CHAPTER XVII

LIVE COALS FROM MISS CLENDENNING'S WOOD-FIRE

His good-byes said, one absorbing thought now filled Oliver's mind--to

reach Kennedy Square on the wings of the wind and there to pour into

the ears of his mother and Miss Lavinia, and of anyone else who would

listen, the whys and wherefores of his love for Margaret, with such

additional description of her personal charms, qualities, and talents

as would bring about, in the shortest possible time, the most amicable

of relations between Kennedy Square and Brookfield Farm. He was

determined that his mother should know her at once. He knew how strong

her prejudices were and what her traditions would cause her to think of

a woman who led the life that Margaret did, but these things did not

deter him. A new love now filled his heart--another and a different

kind of love from the one he bore his mother. One that belonged to him;

one that was his own and affected his life and soul and career. He was

prepared to fight even harder for this desire of his soul than for his

art.

There being no air-ships available for immediate charter, nor big

balloons waiting for passengers, with sand-bags ready for instant

unloading, nor any underground pneumatic tubes into which he could be

pumped and with a puff landed on his own doorstep in Kennedy Square,

the impatient lover was obliged to content himself with the back seat

of the country stage and a night ride in the train down the valley.

Then came a delay of a week in New York waiting for the return of Mr.

Slade to the city--"whom you must by all means see before coming home,"

so his mother's letter ran. This delay was made bearable by Waller,

Bowdoin, and old Professor Cummings who went into spasms of delight

over the boys' sketches. Waller especially predicted a sure future for

him if he would have the grit to throw overboard every other thing he

was doing and "stick it out and starve it out" until he pulled through

and became famous.

Mr. Slade, while welcoming him with both hands, was not so cheering.

The financial and political situations were no better, he said. They

had really become more alarming every day. The repudiation of Northern

accounts by Southern merchants had ceased--at least some of Morton,

Slade & Co.'s customers had redeemed their obligations and had

forwarded them their overdue remittances, tiding them over for a

time--but no one could say what was in store for any firm whose

business lay largely in the Southern States. He would, however, make

his word good. Oliver's situation was still open, and he could again

occupy his desk as soon as he returned from Kennedy Square. The length

of his service depended entirely on whether the country would go to war

or whether its difficulties could be satisfactorily settled in the next

Congress.

But none of these things--none of the more depressing ones--dulled for

an instant the purpose or chilled the enthusiasm of our young lover.

Wars, pestilence, financial panics and even social tidal-waves might

overwhelm the land and yet not one drop of the topmost edge of the

flood could wet the tips of his high-stepping toes: Margaret was his;

he trod an enchanted realm.

An enthusiasm of equal intensity, but of quite a different kind, had

taken possession of the Horn mansion as the hour of Oliver's arrival

approached, as anyone would have noticed who happened to be inside its

hospitable walls. Something out of the common was about to happen.

There was an unusual restlessness in Malachi totally at variance with

his grave and dignified demeanor. His perturbation was so great that he

even forgot the time-honored custom of wheeling his master's chair into

position and the equally time-honored salutation of "yo' chair's all

ready, Marse Richard." It was noticed, too, that he could not keep out

of the hall. Richard had to speak to him twice and Mrs. Horn had lifted

her head in astonishment when that hitherto attentive darky handed her

Richard's spectacles instead of her own. Or he would start to enter the

dining-room, his hands laden with plates, or the library, his arms

filled with logs to replenish the fire, and then stop suddenly and

listen with one foot raised, standing like an old dog locating a

partridge. So nervous did he become as the twilight deepened, and he

began to set the table for supper, that he dropped a cup, smashing it

into atoms, a thing that had not happened to him before in twenty

years--one of the blue and gilt--priceless heirlooms in the family, and

only used when a distinguished guest was expected. At another time he

would have dropped the whole tray with everything upon it, had not Aunt

Hannah saved it in time. How she came to be in the pantry with her two

eyes on the front door, when her place was in the kitchen with both of

them on the pots and kettles, no one could tell. Everything seemed to

be at sixes and sevens in the old house that night.

And the other members of the household inside the drawing-room seemed

just as restless. Richard, who had raked the coals of his forge, closed

the green door of his workshop, and had dressed himself an hour earlier

than usual, much to Malachi's delight, became so restless that he got

up from his easy-chair half a dozen times and roamed aimlessly about

the room, stopping to pick up a book, reading a line and laying it down

again. Mrs. horn dropped so many stitches that she gave up in despair,

and said she believed she would not knit.

Malachi heard him first.

"Dat's him--dat's Marse Ollie," he cried. "I know dat knock. Here he

is, Mistis. Here he is!" He sprang forward, threw wide the door and had

him by the hand before the others could reach him.

