CHAPTER XI

RUNES AND OGAMS

The Runic alphabet originated among the Scandinavians, who probably

adapted it from some other script, since no traces of any pictographic

characters whence it may have been derived have been found. Some

scholars hold that it is derived from the "Phœnician" alphabet; others

say that it comes from the Latin. Canon Taylor has a definite theory

that it is a degraded form of the Greek alphabet; for in the sixth

century B.C. the Goths swarmed in the region south of the

Baltic and east of the Vistula, and in their trading relations with

Greek colonists north of the Black Sea may readily have obtained a

knowledge of the Greek alphabet. The question, however, of origin

remains, and is likely to remain, unsettled.

The sharp, angular form of the runes proves that they were incised on

wood, stone, or some such rigid material, and these characters persist

in the few manuscripts which have been found. The primitive Gothic

alphabet is named, on the acrologic principle, "futhorc," after the

first six letters, _f_, _u_, _th_, _o_, _r_, _c_. It was divided into

three parts or "aetts," named after the first letter of each "aett" or

family--"Frey's aett," "Hagl's aett," and "Tyr's aett"--as shown in

the following illustration from an article on Runes by Miss Gertrude

Rawlings (_Knowledge_, 1st October, 1896).

[Illustration: RUNE ALPHABET]

The Scandinavian, Anglian, and Manx runes are local variants of this

oldest form. Runic inscriptions--monumental and sepulchral--have a

wide, although exclusive, range. They are found in the valley of the

Danube, but not in Germany; in America, but not in Ireland; in the Isle

of Man, but not in Wales--thus evidencing their restriction within

Scandinavian lines of migration. The oldest was found at Sandwich, in

Kent; but an especially interesting example is the well-known Ruthwell

Cross in Dumfriesshire, on which is inscribed a poem, "The Dream of

the Holy Rood," ascribed to Cædmon, the herdsman poet of the seventh

century. The early voyage of the Vikings to Vineland, as they named

America, has illustration in a Runic epitaph cut in a rock on the

Potomac. "Here lies Syasi, the fair one of Western Iceland, the widow

of Koldr, sister of Thorgr, by her father, aged twenty-five years.

God be merciful to her." The old alphabet was displaced by the Latin

on the conversion of the peoples of Northern Europe to Christianity,

but not before Ulphilas, the Bishop of the Goths, had woven some of

its characters into the compound script which was the vehicle of his

memorable translation of the Gospels, the lovely manuscript of which,

in gold and silver letters on purple vellum, is worth a visit to the

University of Upsala to see.

The curious Ogam alphabet, which may date from the fifth century A.D.,

and the use of which did not extend outside the British Isles, is held

by some scholars to be derived from the Runic, but its characters

indicate that more probably it is a debased copy of the Roman. Ogam,

according to Professor Rhys, the highest authority on the subject,

probably means "skilled use of words." The letters are formed by

straight or slanting strokes drawn above, or beneath, or right through

horizontal or perpendicular lines. The alphabet is divided into four

aicmes or groups, each containing five letters: the first aicme, B, L,

F, S, N being placed under the line (assuming this to be horizontal);

the second aicme, H, T, D, C, Qn, above it; the third aicme, M, G, Ng,

F(?) R, diagonally through it; and the fourth aicme, comprising the

vowels A, O, U, E, I, intersecting it at right angles. Canon Taylor

sees in the ogams an adaptation of the runes to the needs of the

engraver, "notches cut with a knife on the edge of a squared staff

being substituted for the ordinary runes." And he thinks that the

derivation of the ogams from runes is shown in the fact that their

names agree with the names of runes of corresponding value, and that

they are found exclusively in regions where Scandinavian settlements

were established. Professor Rhys regards them as "probably, the work of

a grammarian acquainted with Roman writing, but too proud to adopt it."

The larger number of Ogam inscriptions occur in Ireland; others are

scattered over Scotland, Wales, and the south-west of England.

It may be thought that any survey of the history of the Alphabet,

however free from overcrowding in detail, and however popular in

treatment, would outline the story of the origin of, and changes in,

each of the twenty-six letters which are, for the English-speaking

races, the vehicle of communication and the depository of knowledge.

