LIME BURNING AND LOVE MAKING.

The short trial of gypsy life was not sufficient to make John Clare

forget his troubles of love, and he began to think seriously of his

further prospects in life. He would have been but too happy to ask

Elizabeth Newton to become his wife; but having seen so much of poverty

in the case of his parents, he had a natural dread to start in the same

career, with the workhouse for ultimate goal. While thus given up to

reflections on his life, there came an offer which appeared to be most

acceptable. A fellow labourer of the name of Gordon, who had been once

working at a lime-kiln, with good wages, proposed to him to seek the same

employment, and to act as a guide and instructor in the matter. John

Clare consented, and starting with his friend, in the summer of 1817, the

two were lucky enough to find work not far off, near the village of

Bridge Casterton, in Rutlandshire. By dint of very severe labour, Clare

managed to earn about ten shillings a week, a part of which he carefully

hoarded, with the firm intention of attempting a new start in life, by

the aid of a little capital.

The first investment of the small sum thus acquired led to rather

important results. Having collected a considerable quantity of verses,

and safely carried them off from the old hiding-place at Helpston, John

Clare resolved to copy a selection, comprising the best of them, into a

book, so as to preserve his poetry the more easily. With this purpose in

view he went to the next fair at Market Deeping, and after having gone,

with some friends, through the usual round of merry-makings, called upon

a bookseller and stationer, Mr. Henson, to get the required volume of

blank paper. Mr. Henson had no such article in stock, but offered to

supply it in a given time, which being agreed on, particulars were asked

as to the quantity of paper required, and the way in which it should be

ruled and bound. In reply to these questions, John Clare, made talkative

by a somewhat large consumption of strong ale, for the first time

revealed his secret to a stranger. He told the inquirer that he had been

writing poetry for years, and having accumulated a great many verses,

intended to copy them into a book for better preservation. The bookseller

opened his eyes at the widest. He had never seen a live poet at Market

Deeping, yet fancied, somehow or other, that the species was of an

outward aspect different from that of the tattered, half-tipsy,

undersized farm labourer who was standing before him. Though an active

tradesman, willing to oblige people at his shop, Mr. Henson could not

help hinting some of these sceptic thoughts to his customer, and

feelingly inquired of him whether it was 'real poetry' that he was

writing. John Clare affirmed that it was real poetry; further explaining

that he wrote most of his verses in the fields, on slips of paper, using

the crown of his hat as a desk. This was convincing; for the hat, on

being inspected, certainly showed abundant marks of having been employed

as a writing-desk, and even bore traces of its occasional use as a

camp-stool. Doubts as to John Clare being a poet were now impossible; and

Mr. Henson willingly agreed to furnish a book of white paper, strongly

bound, fit for the insertion of a vast quantity of original poetry, at

the price of eight shillings. When parting, the obliging bookseller

begged as a favour to be allowed to inspect one of his customer's poems,

promising to keep the matter as secret as possible. The flattering

request was promptly acceded to, and in a few days after, there arrived

by post at Market Deeping two sonnets by John Clare, which he had

recently composed. One of these was called 'The Setting Sun;' and the

other 'The Primrose.' Mr. Henson, who was no particular judge of sonnets,

thought them very poor specimens of poetical skill, the more so as they

were ill-spelt, and without any attempts at punctuation. He threw the

poems aside at once, and wrote to the poet that he might have his blank

paper book on paying the stipulated eight shillings. So the matter rested

for the present.

John Clare's labours as a lime-burner at Bridge Casterton were of the

most severe kind. He was in the employ of a Mr. Wilders, who exacted

great toil from all his men, setting them to work fourteen hours a day,

and sometimes all the night long in addition. Nevertheless, Clare felt

thoroughly contented in his new position, being delighted with the

beautiful scenery in the neighbourhood, and happy, besides, in being able

to earn sufficient money to send occasional assistance to his parents.

When not engaged at work, he went roaming through the fields far and

wide, always with paper and pencil in his pocket, noting down his

feelings in verse inspired by the moment. It was the time when his

poetical genius began to awaken to full life and consciousness. He began

writing verses with great ease and rapidity, often composing half-a-dozen

songs in a day; and though much of the poetry thus brought forth was but

of an ephemeral kind, and of no great intrinsic value, the exercise,

combined with extensive reading of nearly all the old poets, contributed

considerably to his development of taste. Sometimes he himself was

surprised at the facility with which he committed verses to paper, on the

mere spur of the moment. It was on one of these occasions that the

thought flashed through his mind of his being endowed with poetical gifts

denied to the majority of men. This was a perfectly new view which he

took of himself and his powers, and it helped to give him immense

confidence. Timid hitherto and entirely distrustful of his own abilities,

he now felt himself imbued with strength never known, and under the

impulse of this feeling determined to make another attempt to rise from

his low condition. The idea occurred to him of printing his verses, and

of coming openly before the world as a poet. Each time he had written a

new verse with which he was pleased, his confidence grew; though his

hopes fell again when he set himself thinking the matter over, and

dwelling upon the difficulties in his way. This inward struggle lasted

nearly a year, in the course of which there occurred another notable

event, which in its consequences grew to be one of the most important of

his whole life.