"Fo' Gawd, Marse Ollie, ain't ol' Malachi glad ter git his han's on yer

once mo'!"

It was unseemly and absurd how the old man behaved!

And the others were not far behind.

"My boy," exclaimed Mrs. Horn, as she held him close to her breast.

There are few words spoken in times like this.

Richard waited behind her until that imperceptible moment of silence

had passed--the moment a mother gets her arms around the son she loves.

Then when the sigh of restful relief that always follows had spent

itself, and she had kissed him with his cheek held fast to hers, Oliver

loosened his hold and threw his arms about his father's neck, patting

him between his shoulder-blades as he kissed him.

"Dear old dad! Oh, but it's good to get home! And Aunt Hannah, you

there?" and he extended his hand while his other arm was still around

his father's neck.

"Yas, Marse Oilie, dat's me; dat's ol' Hannah," and she stepped closer

and grasped his outstretched hand, smoothing it as she spoke. "Lord,

Marse Ollie, but ain't you filled out? You is de probable son, sho',

honey, come home to yo' people."

But Oliver was not through with Malachi. He must take both of his hands

this time and look into his eyes. It was all he could do to keep from

hugging him. It would not have been the first time.

"Been well, Mallie?"

Of course he had been; he saw it in his face. It was only to say

something to which the old darky could reply to--to keep in touch with

him--to know that he was speaking to this same old Malachi whom he had

so dearly loved.

"Middlin' po'ly, yas--middlin' po'ly, suh."

Malachi had not the slightest idea what he was talking about. He had

not been sick a minute since Oliver left. His heart was too near

bursting with pride at his appearance and joy over his return for his

mind to work intelligently.

"Dem Yankees ain't sp'iled ye; no, dey ain't. Gor-a-mighty, ain't

Malachi glad." Tears were standing in his eyes now. There was no one

but Richard he loved better than Oliver.

No fatted calf was spitted and roasted this night on Aunt Hannah's

swinging crane for this "probable son," but there was corn-pone in

plenty and a chafing dish of terrapin--Malachi would not let Aunt

Hannah touch it; he knew just how much Madeira to put in; Hannah always

"drowned" it, he would say. And there was sally-lunn and Maryland

biscuit; here, at last, Aunt Hannah was supreme--her elbows told the

story. And last of all there was a great dish of escalloped oysters

cooked in fossil scallop shells thousands of years old, that Malachi

had himself dug out of the marl-banks at Yorktown when he was a boy,

and which had been used in the Horn family almost as many times as they

were years old. Oh, for a revival of this extinct conchological

comfort! But no! It is just as well not to recall even the memories of

this toothsome dish. There are no more fossils, neither at Yorktown nor

anywhere else, and no substitute in china, tin, or copper will be of

the slightest use in giving their flavor.

Supper served and over, with Oliver jumping up half a dozen times to

kiss his mother and plumping himself down again to begin on another

relay of pone or terrapin or oysters, much to Malachi's delight ("He do

eat," he reported to Aunt Hannah. "I tell ye. He's bearin' very heavy

on dem scallops. Dat's de third shell.")--the doors were opened with a

flourish, and the three, preceded by Malachi, entered the drawing-room

in time to welcome the neighbors.

Nathan, who was already inside sitting by the fire, his long, thin legs

stretched out, his bunchy white hair, parted in the middle, falling to

his collar's edge, sprang up and shook Oliver's hand heartily. He had

charged Malachi, when he admitted him, to keep his presence secret. He

wanted them to have Oliver all to themselves.

Miss Clendenning entered a moment later with both hands held out. She

would not stop in the hall to unwind her nubia or take off her little

fur boots, but motioned Oliver to her knees after she had kissed him

joyously on both cheeks, and held out those two absurd little feet for

his ministrations, while Mrs. Horn removed her nubia and cloak.

The rat-a-tat at the door was now constant. Judge Bowman and old Dr.

Wallace and four or five of the young men, with the young girls,

entered, all with expressions of delight at Oliver's return home, and

later, with the air of a Lord High Mayor, Colonel John Clayton, of

Pongateague, with Sue on his arm. Clayton was always a picture when he

entered a room. He stood six feet and an inch, his gray hair brushed

straight back, his goatee curling like a fish-hook at its end.

"Handsome Jack Clayton" was still handsome at sixty.

After the Colonel had grasped Oliver's hand in his warmest manner, Sue

laid all of her ten fingers in his. It was as good as a play to watch

the little witch's face as she stood for a moment and looked Oliver

over. She had not written to him for months. She had had half a dozen

beaus since his departure, but she claimed him all the same as part of

her spoils. His slight mustache seemed to amuse her immensely.