But, probably, enough has been said to show that the information which

would alone warrant such table of derivations is not yet forthcoming,

and, perhaps, never will be. The most plausible theory that the wit of

man, supported by a set of facts that seemed to hang well together,

could devise, was formulated by M. de Rougé, and it has been seen that

the epigraphic material found in the Ægean renders his apparently

well-based and coherent theory no longer tenable.

Neither would there be advantage in cataloguing the two hundred and

fifty alphabets which have come into being since prehistoric man

scratched his rude pictographs on the faces of cliffs and on fragments

of slate or bone. Some fifty of these alphabets have survived, and of

these about half are found in India, but, whatever of historical value

they may hold, their use is restricted and local. The rest are, in the

main, variations of three scripts--Roman, Arabic, and Chinese--and

an outlook on the world's course makes it no matter of doubt that it

is with the Roman, as the vehicle of culture of the most advancing

races of mankind, that there lies the maintenance of supremacy and the

extension of its sway.

+Aabcdefghijklmnoprſstuvwxyz&

aeiou

ABCDEFGHIJKLMNOPQRSTUVWYZ

a e i ó u | a e i o u

ab eb ib ob ub | ba be bi bo bu

ac ec ic oc uc | ca ce ci co cu

ad ed id od ud | da de di do du

In the Name of the Father, and of the Son,

and of the Holy Ghost. _Amen._

OUR Father, which art in Heaven,

hallowed be thy Name; thy kingdom come,

thy Will be done on Earth, as it is in Heaven.

Give us this Day our daily Bread;

and forgive us our trespasses,

as we forgive them that trespass against us:

And lead us not into Temptation,

but deliver us from Evil. _Amen._

HORN BOOK,

ONCE THE UNIVERSAL PRIMER

(_Now so excessively rare that a good example fetches £20 and

upwards_).

