a public kind; everything took place in
the open air, before the assembled citizens; in opposition to ours,
where life is private and secluded within the precincts of the home.
The theatre had succeeded the agora and the Forum. The anathema hurled
against the theatres reflected upon the whole of society. A deep rivalry
was established between the church, on the one hand, and the public
games on the other. The slave, hunted from the games, took refuge in
the church. One cannot sit down in these gloomy arenas, which are
always the best preserved remains of an ancient town, without seeing in
spirit the struggle between the two classes; here, the poor honest man,
seated in the last row, hiding his face and going out indignant, there
a philosopher getting up suddenly and reproaching the crowd with its
depravity.
These instances were rare in the first century. Nevertheless
protestations began to be heard, and the theatre fell into disrepute.
The legislation and administration of the empire was still in a state
of chaos. The central despotism, municipal and provincial liberty, the
caprice of governors, the outrages of independent communities, jostled
each other violently. But religious liberty gained in these conflicts.
The perfected autocratic government which was established from the time
of Trajan was to be far more fatal to the newly born religion than the
state of disorder, fertile in surprises, and the absence of a regular
police which characterised the time of the cæsars.
The institutions for public relief, founded on the principle that the
state has paternal duties towards its subjects, only developed to any
great degree from the time of Nerva and Trajan onwards. A few instances
of it are however found during the first century. There already existed
asylums for children, organised distributions of food to the needy,
fixed prices for bread with indemnities to the bakers, precautions for
provisioning, premiums and insurance for ship-owners, bread bonuses,
which permitted the purchase of corn at a reduced rate. All the emperors,
without exception, showed the greatest solicitude for these questions,
minor ones, perhaps, but such as at certain epochs took precedence of
all others. In remote antiquity, it might be said, the world needed no
charity. The world was then young and vigorous, almshouses were useless.
The good and simple Homeric ethics, according to which the guest and the
beggar come from Jupiter, are the ethics of a robust and gay adolescence.
Greece, in her classical age, enunciated the most exquisite maxims of
pity, of beneficence, of humanity, without a latent thought of social
anxiety or of melancholy. Man in that epoch was still healthy and happy,
evil could not be realised. With respect to mutual assistance the Greeks
were far in advance of the Romans. No liberal and benevolent disposition
came from that cruel aristocracy which exercised such oppressive sway
during the republic. At the time of which we are writing the colossal
fortunes of the aristocracy, luxury, the concentration of population in
certain places, and especially the hardness of heart peculiar to the
Roman and his aversion to pity, resulted in the birth of “pauperism.”
The kindness shown by certain emperors towards the riff-raff of Rome
only aggravated the danger. Bribery and the _tesseræ frumentariæ_ not
only encouraged the vice of idleness, but brought no remedy to misery.
In this particular, as in many others, the East was really superior to
the Western world. The Jews had true charitable institutions. The temple
of Egypt seemed to have possessed alms-boxes. The college of monks and
nuns of the Serapeum of Memphis was also, in a manner, a charitable
institution. The terrible crisis through which mankind was passing in the
capital of Europe was little felt in remote lands, where everyday life
had remained more simple. The reproach of having poisoned the earth, the
comparison of Rome to a courtesan who has poured out to the world the
wine of her immorality, was true in many ways. The provinces were better
than Rome, or rather the impure elements from all parts, accumulating
in Rome as in a sink, had formed an infectious spot where the old Roman
virtues were stifled and where good seed germinated slowly.[b]
MANNERS AND CUSTOMS
But it is the life of the capital itself that must chiefly claim our
attention here. Let us turn from the glowing generalities of Renan to a
more specific consideration of some important phases of the everyday life
of the people in the great centre to which all roads were said to lead.
In the early days of the empire, Rome was in the crisis of that
transitional state which most great capitals have experienced, when a
rapid increase in their population and in the transactions of daily life
has begun to outstrip the extension of their means of accommodation. The
increase of numbers must necessarily multiply the operations of industry,
which cross and recross each other in the streets of a great city; and
though neither the commerce nor manufactures of Rome were conducted on
the scale to which our ideas are accustomed, the retail traffic which
passed from hand to hand, and the ordinary affairs of business and
pleasure, must have caused an ever increasing stir and circulation among
the vast assemblage of human beings collected within its walls. The
uninterrupted progress of building operations, and the extension of the
suburbs simultaneously with the restoration of the city, must have kept
every avenue constantly thronged with wagons and vehicles of all sorts,
engaged in the transport of the cumbrous materials employed therein; the
crush of these heavy-laden machines, and the portentous swinging of the
long beams they carried round the corners of the narrow streets, are
mentioned among the worst nuisances and even terrors of the citizen’s
daily walk.
Neither of the rival institutions of the shop and the bazaar had been
developed to any great extent in ancient Rome. A vast number of trades
was exercised there by itinerant vendors. The street cries, which have
almost ceased within our own memory in London, were rife in the city of
the cæsars. The incessant din of these discordant sounds is complained of
as making existence intolerable to the poor gentleman who is compelled to
reside in the midst of them. The streets were not contrived, nor was it
possible generally to adapt them, for the passage of the well-attended
litters and cumbrous carriages of the wealthy, which began to traverse
them with the pomp and circumstance of our own aristocratic vehicles
of a century since;[37] while the police of the city seems never to
have contemplated the removal of the most obvious causes of crowd and
obstruction, in the exhibition of gymnastic and gladiatorial spectacles,
of conjurors’ tricks and the buffoonery of the lowest class of
stage-players, in the centre of the most frequented thoroughfares.
The noble never crossed his threshold without a numerous train of clients
and retainers; the lower people congregated at the corners of the streets
to hear the gossip of the day and discuss the merits of racers and
dancers; the slaves hovered over the steam of the open cookshops, or
loitered, on their masters’ errands, to gaze on the rude drawings or pore
over the placards on the walls. The last century had filled the imperial
capital with multitudes of foreigners, attracted from curiosity as much
as from motives of business to the renowned emporium of the wonders of
the world, who added to the number of idlers and loungers in the streets
of Rome; men of strange costumes and figures and, when they spoke, of
speech still stranger, who, while they gazed around them with awe and
admiration, became themselves each a centre of remark to a crowd of
wondering citizens. The marked though casual manner in which the throng
of the streets is noticed by the Roman writers, shows, in the strongest
way, how ordinary a feature it was of life in the city.
The streets, or rather the narrow and winding alleys, of Rome were
miserably inadequate to the circulation of the people who thus moved
along or thronged them; for the vici were no better than lanes or alleys,
and there were only two viæ, or paved ways, fit for the transport of
heavy carriages, the Sacra and the Nova, in the central parts of the
city. The three interior hills, the Palatine, the Aventine, and the
Capitoline, were sore impediments to traffic; for no carriages could pass
over them, and it may be doubted whether they were even thoroughfares for
foot passengers. The occurrence, not unusual, of a fire or an inundation,
or the casual fall of a house, must have choked the circulation of
the life-blood of the city. The first, indeed, and the last of these,
were accidents to which every place of human resort is liable; but the
inundations of Rome were a marked and peculiar feature of her ancient
existence.
