ANOTHER MESSAGE

When Ruth left the train and took the stage for Longfields her spirit

was in revolt--in revolt against herself, against Cyrus and against the

progress of the vehicle. But any vehicle, however fast, would have been

too slow on that afternoon. She left the conveyance at Cyrus Alton's

driveway. This was her first visit to the Alton's home since her sudden

departure, so many years ago. And now, as she walked toward the house,

almost every foot of ground, every object in the spacious yard, the

old maples and the house itself, seemed accusing her of treason and

of heartless murder. From every side, however, came pleasant memories

of bygone days,--like flowers in a forsaken garden. And all of Cyrus!

Never was a yard so full of history. And now that Cyrus was gone--gone

forever, driven from the world by her own cruelty,--her over sensitive

spirit writhed beneath the stings of conscience. Every recollection

seemed to increase her guilt. Hardest to bear, in all this vista of the

past, was the clear, undying fact that the cherubic, sleepy eyed little

boy always stood between herself and trouble.

These memories overwhelmed her. There was the old maple in whose shade

she and Drowsy played keeping house. They pretended Zac was President

of the United States who had dropped in for dinner. Only gingerbread

and sour grapes were served and Drowsy gave her the biggest half of the

gingerbread because she, also, was a guest. Zac, always loyal, ate one

or two of the green grapes just because Cyrus did. And the stone wall

that saved their lives;--at least, she thought so when Mr. Randall's

horse came snorting toward them across the field, on the other side.

He seemed close at their heels when Cyrus boosted her up and pushed

her over before he climbed up himself. He pushed so hard--against that

part of the body on which we sit--that she landed on her face, and the

short, stiff blades of grass that had just been mowed, cut the inside

of her nose. She tried to smile as she remembered, with a gulp, that

although he was badly scared himself he was the last to climb over the

wall. Yes, he always gave her first chance at everything--in peace or

war!

And there the well, where she and Susie Jordan had a quarrel one Sunday

after Church, and Susie threw a dipperful of water on Ruth's head.

It spoiled her new hat and she burst into tears. Then Cyrus walked up

to Susie--Ruth could see him now as if it were yesterday--made one of

his lowest bows, as if to apologize in advance, then slapped her hard

on both cheeks. After slapping her he backed away a few steps and made

yet another profound obeisance, as a judge, after performing a painful

duty, might salute a prisoner of high degree.

But now she was in too great haste to linger long over memories, or

anything else. She hurried on to the house. Tearful, smiling, but on

the very edge of sobs, she rang the door bell. Too impatient to wait

she entered and walked into the sitting room. The same old sitting

room, and changed but little since she saw it last. On the walls the

same green paper, just a little more faded, perhaps, at certain places

where the morning sun had loitered. Almost covering the center table

were books, papers and magazines.

Joanna entered. The greetings were cordial. Then, for a few moments

they sat facing each other, Ruth in an arm chair, Joanna on the old

sofa.

In a casual way, Ruth remarked:

"I suppose Cyrus is out in the old barn, hard at work on his new

machine."

"Not now. It is all finished."

"Is it there now,--the machine?"

"No, he went away in it."

"When did he go?"

"Last night."

"Where has he gone?"

"I don't know."

Ruth leaned back in her chair and the color left her face.

"Oh, Miss Ruth, are you ill?"

"No, no! I am not ill. But didn't he say when he was coming back?"

"He said he might not be back for some days. But he has often done

that."

Ruth suddenly jumped from her chair, began walking about the room, and

exclaimed:

"He's a contemptible thing!"

"Not Cyrus?"

"Yes, Cyrus. And what a fool! Oh, what a fool!"

Into Joanna's placid, serious face came a look of amazement.

"You don't mean to say, Miss Ruth, that, Cyrus--is

a--contemptible--thing and--and a fool!"

"That's just exactly what I mean. He's a fool--a contemptible, weak,

half-hearted, easily discouraged, stupid fool!"

Ruth was clearly excited. She spoke rapidly and with vehemence,

marching to and fro as if lashed to fury by some strange obsession. As

Joanna watched the little figure she could hardly believe that this was

the ever gentle Ruth Heywood of her acquaintance.

Ruth went on: "Not a speck of perseverance! And what a coward! I never

suspected he was such a hopeless coward!"

"Cyrus a coward! Oh, but--Miss Ruth, you really----"

"Of course he's a coward! Why has he run away? Do brave men run away?

No. Cowards run away. A mean, contemptible thing. That covers it. A

contemptible cowardly act by a contemptible, cowardly man. And so

ungrateful! Even as a boy he was ungrateful."

Now, to Joanna, who had known Cyrus intimately since the age of seven,

he was the one perfect thing in creation. Morally he was an example

for the angels; mentally the wonder of the age. So, being a somewhat

literal person, these words came like stabs from a dagger and struck

deep into her own heart. But she answered--more in sadness than in

anger:

"I really can't imagine anybody thinking Cyrus ungrateful."

"Well, I do! He has no real love for anybody but himself. He thinks

only of himself; only of himself!"

"Why, Miss Ruth, when Mrs. Eagan was laid up for nearly a whole summer,

years ago, Cyrus took her a bowl of ice cream himself, every Sunday,

after our own dinner. We had ice cream once a week. He was nothing but

a boy then, but he----"

"Of course he did! Why not? Any boy would carry ice cream--just for the

sake of holding it."

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