"Are you glad to see me, Ollie?" she asked, looking archly at him from

under her lashes.

"Why, Sue!"

Of course he was glad--for a minute--not much longer. How young she is,

he thought, how provincial. As she rattled on he noticed the mass of

ringlets about her face and the way her head was set on her shoulders.

Her neck, he saw, was much shorter than Margaret's, and a little out of

drawing. Nor was there anything of that fearless look or toss of the

head like a surprised deer, which made Margaret so distinguished.

Oliver had arrived at that stage in his affection when he compared all

women to one.

All this time Sue was reading his mind. Trust a young girl for that

when she is searching a former lover's eyes for what lies behind them.

She was evidently nettled at what she found and had begun by saying

"she supposed the Yankee girls had quite captured his heart," when the

Colonel interrupted her by asking Oliver whether the Northern men

really thought they could coerce the South into giving up their most

treasured possessions.

He had been nursing his wrath all day over a fresh attack made on the

South by some Northern paper, and Oliver was just the person to vent it

upon--not that he did not love the lad, but because he was fresh from

the despised district.

"I don't think they want to, sir. They are opposed to slavery and so

are a good many of us. You have a wrong idea of the life at the North,

Colonel. You have never been North, I believe?"

"No, my dear Oliver, and I never intend to. If ever I go it will be

with a musket. They have had it all their own way lately with their

Harriet Stowes, William Lloyd Garrisons, and John Browns; it is our

turn now."

"Who do you want to run through the body, Clayton?" asked Richard,

joining the group and laying his hands affectionately on the Colonel's

shoulders.

"Anybody and everybody, Richard, who says we are not free people to do

as we please."

"And is anybody really saying so?"

"Yes; you see it every day in every Northern editorial--another

to-day--a most villainous attack which you must read. These Puritans

have been at it for years. This psalm-singing crew have always hated

us. Now, while they are preaching meekness and lowliness and the rights

of our fellow-men--black ones they mean--they are getting ready to wad

their guns with their hymn-books. It's all a piece of their infernal

hypocrisy!"

"But why should they hate us, Clayton?" asked Richard in a

half-humorous tone. He had no spirit of contention in him to-night, not

with Oliver beside him.

"Because we Cavaliers are made of different stuff; that's why! All this

talk about slavery is nonsense. These Nutmeg fellows approved of

slavery as long as they could make a dollar out of the traffic, and

then, as soon as they found out that they had given us a commercial

club with which to beat out their brains, and that we were really

dominating the nation, they raised this hue and cry about the

downtrodden negro and American freedom and the Stars and Stripes and a

lot of such tomfoolery. Do you know any gentleman who beats his

negroes? Do you beat Malachi? Do I beat my Sam, whom I have brought up

from a boy and who would lay down his life any day for me? I tell you,

Richard, it is nothing but a fight for financial and political mastery.

They're afraid of us; they've been so for years. They cried 'Wolf' when

the fugitive slave law was passed and they've kept it up ever since."

"No, I don't believe it," exclaimed Richard, with a positive tone in

his voice "and neither do you, Clayton. It's largely a question of

sentiment. They don't believe one man should hold another in bondage."

"That's where you are wrong. They don't care a fippenny bit about the

negro. If they ever succeed in their infernal purpose and abolish

slavery, and set the negro adrift, mark my words, they won't live with

him, and they won't let him come North and work alongside of their own

people. They'll throw him back on us after they have made a beggar and

a criminal of him. Only a Southerner understands the negro, and only a

Southerner can care for him. See what we have done for them! Every

slave that landed on our shores we have changed from a savage into a

man. They forget this."

Judge Bowman joined in the discussion--so did Dr. Wallace. The Judge,

in his usual ponderous way, laid down the law, both State and

National--the Doctor, who always took the opposite side in any

argument, asking him rather pointed questions as to the rights of the

Government to control the several States as a unit.

Richard held his peace. He felt that this was not the night of all

others to discuss politics, and he was at a loss to understand the

Colonel's want of selfrestraint. He could not agree with men like

Clayton. He felt that the utterance of such inflammatory speeches only

added fuel to the smouldering flame. If the ugly jets of threatening

smoke that were creeping out everywhere because of the friction between

the two sections were in danger of bursting into flame, the first duty

of a patriot, according to his creed, was to stand by with pails of

water, not with kegs of gunpowder. So, while Clayton's outspoken tirade

still filled the room, he with his usual tact did all he could to

soften the effect of his words. Then again, he did not want Oliver's

feelings hurt.