Augustus, with far-seeing economic sagacity, was anxious to employ all
men of rank and breeding in practical business, while at the same time
he proposed to them his own example as a follower both of the Muses and
the Graces. The Roman noble rose ordinarily at daybreak, and received
at his levée the crowd of clients and retainers who had thronged the
steps before his yet closed door from the hours of darkness. A few words
of greeting were expected on either side, and then, as the sun mounted
the eastern sky, he descended from his elevated mansion into the Forum.
He might walk surrounded by the still lingering crowd, or he might be
carried in a litter; but to ride in a wheeled vehicle on such occasions
was no Roman fashion.[38] Once arrived in the Forum, he was quickly
immersed in the business of the day. He presided as a judge in one of
the basilicas, or he appeared himself before the judges as an advocate, a
witness, or a suitor. He transacted his private affairs with his banker
or notary; he perused the public journal of yesterday, and inquired how
his friend’s cause had sped before the tribunal of the prætor. At every
step he crossed the path of some of the notables of his own class, and
the news of the day and interests of the hour were discussed between them
with dignified politeness.
Such were the morning occupations of a _dies fastus_, or working day: the
holy day had its appropriate occupation in attendance upon the temple
services, in offering a prayer for the safety of the emperor and people,
in sprinkling frankincense on the altar, and, on occasions of special
devotion, appeasing the gods with a sacrifice. But all transactions of
business, secular or divine, ceased at once when the voice of the herald
on the steps of the Hostilian Curia proclaimed that the shadow of the sun
had passed the line on the pavement before him, which marked the hour of
midday. Every door was now closed; every citizen, at least in summer,
plunged into the dark recesses of his sleeping chamber for the enjoyment
of his meridian slumber. The midday siesta terminated, generally
speaking, the affairs of the day, and every man was now released from
duty and free to devote himself, on rising again, to relaxation or
amusement till the return of night. If the senate had been used sometimes
to prolong or renew its sittings, there was a rule that after the tenth
hour, or four o’clock, no new business could be brought under its notice,
and we are told of Asinius Pollio that he would not even open a letter
after that hour.
[Illustration: ROMAN WRESTLERS]
Meanwhile Rome had risen again to amuse and recreate itself, and the
grave man of business had his amusements as well as the idler of the
Forum. The exercises of the Field of Mars were the relaxation of the
soldiers of the republic; and when the urban populace had withdrawn
itself from military service, the traditions of the Campus were still
cherished by the upper ranks, and the practice of its mimic war
confined, perhaps, exclusively to them. The swimming, running, riding,
and javelin-throwing of this public ground became under the emperors a
fashion of the nobility: the populace had no taste for such labours, and
witnessed perhaps with some surprise the toils to which men voluntarily
devoted themselves who possessed slaves to relieve them from the most
ordinary exertions of the day. But the young competitors in these
athletic contests were not without a throng of spectators; the porticoes
which bordered the field were crowded with the elder people and the
women, who shunned the heat of the declining sun; many a private dwelling
looked upon it from the opposite side of the river, which was esteemed
on that account a desirable place of residence. Augustus had promised
his favour to every revival of the gallant customs of antiquity, and all
the Roman world that lived in his smiles hastened to the scene of these
ancient amusements to gratify the emperor, if not to amuse themselves.
The ancients, it was said, had made choice of the Field of Mars for the
scene of their mimic warfare for the convenience of the stream of the
Tiber, in which the weary combatants might wash off the sweat and dust,
and return to their companions in the full glow of recruited health and
vigour. But the youth of Rome in more refined days were not satisfied
with these genial ablutions. They resorted to warm and vapour-baths, to
the use of perfumes to enhance the luxury of refreshment.
[Illustration: ROMAN BATH IMPLEMENTS]
The Romans had, indeed, a universal and extraordinary fondness for the
bath, which degenerated in their immoderate use of it into a voluptuous
and enervating luxury. The houses of the opulent were always furnished
with chambers for this purpose; they had their warm and cold baths as
well as their steam apparatus, and the application of oil and perfumes
was equally universal among them. From the earliest times there were
perhaps places of more general resort, where the plebeian paid a trifling
sum for the enjoyment of this luxury; and among other ways of courting
popular favour was that of subsidising the owners of these common baths,
and giving the people the free use of them for one or more days. Agrippa
carried this mode of popular bribery to excess. Besides the erection of
lesser baths to the number of 170, he was the first to construct public
establishments of the kind, or thermæ, in which the citizens might
assemble in large numbers, and combine the pleasure of purification with
the exercise of gymnastic sports; while at the same time their tastes
might be cultivated by the contemplation of paintings and sculptures, and
by listening to song and music.
The Roman, however, had his peculiar notion of personal dignity, and
it was not without a feeling of uneasiness that he stripped himself
in public below the waist, however accustomed he might be to exhibit
his chest and shoulders in the performance of his manly exercises. The
baths of Mæcenas and Agrippa remained without rivals for more than
one generation, though they were ultimately supplanted by imperial
constructions on a far more extensive scale. In the time of Augustus the
resort of women to the public baths was forbidden, if indeed such an
indecorum had yet been imagined. At a later period, whatever might be
the absence of costume among the men, the women at least were partially
covered. An ingenious writer has remarked on the effect produced on
the spirits by the action of air and water upon the naked body. The
unusual lightness and coolness, the disembarrassment of the limbs, the
elasticity of the circulation, combine to stimulate the sensibility of
the nervous system. Hence the thermæ of the great city resounded with the
shouts and laughter of the bathers, who, when emerged from the water and
resigned to the manipulations of the barbers and perfumers, gazed with
voluptuous languor on the brilliant decorations of the halls around them,
or listened with charmed ears to the singers and musicians, and even to
the poets who presumed upon their helplessness to recite to them their
choicest compositions.
SUPPERS AND BANQUETS
The bath was a preparation for the _cæna_ or supper, which deserves
to be described as a national institution; it had from the first its
prescriptions and traditions, its laws and usages; it was sanctified by
religious observances, and its whole system of etiquette was held as
binding as if it had had a religious significance. Under the protection
of the gods to whom they poured their libations, friends met together for
the recreation equally of mind and body. If the conversation flagged, it
was relieved by the aid of minstrels, who recited the gallant deeds of
the national heroes; but in the best days of the republic the guests of
the noble Roman were men of speech not less than of deeds, men instructed
in all the knowledge of their times, and there was more room to fear lest
their converse should degenerate into the argumentative and didactic than
languish from the want of matter or interest.
