And yet the place looks so fresh, so fair, so happy. It is ten miles

from the Land’s End; the wail of the Cockney concertina is never heard

within these gates; and Plymouth, the nearest large town, is eighty-one

miles away. Penzance knows nothing of London. Visitors come from the

Metropolis to the shores of Mount’s Bay; but although they are--in

instances--known to his from London town, that place is the merest

geographical expression in Penwith. We don’t read London papers

at Penzance (unless we are--for our sins--authors, when our friends

kindly post us those copies containing slashing reviews, obligingly

blue-pencilled); we read few papers of any sort, and those are printed

at Plymouth. Visitors do not get through much reading at Penzance. They

have breakfast, and disappear for the day, to return only at night,

tired and hungry, from strenuous excursions to all sorts of wild and

impossible places, with names that only a Celt can properly get his

tongue round. A stranger coming into Penzance upon a mid-day of its

season would opine from the evidence of his eyes that the town had

lost its favour, but nothing would be farther from the truth. Half the

visitors are at Land’s End or the Logan Rock; some at Saint Ives; many

at the Mount, or Newlyn, or Mousehole; a few have gone to Truro or the

Lizard.

Penzance is a harmony in grey and blue, looking seaward; in grey and

green to the inward glance. Its chief street, Market-jew Street,

climbing up to the centre of the town, has at its summit the somewhat

gloomy granite building of the Market House--severely classic--fronted

with a statue in white marble of Sir Humphry Davy, a native of Ludgvan

village near by. Over a doorway of the building you may see, carved in

the granite, the arms of Penzance, i.e., the Head of Saint John Baptist

(I disclaim at once all responsibility for the apparent Irishry of

the arms of the town being a head), with the legend “Pen Sans, 1614.”

At the Alverton end of the town you may still see an old, heavily

thatched cottage, where was born that doughty hero, Edward Pellew, who

afterwards rose through his prowess to the title of Viscount Exmouth, a

title more hardly earned than some parallel patents of nobility in this

little day.

[Illustration: SAINT MICHAEL’S MOUNT: ENTRANCE TO THE CASTLE.]

’Tis a languorous air, of Mount’s Bay; thus it fell that the morning

was usually well advanced before we happened in the street or by the

harbour. Here, on certain week-days, is great bustle, when the mail

steamer is preparing to cast off for the voyage across to Scilly. The

passengers, like the poet’s “little victims,” laugh and are merry,

“all unconscious of their doom.” For, of a truth, ’tis a rolling sea,

and, as the humorist might say, the sick (!) transit takes away the

_gloria mundi_.

[Illustration: PENZANCE HARBOUR: NIGHT.]

But we leave these, and embark upon that little voyage of three miles

to “the Mount,” as you come to abbreviate Saint Michael’s crags, across

the shallow waters of the tumbling bay.

In less than half an hour our little launch runs alongside the massive

stone walls of the tiny haven, at the foot of the historic Mount,

and we presently disport ourselves upon its delightful slopes, whose

history, with that of the grey castle above, goes back to very dim

antiquity: a history of sieges, surprises, and fierce fights among the

rocks, and on the sands below. The Mount is now the property and the

residence of Lord Saint Levan, the present head of the Saint Aubyns,

whose name one constantly meets throughout Cornwall. The loyal Saint

Aubyns have zealously recorded the Royal visit to the Mount in 1846,

when her Majesty landed at the stairs of the haven; for there has been

let into the rugged granite a brass-plate, inscribed with a “V.R.,” and

fashioned to represent the Royal boot-sole, by which you gather that

the Queen wore most uncommonly square-toed shoes in those days.

I warn strangers that, before visiting the Mount, it were well to

dismiss from the mind all recollections of it as done into paint and

water-colour, for artists have all tacitly agreed to exaggerate its

height and steepness. Thus, Turner’s grand painting, and Clarkson

Stanfield’s huge achievement in water-colour, would be introductions

by which a subsequent acquaintance with the place would only

disappoint. But then, to expect topographical accuracy in these things

(and especially in Turner’s later work) were indeed vain. The best

point of view for an idea of the Mount is that half-way up to the

left hand, whence this drawing was taken; for here you have bulk and

composition without the need for exaggeration.