INDEX

Abu Simbel, 206

Acrology, 86, 104, 153, 210, 223

Ægean civilisation, 159, 187-194

Akerblad, 129

Akkadian civilisation, 105

" cuneiform, 100, 170

" religion, 105

Alaskan life, pictograph of, 65, 66

Algerian rock-paintings, 33

Almanack symbols, 102

Alphabet, Abyssinian, 213

" Arabic, 209

" Aramean, 207-8

" Armenian, 211

" birth of the, 124

" Chalcidian, 199, 215, 216

" Coptic, 216

" Corean, 87

" Dravidian, 207

" English, 37, 220-222

" Ethiopic, 213

" Georgian, 211

" Greek, 136, 213

" Hebrew, 136, 151, 208, 213

" Hellenic, 207, 213

" Indian, 213

" Indo-Bactrian, 211, 212

Alphabet, Ionian, 215

" Irish, 218

" Latin, 38, 199, 216, 217

" Mongolian, 208

" Ogam, 225

" Pehlevi, 93, 211

" Phœnician, 188, 194, 196, 207, 213

" Pictograph and, 26

" Runic, 220, 223

" Russian, 215

" Sabæan, 212

" Samaritan, 152

" stages of development of, 38, 39

" Syriac, 208

" variations in English, 220

Amenophis III., 110

America, development of man in, 74

Arabic numerals, 209, 212

Art, prehistoric, 24, 25

Asoka, 211

Assyrian numerals, 210

Australian aborigines, 27

" grave-posts of, 52

" rock-paintings of, 29

Ave Maria, 80

Aztecs, 75

Baal Lebanon, vessels from, 145, 146

Babylonian characters, 99, 186

Babylonians, 105, 157, 208

Bark, picture-writing on, 58, 59, 67, 68

Behistun rock-inscription, 94, 95, 101, 128, 181

Belts, wampum, 45-51

Benefit of clergy, 22

"Bible," etymology of, 10

Bible as charm, 19

Bite, written charm against centipede, 19

Black letter, 219

Body, parts of, used for measurements, 101

"Book," etymology of, 10

"Book of Breathings," 119

"Book of the Dead," 117, 125, 200

Borchardt, Dr., 116

Brahma, 16, 17

Budge, Dr. Wallis, 119, 123, 127, 130, 133

Burckhardt, 180

Bushman rain-charm, 34

Bushmen rock-paintings, 30-32

Cadger's Map, 57

Cadmus, 17

Cædmon, 224

Cave-man, art of, 24, 25

Census-roll, Indian, 71

Champollion, 129, 130

Charms, written, 16, 17, 19, 20, 119

Chinese characters, 83

" determinatives, 85

" picture-writing, 83, 84, 103

Clay tablets, 89

Cleopatra, 130, 131

Clermont-Ganneau, M., 146

Clog almanack, 45

"Code," etymology of, 10

Cords, knotted, 39, 43, 82

Corean alphabet, 87

Creation tablet, 110

Cretan hieroglyphs, 167, 184, 195

" linear characters, 171, 173, 175, 184

Crete, Mycenæ and, 182

" origin of Ægean civilisation in, 192-94

" relics of script in, 51

" Syria, Egypt, and, 159

Cuneiform writing, 89-112

" " discovery of, 93-97

" " meaning of, 89

" " mode of, 98

Cursive characters, 217

Cypriote's syllabary, 178

Cyprus, civilisation in, 179

Darius, 93, 95, 127

Della Valle, 90

Delphi, 162

Deluge tablet, 111

Demotic writing, 115, 127, 216

De Rougé 139, 142-45, 226

De Sacy, 93

Determinatives, 85, 100, 103, 122, 170

"Digits," etymology of, 101

Dikta, Mount, slab from, 171

Diodôros, 196

"Diploma," etymology of, 11

Disease, barbaric theory of, 60

Edwards, Chilperic, 112

Egypt and Babylonia, 112