It is probable, however, that the table talk of the higher classes at
Rome was peculiarly terse and epigrammatic. Many specimens have been
preserved to us of the dry, sententious style which they seem to have
cultivated; their remarks on life and manners were commonly conveyed
in solemn or caustic aphorisms, and they condemned as undignified and
Greekish any superfluous abundance in the use of words. The graceful and
flowing conversations of Cicero’s dialogues were imitated from Athenian
writings, rather than drawn after the types of actual life around him.
“People at supper,” said Varro, himself not the least sententious of his
nation, “should neither be loquacious nor mute; eloquence is for the
Forum, silence for the bed chamber.” Another rule of the same master of
etiquette, that the number of the guests should not exceed nine, the
number of the Muses, nor fall short of three, the number of the Graces,
was dictated by a sense of the decorous proprieties of the Roman banquet,
which the love of ostentation and pride of wealth were now constantly
violating.
Luxury and the appetite for excitement were engaged in multiplying
occasions of more than ordinary festivity, on which the most rigid of
the sumptuary laws allowed a wider license to the expenses of the table.
On such high days the numbers of the guests were limited neither by law
nor custom; the entertainer, the master or father, as he was called, of
the supper, was required to abdicate the ordinary functions of host,
and, according to the Greek custom, a king of the wine or arbiter of the
drinking, was chosen from among themselves by lot, or for his convivial
qualities, by the bacchanalian crew around him.
Our own more polished but not unmanly taste must look with amazement and
even disgust at the convivial excesses of the Romans at this period,
such as they have themselves represented them to us. Their luxury was a
coarse and low imitation of Greek voluptuousness; and for nothing perhaps
did the Greeks more despise their rude conquerors than for the manifest
failure of their attempts at imitating the vices of their betters.
The Romans vied with one another in the cost rather than the elegance of
their banquets, and accumulated with absurd pride the rarest and most
expensive viands on their boards, to excite the admiration of their
parasites, not to gratify their palates. Cleopatra’s famous conceit, in
dissolving the pearl in vinegar, may have been the fine satire of an
elegant Grecian upon the tasteless extravagance of her barbarian lover.
Antony, indeed, though he degraded himself to the manners of a gladiator,
was a man of noble birth, and might have imbibed purer tastes at the
tables of the men of his own class; but the establishment of the imperial
régime thrust into the high places of society a number of low-born
upstarts, the sons of the speculators and contractors of the preceding
generation, who knew not how to dispense with grace the unbounded wealth
their sires had accumulated.
[Illustration: ROMAN DINNER-TABLE
(After De Montfaucon)]
Augustus would fain have restrained these excesses, which shamed the
dignified reserve which he wished to characterise the imperial court; he
exerted himself by counsel and example, as well as by formal enactments,
to educate his people in the simpler tastes of the older time, refined
but not yet enervated by the infusion of Hellenic culture.[39] His laws,
indeed, shared the fate of the sumptuary regulations of his predecessors,
and soon passed from neglect into oblivion. His example was too austere,
perhaps, to be generally followed even by the most sedulous of his own
courtiers. He ate but little, and was content with the simplest fare:
his bread was of the second quality, at a time when the best was far
less fine than ours; and he was satisfied with dining on a few small
fishes, curds or cheese, figs and dates, taken at any hour when he had
an appetite rather than at regular and formal meals. He was careful,
however, to keep a moderately furnished table for his associates, at
which he commonly appeared himself, though he was often the last to
arrive, and the first to retire from it.
The ordinary arrangement of a Roman supper consisted of three low
couches, disposed, horse-shoe fashion, before a low table, at which
the attendant slaves could minister without incommoding the recumbent
guests. Upon each couch three persons reclined, a mode which had been
introduced from Greece, where it had been in use for centuries, though
not from heroic times. The Egyptians and Persians sat at meat; so, till
the Greeks corrupted them, did also the Jews; the poetical traditions
of Hellas represented the gods as sitting at their celestial banquets.
The Macedonians also, down to the time of Alexander, are said to have
adopted the more ordinary practice; and such was the custom at Rome till
a late period. When the men first allowed themselves the indulgence of
reclining, they required boys and women to maintain an erect posture,
from notions of delicacy; but in the time of Augustus no such distinction
was observed, and the inferiority of the weaker sex was only marked by
setting them together on one of the side couches, the place of honour
being always in the centre.
Reclined on stuffed and cushioned sofas, leaning on the left elbow, the
neck and right arm bare and his sandals removed, the Roman abandoned
himself, after the exhaustion of the palæstra and the bath, to all the
luxury of languor. His slaves relieved him from every effort, however
trifling; they carved for him,[40] filled his cup for him, supplied every
dish for him with such fragmentary viands as he could raise to his mouth
with his fingers only, and poured water upon his hands at every remove.
Men of genius and learning might amuse themselves with conversation
alone; those for whom this resource was insufficient had many other
means of entertainment to resort to. Music and dancing were performed
before them; actors and clowns exhibited in their presence; dwarfs and
hunchbacks were introduced to make sport for them; Augustus himself
sometimes escaped from these miserable vulgarities by playing at dice
between the courses; but the stale wit and practical humour, with which
in many houses the banquet seems to have been seasoned, give us a lower
idea of the manners of the Roman gentlemen than any perhaps of these
trifling pastimes. The vulgarity, however, of the revellers of Rome was
far less shocking than their indecency, and nothing perhaps contributed
more to break down the sense of dignity and self-respect, the last
safeguard of pagan virtue, than the easy familiarity engendered by their
attitude at meals.
Some persons, indeed, men no doubt of peculiar assurance and conceit,
ventured to startle the voluptuous languor of the supper-table by
repeating their own compositions to the captive guests. But for the
most part the last sentiments of expiring liberty revolted against this
intolerable oppression. The Romans compounded for the inviolate sanctity
of their convivial hours by surrendering to the inevitable enemy a solid
portion of the day. They resigned themselves to the task of listening as
part of the business of the morning.[c]
Banquets of a more pretentious order played a very important part in the
life of the Romans of all classes. Anniversaries, religious festivals,
the necessity also that those who belonged to the same college should
treat common affairs together, or simply the desire of spending life
more enjoyably, had multiplied them during the empire to an unlimited
degree. Men of distinction especially sought at them the pleasure of
conversing freely with their friends. During the endless and capricious
conversations politics were not forgotten. What was said after dinner,
when the heat of festivity had animated the guests and loosened their
tongues was not always favourable to the imperial government. It was
during one of these repasts that the prætor Antistius read those
insulting verses concerning Nero which led to his banishment. As has just
been said, however, the banquet-hall was not the place usually chosen
for reading verses or other compositions. Freer scope for this and for
the public promulgation of serious ideas in general was found in the
so-called “circles.”
