CHAPTER VI.

NON DOLCE FAR NIENTE

And so we reach a situation which, having no least authority to

complicate itself, must suffice us in its simplicity to the end. It is

a situation as old as the human drama; it has formed the groundwork

for a thousand tales of passion and infidelity, more fierce, more

involved than this that I relate; it embraces for its essentials but

three characters, the lady, and the diffident lover, and the false

friend. Yet, although our version may not rank in poignancy with the

tragedy of the Rimini, or in homeliness with the courtship of Miles

Standish, it can claim for its main details that virtue of truth which

ennobles even little calamities above the finest ecstacies of the

imagination.

It is into a brief idyll of love and summer, then, that we are now to

penetrate. Would it might begin and end there in the green gardens--to

flow, in Tennyson’s words:

“... sweetly on and on,

Calming itself to the long-wished-for end,

Full to the banks, close on the promised good.”

But, alas! though the spirit of romance plead to us, soft as his

loveliest temptress to St. Anthony, our historical conscience must

remain cold and deaf to its entreaties. As things happened, so must

they be recorded.

The lady, and the lover, and the false friend. It is such a simple

tale, and so haunted by precedent, that the least sophisticated

reader, given these premises, could surely write it for himself. Only

remember that no such friend was ever false by design. Nor was this

one. He began by detesting his task, not from conscientious motives,

but because he went into it branded by the wounding stigma of her who

was its object. He knew in what comparative light she would regard his

advocacy; and he knew that in his own conscious acceptance of that

estimate was foretold the failure of his mission. What value were to

be attached to the praises of such a man?--so would run her thoughts.

To be belauded by him were to be implied despicable. So he would only

end by confirming the very complaint he was sent to alleviate--and

serve those right who had commissioned him. It would do them no harm

to learn that to strain devotion too far were to have it snap and

recoil on themselves. At this beginning of things he really believed

that he hated the young Infanta--a sentiment certainly little

conducive to the successful accomplishment of his business.

And it did nothing to put him on better terms with himself to realise

with what contemptuous confidence he was delegated to this task.

Joseph or Philip--it was all the same moral of princely omnipotence.

He was with both of them just the insensate instrument, to be played

upon, to evoke certain emotions at command, and then to be dispensed

with as a mere mechanical agent that had served its purpose. That he

might prove a self-conscious agent, possessing feelings and passions

of his own, never seemed to occur to either of them as remotely

conceivable. He was just turned loose into the green pastures of

Colorno, as a lowly steer might be entrusted to the company of a

pedigree heifer--entrusted to excite her interest, that is to say, in

the royal bull which was to succeed him by and by.

He laughed, putting that image to himself; yet really it was a not

exaggerated one. Only, apart from the pledges of so-called friendship,

he was doubtful of his own capacity to excite. If the lady started

with a prejudice, he started with a grudge, and the two between them

seemed inimical to a right sentimental understanding. Supposing

panegyric were merely to react through him upon its subject? In that

case the logical course would be to represent Joseph as undesirable.

Yet he hardly dared to risk such a chance. No, he would be faithful to

his mission, and, if that failed--well, _he_ had not been the one to

initiate the business of the green intaglio. They must fight it out

among themselves.

And in the meanwhile he would act according to his lights. For some

days after his installation at the palace he was scrupulous in

obliterating himself so far as Isabella was concerned. He saw the

marquise privately, and took pains to convince her, against her more

truculent judgment, that his policy for the moment lay in

self-effacement. Time and opportunity, he said, would best decide the

manner of his next approach. He brought her to agree with him, the

more easily as that old intriguing bosom could yet find, in the

attentions of a personable male creature, the shadow of an ancient

thrill. She admired his bright volubility--for, the chevalier’s tongue

once loosened, he gave it full exercise--she admired his romantic

looks and more romantic songs. They were all for her for this time

being; and for her the frank confidence which confessed, confirming

her suspicions, the true purpose of his mission. They were

conspirators together, very humorous and understanding.

In truth, the man did not know how to begin. That unforeseen antipathy

seemed to blight his inspiration, and he was glad of the respite. He

spent much of his time, while so temporising, in wandering about the

spacious grounds. They were fair in the Italian style, with formal

walks, and fountains, and colonnades of marble; better still, with

remoter green recesses where one might lose oneself amidst flowering

thickets, set here and there with sunk gardens and lily-ponds. One

morning, when so strolling, he came plump, turning a leafy corner,

upon Madame Gonzalès and her young charges. Those were three in all,

the two younger, Ferdinand and Louise, sharing, pretty equally between

them some fifteen years. These youngsters drove in a little chaise,

with a pretty white goat to draw it, and Isabelita walked smiling at

the head. Tiretta saw the smile fade and the slender figure stiffen in

the moment of his appearance. He bit his lip, as he stopped to greet

the cavalcade with a bow.

“Ah, monsieur!” cried the marquise, with a quick wrathful glance at

the young lady; “this is well encountered. We are all hot and tired,

and would welcome someone who would amuse us.”

