She drew in her breath. "How you _have_ fought for him."

"I'm fighting for my own honour and glory, too."

He drew her attention to a passage where he called upon Heaven to forbid

that he should appear to apologize for so great a man. He was only

concerned with explaining why Prothero was and would remain unacceptable

to a generation of brokers; which was not so much a defence of Prothero

as an indictment of his generation. She would see how he had rubbed it

in.

She followed, panting a little in her excitement, the admirable points

he made. There, where he showed that there was no reason why this Celt

should be an alien to the Saxon race. Because (her heart leaped as she

followed) his genius had all the robust and virile qualities. He was not

the creature of a creed, or a conviction, or a theory; neither was he a

fantastic dreamer. He was a man of realities, the very type (Tanqueray

had rubbed that well in) that hard-headed Englishmen adore, a surgeon,

a physician, a traveller, a fighter among fighting men. He had never

blinked a fact (Laura smiled as she remembered how Owen had said that

that was what a Brodrick never did); he had never shirked a danger. But

(Tanqueray, in a new paragraph, had plunged into the heart of his

subject) on the top of it all he was a seer; a man who saw _through_ the

things that other men see. And to say that he saw, that he saw through

things, was the humblest and simplest statement of his case. To him the

visible world was a veil worn thin by the pressure of the reality behind

it; it had the translucence that belongs to it in the form of its

eternity. He was in a position to judge. He had lived face to face and

hand to hand with all forms of corporeal horror, and there was no mass

of disease or of corruption that he did not see in its resplendent and

divine transparency. It was simple and self-evident to him that the

world of bodies was made so and not otherwise. It was also clear as

daylight that the entire scheme of things existed solely to unfold and

multiply and vary the everlasting-to-everlasting-world-without-end

communion between God and the soul. To him this communion was a fact, a

fact above all facts, the supremely and only interesting fact. It was so

natural a thing that he sang about it as spontaneously as other poets

sing about their love and their mistresses. So simple and so

self-evident was it that he had called his latest and greatest poems

"Transparences."

"It sounds," she said, "as if you saw what he sees."

"I don't," said Tanqueray. "I only see _him_."

At that, all of a sudden, the clever imp broke down.

"George," she said, "I love you--I don't care if Rose _does_ hear--I

love you for defending him."

[Illustration: "George," she said ... "I love you for defending him."]

"Love me for something else. He doesn't need defending."

"Not he! But all the same I love you."

It was as if she had drawn aside a fold of her pretty garment and shown

him, where the scar had been, a jewel, a pearl with fire in the white of

it.

The Creators: A Comedy · 第 109 / 131 题