No dog, probably, can smell anything like such small quantities of

these substances, or detect such minute differences. We smell musk

and wine and tea; he smells footprints. One can’t say that either

has a better nose than the other. Really, a good deal of the

difference between us and the animals is that we depend on sight and

hearing, because we can use these two senses to handle words. We can

see words, and we can hear words; we cannot taste or smell them. So

we get to relying on eyes and ears. But the animals, which don’t use

words anyway, they think more about smells.

There is still another way in which we are apt, I think, to

overestimate the senses of animals. We know, for example, that a

horse will find his way home on a dark night, when everything is

pitch black, and the driver cannot see his hand before his face. We

say that the horse must have wonderful sight to make out his way

under such conditions.

The real fact is, however, that the horse goes straight home thru

darkness and storm, not because his eyesight is good, but because it

is poor. He is at home in the night, because he does not see

especially well by day. Those of you who have read _The Last Days of

Pompeii_ (as everybody should, for it is a famous old story) will

remember that when, during the eruption of Vesuvius, the city was

darkened under the shower of ashes, so that the inhabitants wandered

about in the streets completely lost and quite unable to find their

way out, the blind girl was able to lead her friends straight to

safety. She had always lived in the dark, and could find her way as

well one time as another.

So it is with horses and other animals. They seem to see in the

dark, when they really hear and smell. A horse especially depends

for finding his way, on his muscular sense. While his driver is

noticing houses and trees and sign-boards, the horse is noticing so

long a pull up one hill, so much holding back down another, so much

level stretch between. The man is lost when he cannot see his houses

and sign-boards; but the horse’s hills and levels are still there.

You remember the rats that, when the passage in their maze was

shortened, kept running full tilt against the end wall; and then

when the passage was lengthened, kept turning too soon and butting

into the side wall. The rats were depending on their muscular sense.

They remembered their way as so long a straight run, then a turn.

They could run as fast by night as by day, because they didn’t do

much seeing either time.

We also depend on our muscular sense far more than we commonly

realize. Doubtless we all know how to button our coats. But how do

we know? We certainly do not know how it tastes, smells or sounds. I

don’t think we often remember how it looks. What we do remember is

the feeling of the buttons and the movements we make. But if we try

buttoning with the other hand, or put on a coat that buttons on the

other side, we feel as awkward as can be. We can see as well as

before; the touch has not changed; there never was any taste,

hearing, or smell. The difference is in the movements. The muscular

sense is learning something new.

How hard it is to bat on the other side, to use any tool the other

way round, or make any change which is strange to the muscular

sense. That shows how much we all rely on it. If we play the piano,

and remember pieces without the notes, it is by this muscular sense

that we do it. Our fingers seem to know the tune; and in a sense,

they really do. Surely, if a musician can find his way back and

forth over the keyboard thru a long piece of music, by means of his

muscular sense, it is not so remarkable that a horse should find its

way home over the road, or a rat scamper thru its holes, guided by

the same means. They don’t really see in the dark, they simply turn

on another sense. We have it also; but mostly we trust to our eyes,

instead.

There is another sense, too, on which animals are more given to

depending than we are, and that is the sense of equilibrium and

direction, which, as I have explained, has its seat in a part of the

inner ear. You know the game where you are blindfolded, turn around

three times, and then try to blow out a candle. If your

direction-sense is at fault, as it generally is, you turn too far or

not far enough, blow where the candle isn’t, and make everybody

laugh. Men who have to find their way about over a wild country,

explorers and the like, sometimes have this direction sense trained

to a wonderful degree. They simply cannot get lost anywhere. The

rest of us, who depend on street numbers and the sign-boards on the

lamp posts, don’t have much use for this sense, and so never really

learn to use it. Many animals depend on it a good deal. They find

their way home in truly marvelous ways; and we say it is “instinct.”

It really isn’t instinct, but just plain sight, hearing, smell, and

direction sense. Men who have practiced their direction sense can

find their way quite as well.