Malachi's entrance with his tray, just as the subject was getting

beyond control, put a stop to the discussion. The learned group of

disputants with the other guests quickly separated into little

coteries, the older men taking their seats about an opened card-table,

on which Malachi had previously deposited several thin glasses and a

pair of decanters, the ladies sitting together, and the younger people

laughing away in a corner, where Oliver joined them.

Richard and Nathan, now that the danger was averted (they were both

natural born peace-makers), stepped across the room to assist in

entertaining Miss Clendenning. The little lady had not moved from the

chair in which she sat when Oliver relieved her of her fur boots. She

rarely did move when once she had chosen a place for herself in a

drawing-room. She was the kind of woman who could sit in one place and

still be surrounded--by half-moons of adorers if she sat against the

wall, by full moons if she sat in the open. She had learned the art

when a girl.

"If Clayton would go among these people, my dear Lavinia," said

Richard, in a deprecating tone, drawing up a chair and seating himself,

beside her, "he would find them very different from what he thinks.

Some of the most delightful men I have ever met have come from the

States north of us. You know that to be so."

"That depends, Richard, on how far North you go," Miss Clendenning

answered, spreading her fan as she spoke, looking in between the sticks

as if searching for specimens. "In Philadelphia I find some very

delightful houses, quite like our own. In New York--well, I rarely go

to New York. The journey is a tiresome one and the hotels abominable.

They are too busy there to be comfortable, and I do not like noisy,

restless people. They give me a headache."

"Oliver has met some charming people, he tells me," said Richard. "Mr.

Slade took him into his own home and treated him quite like a son."

"Of course he did; why not?" Miss Clendenning was erect now, her eyes

snapping with roguish indignation. "Anybody would be glad to take

Oliver into their home, especially when they have two marriageable

daughters. Oliver's bow as he enters a room is a passport to any

society in the world, my dear Richard. My Lord Chesterfield Clayton has

no better manners nor any sweeter smile than our own Lorenzo. Watch

Oliver now as he talks to those girls."

Richard had been watching him; he had hardly taken his eyes from him.

Every time he looked at him his heart swelled the more with pride.

"And you think, Lavinia, Mr. Slade invited him because of his manners?"

He was sure of it. He only wanted her to confirm it.

"Of course. What else?" and she cut her eye at him knowingly. "How many

of the other clerks did he invite? Not one. I wanted to find out and I

made Ollie write me. They are queer people, these Northerners. They

affect to despise good blood and good breeding and good manners. That's

all fol-de-rol--they love it. They are eternally talking of

equality--equality; one man as GOOD as another. When they say that one

man is as GOOD as another, Richard, they mean that THEY are as good,

never the other poor fellow."

"Now, my dear Lavinia, stop a moment," laughed the inventor in protest.

"You do not mean to say there are really no gentlemen north of us?"

"Plenty of gentlemen, Richard, but few thoroughbreds. There is a

distinction, you know."

"Which do you value most?"

"Oh, the thoroughbred. A gentleman might some time offend you by

telling you the truth about yourself or your friends. The thoroughbred,

never," and she lifted her hands in mock horror.

"And he could be a rogue and yet his manners would save him?"

"Quite true, dear Richard, quite true. The most charming man I ever met

except your dear self"--and she smiled graciously and lowered her voice

as if what she was about to tell was in the strictest confidence--"was

a shrivelled-up old prince who once called on my father and myself in

Vienna. He was as ugly as a crab, and walked with a limp. There had

been some words over a card-table, he told me, and the other man fired

first. I was a young girl then, but I have never forgotten him to this

day. Indeed, my dear Nathan," and she turned to the old musician and

laid her wee hand confidingly on his knee, "but for the fact that the

princess was a most estimable woman and still alive, I might have

been--well, I really forget what I might have been, for I do not

remember his name, but it was something most fascinating in five or six

syllables. Now all that man ever did to make that unaccountable

impression upon me was just to pick up my handkerchief. Oh, Nathan, it

really gives me a little quiver to this day! I never watch Oliver bow

but I think of my prince. Now I have never found that kind of quality,

grace, bearing, presence--whatever you may choose to call it--in the

Puritan. He has not time to learn it. He despises such subtle

courtesies. They smack of the cavalier and the court to him. He is

content with a nod of the head and a hurried handshake. So are his

neighbors. They would grow suspicious of each other's honesty if they

did more. Tut, tut, my dear Richard! My prince's grooms greeted each

other in that way."

Richard and Nathan laughed heartily. "And you only find the manners of

the ante-chamber and the throne-room South?" asked the inventor.

"Um--not always. It used to be so in my day and yours, but we are

retrograding. It is unpardonable in our case because we have known

better. But up there" (and she pointed in the direction of the North

Star) "they never did know better; that's some excuse for them."