Every Sunday afternoon, the labourers at Mr. Wilder's lime-kiln were in

the habit of visiting a small public-house, at the hamlet of Tickencote,

called 'the Flower Pot.' Thirsty, like all of their tribe, they spent

hours in carousing; while John Clare, after having had his glass or two,

went into the fields, and, sitting by a hedge, or lying down under a

tree, surveyed the glories of nature, feasting his eyes upon the

thousandfold beauties of earth and sky. It was on one of these Sunday

afternoons, in the autumn of 1817--Clare now past twenty-four--that he

saw for the first time 'Patty,' his future wife. She was walking on a

footpath across the fields, while he was lying in the grass not far off,

dreaming worlds of beauty and ethereal bliss. Patty stepped right into

his ideal realm, and thus, unknown to herself, became part and parcel of

it. She was a fair girl of eighteen, slender, with regular features, and

pretty blue eyes; but to Clare, at the moment, she seemed far more than

fair, slender, and pretty. He watched her across the field, and when she

disappeared from sight, John Clare, almost instinctively, climbed to the

top of a tree, to discover the direction in which she was going. His

courage failed him to follow and address her, though he would have given

all he possessed to have one more glance at the sweet face which so

suddenly changed his poetical visions into a still more poetical reality.

However, the shades of evening were sinking fast; John Clare could not

see far even from the top of his tree, to which he clung with a lover's

despair, so that the beautiful apparition was soon lost to him. Sleep did

not come to his eyes in the following night; and the slow hours of

lime-burning the next day only passed on in making projects how he would

go to the field near the 'Flower Pot,' and try to meet his sweet love

again. He went to the field, but she came not; not the following day, nor

the second, nor the whole week. John Clare began to think the fair face

which he had seen, and with which he had fallen in love at first sight,

was after all, but the vision of a dream.

More than two weeks passed, and John Clare, with his fiddle under his

arm, one evening made his way to Stamford, to play at a merry meeting of

lime-burners the tunes which the gypsies had taught him. While walking

along the road, the vision burst upon him a second time in not to be

mistaken reality. There again was the fair damsel he had seen walking, or

floating, across the greensward on the Sunday eve; as fair and trim as

ever, though this time not in her Sunday dress. John Clare, with much

good sense, thought it useless to climb again upon a tree; but summing up

courage, followed his vision, and, after a while, addressed her in timid,

soft words. What gave him some courage for the moment was, that being on

a festive excursion, he had donned his very best garments, including a

flowery waistcoat and a hat as yet free from the desk service of poetry.

The fair damsel, when thus addressed in the road, smiled upon her

interlocutor; there could be no doubt, his words, and, perhaps, his

waistcoat and new hat, found favour in her eyes. And not only did she

allow him to address her, but permitted him even to accompany her to her

father's cottage, some four miles off. Thither accordingly went John

Clare, in an ecstacy of delight; feeling as if in heaven and playing

merry gypsy-tunes to the winged angels. He wished the four miles were

four hundred; and when arrived at the paternal door with his fair

companion, and she told him that he must leave her now, it seemed to him

as if it had been but a minute since he met her. He looked utterly

dejected; but brightened up when she told him that her name was Martha

Turner, that her father was a cottage farmer, and that the place where

they were standing was called Walkherd Lodge--which perhaps, she

whispered, he would find again. It sounded as if the fiddle under his arm

was again making music to the bright angels. John Clare was in heaven;

but the poor lime-burners at Stamford did not think so, that evening,

when they had to dance without a fiddle.

After seeing his sweet companion disappear behind the garden-gate; after

hearing the door of the house open and shut, and watching the movement of

the lights within the house for an hour or two, John Clare at last turned

his back upon Walkherd Lodge, and went the way he came. The road he

trotted along, with his feet on good Rutlandshire soil, but his head

still somewhat in the clouds, got gradually more and more narrow, till it

ended at a broad ditch, with, a dungheap on the one side and a haystack

on the other. It was now that John perceived for the first time that he

had lost his way. While walking along with Martha Turner, he no more

thought of marking the road than of solving riddles in algebra, and,

besides a faint consciousness that he was coming somewhere from the east

and going to the west, he was utterly lost in his topography. However,

under the circumstances, it seemed no great matter to John to lose his

way, and rather pleasant than otherwise to sleep in a haystack within a

mile of the dwelling of Martha Turner. On the haystack, accordingly, he

sat down with great inward satisfaction, and, the moon having just risen,

pencil and paper were got out of the pocket, by the help of which, in

less than half an hour, another love-song was finished. But though the

day was warm and comfortable, John felt too restless to sleep. So he

cleared the ditch before him with one jump, and pursued the journey

further inland, where lights appeared to be glimmering in the distance.

Onward he trotted and leaped, over hedges and drains, across ploughed

fields, through underwood and meadows, around stone-quarries and

chalk-pits. At last, after a wild race of four or five hours, he sank

down from sheer exhaustion. There was soft, mossy grass under his feet,

and a sheltering tree above, and he thought it best to stop where he was

and to compose himself to sleep. The heavy eyelids sank without further

bidding, and for several hours his soul took flight into the land of

dreams. When he awoke, the moon was still shining, but not far above the

western horizon. Looking around, he perceived something bright and

glittering near him, similar to the bare track beaten by the sheep in hot

weather. To follow this path was his immediate resolve, as sure to lead

to some human habitation, if only a shepherd's hut. He was just going to

rise, but still on the ground, when one of his feet slipped a short

distance, in the direction of the silvery line, and he heard the clear

splash of water under him. At the same moment, the last rays of the moon

disappeared from above the horizon. John Clare shuddered as if the hand

of death was upon him. Creeping cautiously towards the neighbouring tree,

and clasping both his arms around it, he awaited daybreak in this

position. At length, after hours which seemed endless, the burning clouds

appeared in the east. He once more looked around him, and found that he

was lying on the brink of a deep canal, close to the River Gwash. One

turn of the body in its restless dreams; one step towards the tempting

silvery road of night, would have made an end for ever of all the

troubles, the love and life and poetry, of poor John Clare.

The Life of John Clare · 第 44 / 97 题