They had halted near a rustic bench, and thereon the old lady seated

herself, fanning her moist face fretfully.

“Charmed,” said Tiretta. “What shall I do--turn Catherine-wheels down

the alley, or run after my own tail, like a puppy?”

The little eight-year-old boy laughed gleefully. “Is that your tail,

monsieur?” he said, stretching out to touch the chevalier’s sword.

“Like the scorpion’s, I fain would think, young sir,” said Tiretta.

“It hath a sting in it for those who would approach it rashly.”

The boy, pulling at the reins, looked up with large indolent eyes.

“Woa, Belletto! Stand still, little hog! Are you a soldier, monsieur?”

“I am what they call a soldier of fortune, sir. I fight, when I fight,

to vindicate and extol her name, as the Knight of la Mancha fought for

his Dulcinea. You have heard of him?”

“Haven’t I, just! But I would rather, for my part, fight for my

country.”

Isabelita’s little hand, for all the feigned abstraction of

Isabelita’s eyes and thoughts, touched the child’s shoulder

approvingly. He looked round at her. “Wouldn’t _you_, Lita?” he said.

“What, dear?” she answered, stooping to him.

“Wouldn’t you rather fight for your country than for Mademoiselle

Fortune?”

“Of course, Ferdy. How can you ask such a question?”

“There was never a knight in the world more worthy than this Quixote

to wear his spurs,” said Tiretta.

She was impelled to answer him against her will:

“There was never one who despised fortune more, or owed so little to

her.”

“I do not despise her,” said Tiretta quietly. “If I did, I could not

serve her as disinterestedly as this don served his peerless one. But

a man must have his ideal to inspire him, though it be no better than

a purse of fairy gold, and though it leave him in the end as poor as

he began.”

“My God, what nonsense you all talk!” cried the marquise crossly; “and

monsieur is the most wilful of the lot. He is a brave soldier, and he

has fought for Spain.”

“Is Spain your country?” asked Ferdinand.

“I fight for fortune--always for fortune, I tell you,” said Tiretta,

with an obstinate smile.

The little boy touched his sword again.

“With this, monsieur? Has it killed many people?”

The Gonzalès laughed loudly.

“It has killed one person,” said Tiretta, “whose blood, mademoiselle

your sister will likely tell you, has dishonoured it for ever.”

“Whose?” said the child eagerly. “Tell me, monsieur.”

Tiretta drew out the blade--an elastic strip of steel, long toughened

by use--and ran his finger along it.

“It belonged,” he said, “to an old friend of mine. I thought him one

of the noblest of men; but since, like myself, he was a mere soldier

of fortune, that may be nothing but my prejudice. He had fought

successfully in a number of causes; but in the cause of self-interest

he failed. He had many and grave faults--a persistent craze for

gambling; an arrogant temper; a furious hatred of the people. To hear

him fulminate, one would have thought he ranked them with the

grass--ready, on the least provocation, to mow them down by the acre.

But he played straight, while others robbed him; out of his lean purse

he pensioned a dishonest rogue grown crippled in his service; his

temper never impaired his perfect honour. And, as to his hatred of the

people--why here, after all, was the moral of it. He met his death

rescuing a drunken old woman, horrible, hideous, debased, from the

hands of a party of miscreants. But she was a woman, you understand.

That was in Castille; and there I stood by his bedside, and received

this weapon from his hands as a last bequest. I have tried to honour

it since, but never to such honour as when, in piercing that scoundrel

heart, it was used by him nobly to falsify the asserted principles of

a lifetime. At least, so, being another soldier of fortune, I regard

its distinction.”

He slipped the blade back into its scabbard, while the children, only

half understanding him, regarded the act in silent curiosity.

“But _am_ I amusing you?” he cried, with a laugh, to the marquise. “As

a soldier of fortune, I could bring many such pretty tales out of my

pack.”

“Pooh!” said the old lady impatiently. “Why do you take this perverse

pleasure in misrepresenting yourself? We know, monsieur, what we know;

and that does not conceive the case of a certain exalted mind stooping

to intimacy with a worthless adventurer. There are patrons whose

simple favour speaks all that is needed for the high merit of those

they distinguish by it.”

“I am not denying it, God forbid, madam,” cried Tiretta. “I would not

so dishonour his Highness’s noble character as to pretend it could

find pleasure in base friendships. As a prince, he is without

littleness; as a man, his instincts always lead him towards the

highest.”

“It is so, without question,” said the marquise, nodding her head

delightedly.

“Nevertheless,” said Tiretta, “I hold by my title. It hath the warrant

of the noblest gentleman ever born of imagination or fact. And so I do

not use it in irony or self-depreciation, but as a title to be

defended like a king’s.”

“Eh bien!” said madam indulgently; “let it remain, then, as a question

of terms. Be to yourself what you will; to us you shall be the

knight-errant. Eh, Isabelita?”

“Pray do not ask me, madam,” responded the girl coldly. “I am not a

judge of what constitutes a knight-errant.”

