CHAP. XIV.

The fireworks were now ended, and much admiration was expressed by the

spectators. The king roused himself from the mood into which he had

been thrown by the faithful Aage's farewell, and the Marsk's sternness.

"Where is the master of that fair pageant?" he said aloud; "where is

the learned Thrand Fistlier?"

"Here, most gracious sovereign!" said a discordant self-satisfied

voice, close beside the king; and Master Thrand stepped forth from the

dark avenue, with his amanuensis, the youthful Master Laurentius, by

his side--

"If my poor skill hath pleased the royal and lordly company, I esteem

it a high pleasure and honour."

"You have surprised us in the most agreeable manner;" said the king,

"but what I have seen will please me still more, if you will explain to

us the ways and means by which such beautiful results are produced."

"The whole is insignificant, in comparison with what I yet purpose,

according to promise, to show your grace!" answered the artist, bowing

humbly; "it is a masterpiece that requires but a moment's time. The

ways and means by which I produce it belong partly to one of my great

Master Bacon's most important discoveries, which he hath indeed named

in his writings, but hath not clearly and minutely explained. It is a

discovery which may easily be abused, and therefore can only be

entrusted to the initiated. I am the only one of his pupils who fully

comprehend it. I have myself considerably extended and substantiated

what was to my master rather a profound conjecture, than an actual

discovery, and I trust I shall not be deemed vain, if I expect, even in

preference to my great master, to be immortalised by it in the history

of science----"

"Well, well!" interrupted the king, "what is it?"

"The only person to whom I have imparted something of this important

secret," continued Master Thrand, with a proud look, without suffering

himself to be abashed, "is my pupil Master Laurentius; but I have not

as yet been able to initiate him in the deepest mysteries of an art

which will perhaps require centuries ere it be fully revealed to the

prejudiced human race. With you wise king! and with these enlightened

nobles and scholars, I make honourable exception, in showing you what I

have not even as yet shown my pupil, and what I now, for the first

time, and in an altogether novel manner, am about to reduce from theory

to a decisive practical result. If this marvellous art is not to die

with me----"

"You expect to become immortal, no doubt. Master Thrand!" interrupted

the king again, somewhat impatiently, "and if I understand you aright,

even in the proper signification of the word; if your art enables you

to set even death at defiance, your important invention can never be in

danger of perishing from the world. Let us now see what you laud so

highly, and keep not our expectation longer on the stretch! You

diminish by it even the surprise you have perhaps intended us."

"Instantly! most mighty king!" answered the artist in a lowered tone,

and produced a calf-skin, which he rolled up and placed on the ground.

He then took out of his pocket a small, unknown substance, of some few

inches thickness, which he placed under it, and commenced several other

preparations, seemingly just as simple and trivial. "Now place yourself

there, your grace!" he resumed, "and give close heed! Quit not your

place until you see me withdraw. Let the ladies step aside, it might

perhaps alarm those who are weakly, although there is no danger

whatever. As soon as I light this torch and bring it into contact with

this simple apparatus, you will hear a voice like that which nature's

great spirit sends forth from the clouds of heaven, to announce his

sovereignty over all the earth, as lord of life and death; but _this_

voice obeys _my_ bidding and _my_ will--now mark!" The ladies stepped

aside and looked inquisitively towards the artist. Some of the noble

guests drew nearer; others drew back with suspicion. The king stood

silent and attentive, on the spot assigned him. The learned Master

Petrus de Dacia stood nearest him; his eyes were raised towards the

clear bright stars, and he appeared occasionally to look on the little

mountebank and his whole proceedings, with a kind of contemptuous pity.

Count Henrik was not present; at the Drost's suggestion he had employed

himself in securing the castle against every possible attack of the

outlaws, some of whom were supposed to have been recognised among the

masked wedding guests who, however, had already escaped.

The expectation of the whole assemblage was now turned towards the

exhibition of art, which had been so pompously announced. The

mysterious artist was still busied with his preparations, and appeared

himself somewhat thoughtful and hesitating. He lighted a torch at some

distance, and took a book out of his pocket, which he appeared to

consult. He had placed a pair of large spectacles before his eyes, and

as he thus stood in the torch-light, with his deformed figure and fiery

red mantle, he resembled a goblin or a fire-gnome, rather than a human

being. He presently replaced the book in his pocket, and lighted

another torch.

