CHAPTER XVIII.

FLORA FRANCATELLI--THE THREE NUNS--THE CHAIR.

Nisida regained her apartment, by the private staircase, without any

molestation. Having laid aside her male attire, she assumed a loose

wrapper, and then, throwing herself into an armchair, gave way to her

reflections.

These were apparently of no pleasurable nature; for they were frequently

interrupted by convulsive starts and rapid glancings around the room--as

if she were fearful lest some terrible specter were present to scare

her.

Once or twice her eyes lingered on her mother's portrait; and then

profound sighs escaped her bosom.

Presently the beautiful Flora Francatelli entered the apartment; but

Nisida made her a sign of dismissal.

The maiden withdrew; and we must now follow her to her own chamber.

On reaching her bedroom, Flora did not immediately retire to rest. She

felt that she should not sleep, even were she to seek her pillow: for

she had much--very much to ponder upon!

There was a marked, undisguised reserve about her mistress which

materially affected her. Although she could not control her affections,

yet she felt as if she were acting with duplicity toward the Lady Nisida

in having listened to the love-tale of Francisco, and, retaining that

revelation of his affection a secret in her own breast.

Yet--had he not implored, had he not enjoined her to keep that avowal to

herself? Yes, and when she looked at the matter, as it were, face to

face, she could not justly reproach herself:--nevertheless, that secret

love weighed upon her conscience like a crime!

She could not understand wherefore Nisida's manner had changed toward

her. Francisco had assuredly made no communication to his sister; and

nothing had transpired to excite a suspicion of the real truth in her

mind. Still there _was_ a coolness on the part of that lady:--or might

it not be that Flora's imagination deceived her?

There was another, and even a more serious cause of grief weighing upon

her mind. Dispatches had been received from the nobleman in whose suit

her brother Alessandro had repaired to Constantinople; and the secretary

of the council of Florence had intimated to Signora Francatelli (Flora's

aunt) that Alessandro had abjured the faith of his forefathers and had

embraced the Mussulman creed. It was also stated that the young man had

entered the service of grand vizier; but whether he had become a

renegade through love for some Turkish maiden, or with the hope of

ameliorating his condition in a worldly point of view, whether, indeed,

self-interest or a conscientious belief in the superiority of the Moslem

doctrines over those of Christianity, had swayed Alessandro, no one

could say.

His aunt was almost heart-broken at the news. Father Marco, through

whose influence he had obtained the post of secretary to the Florentine

Envoy, was shocked and grieved; and Flora was not the less afflicted at

an event which, as she had been taught to believe, must inevitably place

her much-loved brother beyond the hope of spiritual salvation.

Amidst the gloomy reflections excited by the Lady Nisida's coolness, and

the disagreeable tidings which had been received concerning her brother,

there was nevertheless one gleam of consolation for Flora Francatelli.

This was the love which Francisco entertained for her, and which she so

tenderly, so sincerely reciprocated.

Yes, a maiden's first love is ever a source of solace amidst the gloom

of affliction; because it is so intimately intertwined with hope! For

the soul of the innocent, artless girl who fondly loves, soars aloft in

a heaven of her own creation, dove-like on the wings of faith!

It was already late when Flora began to unbraid and set at liberty her

dark brown tresses, preparatory to retiring to rest, when a low knock at

the chamber-door startled her in the midst of her occupation.

Thinking it might be the Lady Nisida who required her attendance she

hastened to open the door; and immediately three women, dressed in

religious habits and having black veils thrown over their heads so as

completely to conceal their faces, entered the room.

Flora uttered a faint scream--for the sudden apparition of those

specter-like figures, at such a late hour of the night, was well

calculated to alarm even a person of maturer age and stronger mind than

Signora Francatelli.

"You must accompany us, young lady," said the foremost nun, advancing

toward her. "And beware how you create any disturbance--for it will

avail you nothing."

"Whither am I to be conducted?" asked Flora, trembling from head to

foot.

"That we cannot inform you," was the reply. "Neither must you know at

present; and therefore our first duty is to blindfold you."

"Pity me--have mercy upon me!" exclaimed Flora, throwing herself on her

knees before the nun who addressed her in so harsh, so stern a manner.

