In the heart of a woman there are few chambers and still fewer doors.

Instead of business-like compartments, neatly labelled, there are long,

labyrinthine passages, all opening into one another and inextricably

bound together. To shut out one, or even part of one, requires the

building of a wall, but it takes a long time and the barrier is never

firm.

At a single strain of music, the scent of a flower, or even one glimpse

of a path of moonlight lying fair upon a Summer sea, the barriers

crumble and fall. Through the long corridors the ghosts of the past walk

unforbidden, hindered only by broken promises, dead hopes, and dream-

dust.

Even while the petals of long-dead roses rustle through the winding

passages, where the windows are hung with cobwebs, greyed at last from

iridescence to despairing shadows, a barrier may fall at the sound of a

talismanic name, for the hands of women are small and slow to build and

the hearts of women are tender beyond all words.

Hidden in the centre of the labyrinth is one small secret chamber, and

the door may open only at the touch of one other hand. The woman herself

may go into it for peace and sanctuary, when the world goes wrong, but

always alone, until the great day comes when two may enter it together.

As Theseus carried the thread of Ariadne through the labyrinth of Crete,

there are many who attempt to find the secret chamber, but vainly, for

the thread will always break in the wrong heart.

When the door is opened, at last, by the one who has made his way

through the devious passages, there is so little to be seen that

sometimes even the man himself laughs the woman to scorn and despoils

her of her few treasures.

The secret chamber is only a bare, white room, where is erected the high

altar of her soul, served through life, by her own faith. Upon the altar

burns steadfastly the one light, waiting for him who at last has come

and consecrated in his name. The door of the sanctuary is rock-ribbed

and heavy, and he who has not the key may beat and call in vain, while

within, unheeding, the woman guards her light.

Pitifully often the man does not care. Sometimes he does not even

suspect that he has been admitted into the inmost sanctuary of her

heart, for there are men who may never know what sanctuary means, nor

what the opening of the door has cost. But the man who is worthy will

kneel at the altar for a moment, with the woman beside him, and

thereafter, when the outside world has been cruel to him, he may go in

sometimes, with her, to warm his hands at those divine fires and kindle

his failing courage anew.

When the sanctuary is not profaned by him who has come hither, its

blessedness is increased ten-fold; it takes on a certain divinity by

being shared, and thereafter, they serve the light together.

And yet, through woman's eager trustfulness, the man who opens the door

is not always the one divinely appointed to open it. Sometimes the light

fails and the woman, weeping in the darkness, is left alone in her

profaned temple, never to open its door again, or, after many years, to

set another light high upon the altar, and, in the deepening shadows,

pray.

So, because the door had never been opened, and because she knew the man

had come at last who might enter the sanctuary with her, Rose lifted her

ever-burning light that night to the high altar of her soul, and set

herself to wait until he should find his way there.

VII

FATHER AND SON

The house seemed very quiet, though steadily, from a distant upper room,

came the sound of a violin. For more than an hour, Allison had worked

continuously at one difficult phrase. Colonel Kent smiled whimsically as

he sat in the library, thinking that, by this time, he could almost play

it himself.

Looking back over the thirty years, he could see where he had made

mistakes in moulding the human clay entrusted to his care, yet, in the

end, the mistakes had not mattered. Back in the beginning, he had

formulated certain cherished ideals for his son, and had worked steadily

toward them, unmindful of occasional difficulties and even failures.

Against his own judgment, he had yielded to Francesca in the choice of

the boy's career. "Look at his hands," she had said. "You couldn't put

hands like his at work in an office. If he isn't meant for music, we'll

find it out soon enough."

But Allison had gone on, happily, along the chosen path, with never a

question or doubt of his ultimate success. Just now, the Colonel was

deeply grateful to Francesca, for the years abroad had been pleasant

ones, and would have been wholly impossible had Allison been working in

an office.

With a sigh, he began to pace back and forth through the hall, his hands

in his pockets, and his grey head bowed. Before him was his own

portrait, in uniform, his hand upon his sword. The sword itself, hanging

in a corner of the hall, was dull and lifeless now. He had a curious

sense that his work was done.

The tiny stream, rising from some cool pool among the mountains, is not

unlike man's own beginning, for, at first, it gives no hint of its

boundless possibilities. Grown to a river, taking to itself the water

from a thousand secret channels, it leaps down the mountain, heedless of

rocky barriers, with all the joy of lusty youth.