The castle, crowning the heights, has still much of interest to show,

though modern additions are everywhere about. Thus, the Chevy Chase

Hall, anciently the refectory of the religious house that once held

sway here, is worthy attention. Its name is derived from the decorative

frieze that runs round its walls, a representation of old-time hunting

scenes. The Royal Arms above, are, of course, a very modern addition,

and the spears and other weapons seen on the walls are, for the most

part, spoils of the Soudan campaigns, brought from Egypt by Lord Saint

Levan’s son, who went through those expeditions.

The chapel, too, though now bare enough, is of Perpendicular date.

A horrid _oubliette_ is shown beneath the stalls, a small chamber,

without light or air or any outlet when the paving-stone above is

lowered to its place in the floor. Some years since, when this dismal

living tomb was accidentally discovered, the skeleton of a man of

extraordinary stature was found within. Who he had been must ever

remain matter for conjecture--poor wretch, left here to be forgotten.

[Illustration: CHEVY CHASE HALL]

It is a darksome climb to the battlements of the old tower of the

castle, so high above the world. Penzance and Newlyn lie below in the

distance, and their white walls flash upon the grey of granite and the

dull green of the moors beyond. Presently, as you gaze, comes a trail

of smoke from eastward, and the “down” train glides into the wayside

station of Marazion Road, bringing its complement of holiday-makers,

who will swarm up the Logan Rock, sail to Lamorna, adventure (if they

be hardy pedestrians) to Porthgwarra or Saint Levan (whence Sir John

Saint Aubyn’s jubilee peerage), or Cape Cornwall; but those spots

are innumerable where the tourist loves to dwell. Above all places

he goes to Land’s End, but never or rarely does he hie him eastward,

to Perranuthno, to Cuddan Point, or to Pengersick. Civilisation goes

ever westward, and, as the tourist is its peculiar product, ’tis only

fitting he should follow its march.

I recollect another day, when we went to Land’s End, along ten miles

of ofttimes rough and heavy walking, through Alverton’s lanes, along

the short stretch of dusty road that passes by the wrecked sea-wall,

designed to join those near neighbours of Penzance and Newlyn, but

demolished by the first storm that rolled in from the south-west.

We sat upon the tumbled blocks of granite, and captured this view of

the town, and then came upon Newlyn and its decaying school of artists.

What has become of the Newlyn School, so-called, that ephemeral

blossom? Are we to assume that, its leading exponent having won to

academic honours, its mission is fulfilled?

[Illustration: PENZANCE.]

They were only a _dilettante_ set we saw at Newlyn, painting the

ramshackle old bridges and their loungers. Artists have painted these

old bridges over and over again, have composed groups of bronzed,

blue-jerseyed fishermen leaning over their parapets and gossiping,

and have given, with the convincing surety of the Newlyn touch, the

laughing, tinkling stream that flows beneath the arches, presently

to lose itself in the shallow waters of the bay. The amateur

photographer, too, is never weary of well “doing” the place. I prefer

the paintings to the photos, because, although I have a happy liking

for realism and truth, I draw the line at the camera’s uncompromising

rendition of battered tin cans, broken crockery, fish offal, old boots,

and other unpicturesque and sordid objects that lazy housewives cast

out of window into the water.

[Illustration: LUDGVAN LEAZE.]

Sad, indeed, is the state of the picturesque stream or romantic glen

that borders upon a camp of civilisation, for abundance of old boots

and sardine tins are the reward of the diligent botanist or natural

historian in these gates; bracken grows not more profusely than are

strewn the shards and potsherds of the neighbouring town. But no

matter how frequent and plentiful the wreck and refuse in the matter

of bottomless kettles, superannuated umbrellas, and broken dishes,

the Old Boot is the commonest object of the seashore, highway, by-way,

lane, or ditch--no mountain too high, no valley too deep for it to be

found. The angler lands it with language and dashed expectations from

the trout stream; the trawler finds it unaccountably in his trawl-net

when he returns from the bay; the ploughman disinters it from the

field; and children dig it up from the sands: everywhere is the Old

Boot. I have communed with Nature, and rambled amid the wildest and

loneliest of scenes, when my meditations have been arrested by old

boots, and at once the poetry and romance of the scene have flown away.

Truly, there is nothing like leather.

LXVII.

