CHAPTER XXXII.

CORRESPONDENCE.

_From Clement Hazeldine to Hermia Rivers_.

"In the course of our many talks together, you have more than once

confided to me certain details of your earliest impressions and

recollections. What I now want you to do is, to shut your eyes and go

back in memory to those early days, and then to write down in detail,

and with careful minuteness, everything you can call to mind about

your childhood previously to your adoption by Uncle John and Aunt

Charlotte. I am afraid that all you can tell me will amount to very

little, but I want the information in question for a certain purpose,

about which I may have more to tell you by-and-bye. Meanwhile, I shall

await your reply with as much patience--or as little--as Providence

has seen fit to endow me with."

_From Hermia Rivers to Clement Hazeldine_.

"You are quite right in your assumption that anything I may be able to

tell you of my earliest recollections will amount to very little.

Until I heard from Uncle John the story of his adoption of me, I had

no absolute knowledge of any existence apart from, or prior to, my

life with him and Aunt Charlotte. It is true that I seemed to remember

certain people and certain incidents with whom or which uncle and aunt

seemed to be in no way mixed up, although there was nothing to prove

to me that I was not living under uncle's roof at the time to which

they referred. Indeed, so shadowy were they that at times there came

over me a doubt as to whether they had any basis of fact whatever; and

in any case they lived in my recollections as so many faded pictures,

which each year that passed tended to render dimmer and more

indistinct; and there is little question that had it not been for what

Uncle John told me they would by-and-bye have vanished utterly from my

memory.

"Uncle John, as you are aware, had no information to give me beyond

the fact that, after he had arranged to adopt me, I was taken to his

house one evening after dark by a respectable-looking, middle-aged

woman, who, judging from her appearance, might be the wife of a

well-to-do mechanic. Uncle asked no questions and the woman proffered

no statement. She was not more than five minutes in the house, and he

never saw her again.

"Well, Uncle John's statement threw me back upon myself, so to speak.

Again and again I went over my confused and half-forgotten

recollections, striving to piece them together, and bring them into

clearer relief, but to very little purpose, I'm afraid. However, I

will now proceed to sketch for you in outline the three incidents, if

I may term them such, which stand out most definitely in my memory as

evidently pertaining to a time which I now know must have been

anterior to that of my adoption.

"Incident the first. I see myself, as a very little girl, seated in a

shut-up carriage in company with a man and a woman, neither of whose

faces I can bring to mind. I am hugging to my breast a gaily-dressed

doll as my dearest earthly treasure. It is a gloomy evening, and the

rain is falling fast. I seem to have been in the carriage a long time,

jolting over the dreary country roads, but as to where I came from and

how I happened to be there at all, I can remember nothing whatever.

Then I seem to wake up from sleep, roused by the sudden stoppage of

the carriage, and, looking out, I see someone open two large iron

gates, which swing slowly back on their hinges. But what takes my

childish attention more than anything else is the fact that on the top

of one of the supporting pillars--I can only see one from where I

sit--there is fixed a strange-looking animal carved in stone, as it

might be a griffin, or a dragon, holding a shield between its paws.

But one half of the shield and one of the creature's paws are broken

away and missing, and I remember thinking how strangely forlorn it

looked in its maimed condition, and how the rain-drops, trickling from

the end of its nose, seemed like tears, so that I felt quite to pity

the poor thing.

"After that comes a blank.

"In the next scene of which I retain anything like a clear

recollection--although how long a time elapsed between it and the

preceding one I am unable to say--I am in a gloomy panelled room, the

two high, narrow windows of which look out upon a small, semi-circular

lawn shut in by a tall hedge. A case-clock in one corner ticks slowly

and solemnly. Against the wall on one side of the room stands a tall

bureau of black oak carved with fruit and quaint figures. There is a

large open fireplace, in which a few embers glow faintly red. On two

high, straight-backed chairs sit two angular, straight-backed ladies;

both elderly, both with long, thin faces, both having the same cold,

unsympathetic eyes and the same frozen expression, and so much alike

generally, that I can only now conclude they must have been sisters.

As I stand before them in my white frock and bronze shoes, with my

hands behind my back, I glance timidly from one to the other. They are

talking about me in a language I don't understand; but all the same, I

am quite aware that I am the subject of their conversation. It is

growing dusk, and presently a man--the same, I fancy, that was with me

in the carriage--brings in two lighted candles in silver candlesticks

on a silver tray, and sets them down on the table between the two

ladies. Then one of the ladies takes up the snuffers--also of

silver--and solemnly extinguishes one of the candles. Somehow, I have

an impression, how or whence derived I am quite at a loss to know,

that it is a nightly custom for the manservant to bring in two lighted

candles, and for one of them to be at once put out.

"The manservant, having raked together the dying embers in the grate,

is on the point of leaving the room, when the same lady who had put

out the candle holds up her hand, covered with a black lace mitten, to

arrest him. 'You may take her away,' she says, evidently alluding to

me. 'I have no wish ever to see her again.' With that, the man leads

me by the hand from the room, and with the shutting of the door

everything becomes a blank again.