So in general, the animals haven’t different senses from ours, nor

on the whole better ones. But they use them differently; and

cultivate some senses which we let go to waste. For the most part,

the animals depend on smell far more than we. Smell is apt to be

their principal sense, as sight is ours. Because they don’t use

their eyes as much as we do, they notice and remember more of what

they learn thru their sense of direction and their muscular sense.

But a man who tries hard can usually beat any animal at his own

game.

The fact is, I suppose, that we, men and beasts and birds alike,

have all the senses there are, all that any sort of creature could

have anyway. Then each, according to his nature and habits, uses one

more than the rest, to think and remember with.

XXXIII

Seeing In The Mind’s Eye

Not all us human beings use our eyes, ears, and noses in the same

way, as a simple experiment will show.

Shut your eyes and think of the name of some familiar thing, like

BREAKFAST TABLE.

What did you see in your mind’s eye? Some people see that breakfast

table just as clearly as if they were in the dining room with the

table itself before them. They see the cloth and the plates and the

food, the people at their places, the walls of the room, the

furniture, all just as sharp and bright and natural as if they were

looking at the things themselves. Others, more commonly, see the

room and table dimly. They do indeed have an inner picture, but it

is more like the picture one gets of things far round at the side of

the head, out of the corner of the eye. They have a general

impression, right as far as it goes; but they can’t see the patterns

on the plates, nor the position of each fork and spoon. Still other

persons, though there are not many of these, and children are almost

never this way, cannot see any mental picture at all. They have no

mind’s eye. They cannot see anything unless it is actually there.

People who can make such inner pictures are said to be eye-minded.

Children are especially this way. Sometimes, indeed, they have

difficulty in telling the difference between what they actually see,

and what they dream or imagine. Then sometimes, they get punished

for telling fibs.

Some people have this gift for making mental pictures to an

extraordinary degree. If they have a lesson to learn, they see the

page of the book before their inner eyes, and simply read off what

it says. I knew of a type-setter in a printing office, who was a

crack speller. He could spell anything. Give him a hard word, and he

simply saw in his mind’s eye his composing stick with the word set

up in type in it, upside down and backwards, as type is set by hand.

Then he simply read off the letters, and always got it right.

Some musicians, as I have explained, remember their pieces as if in

their fingers; but some see the inner picture of the notes, and read

them off as if from a real score. There is a story of a public

speaker, who in the midst of his speech stopped, hesitated, went

back and said something different. He explained afterwards, that

while he never read his speeches from a real manuscript, he did

always read them from an imaginary one which he saw before his

mind’s eye. This time, the manuscript that wasn’t there had some

words written in between the lines, so that he could not read them

easily.

Possibly you have heard of the truly wonderful performances of some

champion chess players. Chess is played on a board like checkers,

only it is a vastly more complicated game, with six different sorts

of “men” all moved in different ways. Nevertheless, many players can

play about as well when they do not see the board at all, as when

they do. They make a mental picture of the board, sit blindfolded,

and as the game goes on, they keep track of every move, as they are

told what it is, by altering their inner picture. Some of the best

chess players have played ten, fifteen, and even twenty different

games, all at the same time, blindfolded, and won them all against

as many separate players, each playing one game and looking at the

board. Such a champion player has to carry in his head the picture

of ten, fifteen, or twenty different boards, each with sixteen men,

scattered about over sixty-four squares, and all continually

changing. Yet they do this without ever making a mistake; just by

these inner pictures in the mind’s eye.

Some eye-minded people can see a picture on a blank sheet of paper

so clearly that they can mark over it with a pencil, and in this way

make most accurate and effective drawings. Some can picture to

themselves all four sides of a room at once, and imagine what is

behind them as easily as what is in front. Some do not even hear

directly what is said to them; but as each word is uttered, see the

same word printed before their mind’s eye, and then read it off.