THE CIRCLES
It is not so easy to know what was meant by the circles. To form an
exact idea of them, the habits of the ancient nations must be taken into
account. In those delightful climates people do not remain shut up all
day at home; on the contrary, the day is generally spent out of doors.
The inhabitants of Rome when they were not at the theatre or the circus
walked about looking at the perpetual sights the Eternal City offered to
the curious of all nations. They went about the streets, they stopped
in the public squares, seated themselves when they were tired, on the
benches and _exedræ_, with which the public places were supplied. These
groups of idlers, gathered together to look at something or to talk,
were called _circuli_. They collected especially in the Campus Martius
and in the Forum, around the quacks selling their remedies, the showmen
with their rare or performing animals and those who performed feats of
strength. Sometimes a miserable poet, unhappy at having no readers,
took advantage of these groups to venture to spout his verses to the
assembly. Very often they were gathered together only to listen to those
people who posed as persons of importance, and professed to be well
informed. There were a great number of such in Rome, and at times of
crisis, in those moments of anxiety and expectation when men are anxious
to hear what they tremble to know, they acquired much credit. After
having listened to them, everybody gave his opinion. Blame or praise
was gravely meted out to the generals, plans of campaign were made, and
treaties of peace discussed. Towards the end of the republic and during
the beginning of the empire these street politicians assembled together
at the foot of the tribune reserved for speeches, which won them the name
of _subrostrani_. Thence were spread gloomy rumours which alarmed Rome.
It was said that the Parthians had invaded Armenia, that the Germani had
crossed the Rhine, and the crowd that listened to this sinister news
did not always spare the emperor and his ministers, who were not taking
strong enough measures for the protection of the frontiers. The emperor
had consequently taken steps to have these bold speakers watched. He sent
disguised soldiers who mingled in these groups, and reported to their
chiefs what they had heard.
These open-air discussions which the spies of the prince could hear, were
thus not without danger. Those who did not care to run the risk of being
ruined took care to say nothing there; they only spoke out in company in
which they thought themselves safe. Besides, opportunities for speaking
were not wanting. I do not doubt that there existed in Rome at that time
something similar to what is nowadays called society, that is to say,
meetings of people, usually unknown to each other, of different origin
and fortune, who have no affairs to discuss, no common interests to
debate, and who in collecting only seek the pleasure of being together.
What is for us the peculiar characteristic of society, that the women
freely associate with the men, was often found at Rome also. It was not
forbidden to the women to appear at the banquets, even when strangers to
the family were invited, and Cornelius Nepos tells us that nobody was
astonished to see a Roman taking his wife with him when he went to dine
out, a thing which would have greatly shocked the Greeks. Thus repasts
were already social assemblies, but it may be safely asserted that
there were many others although accounts of them have not reached us.
I even believe that as early as the first century, the habit of living
together had sometimes given rise to a certain gallantry between the two
sexes, hitherto unknown in ancient society, and which at moments might
resemble the customs of our seventeenth century. Here is the portrait
which Martial sketches, of a dandy of his time: “A dandy is a man whose
hair is nicely parted, who breathes perfumes, who hums between his teeth
songs from Spain and Egypt, and knows how to beat time with his hairless
arms; he does not leave the chairs of the ladies during the whole day, he
has always something to whisper in their ears, knows all the scandal of
Rome, will tell you the name of the woman with whom so-and-so is in love,
whose society another person frequents, and knows by heart the genealogy
of the horse Hirpinus.” It seems to me this dandy is not very different
from Molière’s marquis, and like him he has the habit of not “leaving the
chairs of the ladies.” There were some people at Rome whose assiduity
took them far; and Tacitus tells us of a consul, a clever man, and a
terrible banterer as well, who owed his political rank to the influence
of women.
When men are alone together they discuss and discourse; in presence of
ladies they are forced to converse. Seneca described wonderfully well
these society conversations where everything was treated and nothing
thoroughly discussed, and where one subject followed another so easily.
In a few hours the conversation of these clever people wandered far from
the starting-point. They talked doubtless much of themselves and other
people. The habit of living together encouraged a taste for studying each
other, and everyone’s passions and characteristics became thoroughly
known. In that immense town, which might easily, as Lucan says, have
contained the whole world, where so many bitter battles were waged daily
to conquer power and wealth, subjects of study were not wanting to these
worldly moralists. They collected amusing anecdotes of well-known people
and came in the evening to relate them to their friends. Literature was
also an absorbing topic. The whole of Roman society liked and cultivated
it. As a rule Romans were orators by occupation; poets simply as a means
of distraction. A little poetry flourished in those days which has not
lived until our time; it did not deserve to live, being merely written
to charm the elegant society of those days. As in the time of the Abbé
Delille, games of dice or chess, fishing and swimming, dancing and music,
the art of ordering a dinner or receiving guests, were all sung in verse.
However agreeable this poetry might be, it could not always charm, and
new subjects had constantly to be thought of to animate the conversation.
It was thus that, when literature and scandal had been thoroughly
exhausted, politics followed in the natural course.
It is quite conceivable that much raillery was indulged in by these
clever people who above everything did not wish to appear fools, and
would not take seriously all the comedies that were being played in the
senate. Reserved and sharp lookers-on, little disposed towards any kind
of enthusiasm, they must have smiled at the excessive flattery with which
the prince was overwhelmed, and the deification of the dead or living
emperor must have left them quite unmoved. Society generally develops
a leaning towards irony; to know how to lash a neighbour agreeably is
doubtless a very estimable quality, and probably it was valued still more
when this neighbour was an emperor. A dangerous game it must have been,
and raillery aimed so high might have cost dear, but danger was not a
sufficient reason for stopping a joke when it was clever and appreciated.
“I cannot be sorry,” said Seneca, “for those people who would rather
lose their heads than a clever saying.” In this charming but frivolous
society, nobody would miss uttering a clever repartee, even at the risk
of losing his head. All had to compensate themselves for the restraint
they had gone through in the senate, where they were forced to have
smiling faces and to second the praises which were showered upon the
prince by his friends. They always left dissatisfied with themselves
and with others, their hearts filled with rage that must find vent. They
expressed themselves freely directly they were sure of being amongst
friends whom they could trust. In these secret meetings they above all
liked to communicate news “which could not be spoken of or listened to
without danger.”
Rome was then overrun by those bearers of news which newspapers and
telegraphy have done away with. We met some just now in the clubs; they
were still more numerous in society gatherings. They knew everything
that was being talked of in the army and in the provinces, and gave
the most precise information on whatever happened. When an important
personage died, they related all the circumstances of his death, they
said without hesitation who had held the dagger or poured out the poison.
