CHAPTER II.

NISIDA--THE MYSTERIOUS CLOSET.

The room to which Nisida withdrew, between four and five o'clock on that

mournful winter's morning, was one of a suit entirely appropriated to

her own use.

This suit consisted of three apartments, communicating with each other,

and all furnished in the elegant and tasteful manner of that age.

The innermost of the three rooms was used as her bed-chamber, and when

she now entered it, a young girl of seventeen, beautiful as an angel,

but dressed in the attire of a dependent, instantly arose from a seat

near the fire that blazed on the hearth, and cast a respectful but

inquiring glance toward her mistress.

Nisida gave her to understand, by a sign, that all was over.

The girl started, as if surprised that her lady indicated so little

grief; but the latter motioned her, with an impatient gesture, to leave

the room.

When Flora--such was the name of the dependent--had retired Nisida threw

herself into a large arm-chair near the fire, and immediately became

buried in a deep reverie. With her splendid hair flowing upon her white

shoulders--her proud forehead supported on her delicate hand--her lips

apart, and revealing the pearly teeth--her lids with their long black

fringes half-closed over the brilliant eyes--and her fine form cast in

voluptuous abandonment upon the soft cushions of the chair--she indeed

seemed a magnificent creature!

But when, suddenly awaking from that profound meditation, she started

from her seat with flashing eyes--heaving bosom--and an expression of

countenance denoting a fixed determination to accomplish some deed from

which her better feelings vainly bade her to abstain:--when she drew her

tall--her even majestic form up to its full height, the drapery

shadowing forth every contour of undulating bust and exquisitely modeled

limb--while her haughty lip curled in contempt of any consideration save

her own indomitable will--she appeared rather a heroine capable of

leading an Amazonian army, than a woman to whom the sighing swain might

venture to offer up the incense of love.

There was something awful in the aspect of this mysterious

being--something ineffably grand and imposing in her demeanor--as she

thus suddenly rose from her almost recumbent posture, and burst into the

attitude of a resolute and energetic woman.

Drawing the wrapper around her form, she lighted a lamp, and was about

to quit the chamber, when her eyes suddenly encountered the mild and

benignant glance which the portrait of a lady appeared to cast upon her.

This portrait, which hung against the wall precisely opposite to the

bed, represented a woman of about thirty years of age--a woman of a

beauty much in the same style as that of Nisida, but not marred by

anything approaching to a sternness of expression. On the contrary, if

an angel had looked through those mild black eyes, their glances could

not have been endowed with a holier kindness; the smiles of good spirits

could not be more plaintively sweet than those which the artist had made

to play upon the lips of that portrait.

Yet, in spite of this discrepancy between the expression of Nisida's

countenance and that of the lady who had formed the subject of the

picture, it was not difficult to perceive a certain physical likeness

between the two; nor will the reader be surprised when we state that

Nisida was gazing on the portrait of her deceased mother.

And that gaze--oh! how intent, how earnest, how enthusiastic it was! It

manifested something more than love--something more impassioned and

ardent than the affection which a daughter might exhibit toward even a

living mother; it showed a complete devotion--an adoration--a worship!

Long and fixedly did Nisida gaze upon that portrait; till suddenly from

her eyes, which shot forth such burning glances, gushed a torrent of

tears.

Then--probably fearful lest this weakness on her part might impair the

resolution necessary to execute the purpose which she had in

view--Nisida dashed away the tears from her long lashes, hastily quitted

the room.

Having traversed the other two apartments of her own suit, she cast a

searching glance along the passage which she now entered; and, satisfied

that none of the domestics were about, for it was not yet six o'clock on

that winter's morning, she hastened to the end of the corridor.

The lamp flared with the speed at which she walked; and its uncertain

light enhanced the pallor that now covered her countenance.

At the bottom of the passage she cautiously opened the door, and entered

the room with which it communicated.

This was the sleeping apartment of her brother.

A single glance convinced her that he was wrapt in the arms of slumber.

He slept soundly too--for he was wearied with the vigil which he had

passed by the death-bed of his father--worn out also by the thousand

conflicting and unsatisfactory conjectures that the last instructions of

his parent had naturally excited in his mind.

He had not, however, been asleep a quarter of an hour when Nisida stole,

in the manner described, into his chamber.

A smile of mingled joy and triumph animated her countenance, and a

carnation tinge flushed her cheeks when she found he was fast locked in

the embrace of slumber.

Without a moment's hesitation, she examined his doublet, and clutched

the key that his father had given to him scarcely six hours before.

Then, light as the fawn, she left the room.

Having retraced her steps half-way up the passage, she paused at the

door of the chamber in which the corpse of her father lay.

For an instant--a single instant--she seemed to revolt from the

prosecution of her design, then, with a stern contraction of the brows,

and an imperious curl of the lip--as if she said within herself, "_Fool

that I am to hesitate!_"--she entered the room.

Without fear--without compunction, she approached the bed. The body was

laid out: stretched in its winding sheet, stiff and stark did it seem to

repose on the mattress--the countenance rendered more ghastly than even

death could make it, by the white band which tied up the under jaw.

The nurse who had thus disposed the corpse, had retired to snatch a few

hours of rest; and there was consequently no spy upon Nisida's actions.

With a fearless step she advanced toward the closet--the mysterious

closet relative to which such strange injunctions had been given.

Wagner, the Wehr-Wolf · 第 2 / 64 章