HOW MY UNCLE AND I PUT HUMPTY DUMPTY TOGETHER AGAIN.

My uncle stood by me very bravely when Aunt Sophia entered the

tool-house with an exclamation of surprise. For a few minutes she could

not understand what we had been about.

"Feathers--a bird--a parrot!" she exclaimed at last. "Why, it is like

poor Polly."

I looked very guiltily at my uncle and was about to speak, but he made

me a signal to be silent.

"Yes, my dear," he faltered, "it--it was poor Polly. We--we found her

in the lumber-room--all in ruins, my dear, and we--we have been

examining her."

"I don't believe it," said my aunt sharply. "That mischievous boy has

been at his tricks again."

"I assure you, my dear," cried my uncle, "I had to do with it as well.

I helped him. Nat wants to understand bird-stuffing, and we have been

to the museum and then we came home."

"Well, of course you did," said my aunt tartly; "do you suppose I

thought you stopped to live in the museum?"

"No, my dear, of course not," said my uncle, laughing feebly. "We are

studying the art of taxidermy, my dear, Nat and I."

He added this quite importantly, putting his eyeglasses on and nodding

to me for my approval and support.

"Bless the man! Taxi what?" cried my aunt, who seemed to be fascinated

by Polly's eyes; and she began to softly scratch the feathers on the

back of the head.

"Taxi-dermy," said my uncle, "and--and, my dear, I wouldn't scratch

Polly's head if I were you; the skins are preserved with poison."

"Bless my heart!" exclaimed my aunt, snatching back her hand; and then

holding out a finger to me: "Wipe that, Nat."

I took out my handkerchief, dipped a corner in the watering-pot, and

carefully wiped the finger clear of anything that might be sticking to

it, though, as my own hands were so lately in contact with Polly's skin,

I don't believe that I did much good; but it satisfied my aunt, who

turned once more to Uncle Joe.

"Now then, Joseph; what did you say?"

"Taxi-dermy, my dear," he said again importantly; "the art of preserving

and mounting the skins of dead animals."

"And a nice mess you'll both make, I dare say," cried my aunt.

"But not indoors, my dear. We shall be very careful. You see Polly had

been a good deal knocked about. Your large black box had fallen right

upon her, and her head was off, my dear. The glass shade was in

shivers."

"Poor Polly, yes," said my aunt, "I had her put there because of the

moths in her feathers. Well, mind this, I shall expect Natty to repair

her very nicely; and you must buy a new glass shade, Joseph. Ah, my

precious!"

This was to Nap, who, in reply to her tender speech, made three or four

bounds to get to me, but aunt caught him by the ear and held him with

the skin of his face pulled sidewise, so that he seemed to be winking at

me as he lolled out his thin red tongue, and uttered a low whine.

"But mind this, I will not have any mess made indoors."

As she spoke my aunt stooped down and took Nap in her arms, soiling her

handsome silk dress a good deal with the dog's dirty feet. Then she

walked away saying endearing things to Nap, who only whined and

struggled to get away in the most ungrateful fashion; while my uncle

took off his glasses, drew a long breath, and said as he wiped his face

with his red silk handkerchief:

"I was afraid she was going to be very cross, my boy. She's such a good

woman, your dear aunt, my boy, and I'm very proud of her; but she does

upset me so when she is cross."

"I was all of a fidge, uncle," I said laughing.

"So was I, Nat, so was I. But don't laugh, my boy. It is too serious a

thing for smiles. It always puts me in such a dreadful perspiration,

Nat, for I don't like to be angry too. Never be angry with a woman when

you grow up, Nat, my boy; women, you see, belong to the weaker sex."

"Yes, uncle," I said wonderingly; and then he began to beam and smile

again, and rubbed his hands together softly as he looked at our work.

"But you will have to put Polly together again, Nat," he said at last.

"Put her together again, uncle!" I said in dismay. "Why, it's like

Humpty Dumpty sat on a wall--all the king's horses and all the king's

men--"

"Couldn't put Humpty Dumpty together again," said my uncle quite

seriously. "But we must put Polly together again, Natty. There's your

aunt, you know."

"Yes, uncle, there's Aunt Sophia," I said ruefully; "but the feathers

are all out of the skin, and the skin's all in pieces. I'm afraid she

will never look decent, try how I may."

My uncle rubbed his head softly.

"It does look as if it would be a terrible job, Nat," he said; "but it

must be done, and I'm afraid if you made her look as well as she did

when we found her, your aunt wouldn't be satisfied."

"I'm sure I couldn't make her look as well as she did then, uncle," I

replied despairingly; "but I'll try."

"Yes, do, my boy. That's right, try. And look here, Nat--I'll help

you."

I was very glad to hear Uncle Joseph say that, though I did not think he

would be able to help me much; and so as to lose no time we began at

once to think the matter out, and uncle said _yes_ to all I proposed to

do, which was his idea of helping me; for he said I drove in the nails

and he clinched them.