There are those who say that they cannot wake up in the night and

think of the bright sun, without having their eyes dazzled!

Now it is a great advantage to be eye-minded. There is no easier way

of learning one’s lessons than by seeing books and maps and charts

and diagrams, whenever you want them, right in front of your eyes,

so that all you have to do is to look and see. The difference

between boys and girls who get their lessons almost without effort,

and those who get them only with the greatest labor, and then

promptly forget them again, is often in just this power of making

mental pictures. Some people can remember a page so clearly that

they can actually read off the first or last words of each line, or

read the printing backwards. Naturally, lessons come pretty easy to

such lucky people.

Then too, to be eye-minded is a great source of happiness. One sees

in the course of his lifetime, all sorts of beautiful and

interesting things. If he can, whenever he wishes, recall these as

mental pictures, almost as vivid as the reality, it is like seeing

the reality all over again. He always has with him a collection of

pictures, which though he cannot show to another, he can at any time

enjoy for himself.

The eye-minded person, moreover, has still another string to his

bow. Not only can he recall what he has seen; he can also imagine

things which he has not seen, and so tell in advance how they are

going to look. The engineer about to build a bridge, the architect

planning a house, the housekeeper deciding how she shall arrange a

room or set a table, the girl considering a new dress, the boy

laying out a ball field, all can work to vastly better advantage if

they can see exactly how everything is going to look, before they do

anything. It is a great deal easier to change things in one’s mind,

than after they get into wood and iron and cloth. No one can

possibly succeed as engineer, architect, designer, dress-maker,

milliner, and the like, unless he can make these pictures in his

mind’s eye, and see how things are going to be, before he wastes

time and material on the reality, Fortunately, this eye-mindedness

is easily cultivated. One has only to attend to his mental pictures,

and try to see all there is in them, to have them grow sharper and

more complete. In fact, children usually have so much of this

faculty that if they only kept what they have, instead of letting it

waste away from lack of use, they would be far better off when they

grew up than most grown-ups are. As we get older, we get to thinking

more in words, and we lose the knack of making pictures. All is, we

simply mustn’t.

XXXIV

Ear Minds and Others

Some persons are ear-minded. If you say to them

BREAKFAST TABLE.

they don’t see any breakfast table at all. Instead they hear in

their mind’s ear the sound of dishes, the murmur of conversation,

and the clatter of knives and forks. When they have learned their

lessons, and stand up to recite, they hear an inner voice telling

them what to say. They cannot easily remember how places look on the

map; but they remember the songs of birds, the different whistles

and bells of their neighborhood, they like lectures and readings,

and when they have heard a tune once, they know it again. Such

people may find it hard to learn to read a foreign language, but

they make it up by learning easily to understand it when spoken.

Musicians are apt to be ear-minded. Mozart, for example, could

listen to a long piece of music, then go home and hear it over again

as many times as he liked in his mind’s ear, and so write it down at

his leisure. Beethoven, after he became stone deaf, used still to

write his magnificent symphonies, that took hours to perform, making

them up in his head and hearing them in his soul’s ear—violins, and

trumpets and cymbals and drums, each in its proper place, long after

his bodily ears had ceased to hear any noise.

Not many people are ear-minded; not nearly so many are as

eye-minded. Those that are, can always hear sweet music and pleasant

sounds, whenever they will, and recall the words and voices of their

friends. Surely there is much happiness in being ear-minded.

Whatever ear-mindedness one has, is well worth hanging on to and

improving.

More people are muscle-minded. Think of a

BALL.

Do you see the ball in your mind’s eye? or do you hear the word ball

in your mind’s ear? or do you feel the ball in your fingers, and the

pull of your muscles as you throw? If the last, you are muscle, or

motor-minded, and you probably found yourself saying to yourself the

word ball.

Motor-mindedness, too, is a great convenience. It helps to make

games come easy, and dancing, and all sorts of gymnastics; it makes

it easy to carry oneself properly, to use tools, to be skillful with

one’s fingers, to play musical instruments. Motor-minded people are

apt to talk easily, and to learn readily to speak foreign languages.