Such a number of wicked rumours had never circulated in Rome as since
the right of free speech had been denied the people. The authorities in
trying to find those who spread the rumours only gave them more credit
than they deserved. Besides it is in nature with difficulty to believe
what is openly told and to accept without a word what is whispered in
the ear. Thus all measures taken by the government were used against
itself. Everything became known; everything was believed; reasons were
found for everything; and the most natural reasons were not those most
readily believed; to be listened to it was necessary to imagine strange
and improbable explanations for everything.
[Illustration: ROMAN NETTING NEEDLES
(In the British Museum)]
This opposition took many different forms and changed according to
circumstances. Sometimes it was very much on the surface, at others it
was hidden in the shade, but bold or timid, visible or hidden, it never
died out, and it was this suppleness and obstinacy which composed its
strength. Sometimes it dared to reveal itself to all through the medium
of a pamphlet; one of those satirical testaments, for example, which it
was the fashion to invent for important personages, in which the dead
said exactly what they thought of the living. Sometimes it took the
form of malicious verses which were whispered around, and after having
travelled through every rank of this discontented population ended by
being written, by an unknown hand, on the walls of the Forum. “Tiberius
disdains wine,” they said, “now that he thirsts for blood; he drinks
blood to-day as formerly he drank wine.” If this audacity seemed too
risky, they fell back on malicious allusions which were easily grasped
by wide-awake minds. When these allusions were followed up and punished,
a few furtive words were exchanged by friends at meeting. If it became
impossible to speak at all there was an eloquence in the people’s
silence, which showed what they were thinking of, and means were found to
render even silence seditious.
PUBLIC READINGS
Public lectures or readings became the fashion about the middle of
the reign of Augustus--they were introduced by Pollio. They attained
rapid success, which is not to be wondered at, taking into account the
occupations and tastes of the people of that period. Literature was much
liked, and if we believe Horace, nearly everyone cherished a belief
in his ability to write. It is never customary to keep one’s writings
for one’s self, seeming sin not to let them be known to the public.
Unfortunately in antiquity books could not be so easily propagated as
to-day. Those of celebrated writers spread quickly enough and went far,
but the others ran the risk of remaining in obscurity. Thus the authors,
to escape this sad destiny and to make themselves known in some manner,
thought of reading their words in public, thereby saving their works from
the death which threatened them. If these authors were poor they went
where crowds were likely to gather, to the Forum, under the porticoes,
in the public baths; they even stopped the passers-by and spouted their
poetry to them at the risk of being hissed or torn to pieces, if the
people were not in a humour to listen to them. If rich they invited their
clients and friends to dinner, treated them well, and took advantage of
their gratitude to cause themselves to be listened to and admired. Horace
tells us the amusing story of a terrible creditor who gathered together
his insolvent victims on the day of reckoning to read to them the very
dull works he had written; they had to come or pay. In order to obtain
leniency the unfortunate guests had to bend their backs as resigned
victims and applaud.
Pollio was not poor enough to have to resort to the public places nor
foolish enough to be satisfied with bought praise. He wished particularly
to have his tragedies and tales become known. This vain person who had
helped Cæsar and Octavius to the first place was not satisfied with the
second, and expected to obtain in literature the importance and place
that he had failed to get in politics. This gave him the idea of choosing
a room in a house, of arranging it like a theatre, that is, with an
orchestra and galleries, and inviting by tickets people whom he knew or
wished to know, to come to hear his works read. Soon others followed his
example, and it was soon the fashion to do nothing else in Rome during
the months of April and August but to assemble in these lecture rooms.
It is easy to form an idea of the sentiments brought by the guests to
these literary festivals. Auditors and lecturers belonged, as a rule,
to the best society, and shared in all the hates and prejudices of the
upper class. Opposition, as it may be supposed, flourished in these
public lectures. It was here that one could speak, when speech was not
forbidden; here that Titinius Capito, after the death of Domitian, read
the story of his victims. It was a duty to come and listen. “It seemed,”
says Pliny, “that we were listening to the melancholy praises of the
victims who had not been given funeral honours.” Under the harsh rulers
caution was naturally necessary, yet nevertheless a way was found to
speak. In the darkest times of the reign of Nero, Curiatius Maternus, the
poet, dared to read a poem full of disagreeable allusions to the emperor.
He continued, under Vespasian, his little war of epigrams. “He read one
day of Cato, and forgot himself,” says Tacitus, “to think only of his
hero.” Applause was not wanting to the bold tirades of the poet; the next
day the whole of Rome spoke about his audacity and the dangers to which
it would expose him.
The tragedies of Curiatius Maternus are lost, but those of Seneca remain,
and give us an idea of what was allowed to be said in the lecture rooms.
These works are second rate, and could be judged very severely if
considered in the light of plays for the theatre, or if compared to the
works of Sophocles and Euripides. It must be remembered, however, that
they were not written for the stage, being destined for public reading.
They are drawing-room tragedy, hence must not be treated as tragedy for
the theatre. This order of play may seem unworthy or false; it can be
severely condemned; it is a distinct order, nevertheless, and is not
subject to the rules that govern others; also, having a different public,
certain defects are necessary to enable it to please. Seneca, who was
eager to succeed, submitted to these conditions willingly. His aim was to
flatter the tastes of his audience, and he knew that he could interest
them only by speaking of their times and their friends; he did this
openly and without hesitation; it might be said from the way he expressed
himself that he wished them to see for themselves that the present
interested him more than the past; that he was always thinking of Rome
even when speaking of Argos or of Thebes. This is why political allusions
are so frequent in his works.[e]
LIBRARIES AND BOOK-MAKING
It must not be supposed, however, that the author in Rome depended solely
upon verbal utterance for the circulation of his ideas. Nothing could be
further from the fact. The publishing no less than the writing of books
was a recognised form of business and one that apparently flourished.
Notwithstanding the entire loss of all the books produced in Rome in the
early days, we are supplied with tolerably full information as to the
making and use of books there during the later period of the republic,
and throughout the empire.
The private library discovered at Herculaneum gives a perfectly clear
idea of the way in which the books were kept in an ordinary house. This
library contained seventeen hundred books. It was so small a room,
however, that all its shelves could be reached from its centre. The
books themselves, consisting of rolls, were contained in round cases
called _capsæ_, and we have the further evidence of various statues and
pictures, as well as written descriptions, to prove that this was the
usual method of caring for manuscripts.
The books of this period were always in rolls, never folded after the
modern method. This applies not merely to papyrus books, but to the
parchment ones also. Generally the strip of papyrus or parchment was
inserted at one end into a slit in a reed or cane about which the
manuscript was rolled as written. Usually a corresponding cane was
supplied at the other end after the book was completed, so that the
book could be rolled either way, thus greatly facilitating the reading.