After a bit of thinking I came to the conclusion that I have since

learned was the very best one I could have arrived at, that the proper

thing to do was to fix on Polly's wire legs as neatly made a body as I

could, and then to stick the feathers all over it in their proper

places. But then what was the body to be made of? Clay or putty could

be easily moulded into shape, but they would be too heavy. Papier-mache

would have been the thing, but I did not know how to make it, so at last

I decided to cut out a body from a piece of wood.

"The very thing, Nat," said my uncle. "Stop a minute, my boy, till I've

lit my pipe, and then we'll begin."

I waited till my uncle said he was ready, and then we did begin, that is

to say, he went on smoking while I sawed off a piece of wood that I

thought would do.

I need not tell you all about that task; how laboriously I carved away

day after day at that piece of wood with my pocket-knife, breaking one

in the work; how I mounted the piece of wood at last on wires, and then

proceeded, by the help of a little glue-pot that my uncle bought on

purpose, to stick Polly's feathers on again. By the way, I think I

fastened on her wings with tin tacks. It was a very, very long job; but

at every stage my uncle sat and expressed his approval, and every spare

hour was spent in the tool-house, where I patiently worked away.

I grew very tired of my task, but felt that I must finish it, and I have

often thought since what a splendid lesson it proved.

And so I worked on and on, sticking little patches of skin here,

feathers there, and I am afraid making such blunders as would have

driven a naturalist frantic, for I am sure that patches of feathers that

belonged to the breast were stuck on the back, and smooth back feathers

ornamented Polly's breast. The head was tolerably complete, so that was

allowed to hang on the nail in the wall, where it seemed to watch the

process of putting together again; but the tail was terrible, and often

made me feel ready to give up in despair.

But here my uncle really did help me, for when ever he saw me out of

heart and tired he used to say:

"Suppose we give up now for a bit, Nat, and have a run."

Then when the time came for another try at Polly we used to laugh and

say that we would have another turn at Humpty Dumpty.

At last--and I don't know how long it took--the time had come when

Polly's head was to cease from staring down in a ghastly one-eyed way at

her body, and it was to come down and crown the edifice.

I remember it so well. It was a bright, sunny half-holiday, when I was

longing to be off fishing, but with Humpty Dumpty incomplete there was

no fishing for me, especially as Aunt Sophia had been asking how soon

her pet was to be finished.

"Come along, Nat," said Uncle Joseph, "and we'll soon finish it."

I smiled rather sadly, for I did not feel at all sanguine. I made the

glue-pot hot, however, and set to work, rearranging a patch or two of

feathers that looked very bad, and then I stared at uncle and he gazed

at me.

I believe we both had some kind of an idea that the sort of feather

tippet that hung from Polly's head would act as a cloak to hide all the

imperfections that were so plain. Certainly some such hopeful idea was

in my brain, though I did not feel sanguine.

"Now then, my boy, now then," cried my uncle, as at last I took Polly's

head from the nail, and he rubbed his hands with excitement. "We shall

do it at last."

I fancy I can smell the hot steaming glue now as I went about that day's

work, for I kept on stirring it up and thinking how much I ought to put

in the bird's neck and upon its skull to keep from soiling and making

sticky all its feathers. It took some consideration, and all the while

dear Uncle Joe watched me as attentively as if I were going to perform

some wonderful operation. He even held his breath as I began to glue

the head, and uttered a low sigh of relief as I replaced the brush in

the pot.

Then as carefully as I could I fixed the head in its place, securing it

the more tightly by driving a long thin stocking-needle right through

the skull into the wood.

And there it was, the result of a month's spare time and labour, and I

drew back to contemplate this effort of genius.

I can laugh now as I picture the whole scene. The rough bench on which

stood the bird, the wall on which hung the garden tools, Uncle Joe with

his pipe in one hand, his other resting upon his knee as he sat upon an

upturned tub gazing straight at me, and I seem to see my own boyish self

gazing at my task till I utterly broke down with the misery and vexation

of my spirit, laying my head upon my arms and crying like a girl.

For a few minutes Uncle Joe was so taken aback that he sat there

breathing hard and staring at me.

"Why, Nat--Nat, my boy," he said at last, as he got down off the tub and

stood there patting my shoulders. "What is the matter, my boy; are you

poorly?"

"No--no--no," I sobbed. "It's horrid, horrid, horrid!"

"What's horrid, Natty?" he said.

"That dreadful bird. Oh, uncle," I cried passionately, "I knew I

couldn't do it when I began."

"The bird? What! Humpty Dumpty? What! Polly? Why, my boy, she's

splendid, and your aunt will be so--"

"She's not," I cried, flashing into passion. "She isn't like a bird at

all. I know how soft and rounded and smooth birds are; and did you ever

see such a horrid thing as that? It's a beast, uncle! It's a regular

guy! It's a--oh, oh!"

In my rage of disappointment at the miserable result of so much hard

work I tore the lump of feathered wood from the bench, dashed it upon

the ground, and stamped upon it. Then my passion seemed to flash away

as quickly as it had come, and I stood staring at Uncle Joe and Uncle

Joe stared at me.

Nat the Naturalist: A Boy's Adventures in the Eastern Seas · 第 17 / 99 题