Anything, in short, comes easy to them which involves doing

something.

Nearly all blind people are motor-minded. If they are also deaf,

then of course, they have to be so. I have seen a blind man get off

a street car, turn into his street, walk down the street as far as

his own gate, and there turn in without the least pause or

hesitation, any more than as if he could see. He couldn’t see. He

simply felt that he had walked just far enough. And he had.

Do you want to know which of the three possible sorts of minds your

mind happens to be? Then think of the street number of your house,

or the year in which Columbus discovered America. Did you look for

the figures, or listen for them, of try to say them to yourself? Did

you see 1492 printed out somewhere, or did you hear something say

it; or did you feel yourself saying it in your throat? In the first

case you are eye-minded; in the second, ear-minded; in the third,

motor-minded.

Most persons are mixed-minded. They have one principal sense, with

which they do most of their thinking; but where that is not

convenient to use, they employ another. Occasionally even, they use

the third. I am myself motor-minded. To learn anything, I say the

words over to myself. If anybody tells me anything, I cannot

remember it, unless I first say it over; and whenever I think of

anything, I say words about it to myself. I can Recognize tunes when

I hear them, but I cannot recall a tune, unless I fit it to some

words or sounds and think of myself as singing it. But I can think

of how things look, or imagine how things will look, much more

easily than I can think about how they sound; and I can, with some

effort, think how things look without starting to say anything about

them to myself in words. So I am also somewhat eye-minded.

Most of you will probably find yourselves, first eye-minded, then

motor-minded. That is, on the Whole, the most useful arrangement.

But the best sort of mind is one that can handle all three kinds of

ideas; and think about seeing, hearing, and doing all about equally

well. So you had better notice which you can’t do, and set about

learning to do it.

XXXV

Living Automobiles

If you will think back over what you have already learned in this

book, you will see that we began by finding out something about how

we men, the animals, and the plants come to have any such things as

bodies at all. We learned how the little chick forms inside the egg,

and the little plant inside the seed. We learned, too, about the

wonderful life-jelly or protoplasm of which all living things are

made; how it shapes itself into cells; how it builds these cells

into our various members, eyes and bones and hair and muscles; and

how the body changes, as we grow from youth to maturity, and from

maturity to old age.

Then, after we had learned something about this body of ours, we

turned to consider how we use it. We found about something of what

animals cannot do, and what they can do, and how they do it. We

learned how animals of various sorts, and plants as well, see and

feel and act; and we learned also something about how we ourselves

do our thinking, which is so very different, and so very much better

done, than that of any animal or plant.

Now we turn to a different matter. We have taken up being, and

doing, and thinking. Now we shall consider living. We shall learn

about how the body of the plant or animal feeds itself and keeps

alive, and how the different parts of it, the bones and skin and

leaves and bark, manage to get on with one another, and work

together like a well-made machine.

For, of course, the body is a machine. It is a vastly complex

machine, many, many times more complicated than any machine ever

made by hands; but still after all a machine. It has been likened to

a steam engine. But that was before we knew as much about the way it

works as we know now. It really is a gas engine; like the engine of

an automobile, a motorboat, or an airplane.

I don’t suppose that any boy, at least, needs to be told the

difference between a gas engine and a steam engine. In the one, we

build a fire under the boiler, and turn water to steam. Then the

steam goes thru a pipe to the cylinder, where it pushes the piston

back and forth, first on one side, then on the other, and so turns

the wheels.

In the gas engine, on the other hand, there is no boiler, no steam,

and no fire. A mixture of air and gasolene vapor flows into the

cylinder, cold. There it explodes, set off by an electric spark, and

the push of that explosion moves the piston and makes the wheels go

round.