"I am a poor, unprotected girl: have mercy upon me!"

But the three nuns seized upon her; and while one held the palm of her

hand forcibly over her mouth so as to check her utterance, the others

hastily blindfolded her.

Flora was so overcome by this alarming proceeding, that she fainted.

When she came to her senses, she found herself lying on a hard and sorry

couch in a large apartment, almost entirely denuded of furniture and

lighted by a feebly-burning lamp suspended to the low ceiling.

For a moment she thought she was laboring under the influence of a

hideous dream; but, glancing around, she started with affright, and a

scream burst from her lips, when she beheld the three nuns standing by

the bed.

"Why have you brought me hither?" she demanded, springing from the

couch, and addressing the recluses with frantic wildness.

"To benefit you in a spiritual sense," replied the one who had before

acted as spokeswoman: "to purge your mind of those mundane vanities

which have seized upon it, and to render you worthy of salvation. Pray,

sisters--pray for this at present benighted creature!"

Then, to the surprise of the young maiden, the three nuns all fell upon

their knees around her, and began to chant a solemn hymn in most

lugubrious notes.

They had thrown aside their veils, and the flickering light of the dim

lamp gave a ghastly and unearthly appearance to their pale and severe

countenances. They were all three elderly persons: and their aspect was

of that cold, forbidding nature, which precludes hope on the part of any

one who might have to implore mercy.

The young maiden was astounded--stupefied--she knew not what to

conjecture. Where was she? who were those nuns that had treated her so

harshly? why was she brought to that cold, cheerless apartment? what

meant the hymn that seemed chanted expressly on her account?

She could not bear up against the bewilderment and alarm produced by

these questions which she asked herself, and none of which she could

solve. An oppressive sensation came over her; and she was about to sink

back upon the couch from which she had risen, when the hymn suddenly

ceased--the nuns rose from their suppliant posture--and the foremost,

addressing the poor girl in a reproachful tone, exclaimed, "Oh!

wicked--worldly-minded creature, repent--repent--repent!"

There was something so awful--so appalling--in this strange conduct on

the part of the nuns, that Flora began to doubt whether she were not

laboring under some terrible delusion. She feared lest her senses were

leaving her: and, covering her face with her hands, so as to close her

eyes against external objects, she endeavored to look inward, as it

were, and scrutinize her own soul.

But she was not allowed time to reflect; for the three nuns seized upon

her, the foremost saying, "You must come with us!"

"Mercy! mercy!" screamed the wretched girl, vainly struggling in the

powerful grasp of the recluses.

Her long hair, which she had unbraided before she was carried off from

the Riverola mansion, floated over her shoulders, and enhanced the

expression of ineffable despair which her pallid countenance now wore.

Wildly she glanced around, as she was being hurried from the room; and

frantic screams escaped her lips. But there was no one nigh to

succor--no one to melt at the outbursts of her anguish!

The three nuns dragged, rather than conducted her to an adjacent

apartment, which was lighted by a lamp of astonishing brilliancy, and

hung in a skylight raised above the roof.

On the floor, immediately beneath this lamp, stood an armchair of

wicker-work; and from this chair two stout cords ascended to the

ceiling, through which they passed by means of two holes perforated for

the purpose.

When Flora was dragged by the nuns to the immediate vicinity of the

chair, which her excited imagination instantly converted into an engine

of torture, that part of the floor on which the chair stood seemed to

tremble and oscillate beneath her feet, as if it were a trap-door.

The most dreadful sensations now came over her: she felt as if her brain

was reeling--as if she must go mad.

A fearful scream burst from her lips, and she struggled with the energy

of desperation, as the nuns endeavored to thrust her into the chair.

"No--no!" she exclaimed, frantically; "you shall not torture me--you

dare not murder me! What have I done to merit this treatment! Mercy!

mercy!"

But her cries and her struggles were alike useless; for she was now

firmly bound to the chair, into which the nuns had forced her to seat

herself.

Then commenced the maddening scene which will be found in the ensuing

chapter.

Wagner, the Wehr-Wolf · 第 18 / 64 章