But this is a turning out of the path; let us on to Land’s End, up

Newlyn’s lanes, whose inhabitants fall into poses as the artist passes

along, so sophisticated are these one-time simple folk become.

Here winding lanes lead up to the highroad, through a country where

“stone walls do not a prison make,” but are fashioned into hedges;

where, as you near the end of all things, trees become scarce as corn

proverbially was in Egypt aforetime, finally ceasing altogether,

incapable of withstanding the strenuous salt winds from the Atlantic.

[Illustration: SAINT BURYAN.]

The villages you pass--as Saint Buryan and Saint Sennen,

storm-beaten and ashen-grey, wear a rugged, uncanny look, that

brightens into cheerfulness only in the strongest sunshine of summer,

when they become even as Saharas for dryness.

The road takes its way past Crowz-an-Wra--name of horrid seeming--on to

a level bounded by the trim hills of Bartinney--Chapel Carn Brê in one

direction, and rounded off by the watery horizon on the other, past the

Quakers’ Burial Ground, a little parallelogram of moorland walled in

with walls of grey lichen-stained granite, without door or gateway of

any kind--a dismal spot, overgrown with rank grasses. Abandon hope all

ye who inter here!

[Illustration: _Saint Germoe._]

Passing through the desolation of Sennen village, with its grey granite

church, in whose little graveyard lie many dead sailors and fishermen,

in less than a mile you come to the westernmost point of England.

Here, with the growth of touring, modern enterprise has supplanted the

Sennen Inn, the original First and Last Inn in England, according which

way you fare. A large building, close by the cliff’s edge, has usurped

the old sign, and here the Penzance coaches set down their loads of

sightseers to consume sandwiches and a variety of liquids upon the

short grass.

Now, Land’s End is a spot that has little beyond its alleged farthest

projection to the west to recommend it. Other points of this wild coast

are grander than this place of stunted cliffs overlooking the Longships

Lighthouse, with a dim glance at Scilly lying athwart the sunset.

Carn Kenidjack and Cape Cornwall, for instance, to the northward, are

grander, loftier, and more precipitous. The sea thunders upon the shore

in their sandy coves, while here the cliffs drop sheer into the water,

and you are cheated of a foreground.

But, as the chartographers have it, this _is_ the end of all things,

and therefore it is honoured of brake-parties, who sit upon the grassy

cliff-top, and hold unpremeditated picnics. What of beauty the place

possesses is (more or less) pleasingly diversified with broken bottles

and other relics of these _al fresco_ feasts, and miscalled “guides”

hover about seeking whom they may devour.

[Illustration: The Longships Lighthouse]

Ugh! the greasy paper and the broken glass of Land’s End. Let us go and

have tea at the First and Last House in England--the third of them.

Breezy, isn’t it? Rain! by all that’s holy. Don’t put your umbrella

up, you, mister, unless you want to be blown away into the sea. Come

now, hold on tightly to this wall, and take advantage of the next lull

to rush into the doorway.... That’s it.... Now, ma’am, let’s have tea,

an’--er--bring me a pair o’ bellows, will you? I haven’t a breath left

in my body.

Now, to examine the visitors’ books. I take it kindly of these good

folk, d’you know, that they have compassion upon the aspirations of the

crowd: it were hard indeed upon the Briton to deny him all means of

recording his visits here. There is no suitable substance upon which

he can carve his name, and the date upon which he honoured _Ultima

Thule_ with his presence: the common (or Birmingham) penknife makes no

impression upon granite rocks: there is never a tree for miles around:

turf is readily cut, but, by reason of its growing, affords but a

fleeting means of commemoration.

But stay, you have only to take your tea at the little tea-house to be

free of those visitors’ books. Also the interior walls of its rooms

are whitewashed. I need scarce point out the significance of _this_

fact. While you partake of tea, you can read the volumes already filled

up: other people have evidently done the same thing, for those pages

are become very horrid; rich in crumbs, flattened currants, fragments

of egg-shells, tea-stains, and transparent finger-marks. Some of

those pages stick together like Scots in London (or anywhere out of

Scotland); you can have no scruple in separating them; they--the pages,

not the Scots, are only stuck together by fortuitous fragments of

butter.

