OF BEAUTY AND DEATH

For long years we of the world gone wild have looked into the face of

death and smiled. Through all our bitter tears we knew how beautiful it

was to die for that which our souls called sufficient. Like all true

beauty this thing of dying was so simple, so matter-of-fact. The boy

clothed in his splendid youth stood before us and laughed in his own

jolly way,--went and was gone. Suddenly the world was full of the

fragrance of sacrifice. We left our digging and burden-bearing; we

turned from our scraping and twisting of things and words; we paused

from our hurrying hither and thither and walking up and down, and asked

in half-whisper: this Death--is this Life? And is its beauty real or

false? And of this heart-questioning I am writing.

* * * * *

My friend, who is pale and positive, said to me yesterday, as the tired

sun was nodding:

"You are too sensitive."

I admit, I am--sensitive. I am artificial. I cringe or am bumptious or

immobile. I am intellectually dishonest, art-blind, and I lack humor.

"Why don't you stop all this?" she retorts triumphantly.

You will not let us.

"There you go, again. You know that I--"

Wait! I answer. Wait!

I arise at seven. The milkman has neglected me. He pays little attention

to colored districts. My white neighbor glares elaborately. I walk

softly, lest I disturb him. The children jeer as I pass to work. The

women in the street car withdraw their skirts or prefer to stand. The

policeman is truculent. The elevator man hates to serve Negroes. My job

is insecure because the white union wants it and does not want me. I try

to lunch, but no place near will serve me. I go forty blocks to

Marshall's, but the Committee of Fourteen closes Marshall's; they say

white women frequent it.

"Do all eating places discriminate?"

Darkwater: Voices from Within the Veil · 第 33 / 40 题