THE SOULS OF WHITE FOLK

High in the tower, where I sit above the loud complaining of the human

sea, I know many souls that toss and whirl and pass, but none there are

that intrigue me more than the Souls of White Folk.

Of them I am singularly clairvoyant. I see in and through them. I view

them from unusual points of vantage. Not as a foreigner do I come, for I

am native, not foreign, bone of their thought and flesh of their

language. Mine is not the knowledge of the traveler or the colonial

composite of dear memories, words and wonder. Nor yet is my knowledge

that which servants have of masters, or mass of class, or capitalist of

artisan. Rather I see these souls undressed and from the back and side.

I see the working of their entrails. I know their thoughts and they know

that I know. This knowledge makes them now embarrassed, now furious.

They deny my right to live and be and call me misbirth! My word is to

them mere bitterness and my soul, pessimism. And yet as they preach and

strut and shout and threaten, crouching as they clutch at rags of facts

and fancies to hide their nakedness, they go twisting, flying by my

tired eyes and I see them ever stripped,--ugly, human.

The discovery of personal whiteness among the world's peoples is a very

modern thing,--a nineteenth and twentieth century matter, indeed. The

ancient world would have laughed at such a distinction. The Middle Age

regarded skin color with mild curiosity; and even up into the eighteenth

century we were hammering our national manikins into one, great,

Universal Man, with fine frenzy which ignored color and race even more

than birth. Today we have changed all that, and the world in a sudden,

emotional conversion has discovered that it is white and by that token,

wonderful!

This assumption that of all the hues of God whiteness alone is

inherently and obviously better than brownness or tan leads to curious

acts; even the sweeter souls of the dominant world as they discourse

with me on weather, weal, and woe are continually playing above their

actual words an obligato of tune and tone, saying:

"My poor, un-white thing! Weep not nor rage. I know, too well, that the

curse of God lies heavy on you. Why? That is not for me to say, but be

brave! Do your work in your lowly sphere, praying the good Lord that

into heaven above, where all is love, you may, one day, be born--white!"

Darkwater: Voices from Within the Veil · 第 14 / 40 题