_Mem._--Napkins are not supplied by your hosts, and it would be a

pity to soil your handkerchief. Therefore, wipe your fingers in the

visitors’ book, being careful in the selection of a page, in case you

leave your fingers in worse case than before. Having done this, you

can go through the written pages and scribble insulting remarks upon

the folks whose names and observations you find there. They’ll be hurt

when next they come here, and see your comments, and any friends of

theirs will be pleased at your ribaldries--people always like candid

criticisms of their friends. Of course, you really don’t want to please

anybody; but, unfortunately, it cannot sometimes be helped.

And now let’s get back to Penzance. We walked here, but it’s raining so

hard that we must ride back. The brakes are just starting. “Hi, there!

wait a minute: we’re coming along.” “Can’t take you, sir, we’re full

up.” “But we _must_ get back. Come now, we’ll give you five shillings

a-piece for the single journey.” “Couldn’t do it, sir: ’much as my

license’s worth.” “Well, look here, we’ll spring a sov. between us.”

“Jump up, then, gentlemen; but pay first, y’know.” “Oh! go on, we

can’t do that--we haven’t so much between us; pay you when we get to

Penzance.” “No; if you can’t pay now, you’ll have to stop here or walk.

I know what paying afterwards means: _I_ couldn’t get it by law, and

_you_ wouldn’t pay without being obliged. No, thanky: drive up, Bill.”

[Illustration: CARN KENIDJACK.]

“Bless you! To the Hesperides with all brake proprietors. Never mind,

we’ll sleep at the hotel here.” ... “Can you put us up for the

night?” “No, sir, we’re full up. There’s two gentlemen sleeping on

the billiard-table, an’ I’m going to sleep on the kitchener, as I’m

rather short and a bit chilly. The chambermaid’s going to sleep in the

wash’us, and Boots is camping out in Deadman’s Cave, in the cliffs

down there. One gentleman, a nantiquarian feller, he’s borrowed a

railway-rug and gone for the night to the British Bee-’ive ’uts on

Windy Downs: better keep him company, it’s rather lonely for him, poor

gentleman.”

[Illustration: SAINT LEVAN.]

“Thanks, we’re not hankering for company. We’re going to walk back to

Penzance. Good night to you.”

A ten miles’ walk through pelting rain and along lonely roads is

scarcely a cheering experience. The whisky with which we strove to keep

out the chills was “exhibited” neat; water was not needed, for we were

speedily wet through.

Supper that night was partaken of in a manner strictly private, for we

were wrappaged round about in our lodgings at Penzance in a fashion,

dry and comfortable perhaps, but too classically picturesque for aught

but a prim and proper seclusion.

LXVIII.

Something of this description, though perhaps not so pronounced, is

always going forward at Land’s End in the tourist season. Land’s End is

effectually vulgarised, and despite Kingsley’s verses, it is impossible

to come to it in any other than a scoffing spirit. Read of Land’s End,

and retain the majestic ideal conjured up by the name of it. Visit the

place, and you find nothing but sordid surroundings.

[Illustration: Saint Germoe’s Chair.]

_We_ visited, on another day of happier auspices, Carn Kenidjack and

Cape Cornwall,--those grand and lonely bulwarks of the land,--and

returned by way of the little township of Saint Just-in-Penwith to

Penzance, regaining by this unfrequented route something of the

lost romance which had lured us to take this alliterative trip from

Paddington to Penzance.

It was now late in the season: cold winds and short days came on apace,

with rains that drove the tourists home. We, too, packed our knapsacks

for the last time, and presently were whirled up to Paddington and

London streets in the Cornishman express.

INDEX

Abbotsbury, 91, 93.

---- Swannery, 96.

Abbot’s Worthy, 40.

Alphington, 112.

Alverton, 252–5.

Anstey’s Cove, 139, 142.

Antony, 187.

Ashe, 105.

Avon Water, 74.

Axe, River, 101, 107.

Axminster, 101.

Axmouth, 107.

Babbacombe, 137, 139.

Barrepper, 249.

Bartinney Hill, 263.

Basingstoke, 35.

Berry Pomeroy, 142, 147.

Blackpool Valley, 155, 164.

Blagdon, 146.

Bolt Head, 175, 177.

Boulter’s Lock, 22.

Bournemouth. 76.

Bray, 21.

Bridport, 96.

Broadlands, 68.

Brockenhurst, 72.

Cadnam, 69.

Camborne, 247.

Carews, the, 187–226.