"Ah, you incorrigible woman, you must not talk so. You have not seen

them all. Many of the men who do me the honor to come to my workroom

are most delightful persons. Only last week there came one of the most

interesting scientists that I have met for--"

"Of course, of course, I have not a doubt of it, my dear Richard, but I

am talking of men, my friend, not dried mummies."

Again Richard laughed. One of his greatest pleasures was to draw Miss

Clendenning out on topics of this class. He knew she did not believe

one-half that she said. It was the way she parried his thrusts that

delighted him.

"Well, then, take Mr. Winthrop Pierce Lawrence. No more charming

gentleman ever entered my house. You were in London at the time or you

would certainly have dined with him here. Mr. Lawrence is not only

distinguished as a statesman and a brilliant scholar, but his manners

are perfect."

Miss Clendenning turned her head and looked at Richard under her

eyelashes. "Where did you say he was from?"

"Boston."

"Boston?" A rippling, gurgling laugh floated through the room.

"Yes, Boston. Why do you laugh?"

"Bostonians, my dear Richard, have habits and customs, never manners.

It is impossible that they should. They are seldom underbred, mind you,

they are always overbred, and, strange to say, without the slightest

sense of humor, for they are all brought up on serious isms and solemn

fads. The excitement we have gone through over this outrageous book of

this Mrs. Stowe's and all this woman movement is but a part of their

training. How is it possible for people who believe in such dreadful

persons as this Miss Susan Anthony and that Miss--something-or-other--I

forget her name--to know what the word 'home' really means and what

graces should adorn it? They could never understand my ugly prince, and

he?--well, he would be too polite to tell them what he thought of them.

No, my dear Richard, they don't know; they never will know, and they

never will be any better."

Oliver had crossed the room and had reached her chair.

"Who will never be any better, you dear Midget?" he cried.

"You, you dear boy, because you could not. Come and sit by me where I

can get my hand on you. If I had my way you would never be out of reach

of my five fingers."

Oliver brought up a stool and sat at her feet.

"Your Aunt Lavinia, Ollie," said Richard, rising to his feet (this

relationship was of the same character as that of Uncle Nathan Gill),

"seems to think our manners are retrograding."

"Not yours?" protested Oliver, with a laugh, as he turned quickly

toward Miss Clendenning.

"No, you sweetheart, nor yours," answered Miss Clendenning, with a

sudden burst of affection. "Come, now, you have lived nearly two years

among these dreadful Yankees--what do you think of them?"

"What could I think of people who have been so kind to me? Fred Stone

has been like a brother, and so has everybody else."

Mrs. Horn had joined the group and sat listening.

"But their manners, my son," she asked. "Do you see no difference

between them and--and--and your father's, for instance?" and she

motioned toward Richard who was now moving across the room to speak to

other guests.

"Dad is himself and you are yourself and I am myself," replied Oliver

with some positiveness. "When people are kind I never stop to think how

they do it."

"Lovely," Miss Clendenning whispered to Nathan. "Spoken like a

thoroughbred. Yes, he is BETTER than my ugly prince. He would always

have remembered how they did it."

"And you see no difference either in the ladies?" continued Mrs. Horn,

with increasing interest in her tones. "Are the young girls as sweet

and engaging?" She had seen Margaret's name rather often in his letters

and wondered what impression she had made upon him. Oliver's eyes

flashed and the color mounted to his cheeks. Miss Clendenning saw it

and bent forward a little closer to get his answer.

"Well, you see, mother, I do not know a great many, I am so shut up.

Miss Grant, whom I wrote you about, is--well, you must see her. She is

not the kind of girl that you can describe very well--she really is not

the kind of girl that you can describe at all. We have been together

all summer, and I stopped at her father's house for a few days when I

came down from the mountains. They live in the most beautiful valley

you ever saw."

Miss Clendenning was watching him closely. She caught a look that his

mother had missed.

"Is she pretty, Ollie?" asked Miss Lavinia.

"She is better than pretty. You would not say the Milo was pretty,

would you? There is too much in her for prettiness."

"And are the others like her?" The little lady was only feeling about,

trying to put her finger on the pulse of his heart.

"No; there is nobody like her. Nobody I have ever met."

Miss Clendenning was sure now.

Malachi's second entrance--this time with the great china bowl held

above his head--again interrupted the general talk.

Since the memory of man no such apple-toddy had ever been brewed!

Even Colonel Clayton, when he tasted it, looked over his glass and

nodded approvingly at its creator--a recognition of genius which that

happy darky acknowledged by a slight bend of his back, anything else

being out of the question by reason of the size of the bowl he was

carrying and the presence of his master and of his master's guests.

