MR. CRAIGHOUSE OF NEW YORK, SATIRIST

I

A raw wind from the sea swept against the mammoth building of the

_New York Monthly Journal_. The editor of that classic publication

stretched his arms lazily, then crossed to the rattling window and

looked at Broadway, far beneath. A few belated flakes of snow mingled

with the dust that eddied about in little whirlpools of wind. Like

gnomes, the people hurried on in an endless diverging torrent of

humanity, slouch-hats of soldiers adding a strangely Western effect to

the usual bizarre scene.

The telephone rang, and the editor, Mr. E. H. Townsend, left the window

to answer it.

"Yes?" he said. "Mr. Craighouse? Send him right in."

He took from a drawer a box of notoriously expensive cigars, and laid

it on his desk. The reasonings of Dr. Watson himself could hardly have

failed to deduce that the visitor was of some importance.

A moment later a young man, in the uniform of a United States officer,

knocked, and, in response to the invitation, entered the inner temple.

Mr. Townsend offered him the arm-chair, and reached for the cigars.

"You look well in uniform," he said, after appropriate comments on the

April weather had been made by both.

"Thanks. I received your note this morning asking me to call."

"Ah yes. By-the-by, you are sailing soon, I believe?"

"Any time, now; naturally, we don't know to a day."

"What branch of the Service are you with?"

"The Engineers."

The editor thrust his hands into his pockets. "That is odd," he said.

"Did you know anything about engineering?"

"A little." The young man's voice was abrupt, but not unmusical. His

brain had always been alert, and army training was making his voice so.

"I was a science grad. at Harvard."

The editor gazed out of the window again. "You are a remarkable

combination, Mr. Craighouse," he said. "There is nothing more stifling

to the artistic nature than a purely scientific training; in fact, the

influence of this journal has always been used against absolutely

technical schools. Almost the first requisite of any artist is a keen

appreciation of the intangible; science deals only with things that can

be proved. I often nurse along a young writer if he is incoherent

because, as frequently happens, his temperament is greater than his

technique. Scientists always marshal their facts well, but they never

soar to the heights."

The editor tapped the window gently, the young officer gazing

quizzically at him the while. They were a strangely contrasted pair,

the editor in the autumn of life, with the calm voice and bearing of

one who has fastened routine to art, and become jaded in the process;

the young man keenly alert, with eyes that never lost their

restlessness, and thin, satirical lips that mocked the high forehead of

a philosopher.

"I am greatly interested in your writing," said the editor, after

rather a lengthy pause.

The Blower of Bubbles · 第 68 / 84 题