Carew, Richard, 188, 191, 220.

Carn Brea, 245.

Carnhell Green, 250.

Cam Kenidjack, 264, 269.

Castledour, 220.

Chacewater, 239–40.

Chapel Carn Brê, 263.

Charleton, 165.

Charmouth, 99.

Chertsey, 17.

Chideock, 97.

Chillington, 165.

Christchurch, 74.

Clieveden, 22.

Cockwood Creek, 121.

Cookham, 23.

Coppithorne, 68.

Corfe, 84–6.

Cornwall, 184.

---- Cape, 260–4, 269.

Courtenays, the, 119–21

Crafthole, 192.

Crowz-an-Wra, 263.

Cuddan Point, 260.

Dart, River, 153–61.

Dartmouth, 153–74.

Dawlish, 123.

Deadman’s Head, 230.

Devon, 101, 131.

Devonport, 155, 181.

Dittisham, 159.

Dodbrooke, 165.

Dolcoath, 247.

Dorsetshire, 95.

Downderry, 192.

Drakes, the, 106, 180, 185.

East Looe, 155, 193–5.

East Lulworth, 88.

Eton College, 17.

Exe, River, 113, 118.

Exeter City, 108.

---- Cathedral, 111, 119.

---- Guildhall, 109.

Exminster, 115, 118.

Exmouth, 121, 154.

---- Viscount, 256.

Fal, River, 235.

Filleigh, 250.

First and Last Inn, 264.

Ford, 186.

Fowey, 155, 215.

George III., 91.

Gorran, 229.

Gorran Haven, 229.

Gwinear, 250.

Ham, 10.

---- House, 13.

Hambledon, 27.

Hamoaze, the, 154, 182, 187.

Hampshire, 35, 39.

Headbourne Worthy, 57.

Henley, 30.

Hennerton Backwater, 33.

Holmbush, 222.

Holy Ghost Chapel, 37.

Hunter’s Lodge Inn, 101.

Hurley, 26.

Itchen, River, 36.

Kennet, River, 34.

Kingsbridge, 163, 164.

Kingston, 14.

Kingswear, 154, 156, 162.

King’s Worthy, 40.

“Labrador,” 135.

Lainston, 58.

Laira Bridge, 186.

Lamorna, 260.

Lander, 237.

Land’s End, 254, 260, 264.

Langstone Point, 122, 123.

Lanteglos-juxta-Fowey, 214.

Lee Mount, 124.

Lew Trenchard, 137.

Logan Rock, 255, 259.

Longships Lighthouse, 264.

Looe, East, 155, 193–5.

---- River, 196.

---- West, 155.

Ludgvan, 255.

Lulworth Castle, 88.

---- East, 88.

Lyndhurst, 70.

Lynher River, 187.

Maidenhead, 22.

Marazion, 251, 259.

Marsh Lock, 33.

Martyr Worthy, 40.

Marychurch, 139, 160.

Medmenham Abbey, 26.

Melcombe Regis, 91.

Mevagissey, 225, 228.

Micheldever, 38.

Monmouth, Duke of, 95, 102.

Morecombelake, 99.

Morice Town, 186.

Mount Charles, 222.

---- Edgcumbe, 186.

---- Pleasant, 122.

Mount’s Bay, 251.

Mousehole, 255.

Musbury, 106.

New Forest, 68.

Newlyn, 255–60.

North Haven, 82.

---- Lew, 138.

Osmington, 89.

Paignton, 141, 144.

Palmerston, Viscount, 68.

Par, 219, 222.

Pellew, Edward, 256.

Pengersick, 260.

Penzance, 249, 251, 252, 266.

Perranuthno, 260.

Peter Pindar, 165.

Petersham, 9.

Phillack, 250.

Philleigh, 235.

Plymouth, 179, 253.

---- Guildhall, 187.

---- Hoe, 179, 186.

---- Sound, 174, 179.

Pokesdown, 76.

Polperro, 207.

Polruan, 155, 215.

Pool, 246.

Poole, 247.

---- Harbour, 82, 83.

Porthmellin, 229.

Port Holland, 232.

Portland Bill, 89, 95.

Portlemouth, 154, 172.

Powderham, 119.

Preston, 90.

Purbeck Hills, 88, 95.

---- Isle of, 83.

Quakers’ Burial-Ground, 263.