Egyptian art, 115

" demotic, 115, 127, 216

" hieratic, 115, 125-127, 139, 155, 194

" hieroglyphs, 41, 114-124

" numerals, 210

" writing, stages of, 115

Enchorial writing, 127

Eshmunazar, sarcophagus of, 140, 153

Eteocretans, 184

Europe, continuity of man in, 24, 189

Eusebius, 137

Evans, Arthur, 25, 51, 154, 159, 177, 189, 193, 195

Fingers as pictographs, 101

Flinders Petrie, Professor, 116, 177, 185, 186, 202

Frazer, J. G., 193

Gardner, Prof. P., 158

Goulás, 162

Græcia Major, 199

Graffito, 161

Grave-posts, Indian, 53-55

Greek alphabet, 199

" papyri, 198-206

" settlements, 198

" signary, 185

Grotefend, Dr., 93, 101

Gurob, 177, 202

Haddon, Professor, 19

Halévy, 104

Haynes, 108

Herculaneum papyri, 201

Herodas, mimes of, 202-204

Herodotus, 39, 92, 97, 134, 137, 138, 190, 199

Hieratic writing, 115, 125-27, 139, 155, 194

Hieroglyphic wheels, 45

Hieroglyphs, Cadger's, 57

" Egyptian, 114-124

" Hittite, 150, 168, 173, 181, 195

" Mexican, 73

Hilprecht, Dr., 108

Hittites, 179-81, 185

Hoffman, Dr., 45, 52, 54, 64

Hogarth, D. G., 159

Horus, 158

Hunting expedition, pictograph of, 62, 64

Hutchinson, Mark, 32

Hyksos, 119, 154

Iberian signary, 185

Ideographic stage of alphabet, 38, 72-79

Ideographs, 101, 115, 120-21, 167

" comparative, 124

Indian and stolen loaves, 16

" census roll, 71

" chief, pictograph of life of, 67

" grave-posts, 53, 54

" petition for fishing rights, 69

Innuit record of departure, 72

Inscriptions, cuneiform, 90

Ionia, 194

Iroquois, 50

Isis, 130, 158

Itzcoatl, 79

Japanese writing, 86

Jesus, "Sayings" of, 205

Kahun, 177

Karian signary, 185

Keane, Professor, 99, 191

Kenyon, Mr., 200

Klein, Dr., 147

Knôsos, 162, 191

Knotted cords as records, 39, 82

Latin alphabet, 38, 199, 216-17

Layard, Sir A., 98

Legends in Genesis, origin of, 112

"Letters," etymology of, 10

"Libel," etymology of, 10

"Library," etymology of, 10

Linear signs, Cretan, 171, 175

Lion weights from Nineveh, 146, 149

Love-letter, pictorial, 58

Love-song, pictorial, 58

Magic through writing, 16

Mahaffy, Professor, 91, 97

Malacca, East, 19

Mallery, Colonel, 64, 73

Man in America, 74

Maneh, 150

Mariner, William, 14, 15

Marshman, Dr., 82

Masons' marks, 163

Maspero, 103

Mathews, R. H., 29

Max Müller, Prof., 9, 182

Mayas, script of the, 75-79

Medicine-man, song of, 59

" bad, 61

Mediterranean signary, 185, 189, 195

Memory-aids, 37

Memphis, 138, 188, 202

Menes (?), tomb of, 116

Mexican hieroglyphs, 73

Military expedition, pictograph of, 67, 70

Milk-stones, 160

Minuscule, 37, 219

Mnemonic stage, 38, 39-51

Moabite Stone, 144, 145, 147

Moses, legend of, 106

Mycenæan civilisation, 186-188, 193

" relics, 51, 176, 183

" relics in Sardinia, 189

Nâgari, 17, 87, 207

Nebo, 16

Nebuchadnezzar, 94

Nestorians, 208

New Zealand totem-marks, 52

Niebuhr, Carsten, 92

Nineveh, 98, 99, 146

Nippur, discovery of oldest-known writing at, 108

Nuffar (_see_ Nippur)

