III

Three months later the editor of the _New York Monthly Journal_

received a letter from Craighouse. Adjusting his glasses, he settled

comfortably into his chair and read it.

"MY DEAR PATRON,--I hope you have not been disappointed at my lack

of articles, but, to be candid, I have not struck the proper mental

balance yet.

"England is delightful; England is absurd. I was on a bus

yesterday, and the conductress gave the signal to go ahead by

hammering the side with the fare-box. It fascinated me.

Incidentally, the girls have wonderful complexions over here, but

they do not dress as cleverly as ours. I know you will say it is

war-time, but nothing is powerful enough to interfere with anything

so fundamental as a woman's clothes." ("A bit labored, but quite

good," muttered the editor.)

"The country, as you know, is like a garden, with all a garden's

charm and limitations. I don't feel yet that I can take a deep

breath. There are woods; but the trees seem to huddle together for

want of space, and one always feels that just the other side of the

woods there is a town or a village. England is lovely, but I feel

the lack of immensity. To me, the whole effect is that the country

is complete; there is nothing more to do. Everything that can be

built has been built." ("And well built, too," muttered Mr.

Townsend.) "In fact, I don't see what there is over here to employ

to the full the brains, the nerves, and the imagination of a

full-blooded _homo_. Again I return to the garden simile. Is

the task of maintenance big enough for the splendid specimens of

manhood that England rears?

"I feel that there is something wrong with the public-school

system. Not that it is inefficient, but rather that it is too

thorough in its results. Judging superficially, of course, it seems

that the public school ignores the fact that every one is born an

individual, and proceeds to produce a type. To use a vulgarism, it

is a high-class scholastic sausage-machine. It takes in variegated

ingredients, and turns out uniformity of product. It instructs the

youth of the land in the manly virtues of past ages, but appears to

ignore the creative instinct. Public-school men are the Greek

chorus of England's national drama; they seldom provide either the

dramatist or the principal actors.

"My biggest disappointment has been the English stage. I know our

'playsmiths' are futile enough, but we would never endure in New

York what is put on at many first-class London theaters. At a time

when her grandsons from the four corners of the world are paying,

in most cases, their first visit to the Old Country, England offers

them the spectacle of a once classic stage given over to inanity

and vulgarity. Of course, there are two or three producers who

still maintain a commendable standard of art, but in the majority

of first-class London theaters one finds a coarseness of innuendo,

an utter lack of refinement, and an almost total elimination of

humor. In their musical shows the producers still go in for the

type of comedian known on Broadway as 'hard-boiled'--the kind that

carries his own jests in a valise, and whose _pièce de résistance_

is the word 'damn,' which seldom fails to convulse the audience. If

I may coin a phrase, I would say the aim of some London producers

is 'to be vulgar without being funny.'" ("I wonder if that is

original," observed the editor.)

"I like the restraint of the better English newspapers, and there

are still five or six monthly journals that demand a high standard

of writing from their contributors. Some of the popular English

magazines, however, publish stories that would hardly pass muster

as a blushing schoolgirl's first attempt at authorship. I remember

my mother used to say to me, 'Out of nothing, nothing comes.' She

had obviously never seen one of these fiction magazines.

"Judging by the advertisements in these publications and in the

society illustrated papers, I would say that manufacturing women's

underwear, or 'undies,' as they are coyly called, is the greatest

commercial industry here. The advertisements state that an officer

can send a lady a complete set of these garments with his

regimental crest on them. I am still trying to gauge the mental

attitude of an officer who would do so.

"The political situation puzzles me. Lloyd George looks like a

mighty big man, but he has to spend most of his time dodging

snipers from behind. Nero fiddled while Rome was burning, but a

certain section of the House of Commons goes in for absolute

symphonies while Britain is locked in the death-grip with Germany.

But she's a dear old country, and her people are as brave and

cheery as in the days when she was Merrie England, and not England

of Many Sorrows.

"To hear her people talk, you would think that the Canadians and

the Australians had done all the fighting, and that the United

States was the savior of the world; but I know there's hardly a

home in England or Scotland that hasn't lost a son--and often the

last son too. And when the old families send their boys, it's right

into the trenches, not back on the lines of communication.

"There--you can see why I have not written before. Incoherency

alone is hardly sufficient. I haven't seriously sorted my

impressions as yet. As you would say, the chaos has not yet become

cosmos.

"By-the-by, the British Navy mothered us from the coast of Ireland

like an eagle with her young.

"Every one is most cordial, and invitations are showered on us from

every quarter. I'm going to-morrow to visit the Earl of

Lummersdale, who seems to want to entertain a real, live American.

As I have six days' leave, I'm going to let him. They tell me he

comes of a very old family, so look out for an article on the

aristocracy.

"This letter is rambling most aimlessly. I suppose you are bored to

tears. Just a minute, till I read over what I have written....

Yes--I might add in my comments on the English theater that a chap

named Beecham is doing opera in English, and it's pretty nearly the

finest opera I have ever heard. Then, of course, Barrie produces a

play every now and then, just to show that he hasn't lost his

genius of tenderness and whimsical charm.

"Perhaps my visit to the Earl of Lummersdale will crystallize some

of my vagrant impressions. Good-by, dear patron.--Faithfully yours,

"LAWRENCE CRAIGHOUSE (Lt.),

"c/o American Officers' Club, London.

"P.S.--We're working like beavers getting things ready for the

American Army which is coming. It looks slow, but when Uncle Sam's

men are ready, Fritz is going to enjoy a real avalanche. This, I

promise you.

"L. C."

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