The river itself portrays humanity precisely, with its tortuous

windings, its accumulation of driftwood, its unsuspected depths, and its

crystalline shallows, singing in the Summer sun. Barriers may be built

across its path, but they bring only power, as the conquering of an

obstacle is always sure to do. Sometimes when the rocks and stone-clad

hills loom large ahead, and eternity itself would be needed to carve a

passage, there is an easy way around. The discovery of it makes the

river sing with gladness and turns the murmurous deeps to living water,

bright with ripples and foam.

Ultimately, too, in spite of rocks and driftwood, of endless seeking for

a path, of tempestuous nights and days of ice and snow, man and the

river reach the eternal sea, to be merged forever with the Everlasting.

Upstairs the music ceased. A door opened, then closed, and presently

Allison came down, rubbing his hands. "It's a little cool up there," he

said, "and yet, by the calendar, it's Spring. I wish this climate could

be averaged up."

"Even then, we wouldn't be satisfied," the Colonel returned. "Who wants

all his days to be alike?"

"Nobody. Still, it's a bit trying to freeze your nose one day and be

obliged to keep all the windows open the next."

There was a long pause. The Colonel tapped his fingers restlessly upon

the library table. Allison went over to the open fire and stood with his

back to it, clasping his hands behind him. "What have you been doing all

the morning, Dad?"

"Nothing. Just sitting here, thinking."

"Pretty hopeless occupation unless you have something in particular to

think about."

"It's better to have nothing to think about than to be obliged to think

of something unpleasant, isn't it?"

"I don't know," Allison responded, smothering a yawn. "Almost anything

is better than being bored."

"You're not bored, are you?" asked the Colonel, quickly.

"Far from it, but I have my work. I was thinking of you."

"I can work, too," the Colonel replied. "I think as soon as the ground

thaws out, I'll make a garden. A floral catalogue came yesterday and the

pictures are very inspiring."

"Does it give any directions for distinguishing between the flowers and

weeds?"

"No," laughed the Colonel, "but I've thought of trying the ingenious

plan of the man who pulled up the plants and carefully watered the

weeds, expecting the usual contrary results."

Luncheon was announced and they went out together, shivering at the

change in temperature between the library and the dining-room, where

there would be no cheerful open fire until the dinner hour.

"What are you going to do this afternoon?" queried the Colonel.

"Why, work, I suppose--at least until I get too tired to work any more."

"You seem to believe in an eight-hour day."

Something in the tone gave Allison an inkling of the fact that his

father was lonely and restless in the big house. When they were abroad,

he had managed to occupy himself pleasantly while Allison was busy, and,

for the first time, the young man wondered whether it had been wise to

come back.

The loneliness of the great rooms was evident, if one looked for it, and

the silence was literally to be felt, everywhere. It is difficult for

two people to be happy in a large house; they need the cosiness

established by walls not too far apart, ceilings not too high, and the

necessary furniture not too widely separated. A single row of books,

within easy reach, may hint of companionship not possible to the great

bookcase across a large room.

"I think," said Allison, "that perhaps this house is too large for us.

Why should we need fifteen rooms?"

"We don't, but what's the use of moving again just now, when we're all

settled."

"It's no trouble to move," returned the young man.

"It might be, if we did it ourselves. I fancy that Miss Rose could give

us a few pointers on the subject of opening an old house."

"There may be something in that," admitted Allison. "What charming

neighbours they are!" he added, in a burst of enthusiasm.

"Madame Bernard," replied the Colonel, with emphasis, "is one of the

finest women I have ever had the good fortune to meet. Miss Rose is like

her, but I have known only one other of the same sort."

"And the other was--"

"Your mother."

The Colonel pushed back his plate and went to the window. Beyond the

mountains, somewhere in "God's acre," was the little sunken grave still

enfolding a handful of sacred dust. With a sudden throb of pain, Allison

realised, for the first time in his life, that his father was an old

man. The fine, strong face, outlined clearly by the pitiless afternoon

sun, was deeply lined: the broad shoulders were stooped a little, and

the serene eyes dimmed as though by mist. In the moment he seemed to

have crossed the dividing line between maturity and age.

