I waved my card.

"That's thirty to you sir."

"Forty," Craphound said.

"Fifty," I said even before the auctioneer could point back to me. An old pro,

he settled back and let us do the work.

"One hundred," Craphound said.

"One fifty," I said.

The room was perfectly silent. I thought about my overextended MasterCard, and

wondered if Scott/Billy would give me a loan.

"Two hundred," Craphound said.

Fine, I thought. Pay two hundred for those. I can get a set on Queen Street for

thirty bucks.

The auctioneer turned to me. "The bidding stands at two. Will you say two-ten,

sir?"

I shook my head. The auctioneer paused a long moment, letting me sweat over the

decision to bow out.

"I have two -- do I have any other bids from the floor? Any other bids? Sold,

$200, to number 57." An attendant brought Craphound the glasses. He took them

and tucked them under his seat.

#

I was fuming when we left. Craphound was at my elbow. I wanted to punch him --

I'd never punched anyone in my life, but I wanted to punch him.

We entered the cool night air and I sucked in several lungfuls before lighting a

cigarette.

"Jerry," Craphound said.

I stopped, but didn't look at him. I watched the taxis pull in and out of the

garage next door instead.

"Jerry, my friend," Craphound said.

"_What_?" I said, loud enough to startle myself. Scott, beside me, jerked as

well.

"We're going. I wanted to say goodbye, and to give you some things that I won't

be taking with me."

"What?" I said again, Scott just a beat behind me.

"My people -- we're going. It has been decided. We've gotten what we came for."

Without another word, he set off towards his van. We followed along behind,

shell-shocked.

Craphound's exoskeleton executed another macro and slid the panel-door aside,

revealing the cowboy trunk.

"I wanted to give you this. I will keep the glasses."

"I don't understand," I said.

"You're all leaving?" Scott asked, with a note of urgency.

"It has been decided. We'll go over the next twenty-four hours."

"But _why_?" Scott said, sounding almost petulant.

"It's not something that I can easily explain. As you must know, the things we

gave you were trinkets to us -- almost worthless. We traded them for something

that was almost worthless to you -- a fair trade, you'll agree -- but it's time

to move on."

Craphound handed me the cowboy trunk. Holding it, I smelled the lubricant from

his exoskeleton and the smell of the attic it had been mummified in before

making its way into his hands. I felt like I almost understood.

"This is for me," I said slowly, and Craphound nodded encouragingly. "This is

for me, and you're keeping the glasses. And I'll look at this and feel. . ."

"You understand," Craphound said, looking somehow relieved.

And I _did_. I understood that an alien wearing a cowboy hat and sixguns and

giving them away was a poem and a story, and a thirtyish bachelor trying to

spend half a month's rent on four glasses so that he could remember his

Grandma's kitchen was a story and a poem, and that the disused fairground

outside Calgary was a story and a poem, too.

"You're craphounds!" I said. "All of you!"

Craphound smiled so I could see his gums and I put down the cowboy trunk and

clapped my hands.

#

Scott recovered from his shock by spending the night at his office, crunching

numbers talking on the phone, and generally getting while the getting was good.

He had an edge -- no one else knew that they were going.

He went pro later that week, opened a chi-chi boutique on Queen Street, and

hired me on as chief picker and factum factotum.

Scott was not Billy the Kid. Just another Bay Street shyster with a cowboy

jones. From the way they come down and spend, there must be a million of them.

Our draw in the window is a beautiful mannequin I found, straight out of the

Fifties, a little boy we call The Beaver. He dresses in chaps and a Sheriff's

badge and sixguns and a miniature Stetson and cowboy boots with worn spurs, and

rests one foot on a beautiful miniature steamer trunk whose leather is worked

with cowboy motifs.

He's not for sale at any price.

--

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