Presumably the book as ordinarily kept ready for use would be rolled on
the lower reed, so that anyone unrolling it began at once with the first
column, the columns being arranged transversely. A tag or label was
usually attached to the manuscript, and these tags are represented in the
paintings on the walls of Pompeii as projecting from the cases in which
the books are stored. The length of a papyrus or parchment strip varied
indefinitely, but it appears to have been usual to write an entire
book of any given work on a single strip. The relatively short books
into which most classical works were divided facilitated this method;
or perhaps it became customary to divide works into small books for the
convenience of the scribe, rather than because of any logicality in the
method itself.
It appears that in the later Roman times it was quite the fashion to
have a library in every ordinary house, and some of these libraries
attained very respectable proportions. Thus it is said that the
grammarian Epaphroditus had a library of thirty thousand volumes, and
that Sammanicus Serenus had one of sixty-two thousand volumes. The fact
that Augustus confiscated two thousand copies of the pseudo-sibylline
oracles testifies to the wide prevalence of the reading, or at least the
book-buying, habit. No doubt this distinction between the buying and
the reading of books should be clearly drawn in the case of the Romans
as elsewhere. Still, it will not do to draw too sweeping conclusions
from the sneers of Seneca and Cicero, which are so often quoted as
implying that the Romans bought books as ornaments, rather than for their
contents. Doubtless the reproach was true then as now of a large number
of purchasers; still, the making and the selling of books must always
imply the existence of a taste for books, and such a fashion could never
have come into vogue unless a very large number of people were actually
book readers. In point of fact, the book business in Rome assumed
proportions that seem almost incredible. Book stores were numerous in
the more frequented parts of the city, and, as far as one can learn, the
trade flourished quite in the modern fashion. Within the shop the rolls
were ranged on shelves for the inspection of the would-be purchaser, and
outside on pillars were advertised the names of the authors represented.
Naturally enough, when private libraries were the fashion there were
numerous public libraries as well. According to Publius Victor, there
were no fewer than twenty-nine of these public libraries in Rome. Asinius
Pollio, the friend of Cæsar, and the famous patron of literature of his
time, who died in the year 6 B.C., was credited with being the founder
of the first public library, although there is a tradition that Orielus
Paullus, the conqueror of Macedonia, brought back with him to Rome a
large collection of books in 168 B.C. Be that as it may, there probably
was no very great taste for reading in Rome at that early period, and it
was not until the time of Augustus that public libraries began to assume
real importance.
Augustus himself, carrying out the intention of Julius Cæsar, founded two
public libraries, one called the Octavian, and the other the Palatine.
From that time the founding of public libraries became a fashion with the
emperors, Tiberius, Vespasian, Domitian, and Trajan successively adding
to the number, the most famous collection of all being the Ulpian library
of Trajan. No available data have come down to us as to the exact size of
these libraries, but the respectable proportions of some of the private
collections make it a safe inference that some, at least, of these public
libraries must have contained hundreds of thousands of books, since we
can hardly suppose that a private library would be allowed to outrival
the imperial collections.
When one reflects on this prevalence of books, the very natural query
arises as to how they were produced, and the answer throws a vivid
light on the social conditions in Rome. The enormous output of books,
almost rivalling the productions of the modern press, was possible
solely because of the great number of slaves in Rome. Book-making
was a profession, but it was a profession apparently followed almost
exclusively by slaves, who were known as _librarii_. These educated
slaves were usually Greeks, and a large publishing house, of which there
were several in Rome, would keep a great number of them for purposes
both of making the materials for books, and of transcribing the books
themselves.
It is known that shorthand was practised extensively in Rome, and it
has been supposed that a very large number of the current books were
written in this abbreviated hand. This supposition, however, appears
more than doubtful, for it is hardly to be supposed that the general
public took the trouble to learn the Tironian system, by which name
the shorthand script was known; Tiron, the secretary of Cicero, being
commonly, though no doubt incorrectly, credited with its invention. As
to the latter point, there are various references in the Greek classical
authors to the practice of shorthand in ancient times. It is said even
that Xenophon took down the lectures of Socrates in this way, and whether
or not that statement is true, the existence of the rumour is in itself
evidence of the prevalence of the custom from an early day. Very probably
Tiron developed a modified and greatly improved system of shorthand
writing, and doubtless this became popular, since lexicons were written
interpreting the Tironian script in terms of ordinary Latin. But, as has
been said, all this does not make it probable that the average reader
understood the script, and it seems much more likely that the popular
authors were represented in the ordinary script, subject, however, to
numerous abbreviations. The writers who were most in vogue in imperial
Rome are said to have been Ovid, Propertius, and Martial among the
satirists; Homer, Virgil, and Horace among the poets; and Cicero, Livy,
and Pliny among prose writers. It is alleged that the works of most
of these were in every private collection. Of all this great store of
literary treasures not a single line has been preserved in the original
manuscript, save only a few rolls from the library at Herculaneum, and
most of these are charred and damaged beyond recognition.
Thanks to the use of slave labour, it would appear that the Roman
publisher was able, not merely to put out large editions of books, but
to sell these at a very reasonable price. According to a statement of
Martial himself, a very good copy of the first book of his epigrams
could be purchased for five denarii. This presumably must refer to the
cheapest edition, probably a papyrus roll, though no definite data as
to the relative cost of papyrus and parchment are available. Naturally,
there were more expensive editions put out for those who could afford
them. It was customary, for example, to tint the back of the parchment
roll with purple; at a later day the inscribed part itself was sometimes
tinted with the same colour, and this custom also may have prevailed as
early as the Roman time. Certain books were illustrated with pictures,
as appears from a remark of Pliny; but this practice was undoubtedly
very exceptional. It may not have been unusual, however, to ornament or
emphasise portions of the manuscript by using red ink, for the ink wells
illustrated in the paintings of Pompeii are often shown to be double, and
the presumable object of this was to facilitate the use of ink of two
colours.
The pen employed by the Roman scribe was made of a reed and known as a
_calamus_. It was sharpened and split, not unlike a modern quill pen.
The question has been raised many times as to whether the Romans did not
employ the quill pen itself. Certain pictures seem to suggest that the
quill pen was used not merely by the Romans, but by the Egyptians as
well. There seems little ground for this supposition, however, and the
first specific reference to a quill pen was in the writings of Isidorus,
who died in 636 A.D. This proves that the use of quills had begun not
later than the seventh century, but it is extremely doubtful whether the
Romans employed them, though the quill seems so obvious a substitute for
the reed that its non-employment causes wonder. But the history of all
simple inventions shows how fallacious would be any argument drawn from
this obvious inference. Incidentally it may be noted that the reed pen
held its own against the quill for some centuries after the invention
of the latter. Even in the late Middle Ages the reed was still employed
for particular kinds of writing in preference to the quill, and no doubt
a certain number of people for generations continued to prefer the
reed, just as there are people now who prefer a quill pen to the steel
pens that were perfected in 1830. Every desk in the reading room at the
British Museum to-day is supplied with a quill as well as a steel pen;
and a fair proportion of the readers there seem to prefer the former.