Number of words from letters, 9

Numerals, 209, 212

Odin, 17

Ogam characters, 225

Ogmios, 17

Ormuzd, 96

Osiris, 117

Oxyrhynchus, 205

Palæography, Greek, 199-206

"Paper," etymology of, 10

Papyrus, 10, 125, 126, 200

" Papyrus of Ani," 119

" Prisse, 126, 140, 145, 153, 200

"Parchment," etymology of, 11

Paternoster, 80

Pausanias, 190, 193

Payne, 76, 77

Pelasgians, 190

Pen, antiquity of metal, 11

Persepolis, 90

Peruvians, 40, 75

Philæ, obelisk at, 130

Phœnician alphabet, 152, 188, 194, 196, 206, 213

" characters, 135, 137, 148, 151, 154, 177, 185

Phœnicians, 179, 188, 194, 195

Phonetic stage of alphabet, 38, 79-81

Phonogram, 39

Pictograph parent of alphabet, 26

Pictographs of man, 36

Pictorial stage of alphabet, 38, 51-72

Picture-writing as charm, 19

Picture-writing, illustrations of, 35, 58, 59,

61, 62, 63, 64, 66, 67, 68, 70, 71, 72, 83

Pinturos, Maya, 77

Planetary signs, 101

Pliny, 135

Poole, R., 153

Præsos, 160, 184

Precepts of Ptah-Hetep, 127

Prehistoric art, 24

Pre-Phœnician civilisation, 186

Prousia, 183

Ptolemy III., 133

Ptolemy V., 131, 133

Ptolemy XV., 123

Quipu, 39, 40

Rain-charms, 33-35

Rameses III., 180

Rawlinson, Sir Henry, 94, 97

Rebus, 79, 123

Reinach, M., 189

Renan, M., 146

Rhys, Professor, 226

Rock-paintings of Australian natives, 27-29

Rock-paintings of Bushmen, 30, 31

Rock-paintings of North Africa (Algeria), 33

Roman alphabet, 37, 217

" capitals, 37, 217

" type, 37

Rosary, 39

Rosetta Stone, 94, 128-33, 181

Rosetta Stone, inscription on, 132

Runic alphabet, 215, 220, 223-25

Runic letters, 104

Russian alphabet, 215

" letters, 104

St. Patrick, 219

Sardanapalus V., 16

Sardinia, 189

Sargon I., 106, 107, 180

Sassanid inscriptions, 93

Schliemann, Dr., 158, 182

Schoolcraft, 53

Seal-stones, engraved, 51, 160, 167

Semang rain-charm, 35

Semitic characters, 140

Signary, Greek and Mediterranean, 185, 195

Siloam, Pool of, 146, 151

Skin disease, charm against, 20

Spencer and Gillen, 29

Stele of Canopus, 133

" Shera, 116

" the Vultures, 106

"Style," etymology of, 11

Syllabaria, 103

Syllabaries, 39, 103, 173, 178

Symbols, 38, 73, 102, 120, 164-66

Sympathetic magic, 21, 61

"Tablet," etymology of, 11

Tallies or tally-sticks, 44

Tasmanians, 27

Tattooing, 51

Taylor, Canon Isaac, 38, 78, 99, 102, 123, 125,

135, 139, 142, 145, 149, 154, 199, 206, 219, 223, 225

Tell-el-Amarna tablets, 109, 110

Tell-el-Hesy, 177, 179

Thoth, 16, 126, 132

Tiryns, 191, 194

Tonga Islands, 14

Totem-marks, 52

Trade marks, 51

" signs, 102

Trench, Archbishop, 10

Ts'ang Chien, 16

Tsountas, Dr., 171, 173, 185

Tylor, Dr., 41, 45, 55, 80, 81, 86

Tyre, 137

Ulphilas, Bishop, 225

Uncial letters, 37, 219

Virgin's Pool, 146, 151

"Volume," etymology of, 11

Von Tschudi, 41

Vowel signs, 92, 124, 213

Wachsmuth, 191

Wampum belts, 45-51

War-song, pictograph of, 68

Wheels, hieroglyphic, 45

Whitney, Professor, 85, 114

Writing as magic charm, 16

" belief in divine origin of, 16

" value of invention of, 13

Yahweh, 17, 149

Young, Dr. Thomas, 129

Yucatan script, 73

Zodiacal signs, 102

Zoëga, 129

GEORGE NEWNES, LIMITED, LONDON

THE CRETAN EXPLORATION FUND.

Patron: H.R.H. PRINCE GEORGE OF GREECE,

=High Commissioner of the Powers in Crete=.

Directors:

ARTHUR J. EVANS, M.A., F.S.A.,

_Ashmole's Keeper, and Hon. Fellow of Brasenose College, Oxford_.

DAVID G. HOGARTH, M.A., F.S.A., F.R.G.S.,

_Fellow of Magdalen College, Oxford, and Director of the British School

at Athens_.

Hon. Treasurer:

GEORGE A. MACMILLAN, Esq.,

_Hon. Secretary of the Society for Promoting Hellenic Studies_.

Hon. Secretary:

JOHN L. MYRES, Esq., M.A., F.S.A., F.R.G.S.,

_Student of Christ Church, Oxford_.

_The following Appeal has been issued by the Directors_:--

The new conditions in which Crete is placed, and the final

emancipation of the island from Turkish rule, have, at last, rendered

it possible to organise a serious effort to recover the evidences of

her early civilisation.

How important are the results which a thorough-going investigation

in this field holds out to archæological science may be gathered

from what has already been brought to light in far less favourable

circumstances. The path of Cretan exploration was opened out by

the English travellers Pashley and Spratt. Their exploratory

labours have been followed, in more recent years, by the striking

discoveries of Halbherr and Fabricius. The great inscription

containing the early laws of Gortyna stands alone as a monument

of Greek civic legislation. The bronzes of the Idaean cave have

afforded a unique revelation of the beginnings of classical Greek

art. Further researches, to which English investigation has once

more contributed, have brought into relief the important part played

by the still earlier civilisation of Mycenae, the wide diffusion of

its remains, and even the existence in the island of an indigenous

system of sign-writing anterior to the use of the Phœnician alphabet.

Additional indications, indeed, have come to light which carry back

the chronology of the earlier relics of Cretan culture far beyond the

date of Schliemann's great discoveries on the mainland of Greece, and

attest an intercourse with Egypt going back to the third and, it may

be, even the fourth millennium before our era. We have here in Crete

the first stepping-stone of European civilisation.

The better to solve the many interesting problems thus opened up

it has been decided to form a "Cretan Exploration Fund," under the

direction of the above named and in co-operation with the British

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excavations.

In order fully to realise this scheme it will be necessary to

raise a sum of at least £5000. The object has a real claim on

British enterprise. From a national point of view, this task of

scientific exploration in Crete is a fitting sequel to the joint

work of political emancipation in which we have taken part. It may

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is already organising plans of excavation on other Cretan sites,

and that a mission with a similar object is being despatched by the

Italian Government.

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End of Project Gutenberg's The Story of the Alphabet, by Edward Clodd

The Story of the Alphabet(#46388) · 第 11 / 11 章