This deposited on a side table, another bowl filled with Olio--a most

surprising and never-to-be-forgotten salad of chicken and celery and

any number of other toothsome things--was placed beside it, together

with a plate of moonshines and one of Maryland biscuits.

Then came some music, in which Oliver sang and Miss Clendenning played

his accompaniments--the old plantation melodies, not the new songs--and

next the "wrappings up" in the hall, the host and hostess and the whole

party moving out of the drawing-room in a body. Here Nathan, with great

gallantry, insisted on getting down on his stiff marrow-bones to put on

Miss Clendenning's boots, while the young men and Oliver tied on the

girls' hoods, amid "good-byes" and "so glads" that he could come home

if only for a day, and that he had not forgotten them, Oliver's last

words being whispered in Miss Clendenning's ear informing her that he

would come over in the morning and see her about a matter of the

greatest importance. And so the door was shut on the last guest.

When the hall was empty Oliver kissed his father good-night, and,

slipping his arm around his mother's waist, as he had always done when

a boy, the two went slowly upstairs to his little room. He could not

wait a minute longer. He must unburden his heart about Margaret. This

was what he had come for. If his mother had only seen her it would be

so much easier, he said to himself as he pushed open his bedroom door.

"You are greatly improved, my son," she said, with a tone of pride in

her voice. "I see the change already." She had lighted the candle and

the two were seated on the bed, his arm still around her.

"How, mother?"

"Oh, in everything. The boy is gone out of you. You are more reposeful;

more self-reliant. I like your modesty too." She could tell him of his

faults, she could also tell him of his virtues.

"And the summer has done you good," she continued. "I felt sure it

would. Mr. Slade has been a steadfast friend of yours from the

beginning. Tell me now about your new friends. This Miss Grant--is she

not the same girl you wrote me about, some mouths ago--the one who drew

with you at the art school? Do you like her people?" This thought was

uppermost in her mind--had been in fact ever since she first saw

Margaret's name in his letters.

"Her mother is lovely and she has got a brother--a Dartmouth man--who

is a fine fellow. I liked him from the first moment I saw him;" Oliver

answered simply, wondering how he would begin.

"Is her father living?"

"Yes."

"What kind of a man is he?"

"Well--of course, he is not like our people. He is a--well--he always

says just what he thinks, you know. But he is a man of character and

position." He was speaking for Margaret now. "They have more family

portraits than we have." This was said in a tone that was meant to

carry weight.

"And people of education?"

"Oh, I should certainly say so. It is nothing but books all over the

house. Really, he has more books than Dad." This statement was to

strengthen the one regarding the family ancestors--both telling

arguments about Kennedy Square.

"And this girl--is she a lady?"

The question somehow put to flight all his mental manoeuvres. "She is

more than a lady, mother. She is the dearest--" He stopped, hesitated

for an instant, and slipping his arm around his mother's neck drew her

close to him. Then, in a torrent of words--his cheeks against hers--the

whole story came out. He was a boy again now; that quality in him that

would last all his life. She listened with her eyes on the floor, her

heart torn with varying emotions. She was disturbed, but not alarmed.

One phase of the situation stood out clearly in her practical mind--his

poverty and the impossibility of any immediate marriage. Before that

obstacle could be removed she felt sure his natural vacillation

regarding women would save him. He would forget her as he had Sue.

"And you say her brother works in the fields and that her father and

mother permitted this girl to leave home and sit night after night with

you young men with no other protection than that of a common

Irishwoman?" There was a tone of censure now in her voice that roused a

slight antagonism in Oliver.

"Why not? What could harm her? There was no other place for her to go

where she could learn anything."

Mrs. Horn kept still for a moment, looking on the floor. Oliver sat

watching her face.

"And your family, my son," she protested with a certain patient

disapproval in her tones. "Do they count for nothing? I, of course,

would love anybody you would make your wife, but you have others about

you. No man has a right to marry beneath him. Do not be in a hurry over

this matter. Come home for your wife when you are ready to marry. Give

yourself time to compare this girl, who seems to have fascinated you,

with--Sue, for instance, or any of the others you have been brought up

with."

Oliver shrugged his shoulders at the mention of Sue's name. He had

compared her.