She quite foresaw the angry protest her tone would evoke; and yet she

would affect no other. Everything this man said offended her. She saw

only design and insincerity behind it. This mission he was engaged to

fulfil must always be paramount in his mind, and her consciousness of

that preoccupation made her suspicious of his every sentiment. She

thought it a pity that one so recommended by his looks and soldierly

reputation should condescend to lend himself to such finical, rather

contemptible practices. But no doubt he had been demoralised by

flattery. There was nothing in the world like a fine voice to convert

a man into an insufferable coxcomb. The insolence of the light laugh

with which he received her snub spoke a whole volume for his

impregnable self-complacency. It brought a flush to her cheeks.

But the laugh had in reality spoken no more than a tickle of that

humour which accepts its own failures whimsically.

“Stuff and nonsense!” cried the marquise. “You were ready enough with

your definitions when you wanted to contradict monsieur. But one can

no more produce reason from temper than grapes from a thistle or music

from that tree.”

“Cannot one?” said Tiretta, hastily interposing with a droll look.

“Ah, but I do not feel so sure!”

There was a knot of frayed bullion hanging from his sword hilt, and,

picking delicately, he unwound from it a single strand of gold wire a

yard or so in length. This, after testing, he carried to a branch that

overhung the walk, and, fitting it taut within a natural bow made by

the wood, contrived a tonic resonant string, which, daintily touched,

answered to his manipulation like that of a fairy guitar.

“Now,” he said, his head bent to the string and his fingers lightly

caressing it? “shall we see if the little tree will sing to us?”

“Yes, yes!” cried the children breathlessly.

“You must be very quiet,” he said. “It will speak, if it speaks at

all, so soft and shy that a sound would frighten it.”

They sat as dumb as mice--as dumb as the hot motionless air about

them. And presently his fingers moved--the merest phantom of music;

and in the low phantom of a voice he took up their tale:

“What music in the little tree?

The wind, the bird, the humming-bee.

They yield their secrets up, and sing

With tirra-lirra down my string.

The cricket with his shrilling call,

The little cheeping mouse and all,

They skip and dance like anything

As ‘tirra-lirra’ sounds my string.

Then ‘Tap!’ the hidden wood-chuck. Hark

His tiny baton on the bark!

And nightingale stands up to sing

His tirra-lirra down my string.”

The wire snapped, and the singer threw up his arms with a resigning

laugh.

“More, more!” cried the children delightedly; and the _gouvernante_

applauded with all her might: “Brava, bravissima! It was the most

perfect, the most wonderful thing!”

It was wonderful really. This man had the inexplicable gift. He could

have produced music out of a key, or a saucepan-lid, or an old shoe,

like Paganini or some other. He seemed to think in it, and the

appropriate words fitted themselves rhythmically to the sounds. It was

all done without the least appearance of effort; and there was the

woodpecker’s tap and the nightingale’s trill unmistakable in their

context. Of course the verse given is an adaptation, and I daresay a

bad one, of the original; but it supplies the sense.

Isabella was moved, as she could hardly fail to be. Certainly his

voice was a beautiful one--she would grant him that. He had the right

to be conceited about it--if he was conceited. But she felt all at

once a doubt. He had sung so prettily and naturally, and solely for

the children’s sake. Perhaps, after all, what she had thought the

confident effrontery of his manner betokened no more than the

conscious independence of a free spirit. He would not be overruled,

she remembered, about his self-imposed title. That hardly looked like

conceit. If she could only believe a little in his personal

genuineness, she might excuse him more. It was something in his

favour, at least, that he had undertaken a task so unwelcome as this

must be from considerations of pure friendship. Yet had he done so? He

was a soldier of fortune--he himself had declared it--and the lure he

followed must always and necessarily be a golden one.

And straight, on the thought, the unwarranted meanness of the

accusation so recoiled upon herself as to make her seem, in its silent

utterance, the contemptible one. That momentary revulsion of feeling

wrought its mood, penitent and characteristic. It was always this

affectionate child’s instinct to propitiate where she thought she had

hurt; and, if only in thought, thought none the less must plead for

absolution.

The little Louise, leaning from her place, had caught the chevalier’s

arm in both her own and was nestling her plump cheek against it. That

was pretty and significant. It showed he was a man whom children

naturally trusted and liked.

“Look,” said the little maid; “that is Lita’s own lily-pond down

there. Lita loves lilies.”

He felt the inopportuneness of the allusion, and his lips twitched a

trifle as he responded:

“Do you know what water-lilies are, ragazzina? No? They are the little

washing basins of the nixies.”

“They do not hold water, monsieur.”

“Ah! we who live on land wash in water, you see; but those who live in

the water wash in sunshine. If you look very carefully, you will see

they are all full of it.”

A sweet voice spoke to him:

“I am very proud of my pond, monsieur.”

He acknowledged the concession with a little grave inclination of the

head: “You have reason to be, Madonna”--and turned and addressed

himself to the child again.

The pot of basil · 第 6 / 29 章