It would not do to leave the subject of Roman books without at least
incidental mention of the tablets which were in universal use. These were
probably not employed in writing books for the market, but it is quite
probable that many authors used them in making the first drafts of their
books. The so-called wax tablet was really made of wood, quite in the
form of a modern child’s slate, the wax to receive the writing being put
upon the portion that corresponds to the slate proper. These tablets were
usually bound together in twos or threes, and only the inner surfaces
were employed to receive the writing, the outer surface being reserved
for a title in the case of business documents, or for the address when
the tablet was used as a letter. When used as business records or in
correspondence, the tablets were bound together with a cord, upon which
a seal was placed. It was quite the rule for a Roman citizen to carry
a tablet about with him for the purpose of making notes. The implement
used in writing was a pointed metal needle known as the _stylus_. It was
almost dagger-like in proportions, and was sometimes used as a weapon. It
was said that Cæsar once transfixed the arm of Cassius with his stylus in
a fit of anger in the senate chamber itself. The other end of the stylus
was curved or flattened, and was used to erase the writing on the tablet
for corrections or to prepare the surface for a new inscription.[j]
Turning from the practicalities of literature to a yet more important
phase of everyday life, let us witness
THE CEREMONY OF A ROMAN MARRIAGE
The solemn ritual of marriage was based on the virginity of the bride,
and so appeared in a curtailed version when a widow married again,
which, even in later times, was regarded as somewhat shocking and in the
earliest period of antiquity was of rare occurrence.
Particular care was taken in choosing the wedding-day, because certain
times of the year were, from a religious point of view, ill adapted for
the wedding ceremony, particularly the whole month of May and the first
half of June. For the Lemuria and the sacrifice of the Argei fall in
May, and in the beginning of June come the _dies religiosi_, devoted
to the holiness of Vesta, which come to a close on the 15th of June
with the purification of the temple of Vesta. Other days to be avoided
were the _dies parentales_ (from the 13th to the 21st of February), the
first half of March, the three days on which the Nether World was open
(_mundus patet_ on the 24th of August, the 5th of October, and the 8th
of November), all _dies religiosi_, the calends, the nones, and the
ides. But solemn marriages were not conducted on festival days chiefly
because, in early times at all events, the participators in the marriage
were hindered by the festival. Widows on the other hand did not exclude
such days from their selection.
All that we are told of the decoration of the bride is again concerned
with virgins. On the day before marriage the girl laid aside her virginal
attire (_toga prætexta_), sacrificing it with her toys to the gods and
perhaps originally to the Lares of her father’s house. As was the custom
for a youth before taking the _toga_, she was invested (_ominis causa_)
with a new garment suitable to her new condition before going to sleep, a
_tunica recta_ or _regilla_, and upon her head was placed a red hair net.
The bridal dress itself was a _tunica recta_, that is to say a garment
woven according to ancient custom with vertical, not horizontal, threads,
held together with a woollen girdle (_cingulum_) that was bound with a
_nodus herculeus_; instead of the hair net she was provided with a red
scarf (_flammeum_) with which she veiled her head (_nubit_, _obnubit_);
its red colour only distinguished it from those scarfs which all women
wore when they went out. Her hair was arranged in _sex crines_, that is,
plaits or locks held together not with a comb but with a crisping pin
bent at the end (_hasta cælibaris_) and separated by ribbons. Beneath the
scarf on her head she wore a wreath of flowers gathered by herself, and
at a later period the bridegroom himself also wears a wreath.
The ceremony of the marriage day falls into three parts: the handing
over of the bride, her home taking, and her reception into the
husband’s house; with regard to the disposition of the separate customs
appertaining to these three acts we are to some extent left to conjecture.
The solemnisation of marriage began with _auspicia_, which were usually
taken by proper _auspices_ in the silence of early morning, just as at
the _sponsalia_ it was sought to inquire into the will of the gods by
an omen before sunrise. In the earliest times the flight of birds was
observed, this kind of divination being later on replaced in private
life (as it already existed in public) by the easier process of causing
a _haruspica_ to examine entrails. But the sacrifice made with a view
of consulting the gods, the performers of which have also been called
_auspices_, must not be confounded with the main sacrifice, for it took
place before the handing over of the bride. The sacrificial animal
was probably a sheep, the skin of which was afterwards used for the
_confarreatio_.
On the assembly of the guests the _auspices_ entered to announce the
result of their investigation. After this only is the marriage contract
completed, and even in later times before ten witnesses such as were
accustomed to be present at the ancient _confarreatio_; the bride and
bridegroom then declare their consent to the wedding, and where there
is a _confarreatio_ the former declares her will to enter into the
_manus_ and thereby the family of her husband, originally announcing also
her readiness to exchange her own name for that of her husband in the
formula _quando tu Caius ego Caia_. After this declaration the bridal
pair are brought together by a married woman (_pronuba_) and take each
other’s hands (_dextras jungunt_), upon which, at the _confarreatio_, in
accordance with the most ancient Roman sacrificial custom, a bloodless
sacrifice is brought consisting of fruits and a _panis farreus_. It was
dedicated to Jupiter and so was probably performed by the _flamen Dialis_
present; he pronounced the forms of prayer in which the gods of wedlock,
especially Juno, and the rustic deities Tellus, Picumnus, and Pilumnus
were invoked. During the sacrifice the bridal pair sat upon two chairs
joined together, over which the skin of the sheep that had been slain was
stretched; at the prayer they wandered round the altar from right to
left; a _camillus_ lent his services, bearing a _cumerum_ in which _mola
salsa_ and other requisites of the sacrifice were received.
Whether at the _confarreatio_ there was an animal sacrifice besides the
sacrifice of grain, or not, we do not know; Ulpian seems to assume that
there was. In later times the sacrifice of corn fell into desuetude, but
for the rest the old ritual was maintained as far as possible, so that
for instance there was always a prayer delivered, if not by a priest,
by an _auspex nuptiarum_ and addressed to other gods. Also in these
later times the celebration of marriage centred round the sacrifice of a
calf or even of a pig, and the newly wedded pair set out this sacrifice
themselves, not always in the house but sometimes before a public temple.
Not only have we express witnesses to testify to this, but also pictorial
representations in which partly the temple is sketched and partly the
sacrifice in process of performance, which would have no sense if the
sacrifice took place in the house. So it comes that sacrifice of animals
could only be conducted in the house, as in the temple, under certain
conditions, whereas it was quite common on the sacrificial altars erected
especially for private sacrifice in front of the temples. The witnesses
having expressed their congratulations (_feliciter_) in a shout of
approval, the sacrifice was followed by the _cena_, which, like all
earlier portions of the celebration, was usually held in the house of the
bride’s father.