Allison was about to suggest that they take a walk after luncheon,

having Madame Bernard's household in mind as the ultimate object, but,

before he could speak, the Colonel had turned away from the window.

"Some day you'll marry, lad," he said, in a strange tone.

Allison smiled and shrugged his shoulders doubtfully.

"And then," the Colonel continued, with a little catch in his voice,

"the house will be none too large for two--for you two."

Very rarely, and for a moment only, Allison looked like his mother. For

an instant she lived again in her son's eyes, then vanished.

"Dad," he said, gently, "I'm sure you wouldn't desert me even if I did

marry. You've stood by me too long."

The stooped shoulders straightened and the Colonel smiled. "Do you mean

that--if you married, you'd still--want me?"

"Most assuredly."

"She wouldn't."

"If she didn't," returned Allison, lightly, "she wouldn't get me. Not

that I'm any prize to be wrangled over by the fair sex, individually or

collectively, but you and I stand together, Dad, and don't you forget

it."

The Colonel cleared his throat, tried to speak, then stopped abruptly.

"I have been thinking," he continued, with a swift change of mood and

subject, "that we might manage a dinner party. We're much indebted to

Madame Bernard."

"Good idea! I don't know what sort of party it would prove to be, but,

if we did our best, it would be all right with them. Anyhow, Aunt

Francesca would give an air to it."

"So would the others, Miss Rose especially."

"I wonder why Aunt Francesca didn't marry again," mused Allison.

"Because her heart is deep enough to hold a grave."

"You knew her husband, didn't you?"

"He was my best friend," answered the Colonel, a little sadly. "How the

years separate and destroy, and blot out the things that count for the

most!"

"I wonder how she happened to be named 'Francesca.' It isn't an American

name."

"She wasn't. Her name was 'Mary Frances,' and he changed it to 'Marie

Francesca.' So she has been 'Marie Francesca' ever since, though she

never uses the 'Marie.' That was his name for her."

"The change suits her someway. Queer idea she has about names fitting

people, and yet it isn't so queer, either, when you come to think of it.

Rose might have been named Abigail or Jerusha, yet I believe people

would have found out she was like a rose and called her by her proper

name."

Colonel Kent flashed a quick glance at him, but the expression of his

face had not changed. "And Isabel?" he queried, lightly.

"Isabel's only a kid and it doesn't matter so much whether things fit

her or not. I've promised to take her to the theatre," he continued,

irrelevantly, "because Aunt Francesca wants her guest to be amused. I'm

also commissioned to find some youths about twenty and trot 'em round

for Isabel's inspection. Do you know of anybody?"

"I've seen only one who might do. There's a lanky boy with unruly hair

and an expansive smile whom I've seen at the post-office a time or two.

He usually has a girl with him, but she may be his sister. They look

astonishingly alike."

"Bet it's the Crosby twins. I'd like to see the little devils, if

they've grown up."

"They're grown up, whoever they are. The boy is almost as tall as I am

and his sister doesn't lack much of it."

"I must hunt 'em up. They've already called on Isabel, and perhaps, when

she returns the call, she'll take me along."

"Who brought them up?" asked the Colonel idly.

"They've brought themselves up, for the last five or six years, and I'm

of the opinion that they've always done it."

"Let's invite them to the dinner party."

Allison's eyes danced at the suggestion. "All right, but we'll have to

see 'em first. They may not want to come."

"I've often wondered," mused the Colonel, "why it is so much more

pleasant to entertain than it is to be entertained. I'd rather have a

guest any day than to be one."

"And yet," returned Allison, "if you are a guest, you can get away any

time you want to, within reasonable limits. If you're entertaining,

you've got to keep it going until they all want to go."

"In that case, it might be better for us if we went to Crosbys'."

"We can do that, too. I think it would be fun, though, to have 'em here.

We need another man in one sense, though not in another."

"I have frequently had occasion to observe," remarked the Colonel, "that

many promising dinners are wholly spoiled by the idea that there must be

an equal number of men and women. One uncongenial guest can ruin a

dinner more easily than a poor salad--and that is saying a great deal."

"Your salad days aren't over yet, evidently."

"I hope not."

The hour of talk had done the Colonel a great deal of good, and he was

quite himself again. Some new magazines had come in the afternoon mail

and lay on the library table. He fingered the paper knife absently as he

tore off the outer wrappings and threw them into the fire.