"Stop your ears with this, your grace!" whispered the considerate

Master Laurentius, handing a couple of wax-balls to the king, "from

what I know of this specimen of art, it may have a stunning and

injurious effect on the hearing." The king nodded and followed his

advice. The artist now held the lighted torch in his hand; the red

flame lit up his face--it was expressive of a fearful degree of

agitation--every muscle was horribly, almost convulsively,

distorted--He approached slowly with the torch towards the mysterious

apparatus, and most of the spectators drew back with apprehension. The

king stood calm and attentive in his place, by the side of Master

Petrus de Dacia, with his foot on the rolled-up hide.

"Hence! back! life is at stake!" said a voice behind him in a frantic

tone. The king felt himself forcibly grasped by a powerful hand, and at

the same moment a fearful explosion, resembling a clap of thunder, was

heard, with a flash as of a thousand combined lightnings; many persons

fell to the ground with a cry of horror. The ladies swooned--a cloud of

smoke encompassed them, with a suffocating sulphureous vapour. The

terrible artist himself lay mangled and lifeless on the grass, with the

extinguished torch in his hand. Master Laurentius threw himself upon

the body in grief; there was a fearful panic and confusion.

The king stood unscathed a few steps from the corpse of the wretched

Thrand, and now first perceived who had dragged him from his dangerous

position. It was his own brother Christopher, who, with his Duke's

diploma crumpled in his left hand, and with his right still

convulsively grasping the king's arm, stood pale as death gazing on the

lifeless philosopher. "The judgment of God!" he said in a deep and

scarcely audible voice. He quitted his hold of his brother's arm, and

then, as if pursued by evil spirits, rushed into the dark avenue, and

disappeared.

"Christopher! What is this?" said the king in a low voice, as he looked

after him, with a horrible conjecture, but he quickly recovered

himself, and hastened to attend his bride and the terrified ladies.

"The danger is over," he said with calmness, "but this specimen of art

hath cost the artist his life. If he hath spoken truth, his dangerous

art hath perished with him, and the whole world is lapsed into

barbarism and ignorance. He was a wise and learned man," he added, as

he saw most of the company tranquillised, but heard the suspicion of

treachery loudly expressed--"Let us not judge his intentions! perhaps

he hath sacrificed life as a martyr to his science--'twas pity,

however, he would personate our Lord; the Almighty lets himself not be

mocked."

None were injured but the hapless artist, and the company soon returned

composed and thoughtful to the illuminated avenues in the garden.

Ingeborg's fears were calmed and she clung tenderly to her bridegroom's

arm. It appeared to her and to all, as if an inconceivable miracle had

saved the king's life and crushed his treacherous foes. The report of

the king's peril had interrupted the bridal festivities; but wherever

he showed himself the music and merriment again commenced, and the

royal bridal pair were followed back to the castle, with almost

deafening acclamations.

While the bridemaids conducted the bride to the bridal chamber the king

repaired to his private apartment. He went in silence to his prie-dieu,

bent his knee before the holy crucifix, and became absorbed in silent

prayer. He had shut the door after him, and believed he was alone with

God on this spot, to which none beside himself and his confessors had

access; but he presently heard some one moving behind him, and he

arose. Junker Christopher stood before him, with his wild countenance

bathed in tears. "My brother!" he exclaimed, with outstretched arms, "I

have sinned against the Lord and against thee; I am not worthy to be

called thy brother. Canst _thou_ forgive me what _I_ cannot name? Canst

thou forgive me for the sake of our murdered father's soul, and for the

sake of the All-merciful, who blots out every transgression?"

"Christopher!" said the king, in a tone of the greatest consternation,

gazing fixedly on him with a piercing look, "thou wouldest--thou

knewest----"

"Say not what I willed--say not what I knew!" interrupted the junker,

in a choking voice, and covering his face with both his hands; "but

give me thy hand, if thou canst, and say.--'I am reconciled,' and by

the Almighty, who hath struck me with horror, thou shalt see this face

no more ere I can say, 'Brother! now hath the great and terrible God

forgiven me, as thou hast forgiven me!'"

"Christopher! brother! my father's son!" exclaimed Eric; the tears

gushed from his eyes, and he hastened towards his humbled brother with

open arms. "Come to my heart! may the merciful Lord forgive thee as I

have forgiven thee!" and the brothers sank in each other's arms.

"Amen!" said a friendly voice beside them. The king's confessor, the

pious Master Petrus de Dacia, who had led the despairing Christopher

hither, stepped forth from a niche in the chamber, and laid his hand on

their heads in token of blessing.

"This day hath now become the happiest of my life," said Eric, and went

arm-in-arm with the junker out of the private chamber.

King Eric and the Outlaws, Vol. 3 or, the Throne, the Church, and the People in the Thirteenth Century. · 第 26 / 28 题