[Illustration: HEAD-DRESSES]
The guests having risen from this at fall of night, the _deductio_
begins. The bride is taken from the arms of her mother and conducted in
solemn procession to the new house, the procession including not only the
guests but also the interested public. Flute-players and torch-bearers
lead the way, the procession sings a fescennine song and echoes the cry
_talasse_; the boys bid the bridegroom strew walnuts as he is now taking
leave of the games of childhood. The bride is accompanied by three _pueri
patrimi et matrimi_, one of them bearing a torch in front, the other two
leading the bride; after her are borne distaff and spinning-wheel. The
bridegroom’s torch is not, like the others, made of fine resin, but of
white thorn (_Spina alba_), which is sacred to Ceres and a charm against
witchery; it is captured by the guests and carried away by violence. The
procession having reached the new house, the bride anoints the door-posts
with fat or oil and binds them with woollen fillets; then she is borne
over the threshold of the house and received in the atrium by her husband
into the common possession of fire and water; that is to say, she is made
a partner in domestic life and the service of the gods. In the atrium,
her future living room, opposite the door, the _lectus genialis_ is made
ready by the _pronuba_; here she prays to the gods of the new home for a
happy marriage. On the day after the wedding she receives relations at
the feast of _repotia_ as a matron and presents her first sacrifice to
the gods of the house.[f]
THE STATUS OF WOMEN
The restoration of the temples of Juno by Augustus and his consort
indicated the interest the new government felt in the institution of
marriage. Neither the history nor literature of Rome can be understood
without clear ideas upon this branch of her social economy. All nations
have agreed in investing marriage with a religious sanction; but religion
and policy were closely connected through every phase of the social life
of the Romans, and in none more closely than in this. Marriage they
regarded as an institution hallowed by the national divinities for the
propagation of the Roman race, the special favourite of the gods. Its
object was not to chasten the affections and purify the appetites of man,
but to replenish the curies and centuries, to maintain the service of
the national temples, recruit the legions and establish Roman garrisons
in conquered lands. The marriage therefore of Caius and Caia, of a Roman
with a Roman, was a far higher and holier matter, in the view of their
priests and legislators, than the union of a Roman with a foreigner, of
aliens with aliens, or of slaves with slaves. Even the legitimate union
of the sexes among the citizens was regulated by descending scale of
confarreation, coemption, and mere cohabitation; and the offspring of the
former only were qualified for the highest religious functions, such as
those of the flamen of Jupiter, and apparently of the vestal virgins, on
which the safety of the state was deemed most strictly to depend.
These jealous regulations were fostered in the first instance by a
grave political necessity; but the increase of the power of Rome, the
enlargement of her resources, the multiplication of her allies, her
clients and dependents, had long relaxed her vigilance in maintaining
the purity of her children’s descent. The dictates of nature, reinforced
by the observation of foreign examples, had long rebelled in this matter
against the tyrannical prescriptions of a barbarous antiquity. After the
eastern conquests of the republic it became impossible to maintain the
race in its state of social isolation. In his winter quarters at Athens,
Samos, or Ephesus, the rude husbandman of Alba or the Volscian hills
was dazzled by the fascinations of women whose accomplishments fatally
eclipsed the homely virtues of the Latin and Sabine matrons. To form
legitimate connections with these foreign charmers was forbidden him by
the harsh institutions of a Servius or Numa; while his ideas were so
narrowed and debased by bad laws, that he never dreamt of raising his own
countrywomen by education to the level of their superior attractions.
Gravely impressing upon his wife and daughters that to sing and dance,
to cultivate the knowledge of languages, to exercise the taste and
understanding, was the business of the hired courtesan, it was to the
courtesan that he repaired himself for the solace of his own lighter
hours. The hetæræ of Greece had been driven to the voluptuous courts of
Asia by the impoverishment, and perhaps the declining refinement, of
their native entertainers. They were now invited to the great western
capital of wealth and luxury, where they shared with viler objects the
admiration of the Roman nobles, and imparted perhaps a shade of sentiment
and delicacy to their most sensual carouses. The unnatural restrictions
of the law formed a decent excuse for this class of unions, which were
often productive of mutual regard, and were hallowed at least at the
shrine of public opinion.
Such fortunate cases were, however, at the best, only exceptional. For
the most part, the Grecian mistress of the proconsul or imperator, the
object of a transient appetite, sought to indemnify herself by venal
rapacity for actual contempt and anticipated desertion. The influence of
these seductive intriguers poisoned the springs of justice before the
provincial tribunals. At an earlier period a brutal general could order a
criminal to be beheaded at his supper table, to exhibit to his paramour
the spectacle of death; at a later, the luxurious governor of a province
allowed his freedwoman to negotiate with his subjects for the price of
their rights and privileges, or carried her at his side in his progress
through Italy itself. The frantic declamations of Cicero against the
licentiousness of Verres and Antony in this respect were a fruitless and,
it must be admitted, a hollow attempt to play upon an extinct religious
sentiment.
The results of this vicious indulgence were more depraving than the vice
itself. The unmarried Roman, thus cohabiting with a freedwoman or slave,
became the father of a bastard brood, against whom the gates of the city
were shut. His pride was wounded in the tenderest part; his loyalty to
the commonwealth was shaken. He chose rather to abandon the wretched
offspring of his amours, than to breed them up as a reproach to himself,
and see them sink below the rank in which their father was born.
In the absence of all true religious feeling, the possession of children
was the surest pledge to the state of the public morality of her
citizens. By the renunciation of marriage, which it became the fashion
to avow and boast, public confidence was shaken to its centre. On the
other hand, the women themselves, insulted by the neglect of the other
sex, and exasperated at the inferiority of their position, revenged
themselves by holding the institution of legitimate marriage with almost
equal aversion. They were indignant at the servitude to which it bound
them, the state of dependence and legal incapacity in which it kept
them; for it left them without rights, and without the enjoyment of
their own property; it reduced them to the status of mere children,
or rather transferred them from the power of their parent to that of
their husband. They continued through life, in spite of the mockery of
respect with which the laws surrounded them, things rather than persons;
things that could be sold, transferred backwards and forwards, from one
master to another, for the sake of their dowry or even their powers of
child-bearing. For the smallest fault they might be placed on trial
before their husbands, or if one were more than usually considerate in
judging upon his own case, before a council of their relations. They
might be beaten with rods, even to death itself, for adultery or any
other heinous crime; while they might suffer divorce from the merest
caprice, and simply for the alleged departure of their youth or beauty.