XXXVII

Laura Gunning was writing a letter to Tanqueray to congratulate him on

his book and to explain why she had not come to his birthday party. It

was simply impossible to get off now. Papa, she said, couldn't be left

for five minutes, not even with the morning paper.

It was frightfully hard work getting all this into any intelligible form

of words; getting it down at all was difficult. For the last hour she

had been sitting there, starting and trembling at each rustle of the

paper. Mr. Gunning could not settle down to reading now. He turned his

paper over and over again in the vain search for distraction; he divided

it into parts and became entangled in them; now he would cast them from

him and trample them under his feet; and now they would be flapping

about his head; he would be covered and utterly concealed in newspaper.

It was a perpetual wind of newspaper, now high, now low; small, creeping

sounds that rose to a crescendo; rushing, ripping, shrieking sounds of

agitated newspaper, lacerating Laura's nerves, and murderous to the

rhythm of her prose.

Tears fell from Laura's eyes as she wrote; they dropped, disfiguring her

letter. Her head ached. It was always aching now. And when she tried to

write she felt as if she were weaving string out of the grey matter of

her brain, with the thread breaking all the time.

At four o'clock she rose wearily and began to get tea ready. Nina was

coming to tea that afternoon. It was something to look forward to,

something that would stave off the pressure and the pain.

Her tether had stretched; it had given her inches; but this was the end

of it. She did not see, herself, now, any more than Nina or Jane or

Tanqueray saw, how she was to go on. She did not know how, for

instance, she was to face the terrible question of finance. For the last

six months she had not written any paragraphs. Even if Papa had not made

it impossible for her to write them, her head and all the ideas in it

were giving out. She had lost her job. She was living precariously on

translation, which could be done, she maintained, when you hadn't any

head at all. She would get twenty pounds for it, and there would be

forty, perhaps, for the book which she had been sitting up to write. She

did not know where the money for next year was coming from; and there

were the doctor and the chemist now to pay for poor Papa.

The doctor and the chemist had not cured him of his dreams. The dreams

were incessant, and they were more horrid than they had ever been. She

hadn't slept for fear of the opening of the door, and the sound of the

slow feet shuffling to her bedside, and the face that took on more and

more the likeness of the horrors that he dreamed.

The dreams, she had gathered, were a very bad sign. She had been told

that she must be on the look-out; she must not leave him. She knew what

that meant. Her fear might take shape any day or any night.

Last night she had moved her bed into his room.

The doctor had looked grave when she told him what she had done. There

should be, he said, an attendant for the night. To be on the look-out

night and day were too much for any woman. She should husband her

strength, for she would want it. She was in for a very long strain. For

the old man's bodily health was marvellous. He might last like that for

another ten years, and, with care, for longer.

Nina had been drawn apart into the inner room to receive this account of

Mr. Gunning. She was shocked by the change she found in her little

friend. The Kiddy was very thin. Her pretty, slender neck was wasted,

and her childlike wrists were flattened to the bone. A sallow tint was

staining her whiteness. Her hair no longer waved in its low curves; it

fell flat and limp from the parting. Her eyes, strained, fixed in their

fear, showed a rim of white. Her mouth was set tight in defiance of her

fear. Nina noticed that there was a faint, sagging mark on either side

of it.

"Kiddy," she said, "how _will_ you----?"

"I don't know. My brain's all woolly and it won't think."

Laura closed her eyes; a way she had when she faced terror.

"Nina, it was horrible yesterday. I caught myself wishing----Oh no, I

don't; I didn't; I couldn't; it was something else, not me. It couldn't

have been me, could it?"

"No, Kiddy, of course it couldn't."

"I don't know. I feel sometimes as if I could be awful. Yesterday, I did

a cruel thing to him. I took his newspaper away from him."

She stared, agonized, as if her words were being wrenched from her with

each turn of a rack.

"I hid it. And he cried, Nina, he cried."

Her sad eyes fastened on Nina's; they clung, straining at the hope they

saw in Nina's pity.

"I can't think how I did it. I couldn't stand it, you know--the

rustling."

"Kiddy," said Nina, "you're going to pieces."

Laura shook her head. "Oh no. If I could have peace; if I could only

have peace, for three days."

"You must have it. You must go away."

"How can I go and leave him?"

"Tank's wife would come."

"Three days." It seemed as if she were considering it, as if her mind,

drowning, snatched at that straw.

She let it go. "No. It's no use going away. It would make no

difference."

She turned her face from Nina. "In some ways," she said, "it's a good

thing I've got Papa to think of."

Nina was silent. She knew what Laura meant.

The Creators: A Comedy · 第 79 / 131 题