THE CONFLICT OF ORIENTAL AND WESTERN CULTURES IN CHINA

From "THE CHANGING CHINESE." Chapter I. Copyright, 1911, by

the Century Co.

China is the European Middle Ages made visible. All the cities are

walled and the walls and gates have been kept in repair with an eye to

their effectiveness. The mandarin has his headquarters only in a

walled fortress-city and to its shelter he retires when a sudden

tempest of rebellion vexes the peace of his district.

The streets of the cities are narrow, crooked, poorly-paved, filthy,

and malodorous. In North China they admit the circulation of the heavy

springless carts by which alone passengers are carried; but, wherever

rice is cultivated, the mule is eliminated and the streets are adapted

only to the circulation of wheel-barrows and pedestrians. There is

little or no assertion of the public interest in the highway, and

hence private interests close in upon the street and well-nigh block

it. The shopkeeper builds his counter in front of his lot line; the

stalls line the streets with their crates and baskets; the artisans

overflow into it with their workbenches, and the final result is that

the traffic filters painfully through a six-foot passage which would

yet be more encroached on but for the fact that the officials insist

on there being room left for their sedan chairs to pass each other.

The straightened streets are always crowded and give the traveler the

impression of a high density and an enormous population. But the

buildings are chiefly one story in height, and, with the exception of

Peking, Chinese cities cover no very great area. For literary effect

their population has been recklessly exaggerated, and, in the absence

of reliable statistics, every traveler has felt at liberty to adopt

the highest guess.

Until recently there was no force in the cities to maintain public

order. Now, khaki-clad policemen, club in hand, patrol the streets,

but their efficiency in time of tumult is by no means vindicated. A

slouching, bare-foot, mild-faced _gendarme_ such as you see in Canton

is by no means an awe-inspiring embodiment of the majesty of the law.

There is no common supply of water. When a city lies by a river the

raw river water is borne about to the house by regular water-carriers,

and the livelong day the river-stairs are wet from the drip of

buckets. When the water is too thick it is partially clarified by

stirring it with a perforated joint of bamboo containing some piece of

alum.

There is no public lighting, and after nightfall the streets are dark,

forbidding, and little frequented. Until kerosene began to penetrate

the Empire the common source of light was a candle in a paper lantern

or cotton wick lighted in an open cup of peanut oil. Owing to the lack

of a good illuminant the bulk of the people retire with the fowls and

rise with the sun. By making the evening of some account for reading

or for family intercourse, kerosene has been a great boon to domestic

life.

Fuel is scarce and is sold in neat bundles of kindling size. Down the

West River ply innumerable boats corded high with firewood floating

down to Canton and Hong Kong. Higher and higher the tree destruction

extends, and farther and farther does the axman work his way from the

waterways. Chaff and straw, twigs and leaves and litter are burned in

the big brick bedsteads that warm the sleepers on winter nights, and

under the big, shallow copper vessels set in the low brick or mud

stoves. Fuel is economized and household economy simplified among the

poor by the custom of relying largely on the food cooked and vended in

the street. The portable restaurant is in high favor, for our

prejudice against food cooked outside the home is a luxury the common

people cannot afford to indulge in.

Proper chimneys are wanting and wherever cooking goes on the walls are

black with the smoke that is left to escape as it will. Chinese

interiors are apt to be dark for, in the absence of window glass, the

only means of letting in light without weather is by pasting paper on

lattice. The floors are dirt, brick, or tile, the roof tile or thatch.

To the passer-by private ease and luxury are little in evidence. If a

man has house and grounds of beauty, a high wall hides them from the

gaze of the public. Open lawns and gardens are never seen, and there

is no greenery accessible to the public unless it be the grove of an

occasional temple.

In the houses of the wealthy, although there is much beauty to be

seen, the standard of neatness is not ours. Cobwebs, dust, or

incipient dilapidation do not excite the servant or mortify the

proprietor. While a mansion may contain priceless porcelains and

display embroideries and furniture that would be pronounced beautiful

the world over, in general, the interiors wrought by the Chinese

artisan do not compare in finish with those of his Western

_confrere_....

No memory of China is more haunting than that of the everlasting blue

cotton garments. The common people wear coarse, deep-blue "nankeen."

The gala dress is a cotton gown of a delicate bird's-egg blue or a

silk jacket of rich hue. In cold weather the poor wear quilted cotton,

while the well-to-do keep themselves warm with fur-lined garments of

silk. A general adoption of Western dress would bring on an economic

crisis, for the Chinese are not ready to rear sheep on a great scale

and it will be long before they can supply themselves with wool. The

Chinese jacket is fortunate in opening at the side instead of at the

front. When the winter winds of Peking gnaw at you with Siberian

teeth, you realize how stupid is our Western way of cutting a notch in

front right down through overcoat, coat and vest, apparently in order

that the cold may do its worst to the tender throat and chest. On

seeing the sensible Chinaman bring his coat squarely across his front

and fasten it on his shoulder, you feel like an exposed

totem-worshipper.

Wherever stone is to be had, along or spanning the main roads are to

be seen the memorial arches known as _pailows_ erected by imperial

permission to commemorate some deed or life of extraordinary merit. It

is significant that when they proclaim achievement, it is that of the

scholar, not of the warrior. They enclose a central gateway, flanked

by two, and sometimes by four, smaller gateways, and conform closely

to a few standard types, all of real beauty. As a well-built _pailow_

lasts for centuries, and as the erection of such a memorial is one of

the first forms of outlay that occur to a philanthropic Chinaman, they

accumulate, and sometimes the road near cities is lined with those

structures until one wearies of so much repetition of the same thing,

however beautiful.

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