"Next I am in bed, where I am awakened by a kiss on my forehead. I

open two sleepy eyes, to see for a moment a tall figure in white

stealing from the room with a night-light in her hand. I do not see

her face, but something tells me it is one of the two ladies whom I

saw in the panelled room, but not the one who ordered me to be taken

away.

"Such, dear Clement, are the particulars of three scenes which live

more vividly in my memory than any others of a date prior to my

passing into the charge of Uncle John and Aunt Charlotte. I fail to

see how they can prove of the slightest service to you in the quest

you have undertaken for the sake of one who can but wish herself more

worthy of so much love and devotion."

_Clement Hazeldine to Hermia Rivers_.

"You were altogether wrong, dearest, in assuming that the particulars

which I received from you three days ago would prove of no service to

me, as shall now be demonstrated to you.

"All along--that is to say, from the time I became aware that Mr.

Hodgson had been practising in Stavering for considerably more than a

quarter of a century--the probability has seemed to me that the person

or persons who employed him as their agent in your case would be

found, if found at all, no great distance away from this place. In any

case, and more especially after the receipt of your letter, I

determined to make Stavering the centre of a systematic process of

search and inquiry, which I at once proceeded to put in execution.

'But a search for what?' I seem to hear you asking. You shall now be

told.

"The first thing I did was to hire a dog-cart, and in addition secure

the services of a driver who knew every road and lane for a dozen

miles round Stavering. Thus equipped, I began my quest. The object I

set before me first of all was to find a pair of old-fashioned lodge

gates, one of the pillars of which was surmounted by a griffin

rampant, or other heraldic monstrosity, supporting a broken shield,

but minus one of its paws. For two days I scoured the country roads

and byeways, but to no purpose. Plenty of lodge gates I saw,

surmounted, some of them, by one or another design in stone or stucco,

but nowhere the particular one I was in search of. This morning,

however, I was more fortunate.

"My driver had taken a road which we had not explored before. We had

not gone more than three miles when we came to a pair of lodge gates

of wrought iron, which drew my attention by their ruinous and

neglected condition. The driver stopped at my request and I alighted

in order to examine them more closely. The gates themselves, which

were of an intricate and finely-wrought pattern, and must at one time

have been very beautiful, were now thickly rusted and filthy with the

grime of years, and having fallen forward a little, hung loosely

together as though they were trying to support each other in their

hour of misfortune. The padlock and chain which fastened them seemed

to indicate that they were rarely, if ever, opened. Close by, however,

there was an arched entrance in the wall, evidently intended for

pedestrians, with a rude, unpainted door which formed a fitting

complement to the rusted gates. No figure of any kind crowned the

square freestone pillars on which the gates were hung, yet they seemed

to me to have a bare and unfinished aspect, as though they lacked some

crowning adornment.

"Pushing open the rude door, which yielded to my hand, I entered

the park. Inside were the remains of what had at one time been a

two-storied lodge, which was now little more than the skeleton of a

house, with huge gaps in its roof and a great part of its flooring

gone, and scarcely a whole pane in its window-frames. Unsightly weeds

and great prickly brambles grew all about, and, in short, the whole

scene was one of melancholy neglect and decay. Stepping backward a

pace or two, while wondering whether it would be worth my while to

sketch the ruined lodge and its surroundings, I caught my foot against

some hard substance in the rank grass, and with difficulty saved

myself from falling. On looking down to ascertain the nature of the

obstruction, my eyes caught sight of something which, as the saying

goes, brought my heart into my mouth. There, half-buried among the

docks and weeds, lay the identical object I had been at such pains to

find--your mutilated griffin to wit, with its broken shield. How it

had come there mattered nothing, but only that it was there. I drew a

long breath, feeling little doubt that I had now in my hands the

second link of the chain of which the first had been the tracing of

Mr. Hodgson. Where shall I find the third?

"The poor griffin, or whatever it may have been intended to represent,

was lying on its side and looking very forlorn and dirty indeed. The

first thing I did was to raise it into an upright position, then, with

my pocket-knife, I partially cleared a small space around it of weeds

and grass, and then I proceeded to make a sketch of it. That sketch I

now send you for the purpose of verification. It seems to me most

unlikely that there should have been two mutilated griffins and two

broken shields; still, that such may have been the case is by no means

impossible. But be that as it may, do not fail to drop me a line by

return post and let me know whether you recognize the creature as

being anything like the one seen by you that day out of the carriage

window while waiting for the opening of the park gates.

"As soon as I got back to the dog-cart I began to question the driver,

but all I could elicit from him was that the name of the mansion

inside the park, of which, however, nothing could be seen from the

lodge, is Broome, and that its sole inmate, with the exception of a

few domestics, is a certain Miss Pengarvon, a lady well advanced in

years, whom the fellow described in terse but caustic terms, as being

'a reg'lar old varmint, and no mistake.'

"To-morrow I shall prosecute my inquiries with regard to the aforesaid

Miss Pengarvon."

_Hermia Rivers to Clement Hazeldine_.

"The sketch you have sent me is an exact counterpart of the sculptured

creature seen by me so many years ago. The sight of it has brought

back the whole scene to my memory as freshly as if it belonged to

yesterday."

The Heart of a Mystery · 第 32 / 41 章