Reading, 34.

Redruth, 240, 249.

Regatta Island, 28.

Richmond, 5.

Roebuck Hill, 57.

Romsey, 66.

Rougemont Castle, 109, 110.

Ruan Creek, 235.

St. Aubyns, the, 257.

St. Austell, 221, 223, 251.

St. Blazey, 251.

St. Budeaux, 185.

St. Buryan, 251, 262.

St. Catherine’s Hill, Abbotsbury, 94.

St. Catherine’s Hill, Winchester, 36, 55, 56.

St. Cleer, 251.

St. Day, 240.

St. Erth, 251.

St. Ives, 255.

St. Just-in-Penwith, 269.

St. Levan, 260.

St. Lo, 232.

St. Mellion, 251.

St. Michael Caerhayes, 230.

St. Michael’s Mount, 251, 257.

St. Ruan, 251.

St. Sennen, 251, 263.

St. Thomas, 112.

Salcombe, 154, 171.

---- River, 164, 171.

Saltash, 181, 184.

Scilly, 256.

Screasdon Fort, 192.

Seaton, 107.

Shaldon, 131, 154.

Shepperton, 16.

Sherborne St. John, 36.

Slapton Sands, 164.

Sonning, 34.

Southborough-on-Sea, 76.

South Haven, 82.

Sparsholt, 58.

Starcross, 120, 154.

Stoke Damerel, 186.

---- Fleming, 155, 163.

Stokenham, 165.

Stonehouse, 181.

Studland, 82.

Swanage, 83.

Tamar, River, 182.

Taplow, 21.

Teign, River, 130.

Teignmouth, 112, 122, 123, 127, 154.

Thames, River, 15.

Tor Bay, 140.

Torcross, 164.

Torpoint, 154, 183, 186.

Torquay, 133, 135, 139, 140, 160.

Totnes, 149.

Treffrys, the, 216.

Tregantle Fort, 192.

Trelissick, 236.

Trematon Castle, 187.

Treworlas, 235.

Truro Cathedral, 237.

---- City, 235, 236, 239, 249, 255.

Turf, 119.

Tywardreath Bay, 222.

Veryan, 229–31, 233.

Wargrave, 33.

Warren, the, 122.

Watcombe, 137, 139.

Weeke, 57.

West Bay, 96.

---- Looe, 155.

Weymouth, 90.

White, Gilbert, 37.

Whitesand Bay, 192.

William III., 143.

Winchester Cathedral, 44.

---- City, 36, 41.

---- College, 49, 54.

Windsor Castle, 19.

Wolcot, Dr. John, 165.

Wootton, 74.

Worthies, the, 40.

Wyke, 57.

Wykeham, William of, 49.

THE END.

PRINTED BY BALLANTYNE, HANSON AND CO.

EDINBURGH AND LONDON.

FOOTNOTES

[1] A recipe strongly in favour with the artistic and literary world.

[2] June 11th. The apparent error arises through March 25th being at

that time still occasionally considered as New Year’s Day.

[3] We have been told lately that it was not Napoleon but an American

orator named Adams who first applied this epithet to us. If this is

true, it comes with an additional bad grace, for whatever right a

Frenchman has to such a sneer, certainly no American can claim it.

[4] Pindar.

[5] Than satirical pamphlets.

[6]

Underneath

Lieth the Body of Robert

Comonly Called Bone Phillip

who died July 27^{th} 1793

Aged 65 Years,

At whose request The following lines are here inserted.

Here lie I at the Chancel door,

Here lie I because I’m poor

The forther in the more you’ll pay

Here lie I as warm as they

[7] _N.B._--Not responsible for pronunciation of the English language.

[8] I’m afraid your rhymes, Mr. Poet, are somewhat indiscreet.

[9] See how sadly the exigencies of rhyme fetter the poet: the palate

and not the lip give the sense of taste.

[10] _Anglice_, farm-yards.

[11] This seems a peculiarly modern touch.

[12] Fill, dear reader, these blanks _à discrétion_.

[13] Corruption also of Phillis.

Transcriber’s Notes

Punctuation, hyphenation, and spelling were made consistent when a

predominant preference was found in the original book; otherwise they

were not changed.

From Paddington to Penzance The record of a summer tramp from London to the Land's End · 第 14 / 15 段