"I believe I'll go up and work for a couple of hours," said Allison,

"and then we'll go out for a walk."

"All right, lad. I'll be ready."

Even after the strains of the violin sounded faintly from upstairs,

accompanied by a rhythmic tread as Allison walked to and fro, Colonel

Kent did not begin to cut the leaves.

Instead, he sat gazing into the fire, thinking. Quite unconsciously, for

years, he had been carrying a heavy burden--the fear that Allison would

marry and that his marriage would bring separation. Now he was greatly

reassured. "And yet," he thought, "there's no telling what a woman may

do."

The sense that his work was done still haunted him, and, resolutely, he

tried to push it aside. "While there's life, there's work," he said to

himself. He knew, however, as he had not known before, that Allison was

past the need of his father, except for companionship.

The old house seemed familiar, yet as though it belonged to another

life. He remembered the building of it, when, with a girl's golden head

upon his shoulder, they had studied plans together far into the night.

As though it were yesterday, their delight at the real beginning came

back. There was another radiant hour, when the rough flooring for the

first story was laid, and, with bare scantlings reared, skeleton-like,

all around them, they actually went into their own house.

One by one, through the vanished years, he sought out the links that

bound him to the past. The day the bride came home from the honeymoon,

and knelt, with him, upon the hearth-stone, to light their first fire

together; the day she came to him, smiling, to whisper to him the secret

that lay beneath her heart; the long waiting, half fearful and half

sweet, then the hours of terror that made an eternity of a night, then

the dawn, that brought the ultimate, unbroken peace which only God can

change.

Over there, in front of the fireplace in the library, the little mother

had lain in her last sleep. The heavy scent of tuberoses, the rumble of

wheels, the slow sound of many feet, and the tiny, wailing cry that

followed them when he and she went out of their house together for the

last time--it all came back, but, mercifully, without pain.

Were it not for this divine forgetting, few of us could bear life. One

can recall only the fact of suffering, never the suffering itself. When

a sorrow is once healed, it leaves only a tender memory, to come back,

perhaps, in many a twilight hour, with tears from which the bitterness

has been distilled.

Slowly, too, by the wonderful magic of the years, unknown joys reveal

themselves and stand before us, as though risen from the dead. At such

and such a time, we were happy, but we did not know it. In the midst of

sorrow, the joy comes back, not reproachfully, but to beckon us on, with

clearer sight, to those which lie on the path beyond.

He remembered, too, that after the first sharp agony of bereavement was

over; when he had learned that even Death does not deny Love, he had

seemed to enter some mysterious fellowship. Gradually, he became aware

of the hidden griefs of others, and from many unsuspected sources came

consolation. Even those whom he had thought hard and cold cherished some

holy of holies--some sacred altar where a bruised heart had been healed

and the bitterness taken away.

He had come to see that the world was full of kindness; that through the

countless masks of varying personalities, all hearts beat in perfect

unison, and that joy, in reality, is immortal, while pain dies in a day.

"And yet," he thought, "how strange it is that life must be nearly over,

before one fully learns to live."

The fire crackled cheerily on the hearth, the sunbeams danced gaily

through the old house, spending gold-dust generously in corners that

were usually dark, and the uncut magazine slipped to the floor. Above,

the violin sang high and clear. The Colonel leaned back in his chair and

closed his eyes.

When Allison came down, he was asleep, with the peace of Heaven upon his

face, and so quiet that the young man leaned over him, a little

frightened, to wait for the next deep breath. Reassured, he did not wake

him, but went for his walk alone.

VIII

"THE YEAR'S AT THE SPRING"

Outside, in the grey darkness, the earth was soft with snow. Upon the

illimitable horizon beyond the mountain peaks were straying gleams of

dawn, colourless, but none the less surely a promise of daybreak.

Rose had been awake for some time, listening to the ice-clad branches

that clattered with every passing breeze. A maple bough, tapping on her

window as ghostly fingers might, had first aroused her from a medley of

dreams.

She went to the window, shivering a little, and, while she stood there,

watching the faint glow in the East, the wind changed in quality, though

it was still cool. Hints of warmth and fragrance were indefinably

blended with the cold, and Rose laughed as she crept back to bed, for

she had chanced upon the mysterious hour when the Weaver of the Seasons

changed the pattern upon the loom.