"You would not talk this way, dearie; if you could see her," he replied

in a hopeless way as if the futility of making his mother understand

was now becoming apparent to him. "She is different from anyone you

ever met--she is so strong, so fine--such a woman in all that the word

means. Not something you fondle and make love to, remember, but a woman

more like a Madonna that you worship, or a Greek goddess that you might

fear. As to the family part of it, I am getting tired of it all,

mother. What good is Grandfather Horn or anybody else to me? I have got

to dig my way out just as they did. Just as dear old Dad is doing. If

he succeeds in his work who will help him but himself? There have been

times when I used to love to remember him sitting by his reading-lamp

or with his violin tucked under his chin, and I was proud to think he

was my father. Do you know what sets my blood on fire now? It is when I

think of him standing over his forge and blowing his bellows, his hands

black with coal. I understand many things, dearie, that I knew nothing

about when I left home. You used to tell me yourself that everybody had

to work, and you sent me away to do it. I looked upon it then as a

degradation. I see it differently now. I have worked with all my might

all summer, and I have brought back a whole lot of sketches that the

boys like. Now I am going to work again with Mr. Slade. I do not like

his work, and I do love mine, but I am going to stick to his all the

same. I have got something to work for now," and his face brightened.

"I am going to win!"

She did not interrupt him. It was better he should unburden his heart.

She was satisfied with his record; if he went wrong she only was to

blame. But he was not going wrong; nor was there anything to worry

about--not even his art--not so long as he kept his place with Mr.

Slade and only took it up as a relaxation from more weighty cares. It

was only the girl that caused her a moment's thought.

She saw too, through all his outburst, a certain independence and a

fearlessness and a certain fixedness of purpose that sent an exultant

thrill through her even when her heart was burdened with the thought of

this new danger that threatened him. She had sent him away for the

fault of instability, and he had overcome it. Should she not now hold

fast, as she had before, and save him the second time from this girl

who was beneath him in station and who would drag him down to her

level, and so perhaps ruin him?

"We will not talk any more about it to-night, my son," she said, in

tender tones, leaning forward and kissing him on the cheek--it was

through his affections that she controlled him. "You should be tired

out with your day's journey and ought to rest. Take my advice--do not

ask her to be your wife yet. Think about it a little and see some other

women before you make up your mind."

A delicious tremor passed through Oliver. He HAD asked her, and she HAD

promised! He remembered just the very day, the hour, the minute. That

was the bliss of it all! But this he did not tell his mother. He would

not hurt her any further now. Some other day he would tell her; when

she could see Madge and judge for herself. No, not to-night, and so

with the secret untold he kissed her and led her to her room.

And yet strange to say it was the one only thing in all his life that

he had kept from her.

Ah! these mothers! who make lovers of their only sons, dominating their

lives! How bitter must be the hours when they realize that another's

arms are opening for them!

And these boys--what misgivings come; what doubts. How the old walls,

impregnable from childhood, begin to crumble! How little now the dear

mother knows--she so wise but a few moons since. How this new love

steps in front of the old love and claims every part of the boy as its

very own.

Faithful to her promise, Miss Clendenning waited the next morning for

Oliver in her little boudoir that opened out of the library. A bright

fire blazed and crackled, sending its beams dancing over the room and

lighting up the red curtains that hung behind her writing-desk, its top

covered with opened letters--her morning's mail: many bore foreign

postmarks, and not a few were emblazoned with rampant crests sunk in

little dabs of colored wax. She wore a morning gown of soft white

flannel belted in at the waist. Covering her head and wound loosely

about her throat was a fluff of transparent silk, half-concealing the

two nests of little gray and brown knots impaled on hair-pins. These

were the chrysalides of those gay butterfly side-curls which framed her

sweet face at night and to which she never gave wing until after

luncheon, no matter who called. The silk scarf that covered them this

morning was in recognition of Oliver's sex.

She had finished her breakfast and was leaning forward in her

rocking-chair, her elbows on her knees, her tiny feet resting on the

fender. She was watching the fire-fairies at work building up their

wonderful palaces of molten gold studded with opals and rubies. The

little lady must have been in deep thought, for she did not know Oliver

had entered until she felt his arm on her shoulder.

"Ah, you dear fellow. No, not there; sit right here on this cricket by

my side. Stop, do not say a word. I have been studying it all out in

these coals. I know all about it--it is about the mountain girl,

this--what do you call her?"

"Miss Grant."

"Nonsense! What do YOU call her?"

"Madge."

"Ah, that's something like it. And you love her?"

"Yes." (Pianissimo.)

"And she loves you?"

"YES." (Forte.)

"And you have told her so?"

"YES!" (Fortissimo.)

"Whew!" Miss Clendenning caught her breath and gave a little gasp.

"Well, upon my word! You don't seem to have lost any time, my young

Romeo. What does her father say?"

"He doesn't know anything about it."

"Does anybody except you two babes in the wood?"

"Yes, her mother."

"And yours? You told her last night. I knew you would."

"Not everything; but she is all upset."

"Of course she is. So am I. Now tell me--is she a LADY?"

"She is the dearest, sweetest girl you--"

"Come now, come now, answer me. They are all the dearest and sweetest

things in the world. What I want to know is, is she a lady?"