We, I say, are not steam engines. We have neither boiler nor steam

nor fire. But each little working cell is like a little cylinder,

which takes up from the blood air and food, mixes them together

inside itself, waits with everything ready to go off, gets the

proper signal thru a nerve, then explodes and does something.

That’s the way a muscle does its work. It is a many-thousand-cylindered

engine. Each little fiber of the muscle is a cylinder; and each time you

lift your hand or move your foot there is a perfect battery of minute

explosions. You cannot hear them, for there is no pop—the muffling is

vastly better than any engine-builder ever devised. But you do feel the

heat; and if you move fast and hard enough, you have to stop to cool off

and get a drink.

The plants also are many-cylindered gas engines. They do not do so

much work as animals do, not so much running round and moving

things. But they do move, and certainly grow and lift themselves

high in the air. This much work they do by exploding their cells,

just as animals or automobiles do theirs. The growing plants take

their food out of the air thru their leaves; and they take also the

air itself in the same way. They mix these together inside their

cells; and when there is work to be done, growing, moving, or any

other sort, they explode a little of the mixture and do it.

[Illustration: The leaves take in air through breathing holes.]

Don’t think then that animals and plants and human beings are merely

like automobiles. They are automobiles. Their fuel is their food.

They mix it with air. They explode the mixture, and move. Anything

that does that is an automobile, and runs with a gas engine.

XXXVI

Air and Fuel

We are, then, gas engines. So we have to have air to mix with our

gasoline. The simpler water animals, such as sponges, which are

mostly holes, and all minute creatures, both animals and plants,

simply take it in directly into their cells where they are going to

use it. There is plenty of air in water—you can see it fizzle out

from the water in a drinking glass when you draw water from a faucet

in cold weather. The water creatures breathe this out of the water,

and die of suffocation if you put them in boiled water from which

the boiling has driven out the air.

Most animals which have blood, use this to carry the air to their

cells. For blood, whatever else it is, is nine-tenths water, and

will dissolve air like any other water. The insects, however, though

they have blood, do not use it to carry air. Instead, they have a

system of branching pipes running all over their bodies, and opening

at various points on the surface. You can often make these out

easily, a pair of openings for each joint, on the sides of

caterpillar’s body. These pipes carry the air everywhere over the

insect’s body, even to the feet, so that wherever there is a working

muscle, there also is the air for it to work with. Thus the insect

has no need of lungs, and has none; and therefore, I suppose never

gets out of breath, no matter how hard it works.

[Illustration: In place of lungs, insects have breathing holes like

a leaf.]

We human beings, and our four-footed cousins, all backboned animals

in fact, do not manage in any of these ways. We breathe the air into

our lungs. There, instead of dissolving it in the watery part of the

blood, we turn it over to the red corpuscles, which are especially

made to do this very thing and do it particularly well. These

minute, coin-like corpuscles carry the air all over the body, and

deliver it over to the cells as they need it. But of course, as you

must have already learned in school, the body handles only the part

of the air that it can use, the oxygen. The rest it lets go and

doesn’t bother with. That is where we have the advantage over other

automobiles, which can’t pick out the part they want but have to

take the air as it comes. Still it all comes to the same thing in

the end. With all animals the oxygen gets mixed with the fuel and

explodes.

Our fuel, moreover, is a good deal like gasoline. Gasoline, as you

know, is related to kerosene, benzine, paraffine, and the rest,

which are all products of rock oil. They are, then, themselves oils;

and gasoline is an oil.

We, too, eat oils; not, to be sure, mineral oils, but animal and

vegetable oils, olive oil and butter and cream and all sorts of

fats; for fats are merely oils that freeze at common living

temperatures and melt only after we get them stowed away.

We, then, burn many sorts of oil. We also burn bread and potatoes

and the like, starch and sugar and gums, which though not oils, are

much like them; really in a way, oils that are already about half

burned. These we finish up in our engines. On the whole, it’s much

more convenient than depending on one sort of fuel, and exploding

only gasoline.

Natural Wonders · 第 10 / 16 段