Having raised another window shade, she could see the dawn from where

she lay. Tints of gold and amethyst came slowly upon the grey and made

the horizon delicately iridescent, like mother-of-pearl. Warm and soft

from the Southland, the first wind of Spring danced merrily into Madame

Francesca's sleeping garden, thrilling all the life beneath the sod.

With the first beam of sun, the ice began to drip from the imprisoned

trees and every fibre of shrub and tree to quiver with aspiration, as

though a clod should suddenly find a soul.

In the watcher's heart, too, had come another Spring, for once in time

and tune with the outer world. The heart's seasons seldom coincide with

the calendar. Who among us has not been made desolate beyond all words

upon some golden day when the little creatures of the air and meadow

were life incarnate, from sheer joy of living? Who among us has not come

home, singing, when the streets were almost impassable with snow, or met

a friend with a happy, smiling face, in the midst of a pouring rain?

The soul, too, has its own hours of Winter and Spring. Gethsemane and

Calvary may come to us in the time of roses and Easter rise upon us in a

December night. How shall we know, in our own agony, of another's

gladness, or, on that blessed to-morrow when the struggle is over, help

someone else to bear our own forgotten pain?

True sympathy is possible only when the season of one soul accords with

that of another, or else when memory, divinely tender, brings back a

vivid, scarlet hour out of grey, forgotten days, to enable us to share,

with another, his own full measure of sorrow or of joy.

Ah, but the world was awake at last! Javelin-like, across a field of

melting snow, went a flash of blue wings, and in Madame Francesca's own

garden a robin piped his cheery strain upon the topmost bough of a

dripping tree.

The woman, too, was awake, in every fibre of body and soul. Even her

finger-tips seemed sentient and alive; her heart was strangely lifted,

as though by imprisoned wings. She had no doubt of the ultimate hour,

when he would know also, yet, half-afraid, she shrank from it, as she

would not have shrunk from pain.

Madame had once remarked that civilisation must have begun not earlier

than nine in the morning, or later than noon. She had a horror of the

early breakfast, when the family, cold, but clean, gathers itself around

the board which only last night was festive and strives valiantly to be

pleasant. It was almost an axiom with her that human, friendly

conversation was not possible before nine in the morning.

So, as there was no one else to be pleased, the three women breakfasted

when and where they chose. If Rose preferred to robe herself

immaculately in white linen and have her coffee in the dining-room at

seven, she was at liberty to do so. If she wanted it in her own room, at

ten, that also was easily managed, but this was the only "movable feast"

Madame would permit. Luncheon and dinner went precisely by tae clock,

year in and year out.

Too happy to sleep and yearning to be outdoors, Rose dressed quietly and

tiptoed down-stairs. She smiled whimsically as the heavy front door

slammed behind her, wondering if it would wake the others and if they,

too, would know that it was Spring.

Tips of green showed now and then where the bulbs were planted, and,

down in the wild garden, when she brushed aside the snow, Rose found a

blushing hepatica in full bloom. "How indiscreet," she thought, then

added, to herself, "but what sublime courage it must take to blossom

now!"

The plump robin, whose winter had evidently been pleasant, hopped about

the garden after her, occasionally seeking shelter on the lower bough of

a tree if she turned, or came too near. "Don't be afraid," she called,

aloud, then laughed, as with a farewell chirp and a flutter of wings,

the robin took himself beyond the reach of further conversational

liberties.

Her pulses leaped with abundant life; the wet road lured her eager feet.

She went out, leaving the gate open, and turned toward the woods, where

a flock of wild geese, breasting the chill winds far above the river,

was steadily cleaving a passage to the friendly North.

When she reached the woods, where the white birches stood like shy

dryads among the oaks, she heard once more the robin's flutelike call.

It was answered by another, exactly upon the same notes, yet wholly

different as to quality. Presently, among the trees, she caught a

glimpse of a tall man, and she paused for an instant, frightened. Then

her heart leaped and her cheeks burned, as she saw who it was.

"Boy!" she called, clearly. "Oh, Boy!"

Allison turned, startled, then came to her, smiling, hat in hand. "Upon

my word," he said. "I didn't think there was anyone else mad enough to

come out at this hour."

Old Rose and Silver · 第 4 / 16 段