"Yes."

"True now, Ollie--honest?"

"Yes, in every sense of the word. A woman you would love and be proud

of the moment you saw her."

Miss Clendenning took his face in her hands and looked down into his

eyes. "I believe you. Now what do you want me to do?"

"I want her to come down here so everybody can see her. If I had a

sister she could invite her, and it would be all right, and maybe then

her mother would let her come."

"And you want me to play the sister and have her come here?"

Oliver's fingers closed tight over Miss Clendenning's hand. "Oh,

Midget, if you only would, that would fix everything. Mother would

understand then why I love her, and Madge could go back and tell her

people about us. Her father is very bitter against everybody at the

South. They would feel differently if Madge could stay a week with us."

"Why won't her father bring her?"

"He never leaves home. He would not even take her to the mountains,

fifteen miles away. She could never paint as she does if she had relied

upon him. Mother and Mr. Grant are both alike in their hatred of art as

a fitting profession for anybody, and I tell you that they are both

wrong."

Miss Clendenning looked up in surprise. She had never seen the boy take

a stand of this kind against one of his mother's opinions. Oliver saw

the expression on the little lady's face and kept on, his cheeks

flushed and a set look about his eyes.

"Yes, wrong. I have never believed mother could be wrong in anything

before, and when she wanted me to give up painting I did so because I

thought she knew best. But I know she's not right about Madge, and if

she is wrong about her, how do I know she was not wrong about my

working with Mr. Crocker?"

Margaret's words that day in the bark slant were now ringing in his

ears. He had never forgotten them--"Your mother cannot coddle you up

forever."

Miss Clendenning held her peace. She was not astonished at the revolt

in the boy's mind. She had seen for months past in his letters that

Oliver's individuality was asserting itself. It was the new girl whom

he was defending--the woman he loved. This had given him strength. She

knew something of what he felt, and she knew what blind obedience had

done for her. With a half-smothered sigh, she reached over Oliver's

head, dipped a quill pen in her inkstand, and at Oliver's dictation,

wrote Margaret's address.

"I will invite her at once," she said.

Long after Oliver had gone Miss Clendenning sat looking into the fire.

The palaces of rose and amber that the busy fingers of the fire fairies

had built up in the white heat of their enthusiasm were in ruins. The

light had gone out. Only gray ashes remained, with here and there a

dead cinder.

Miss Clendenning rose from her chair, stood a moment in deep thought,

and said, aloud:

"If she loves him, she shall have him. There shall be no more desolate

firesides if I can help it."

Early the next morning, she mailed by the first post a letter so dainty

in form and so delicate in color that only a turtle-dove should have

carried it to Brookfleld Farm, and have dropped it into Margaret's

hand. This billet-doux began by inviting Miss Margaret Grant of

Brookfield Farm to pass a week with Miss Lavinia Clendenning, of

Kennedy Square, she, Miss Lavinia, desiring to know the better one who

had so charmed and delighted "our dear Oliver," and ended with "Please

say to your good mother, that I am twice your age, and will take as

much care of you as if you were my own daughter. I feel assured she

will waive all ceremony when she thinks of how warm a greeting awaits

you."

Margaret looked at the post-mark, and then at the little oval of violet

wax bearing the crest of the Clendennings--granted in the time of Queen

Elizabeth for distinguished services to the Throne--and after she had

read it to her mother, and had shown the seal to her father, who had

put on his glasses, scanned it closely, and tossed it back to her with

a dry laugh, and after she had talked it all over with John, who said

it was certainly very kind of the woman, and that Oliver's people were

evidently "nobs," but, of course, Madge couldn't go, not knowing any of

them, Margaret took a sheet of plain white paper from her desk, thanked

Miss Clendenning for her kind thought of her, and declined the honor in

a firm, round hand. This she closed with a red wafer, and then, with a

little bridling of her head and a determined look in her face, she laid

the letter on the gate-post, ready for the early stage in the morning.

This missive was duly received by Miss Clendenning, and read at once to

Mrs. Horn, who raised her eyebrows and pursed her lips in deep thought.

After some moments she looked over her glasses at Miss Lavinia and said:

"I must say, Lavinia, I am very greatly astonished. Won't come? She has

done perfectly right. I think all the better of her for it. Really,

there may be something in the girl after all. Let me look at her

handwriting again--writes like a woman of some force. Won't come? What

do you think, Lavinia?"

"Merely a question of grandmothers, my dear; she seems to have had one,

too," answered the little old maid, with a quizzical smile in her eye,

as she folded the letter and slipped it in her pocket.

The Fortunes of Oliver Horn · 第 17 / 26 章